UPC · Release
Georges Cziffra
Last verified:
The UPC for “Les Introuvables de Cziffra” by Georges Cziffra is 077776736624. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1991-01-01. Label: EMI Classics. This release contains 110 tracks, each with its own ISRC. Tracks include FRZ110801473, FRZ110801371.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasia on Paganini's La campanella | — | ||
| 2 | Nocturne No.3 in A flat major (Reve d'amour) | — | ||
| 3 | Mephisto Waltz No.1 (d'apres le Faust de Lenau) | — | ||
| 4 | Les Jeux d'eau à la Villa d'Este | — | ||
| 5 | Valse Oubliées No.1 in F sharp major | — | ||
| 6 | Rhapsodie espagnole | — | ||
| 7 | Valse impromptu | — | ||
| 8 | La Ronde des lutins (Concert Etude No.2) | — | ||
| 9 | Grand Galop Chromatique | — | ||
| 10 | Apres une lecture de Dante (fantasia quasi sonata) | — | ||
| 2-1 | Polonaise d'Eugène Onéguine | — | ||
| 2-2 | Rigoletto, paraphrase de concert | — | ||
| 2-3 | Tarantelle de bravoure sur des thèmes de " La Muette de Portici" | — | ||
| 2-4 | Valse de Faust | — | ||
| 2-5 | Improvisation sur les thèmes de Guillaume Tell (Rossini) | — | ||
| 2-6 | Valse triste (Vecsey) | — | ||
| 2-7 | Tritsch-tratsch polka (Johann Strauss) | — | ||
| 2-8 | Le beau Danube bleu (Johann Strauss) | — | ||
| 2-9 | Danse hongroise no. 5 (Brahms) | — | ||
| 2-10 | Fantaisie roumaine (Improvisation dans le style tzigane) | — | ||
| 2-11 | Le Vol du bourdon (Rimsky-Korsakov) | — | ||
| 3-1 | Islamey | — | ||
| 3-2 | Toccata Op. 7 | — | ||
| 3-3 | Mendelssohn: Andante & rondo capriccioso, Op. 14 | — | ||
| 3-4 | Rondo favori in E-flat major, op. 11 | Georges Cziffra | — | |
| 3-5 | Polonaise, op. 89 | Georges Cziffra | — | |
| 3-6 | Rondo a capriccio, op. 129 | — | ||
| 3-7 | Andantino en si mineur | — | ||
| 3-8 | Bourrée en mi bemol majeur | — | ||
| 3-9 | Sonate K. 159 | — | ||
| 3-10 | Le Tic-toc-choc ou Les Maillotins | — | ||
| 3-11 | Les Barricades mystérieuses | — | ||
| 3-12 | L'Anguille | — | ||
| 3-13 | La Bandoline | — | ||
| 3-14 | Les Petits Moulins à vent | — | ||
| 3-15 | Les Folies françaises | — | ||
| 3-16 | La Poule | — | ||
| 3-17 | Le Rappel des oiseaux | — | ||
| 3-18 | Gavotte en rondeau | — | ||
| 4-1 | Variations en ut majeur, WoO 78 | — | ||
| 4-2 | 12 Variations en la majeur, WoO 71 | — | ||
| 4-3 | 32 Variations en ut mineur, WoO 80 | — | ||
| 4-4 | Fantaisie en fa mineur, Op. 49 | — | ||
| 4-5 | Variations sur un theme de Paganini, 1er cahier | — | ||
| 4-6 | Variations sur un theme de Paganini, 2ème cahier | — | ||
| 5-1 | Piano Sonata No.8 "Pathetique" I | — | ||
| 5-2 | Piano Sonata No.8 "Pathetique" II | — | ||
| 5-3 | Piano Sonata No.8 "Pathetique" III | — | ||
| 5-4 | Piano Sonata No.10 I | — | ||
| 5-5 | Piano Sonata No.10 II | — | ||
| 5-6 | Piano Sonata No.10 III | — | ||
| 5-7 | Piano Sonata No.12 I | — | ||
| 5-8 | Piano Sonata No.12 II | — | ||
| 5-9 | Piano Sonata No.12 III | — | ||
| 5-10 | Piano Sonata No.12 IV | — | ||
| 5-11 | Piano Sonata No.13 I | — | ||
| 5-12 | Piano Sonata No.13 II | — | ||
| 5-13 | Piano Sonata No.13 III | — | ||
| 6-1 | Carnaval Op. 9 Preambule | — | ||
| 6-2 | Carnaval Op. 9 Pierrot | — | ||
| 6-3 | Carnaval Op. 9 Arlequin | — | ||
| 6-4 | Carnaval Op. 9 Valse noble | — | ||
| 6-5 | Carnaval Op. 9 Eusebius | — | ||
| 6-6 | Carnaval Op. 9 Florestan | — | ||
| 6-7 | Carnaval Op. 9 Coquette | — | ||
| 6-8 | Carnaval Op. 9 Replique | — | ||
| 6-9 | Carnaval Op. 9 Papillons | — | ||
| 6-10 | Carnaval Op. 9 A.S.C.H., S.C.H.A., lettres dansantes | — | ||
| 6-11 | Carnaval Op. 9 Chiarina | — | ||
| 6-12 | Carnaval Op. 9 Chopin | — | ||
| 6-13 | Carnaval Op. 9 Estrella | — | ||
| 6-14 | Carnaval Op. 9 Reconnaissance | — | ||
| 6-15 | Carnaval Op. 9 Pantalon et Colombine | — | ||
| 6-16 | Carnaval Op. 9 Calse allemande Intermezzo: Paganini | — | ||
| 6-17 | Carnaval Op. 9 Aveu | — | ||
| 6-18 | Carnaval Op. 9 Promenade | — | ||
| 6-19 | Carnaval Op. 9 Pause | — | ||
| 6-20 | Carnaval Op. 9 Danse des Davisbundler contre les Philistins | — | ||
| 6-21 | Fantasiestucke Op. 12 I Des Abends | — | ||
| 6-22 | Fantasiestucke Op. 12 II Aufschwung | — | ||
| 6-23 | Fantasiestucke Op. 12 III Warum | — | ||
| 6-24 | Fantasiestucke Op. 12 IV Grillen | — | ||
| 6-25 | Fantasiestucke Op. 12 V In Der Nacht | — | ||
| 6-26 | Fantasiestucke Op. 12 VI Fabel | — | ||
| 6-27 | Fantasiestucke Op. 12 VII Traumes Wirren | — | ||
| 6-28 | Fantasiestucke Op. 12 VIII Ende Vom Lied | — | ||
| 6-29 | Carnaval de Vienne Op. 26 I | — | ||
| 6-30 | Carnaval de Vienne Op. 26 II | — | ||
| 6-31 | Carnaval de Vienne Op. 26 III | — | ||
| 6-32 | Carnaval de Vienne Op. 26 IV | — | ||
| 6-33 | Carnaval de Vienne Op. 26 V | — | ||
| 7-1 | Fantaisie hongroise en fa majeur | — | ||
| 7-2 | Totentanz, paraphrase sur le "Dies irae" | — | ||
| 7-3 | Variations symphoniques | — | ||
| 7-4 | Concerto pour piano en la mineur: I. Allegro molto moderato | — | ||
| 7-5 | Concerto pour piano en la mineur: II. Adagio | — | ||
| 7-6 | Concerto pour piano en la mineur: III. Allegro moderato molto e marcato | — | ||
| 8-1 | Concerto no. 2 pour piano en la majeur: I. Adagio sostenuto | — | ||
| 8-2 | Concerto no. 2 pour piano en la majeur: II. Allegro agitato assai | — | ||
| 8-3 | Concerto no. 2 pour piano en la majeur: III. Allegro moderato | — | ||
| 8-4 | Concerto no. 2 pour piano en la majeur: IV. Allegro deciso | — | ||
| 8-5 | Concerto no. 2 pour piano en la majeur: V. Marziale, un poco meno allegro | — | ||
| 8-6 | Concerto no. 2 pour piano en la majeur: VI. Allegro animato | — | ||
| 8-7 | Concerto no. 1 pour piano en mi bémol majeur: I. Allegro maestoso | — | ||
| 8-8 | Concerto no. 1 pour piano en mi bémol majeur: II. Quasi adagio | — | ||
| 8-9 | Concerto no. 1 pour piano en mi bémol majeur: III. Allegretto vivace | — | ||
| 8-10 | Concerto no. 1 pour piano en mi bémol majeur: IV. Allegro marziale animato | — | ||
| 8-11 | Concerto no. 1 pour piano en si bémol mineur: I. Allegro | — | ||
| 8-12 | Concerto no. 1 pour piano en si bémol mineur: II. Andante semplice | — | ||
| 8-13 | Concerto no. 1 pour piano en si bémol mineur: III. Allegro con fuoco | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
077776736624 is a Universal Product Code (UPC) assigned to Les Introuvables de Cziffra by Georges Cziffra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Les Introuvables de Cziffra” by Georges Cziffra is 077776736624. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1991-01-01. Label: EMI Classics. This release contains 110 tracks, each with its own ISRC. Tracks include FRZ110801473, FRZ110801371.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasia on Paganini's La campanella | — | ||
| 2 | Nocturne No.3 in A flat major (Reve d'amour) | — | ||
| 3 | Mephisto Waltz No.1 (d'apres le Faust de Lenau) | — | ||
| 4 | Les Jeux d'eau à la Villa d'Este | — | ||
| 5 | Valse Oubliées No.1 in F sharp major | — | ||
| 6 | Rhapsodie espagnole | — | ||
| 7 | Valse impromptu | — | ||
| 8 | La Ronde des lutins (Concert Etude No.2) | — | ||
| 9 | Grand Galop Chromatique | — | ||
| 10 | Apres une lecture de Dante (fantasia quasi sonata) | — | ||
| 2-1 | Polonaise d'Eugène Onéguine | — | ||
| 2-2 | Rigoletto, paraphrase de concert | — | ||
| 2-3 | Tarantelle de bravoure sur des thèmes de " La Muette de Portici" | — | ||
| 2-4 | Valse de Faust | — | ||
| 2-5 | Improvisation sur les thèmes de Guillaume Tell (Rossini) | — | ||
| 2-6 | Valse triste (Vecsey) | — | ||
| 2-7 | Tritsch-tratsch polka (Johann Strauss) | — | ||
| 2-8 | Le beau Danube bleu (Johann Strauss) | — | ||
| 2-9 | Danse hongroise no. 5 (Brahms) | — | ||
| 2-10 | Fantaisie roumaine (Improvisation dans le style tzigane) | — | ||
| 2-11 | Le Vol du bourdon (Rimsky-Korsakov) | — | ||
| 3-1 | Islamey | — | ||
| 3-2 | Toccata Op. 7 | — | ||
| 3-3 | Mendelssohn: Andante & rondo capriccioso, Op. 14 | — | ||
| 3-4 | Rondo favori in E-flat major, op. 11 | Georges Cziffra | — | |
| 3-5 | Polonaise, op. 89 | Georges Cziffra | — | |
| 3-6 | Rondo a capriccio, op. 129 | — | ||
| 3-7 | Andantino en si mineur | — | ||
| 3-8 | Bourrée en mi bemol majeur | — | ||
| 3-9 | Sonate K. 159 | — | ||
| 3-10 | Le Tic-toc-choc ou Les Maillotins | — | ||
| 3-11 | Les Barricades mystérieuses | — | ||
| 3-12 | L'Anguille | — | ||
| 3-13 | La Bandoline | — | ||
| 3-14 | Les Petits Moulins à vent | — | ||
| 3-15 | Les Folies françaises | — | ||
| 3-16 | La Poule | — | ||
| 3-17 | Le Rappel des oiseaux | — | ||
| 3-18 | Gavotte en rondeau | — | ||
| 4-1 | Variations en ut majeur, WoO 78 | — | ||
| 4-2 | 12 Variations en la majeur, WoO 71 | — | ||
| 4-3 | 32 Variations en ut mineur, WoO 80 | — | ||
| 4-4 | Fantaisie en fa mineur, Op. 49 | — | ||
| 4-5 | Variations sur un theme de Paganini, 1er cahier | — | ||
| 4-6 | Variations sur un theme de Paganini, 2ème cahier | — | ||
| 5-1 | Piano Sonata No.8 "Pathetique" I | — | ||
| 5-2 | Piano Sonata No.8 "Pathetique" II | — | ||
| 5-3 | Piano Sonata No.8 "Pathetique" III | — | ||
| 5-4 | Piano Sonata No.10 I | — | ||
| 5-5 | Piano Sonata No.10 II | — | ||
| 5-6 | Piano Sonata No.10 III | — | ||
| 5-7 | Piano Sonata No.12 I | — | ||
| 5-8 | Piano Sonata No.12 II | — | ||
| 5-9 | Piano Sonata No.12 III | — | ||
| 5-10 | Piano Sonata No.12 IV | — | ||
| 5-11 | Piano Sonata No.13 I | — | ||
| 5-12 | Piano Sonata No.13 II | — | ||
| 5-13 | Piano Sonata No.13 III | — | ||
| 6-1 | Carnaval Op. 9 Preambule | — | ||
| 6-2 | Carnaval Op. 9 Pierrot | — | ||
| 6-3 | Carnaval Op. 9 Arlequin | — | ||
| 6-4 | Carnaval Op. 9 Valse noble | — | ||
| 6-5 | Carnaval Op. 9 Eusebius | — | ||
| 6-6 | Carnaval Op. 9 Florestan | — | ||
| 6-7 | Carnaval Op. 9 Coquette | — | ||
| 6-8 | Carnaval Op. 9 Replique | — | ||
| 6-9 | Carnaval Op. 9 Papillons | — | ||
| 6-10 | Carnaval Op. 9 A.S.C.H., S.C.H.A., lettres dansantes | — | ||
| 6-11 | Carnaval Op. 9 Chiarina | — | ||
| 6-12 | Carnaval Op. 9 Chopin | — | ||
| 6-13 | Carnaval Op. 9 Estrella | — | ||
| 6-14 | Carnaval Op. 9 Reconnaissance | — | ||
| 6-15 | Carnaval Op. 9 Pantalon et Colombine | — | ||
| 6-16 | Carnaval Op. 9 Calse allemande Intermezzo: Paganini | — | ||
| 6-17 | Carnaval Op. 9 Aveu | — | ||
| 6-18 | Carnaval Op. 9 Promenade | — | ||
| 6-19 | Carnaval Op. 9 Pause | — | ||
| 6-20 | Carnaval Op. 9 Danse des Davisbundler contre les Philistins | — | ||
| 6-21 | Fantasiestucke Op. 12 I Des Abends | — | ||
| 6-22 | Fantasiestucke Op. 12 II Aufschwung | — | ||
| 6-23 | Fantasiestucke Op. 12 III Warum | — | ||
| 6-24 | Fantasiestucke Op. 12 IV Grillen | — | ||
| 6-25 | Fantasiestucke Op. 12 V In Der Nacht | — | ||
| 6-26 | Fantasiestucke Op. 12 VI Fabel | — | ||
| 6-27 | Fantasiestucke Op. 12 VII Traumes Wirren | — | ||
| 6-28 | Fantasiestucke Op. 12 VIII Ende Vom Lied | — | ||
| 6-29 | Carnaval de Vienne Op. 26 I | — | ||
| 6-30 | Carnaval de Vienne Op. 26 II | — | ||
| 6-31 | Carnaval de Vienne Op. 26 III | — | ||
| 6-32 | Carnaval de Vienne Op. 26 IV | — | ||
| 6-33 | Carnaval de Vienne Op. 26 V | — | ||
| 7-1 | Fantaisie hongroise en fa majeur | — | ||
| 7-2 | Totentanz, paraphrase sur le "Dies irae" | — | ||
| 7-3 | Variations symphoniques | — | ||
| 7-4 | Concerto pour piano en la mineur: I. Allegro molto moderato | — | ||
| 7-5 | Concerto pour piano en la mineur: II. Adagio | — | ||
| 7-6 | Concerto pour piano en la mineur: III. Allegro moderato molto e marcato | — | ||
| 8-1 | Concerto no. 2 pour piano en la majeur: I. Adagio sostenuto | — | ||
| 8-2 | Concerto no. 2 pour piano en la majeur: II. Allegro agitato assai | — | ||
| 8-3 | Concerto no. 2 pour piano en la majeur: III. Allegro moderato | — | ||
| 8-4 | Concerto no. 2 pour piano en la majeur: IV. Allegro deciso | — | ||
| 8-5 | Concerto no. 2 pour piano en la majeur: V. Marziale, un poco meno allegro | — | ||
| 8-6 | Concerto no. 2 pour piano en la majeur: VI. Allegro animato | — | ||
| 8-7 | Concerto no. 1 pour piano en mi bémol majeur: I. Allegro maestoso | — | ||
| 8-8 | Concerto no. 1 pour piano en mi bémol majeur: II. Quasi adagio | — | ||
| 8-9 | Concerto no. 1 pour piano en mi bémol majeur: III. Allegretto vivace | — | ||
| 8-10 | Concerto no. 1 pour piano en mi bémol majeur: IV. Allegro marziale animato | — | ||
| 8-11 | Concerto no. 1 pour piano en si bémol mineur: I. Allegro | — | ||
| 8-12 | Concerto no. 1 pour piano en si bémol mineur: II. Andante semplice | — | ||
| 8-13 | Concerto no. 1 pour piano en si bémol mineur: III. Allegro con fuoco | — |
