UPC · Release
Opera Collection II
Various Artists
077776913124
10 tracksReleased 1992-01-01EMI Classics
Last verified:
077776913124 is the Universal Product Code (UPC barcode) for the release “Opera Collection II” by Various Artists, released 1992-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include FRZ117806281, FRZ116401230, FRZ110000098.
Format
0Number system
77776Manufacturer
91312Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCOpera Collection II
ISRC9 recordings
ISWC4 works
IPI2 songwriters
Track List (10)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Faust: Jewel Song “Les Grands Seigneurs … Ah! je ris de me voir si belle” (Marguerite) | — | ||
| 2-2 | The Juggler of Notre Dame: Légende de la sauge “Marie, avec l'enfant Jésus” (Boniface) | Jules Bastin, Orchestre National de l’Opéra de Monte-Carlo, Roger Boutry | — | |
| 2-3 | Mignon: “Connais-tu le pays...” (Mignon) | Jane Rhodes, Orchestre du Théâtre National de l’Opéra-Comique, Jean-Claude Hartemann | — | |
| 2-4 | Carmen: “Votre toast, je peux vous le rendre” (Toredor Song) | Chœur de la Radiodiffusion française, Monique Linval, Denise Monteil, Victoria de los Ángeles, Ernest Blanc, Orchestre National de la Radiodiffusion française, Sir Thomas Beecham | — | |
| 2-5 | The Tales of Hoffmann: “Les Oiseaux dans la charmille...” (Olympia) | Mady Mesplé, Orchestre de l’Opéra National de Paris, Jean-Pierre Marty | — | |
| 2-6 | Louise: “Depuis le jour” (Louise) | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 2-7 | Der Rosenkavalier: “Da geht er hin...” (Marschallin) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | — | |
| 2-8 | Lohengrin: “Einsam in trüben Tagen” (Elsa's Dream) | Régine Crespin, Orchestre national de France, Georges Prêtre | — | |
| 2-9 | Tannhauser: “Dich, teure Halle...” (Elisabeth's Entrance) | Hildegard Behrens, Münchner Rundfunkorchester, Peter Schneider | — | |
| 2-10 | The Walkyrie: “Leb wohl, du kühnes, herrliches Kind” (Wotan's Farewell) | Dietrich Fischer-Dieskau, Munich Radio Orchestra, Rafael Kubelík | — |
Faust: Jewel Song “Les Grands Seigneurs … Ah! je ris de me voir si belle” (Marguerite)
—
The Juggler of Notre Dame: Légende de la sauge “Marie, avec l'enfant Jésus” (Boniface)
Jules Bastin, Orchestre National de l’Opéra de Monte-Carlo, Roger Boutry
—
Mignon: “Connais-tu le pays...” (Mignon)
Jane Rhodes, Orchestre du Théâtre National de l’Opéra-Comique, Jean-Claude Hartemann
—
Carmen: “Votre toast, je peux vous le rendre” (Toredor Song)
Chœur de la Radiodiffusion française, Monique Linval, Denise Monteil, Victoria de los Ángeles, Ernest Blanc, Orchestre National de la Radiodiffusion française, Sir Thomas Beecham
—
The Tales of Hoffmann: “Les Oiseaux dans la charmille...” (Olympia)
Mady Mesplé, Orchestre de l’Opéra National de Paris, Jean-Pierre Marty
—
Louise: “Depuis le jour” (Louise)
Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
—
Der Rosenkavalier: “Da geht er hin...” (Marschallin)
Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
—
Lohengrin: “Einsam in trüben Tagen” (Elsa's Dream)
Régine Crespin, Orchestre national de France, Georges Prêtre
—
Tannhauser: “Dich, teure Halle...” (Elisabeth's Entrance)
Hildegard Behrens, Münchner Rundfunkorchester, Peter Schneider
—
The Walkyrie: “Leb wohl, du kühnes, herrliches Kind” (Wotan's Farewell)
Dietrich Fischer-Dieskau, Munich Radio Orchestra, Rafael Kubelík
—
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| L'Amico Fritz: “Ed anche Beppe amo” (Fritz) | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901222501-3 |
| Otello: “Dio! mi potevi scagliar” (Otello) | Plácido Domingo, Justino Díaz, Orchestra del Teatro alla Scala di Milano, Lorin Maazel | — |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321286864-5 |
| William Tell: “Ne m'abandonne pas, espoir de la vengeance … Asile héréditaire” (Arnold) | Nicolai Gedda, Royal Philharmonic Orchestra, Lamberto Gardelli | — |
| Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001455377-5 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T9001458760 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T9012225013 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T9012225013 |
L'Amico Fritz: “Ed anche Beppe amo” (Fritz)
Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Otello: “Dio! mi potevi scagliar” (Otello)
Plácido Domingo, Justino Díaz, Orchestra del Teatro alla Scala di Milano, Lorin Maazel
—
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
—
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
William Tell: “Ne m'abandonne pas, espoir de la vengeance … Asile héréditaire” (Arnold)
Nicolai Gedda, Royal Philharmonic Orchestra, Lamberto Gardelli
—
Alfredo Kraus, Philharmonia Orchestra, Julius Rudel
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055203404000000008106277200000000816079710000000081818621000000008181878700000000818248100000000083682633000000010797214200000001086022740000000108710216
+40 more
00000001087433330000000108854623000000010887443X00000001092237860000000109282073000000010930048900000001093706710000000109519034000000011013657500000001101953050000000110273895000000011031228400000001103176240000000110363356000000011046708300000001108299610000000110850496000000011297410X0000000113336142000000011439796700000001144618850000000114550183000000011455313000000001146866890000000114700516000000011472548100000001157320930000000116585187000000011850074900000001188049370000000119422113000000011945340300000001195461750000000119550553000000012095848400000001209658440000000121068002000000012126161100000001212755460000000121305469
Identifier Graph
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What is UPC 077776913124?
077776913124 is a Universal Product Code (UPC) assigned to Opera Collection II by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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