Liverpool Oratorio

UPC · Release

Liverpool Oratorio

Paul McCartney

077775437126
50 tracksReleased 1991-01-01EMI Classics

Last verified:

077775437126 is the Universal Product Code (UPC barcode) for the release Liverpool Oratorio by Paul McCartney, released 1991-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBCCS2200097, GBCCS0700554.

Format

0Number system
77775Manufacturer
43712Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCLiverpool Oratorio
ISRC2 recordings
IPI3 songwriters

Track List (50)

Liverpool Oratorio: Ia. War: Andante
Liverpool Oratorio: Ia. War: Andante
Liverpool Oratorio: Ib. War: “Non nobis solum” (Boy Solo, Boys’ Choir, Chorus)
Liverpool Oratorio: Ib. War: “Non nobis solum” (Boy Solo, Boys’ Choir, Chorus)
Liverpool Oratorio: Ic. War: “The air raid siren slices through” (Shanty, Chorus)
Liverpool Oratorio: Ic. War: “The air raid siren slices through” (Shanty, Chorus)
Liverpool Oratorio: Id. War: “Oh will it all end here?” (Shanty)
Liverpool Oratorio: Id. War: “Oh will it all end here?” (Shanty)
Liverpool Oratorio: Ie. War: “Mother and father holding their child” (Chorus)
Liverpool Oratorio: Ie. War: “Mother and father holding their child” (Chorus)
Liverpool Oratorio: IIa. School: “We’re here in school today to get a perfect education” (Boys, Shanty, Headmaster)
Liverpool Oratorio: IIa. School: “We’re here in school today to get a perfect education” (Boys, Shanty, Headmaster)
Liverpool Oratorio: IIb. School: “Walk in single file” (Headmaster, Boys)
Liverpool Oratorio: IIb. School: “Walk in single file” (Headmaster, Boys)
Liverpool Oratorio: IIc. School: “Settle down” (Boys)
Liverpool Oratorio: IIc. School: “Settle down” (Boys)
Liverpool Oratorio: IId. School: “Kept in confusion” (Shanty, Men’s Chorus)
Liverpool Oratorio: IId. School: “Kept in confusion” (Shanty, Men’s Chorus)
Liverpool Oratorio: IIe. School: “I’ll always be here” (Mary Dee, Women’s Chorus, Full Chorus, Shanty)
Liverpool Oratorio: IIe. School: “I’ll always be here” (Mary Dee, Women’s Chorus, Full Chorus, Shanty)
Liverpool Oratorio: IIf. School: “Boys, this is your teacher” (Headmaster, Boys, Miss Inkley)
Liverpool Oratorio: IIf. School: “Boys, this is your teacher” (Headmaster, Boys, Miss Inkley)
Liverpool Oratorio: IIg. School: “Tres conejos” (Miss Inkley, Boys, Headmaster, Shanty)
Liverpool Oratorio: IIg. School: “Tres conejos” (Miss Inkley, Boys, Headmaster, Shanty)
Liverpool Oratorio: IIh. School: “Not for ourselves” (Boys, Chorus, Headmaster, Miss Inkley, Shanty, Women’s Chorus)
Liverpool Oratorio: IIh. School: “Not for ourselves” (Boys, Chorus, Headmaster, Miss Inkley, Shanty, Women’s Chorus)
Liverpool Oratorio: IIIa. Crypt: “And so it was that I had grown” (Shanty)
Liverpool Oratorio: IIIa. Crypt: “And so it was that I had grown” (Shanty)
Liverpool Oratorio: IIIb. Crypt: Dance
Liverpool Oratorio: IIIb. Crypt: Dance
Liverpool Oratorio: IIIc. Crypt: “I used to come here when this place was a crypt” (Shanty, Preacher)
Liverpool Oratorio: IIIc. Crypt: “I used to come here when this place was a crypt” (Shanty, Preacher)
Liverpool Oratorio: IIId. Crypt: “Here now” (Shanty)
Liverpool Oratorio: IIId. Crypt: “Here now” (Shanty)
Liverpool Oratorio: IIIe. Crypt: “I’ll always be here” (Mary Dee, Women’s Chorus, Shanty)
Liverpool Oratorio: IIIe. Crypt: “I’ll always be here” (Mary Dee, Women’s Chorus, Shanty)
Liverpool Oratorio: IIIf. Crypt: “Now’s the time to tell him” (Mary Dee, Chorus, Shanty)
Liverpool Oratorio: IIIf. Crypt: “Now’s the time to tell him” (Mary Dee, Chorus, Shanty)
Liverpool Oratorio: IVa. Father: Andante lamentoso – “Father, Father” (Chorus)
Liverpool Oratorio: IVa. Father: Andante lamentoso – “Father, Father” (Chorus)
Liverpool Oratorio: IVb. Father: “O Father, you have given” (Chief Mourner, Women’s Chorus)
Liverpool Oratorio: IVb. Father: “O Father, you have given” (Chief Mourner, Women’s Chorus)
Liverpool Oratorio: IVc. Father: “(Ah) O Father, you have given” (Full Chorus, Chief Mourner)
Liverpool Oratorio: IVc. Father: “(Ah) O Father, you have given” (Full Chorus, Chief Mourner)
Liverpool Oratorio: IVd. Father: “Hey, wait a minute” (Shanty)
Liverpool Oratorio: IVd. Father: “Hey, wait a minute” (Shanty)
Liverpool Oratorio: IVe. Father: “Father, Father, Father” (Chorus, Boys, Shanty, Chief Mourner)
Liverpool Oratorio: IVe. Father: “Father, Father, Father” (Chorus, Boys, Shanty, Chief Mourner)
Liverpool Oratorio: Va. Wedding: Andante amoroso – “I know” (Shanty, Mary Dee, Chorus)
Liverpool Oratorio: Va. Wedding: Andante amoroso – “I know” (Shanty, Mary Dee, Chorus)
Liverpool Oratorio: Vb. Wedding: “Father, hear our humble voices” (Boys, Preacher, Women’s Chorus, Full Chorus, Solo Quartet)
Liverpool Oratorio: Vb. Wedding: “Father, hear our humble voices” (Boys, Preacher, Women’s Chorus, Full Chorus, Solo Quartet)
Liverpool Oratorio: Vc. Wedding: “Hosanna, Hosanna” (Chorus, Mary Dee, Shanty)
Liverpool Oratorio: Vc. Wedding: “Hosanna, Hosanna” (Chorus, Mary Dee, Shanty)
Liverpool Oratorio: VIa. Work: Allegro energico
Liverpool Oratorio: VIa. Work: Allegro energico
Liverpool Oratorio: VIb. Work: “Working women at the top” (Women’s Chorus, Mary Dee)
Liverpool Oratorio: VIb. Work: “Working women at the top” (Women’s Chorus, Mary Dee)
Liverpool Oratorio: VIc. Work: Violin solo
Liverpool Oratorio: VIc. Work: Violin solo
Liverpool Oratorio: VId. Work: “Did I sign that letter that you typed up yesterday?” (Mary Dee, Women’s Chorus)
Liverpool Oratorio: VId. Work: “Did I sign that letter that you typed up yesterday?” (Mary Dee, Women’s Chorus)
Liverpool Oratorio: VIe. Work: Tempo I
Liverpool Oratorio: VIe. Work: Tempo I
Liverpool Oratorio: VIf. Work: “When you ask a working man” (Men’s Chorus, Shanty, Mr. Dingle)
Liverpool Oratorio: VIf. Work: “When you ask a working man” (Men’s Chorus, Shanty, Mr. Dingle)
Liverpool Oratorio: VIg. Work: “Let’s find ourselves a little hostelry” (Mr. Dingle, Mary Dee)
Liverpool Oratorio: VIg. Work: “Let’s find ourselves a little hostelry” (Mr. Dingle, Mary Dee)
Paul McCartney
Liverpool Oratorio: VIIa. Crises: Allegro molto
Liverpool Oratorio: VIIa. Crises: Allegro molto
The World You’re Coming Into
The World You’re Coming Into
Kiri Te Kanawa, Royal Liverpool Philharmonic Orchestra, Carl Davis
Liverpool Oratorio: VIIc. Crises: Tempo I
Liverpool Oratorio: VIIc. Crises: Tempo I
Liverpool Oratorio: VIId. Crises: “Where’s my dinner?” (Shanty, Mary Dee)
Liverpool Oratorio: VIId. Crises: “Where’s my dinner?” (Shanty, Mary Dee)
Liverpool Oratorio: VIIe. Crises: “Let’s not argue” (Shanty, Mary Dee)
Liverpool Oratorio: VIIe. Crises: “Let’s not argue” (Shanty, Mary Dee)
Liverpool Oratorio: VIIf. Crises: “I’m not a slave” (Mary Dee, Shanty)
Liverpool Oratorio: VIIf. Crises: “I’m not a slave” (Mary Dee, Shanty)
Liverpool Oratorio: VIIg. Crises: “Right! That’s it! I’m off!” (Mary Dee)
Liverpool Oratorio: VIIg. Crises: “Right! That’s it! I’m off!” (Mary Dee)
Liverpool Oratorio: VIIh. Crises: “Stop” (Chorus)
Liverpool Oratorio: VIIh. Crises: “Stop” (Chorus)
Liverpool Oratorio: VIIi. Crises: “Do you know who you are” (Nurse)
Liverpool Oratorio: VIIi. Crises: “Do you know who you are” (Nurse)
Liverpool Oratorio: VIIj. Crises: “Ghosts of the past left behind” (Boys, Men’s Chorus, Nurse, Women’s Chorus, Mary Dee, Shanty)
Liverpool Oratorio: VIIj. Crises: “Ghosts of the past left behind” (Boys, Men’s Chorus, Nurse, Women’s Chorus, Mary Dee, Shanty)
Liverpool Oratorio: VIIk. Crises: “Do we live in a world” (Mary Dee, Nurse, Shanty, Chorus)
Liverpool Oratorio: VIIk. Crises: “Do we live in a world” (Mary Dee, Nurse, Shanty, Chorus)
Liverpool Oratorio: VIIIa. Peace: “And so it was that you were born” (Shanty, Boy Solo, Boys’ Choir)
Liverpool Oratorio: VIIIa. Peace: “And so it was that you were born” (Shanty, Boy Solo, Boys’ Choir)
Liverpool Oratorio: VIIIb. Peace: “God is good” (Men’s Chorus, Full Chorus)
Liverpool Oratorio: VIIIb. Peace: “God is good” (Men’s Chorus, Full Chorus)
Liverpool Oratorio: VIIIc. Peace: “What people want is a family life” (Preacher, Basses, Altos, Tenors, Boys, Full Chorus)
Liverpool Oratorio: VIIIc. Peace: “What people want is a family life” (Preacher, Basses, Altos, Tenors, Boys, Full Chorus)
Liverpool Oratorio: VIIId. Peace: “Dad’s in the garden, he won’t speak to Mum” (Nurse, Mary Dee, Shanty, Preacher, Full Chorus, Solo Quartet)
Liverpool Oratorio: VIIId. Peace: “Dad’s in the garden, he won’t speak to Mum” (Nurse, Mary Dee, Shanty, Preacher, Full Chorus, Solo Quartet)
Liverpool Oratorio: VIIIe. Peace: “So on and on the story goes” (Shanty, Mary Dee)
Liverpool Oratorio: VIIIe. Peace: “So on and on the story goes” (Shanty, Mary Dee)

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

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People also ask

What is UPC 077775437126?
UPC 077775437126 is the Universal Product Code (barcode) for "Liverpool Oratorio" by Paul McCartney, released on EMI Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 077775437126?
UPC 077775437126 contains 50 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 077775437126?

077775437126 is a Universal Product Code (UPC) assigned to Liverpool Oratorio by Paul McCartney. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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