UPC · Release
Liverpool Oratorio
Paul McCartney
Last verified:
077775437126 is the Universal Product Code (UPC barcode) for the release “Liverpool Oratorio” by Paul McCartney, released 1991-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBCCS2200097, GBCCS0700554.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Liverpool Oratorio: Ia. War: Andante | — | ||
| 2 | Liverpool Oratorio: Ib. War: “Non nobis solum” (Boy Solo, Boys’ Choir, Chorus) | — | ||
| 3 | Liverpool Oratorio: Ic. War: “The air raid siren slices through” (Shanty, Chorus) | — | ||
| 4 | Liverpool Oratorio: Id. War: “Oh will it all end here?” (Shanty) | — | ||
| 5 | Liverpool Oratorio: Ie. War: “Mother and father holding their child” (Chorus) | — | ||
| 6 | Liverpool Oratorio: IIa. School: “We’re here in school today to get a perfect education” (Boys, Shanty, Headmaster) | — | ||
| 7 | Liverpool Oratorio: IIb. School: “Walk in single file” (Headmaster, Boys) | — | ||
| 8 | Liverpool Oratorio: IIc. School: “Settle down” (Boys) | — | ||
| 9 | Liverpool Oratorio: IId. School: “Kept in confusion” (Shanty, Men’s Chorus) | — | ||
| 10 | Liverpool Oratorio: IIe. School: “I’ll always be here” (Mary Dee, Women’s Chorus, Full Chorus, Shanty) | — | ||
| 11 | Liverpool Oratorio: IIf. School: “Boys, this is your teacher” (Headmaster, Boys, Miss Inkley) | — | ||
| 12 | Liverpool Oratorio: IIg. School: “Tres conejos” (Miss Inkley, Boys, Headmaster, Shanty) | — | ||
| 13 | Liverpool Oratorio: IIh. School: “Not for ourselves” (Boys, Chorus, Headmaster, Miss Inkley, Shanty, Women’s Chorus) | — | ||
| 14 | Liverpool Oratorio: IIIa. Crypt: “And so it was that I had grown” (Shanty) | — | ||
| 15 | Liverpool Oratorio: IIIb. Crypt: Dance | — | ||
| 16 | Liverpool Oratorio: IIIc. Crypt: “I used to come here when this place was a crypt” (Shanty, Preacher) | — | ||
| 17 | Liverpool Oratorio: IIId. Crypt: “Here now” (Shanty) | — | ||
| 18 | Liverpool Oratorio: IIIe. Crypt: “I’ll always be here” (Mary Dee, Women’s Chorus, Shanty) | — | ||
| 19 | Liverpool Oratorio: IIIf. Crypt: “Now’s the time to tell him” (Mary Dee, Chorus, Shanty) | — | ||
| 20 | Liverpool Oratorio: IVa. Father: Andante lamentoso – “Father, Father” (Chorus) | — | ||
| 21 | Liverpool Oratorio: IVb. Father: “O Father, you have given” (Chief Mourner, Women’s Chorus) | — | ||
| 22 | Liverpool Oratorio: IVc. Father: “(Ah) O Father, you have given” (Full Chorus, Chief Mourner) | — | ||
| 23 | Liverpool Oratorio: IVd. Father: “Hey, wait a minute” (Shanty) | — | ||
| 24 | Liverpool Oratorio: IVe. Father: “Father, Father, Father” (Chorus, Boys, Shanty, Chief Mourner) | — | ||
| 2-1 | Liverpool Oratorio: Va. Wedding: Andante amoroso – “I know” (Shanty, Mary Dee, Chorus) | — | ||
| 2-2 | Liverpool Oratorio: Vb. Wedding: “Father, hear our humble voices” (Boys, Preacher, Women’s Chorus, Full Chorus, Solo Quartet) | — | ||
| 2-3 | Liverpool Oratorio: Vc. Wedding: “Hosanna, Hosanna” (Chorus, Mary Dee, Shanty) | — | ||
| 2-4 | Liverpool Oratorio: VIa. Work: Allegro energico | — | ||
| 2-5 | Liverpool Oratorio: VIb. Work: “Working women at the top” (Women’s Chorus, Mary Dee) | — | ||
| 2-6 | Liverpool Oratorio: VIc. Work: Violin solo | — | ||
| 2-7 | Liverpool Oratorio: VId. Work: “Did I sign that letter that you typed up yesterday?” (Mary Dee, Women’s Chorus) | — | ||
| 2-8 | Liverpool Oratorio: VIe. Work: Tempo I | — | ||
| 2-9 | Liverpool Oratorio: VIf. Work: “When you ask a working man” (Men’s Chorus, Shanty, Mr. Dingle) | — | ||
| 2-10 | Liverpool Oratorio: VIg. Work: “Let’s find ourselves a little hostelry” (Mr. Dingle, Mary Dee) | Paul McCartney | — | |
| 2-11 | Liverpool Oratorio: VIIa. Crises: Allegro molto | — | ||
| 2-12 | The World You’re Coming Into | Kiri Te Kanawa, Royal Liverpool Philharmonic Orchestra, Carl Davis | — | |
| 2-13 | Liverpool Oratorio: VIIc. Crises: Tempo I | — | ||
| 2-14 | Liverpool Oratorio: VIId. Crises: “Where’s my dinner?” (Shanty, Mary Dee) | — | ||
| 2-15 | Liverpool Oratorio: VIIe. Crises: “Let’s not argue” (Shanty, Mary Dee) | — | ||
| 2-16 | Liverpool Oratorio: VIIf. Crises: “I’m not a slave” (Mary Dee, Shanty) | — | ||
| 2-17 | Liverpool Oratorio: VIIg. Crises: “Right! That’s it! I’m off!” (Mary Dee) | — | ||
| 2-18 | Liverpool Oratorio: VIIh. Crises: “Stop” (Chorus) | — | ||
| 2-19 | Liverpool Oratorio: VIIi. Crises: “Do you know who you are” (Nurse) | — | ||
| 2-20 | Liverpool Oratorio: VIIj. Crises: “Ghosts of the past left behind” (Boys, Men’s Chorus, Nurse, Women’s Chorus, Mary Dee, Shanty) | — | ||
| 2-21 | Liverpool Oratorio: VIIk. Crises: “Do we live in a world” (Mary Dee, Nurse, Shanty, Chorus) | — | ||
| 2-22 | Liverpool Oratorio: VIIIa. Peace: “And so it was that you were born” (Shanty, Boy Solo, Boys’ Choir) | — | ||
| 2-23 | Liverpool Oratorio: VIIIb. Peace: “God is good” (Men’s Chorus, Full Chorus) | — | ||
| 2-24 | Liverpool Oratorio: VIIIc. Peace: “What people want is a family life” (Preacher, Basses, Altos, Tenors, Boys, Full Chorus) | — | ||
| 2-25 | Liverpool Oratorio: VIIId. Peace: “Dad’s in the garden, he won’t speak to Mum” (Nurse, Mary Dee, Shanty, Preacher, Full Chorus, Solo Quartet) | — | ||
| 2-26 | Liverpool Oratorio: VIIIe. Peace: “So on and on the story goes” (Shanty, Mary Dee) | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 077775437126?
077775437126 is a Universal Product Code (UPC) assigned to Liverpool Oratorio by Paul McCartney. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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