UPC · Album
Opera Collection II
Various Artists
077776913124
25 tracksReleased 1992-01-01EMI Classics
Last verified:
077776913124 is the Universal Product Code (UPC barcode) for the release “Opera Collection II” by Various Artists, released 1992-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include FRZ110000098, FRZ116106081, FRZ116401230.
Format
0Number system
77776Manufacturer
91312Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCOpera Collection II
ISRC20 recordings
ISWC4 works
IPI2 songwriters
Track List (20)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Carmen: “Votre toast, je peux vous le rendre” (Toredor Song) | Chœur de la Radiodiffusion française, Monique Linval, Denise Monteil, Victoria de los Ángeles, Ernest Blanc, Orchestre National de la Radiodiffusion française, Sir Thomas Beecham | FRZ110000098 |
| Lohengrin: “Einsam in trüben Tagen” (Elsa's Dream) | Régine Crespin, Orchestre national de France, Georges Prêtre | FRZ116106081 |
| Mignon: “Connais-tu le pays...” (Mignon) | Jane Rhodes, Orchestre du Théâtre National de l’Opéra-Comique, Jean-Claude Hartemann | FRZ116401230 |
| The Tales of Hoffmann: “Les Oiseaux dans la charmille...” (Olympia) | Mady Mesplé, Orchestre de l’Opéra National de Paris, Jean-Pierre Marty | FRZ116806355 |
| The Juggler of Notre Dame: Légende de la sauge “Marie, avec l'enfant Jésus” (Boniface) | Jules Bastin, Orchestre National de l’Opéra de Monte-Carlo, Roger Boutry | FRZ117806281 |
| L'Amico Fritz: “Ed anche Beppe amo” (Fritz) | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | GBAYC0003709 |
| Der Rosenkavalier: “Da geht er hin...” (Marschallin) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | GBAYC0101324 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC0202823 |
| Tannhauser: “Dich, teure Halle...” (Elisabeth's Entrance) | Hildegard Behrens, Münchner Rundfunkorchester, Peter Schneider | GBAYC8501416 |
| Otello: “Dio! mi potevi scagliar” (Otello) | Plácido Domingo, Justino Díaz, Orchestra del Teatro alla Scala di Milano, Lorin Maazel | GBAYC8501583 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | GBAYC8602467 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8700809 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC8901973 |
| Louise: “Depuis le jour” (Louise) | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | GBAYC9401453 |
| The Walkyrie: “Leb wohl, du kühnes, herrliches Kind” (Wotan's Farewell) | Dietrich Fischer-Dieskau, Munich Radio Orchestra, Rafael Kubelík | GBAYC9402015 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC9502536 |
| William Tell: “Ne m'abandonne pas, espoir de la vengeance … Asile héréditaire” (Arnold) | Nicolai Gedda, Royal Philharmonic Orchestra, Lamberto Gardelli | GBAYC9503506 |
| Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | GBAYC9602461 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC9701412 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | GBAYC9701681 |
Carmen: “Votre toast, je peux vous le rendre” (Toredor Song)
Chœur de la Radiodiffusion française, Monique Linval, Denise Monteil, Victoria de los Ángeles, Ernest Blanc, Orchestre National de la Radiodiffusion française, Sir Thomas Beecham
Lohengrin: “Einsam in trüben Tagen” (Elsa's Dream)
Régine Crespin, Orchestre national de France, Georges Prêtre
Mignon: “Connais-tu le pays...” (Mignon)
Jane Rhodes, Orchestre du Théâtre National de l’Opéra-Comique, Jean-Claude Hartemann
The Tales of Hoffmann: “Les Oiseaux dans la charmille...” (Olympia)
Mady Mesplé, Orchestre de l’Opéra National de Paris, Jean-Pierre Marty
The Juggler of Notre Dame: Légende de la sauge “Marie, avec l'enfant Jésus” (Boniface)
Jules Bastin, Orchestre National de l’Opéra de Monte-Carlo, Roger Boutry
L'Amico Fritz: “Ed anche Beppe amo” (Fritz)
Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni
Der Rosenkavalier: “Da geht er hin...” (Marschallin)
Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Tannhauser: “Dich, teure Halle...” (Elisabeth's Entrance)
Hildegard Behrens, Münchner Rundfunkorchester, Peter Schneider
Otello: “Dio! mi potevi scagliar” (Otello)
Plácido Domingo, Justino Díaz, Orchestra del Teatro alla Scala di Milano, Lorin Maazel
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Tosca: “Vissi d'arte” (Tosca)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Louise: “Depuis le jour” (Louise)
Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
The Walkyrie: “Leb wohl, du kühnes, herrliches Kind” (Wotan's Farewell)
Dietrich Fischer-Dieskau, Munich Radio Orchestra, Rafael Kubelík
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
William Tell: “Ne m'abandonne pas, espoir de la vengeance … Asile héréditaire” (Arnold)
Nicolai Gedda, Royal Philharmonic Orchestra, Lamberto Gardelli
Rigoletto: “La Donna è mobile” (Duke of Mantua)
Alfredo Kraus, Philharmonia Orchestra, Julius Rudel
Tosca: “Vissi d'arte” (Tosca)
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055203404000000008106277200000000816079710000000081818621000000008181878700000000818248100000000083682633000000010797214200000001086022740000000108710216
+40 more
00000001087433330000000108854623000000010887443X00000001092237860000000109282073000000010930048900000001093706710000000109519034000000011013657500000001101953050000000110273895000000011031228400000001103176240000000110363356000000011046708300000001108299610000000110850496000000011297410X0000000113336142000000011439796700000001144618850000000114550183000000011455313000000001146866890000000114700516000000011472548100000001157320930000000116585187000000011850074900000001188049370000000119422113000000011945340300000001195461750000000119550553000000012095848400000001209658440000000121068002000000012126161100000001212755460000000121305469
People also ask
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What is UPC 077776913124?
077776913124 is a Universal Product Code (UPC) assigned to Opera Collection II by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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