UPC · Release
The Art of Itzhak Perlman
Itzhak Perlman
Last verified:
077776461724 is the Universal Product Code (UPC barcode) for the release “The Art of Itzhak Perlman” by Itzhak Perlman, released 1993-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include GBAYC1501840, GBAYC8700991, GBAYC8700992.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in G minor, BWV 1056: I. Allegro | — | ||
| 2 | Violin Concerto in G minor, BWV 1056: II. Largo | — | ||
| 3 | Violin Concerto in G minor, BWV 1056: III. Presto | — | ||
| 4 | Partita №3 in E major, BWV 1006: I. Preludio | Itzhak Perlman | — | |
| 5 | Partita №3 in E major, BWV 1006: II. Loure | Itzhak Perlman | — | |
| 6 | Partita №3 in E major, BWV 1006: III. Gavotte en rondo | Itzhak Perlman | — | |
| 7 | Partita №3 in E major, BWV 1006: IV. Menuet I | Itzhak Perlman | — | |
| 8 | Partita №3 in E major, BWV 1006: IV. Menuet II | Itzhak Perlman | — | |
| 9 | Partita №3 in E major, BWV 1006: V. Bourrée | Itzhak Perlman | — | |
| 10 | Partita №3 in E major, BWV 1006: VI. Gigue | Itzhak Perlman | — | |
| 11 | Concerto in C minor "Il sospetto", RV 199: I. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 12 | Concerto in C minor "Il sospetto", RV 199: II. Andante | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 13 | Concerto in C minor "Il sospetto", RV 199: III. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 14 | Oboe Quartet in F, K 370: I. Allegro | — | ||
| 15 | Oboe Quartet in F, K 370: II. Adagio | — | ||
| 16 | Oboe Quartet in F, K 370: III. Rondo (Allegro) | — | ||
| 17 | Violin Sonata No. 3 in D minor, Op. 108: I. Allegro | — | ||
| 18 | Violin Sonata No. 3 in D minor, Op. 108: II. Adagio | — | ||
| 19 | Violin Sonata №3, op. 108: III. Un poco presto e con sentimento | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 20 | Violin Sonata No. 3 in D minor, Op. 108: IV. Presto agitato | — | ||
| 2-1 | Suite: I. Presto | — | ||
| 2-2 | Suite: II. Adagio | — | ||
| 2-3 | Suite: III. Tempo giusto | — | ||
| 2-4 | Violin Concerto No. 1: I. Allegro moderato | — | ||
| 2-5 | Violin Concerto No. 1: II. Larghetto | — | ||
| 2-6 | Violin Concerto No. 1: III. Rondo | — | ||
| 2-7 | Violin Concerto in D: I. Allegro moderato | — | ||
| 2-8 | Violin Concerto in D: II. Adagio di molto | — | ||
| 2-9 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 3-1 | Violin Concerto in D minor: I. Allegro con fermezza | — | ||
| 3-2 | Violin Concerto in D minor: II. Andante sostenuto | — | ||
| 3-3 | Violin Concerto in D minor: III. Allegro vivace | — | ||
| 3-4 | Violin Concerto in D major, Op. 35: I. Moderato nobile | — | ||
| 3-5 | Violin Concerto in D, op. 35: II. Romance | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 3-6 | Violin Concerto in D major, Op. 35: III. Allegro assai vivace | — | ||
| 3-7 | Suite Italienne: I. Introduzione | — | ||
| 3-8 | Suite Italienne: II. Serenata | — | ||
| 3-9 | Suite Italienne: III. Tarantella | — | ||
| 3-10 | Suite Italienne: IV. Gavotte con due variazioni | — | ||
| 3-11 | Suite Italienne: V. Scherzino | — | ||
| 3-12 | Suite Italienne: VI. Menuetto e Finale | — | ||
| 4-1 | Doyna | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 4-2 | The Jewish Mother (A Yiddishe Mamme) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 4-3 | Old Folks at Home | Itzhak Perlman, Samuel Sanders | T-902.253.339-7 | |
| 4-4 | Estrellita | Itzhak Perlman, Samuel Sanders | — | |
| 4-5 | The Rag-Time Dance | — | ||
| 4-6 | Pine Apple Rag | — | ||
| 4-7 | Z domoviny | — | ||
| 4-8 | Liebesfreud | — | ||
| 4-9 | Liebesleid | Itzhak Perlman, Samuel Sanders | — | |
| 4-10 | Vocalise, op. 34 no. 14 | Itzhak Perlman, Samuel Sanders | — | |
| 4-11 | Hungarian Dances, WoO 1: №1 in G minor | Vladimir Ashkenazy, Itzhak Perlman | T-902.753.155-1 | |
| 4-12 | Hungarian Dances, WoO 1: №2 in D minor | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 4-13 | Hungarian Dances, WoO 1: №7 in A major | Vladimir Ashkenazy, Itzhak Perlman | T-312.524.872-4 | |
| 4-14 | Hungarian Dances, WoO 1: №9 in E minor | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 4-15 | Molly on the Shore (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | — | |
| 4-16 | Look at Him Go | — | ||
| 4-17 | Bowing and Scraping | — | ||
| 4-18 | Londonderry Air | — | ||
| 4-19 | Carmen-Fantasie, op. 25 | Itzhak Perlman, Royal Philharmonic Orchestra, Lawrence Foster | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Liebesleid | Itzhak Perlman, Samuel Sanders | — |
| Liebesleid | Itzhak Perlman, Samuel Sanders | — |
| The Jewish Mother (A Yiddishe Mamme) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — |
| Partita №3 in E major, BWV 1006: I. Preludio | Itzhak Perlman | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
Verified on
What is UPC 077776461724?
077776461724 is a Universal Product Code (UPC) assigned to The Art of Itzhak Perlman by Itzhak Perlman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm