UPC · Release
Various Artists
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0782124860028 is the Universal Product Code (UPC barcode) for the release “BASICS:DIE BASIS-DISKOTHEK” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 251 tracks, each with its own ISRC. Tracks include DES382025301, DES382025302, DES382025303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestral Suite no.4 in D major - I. Ouverture | — | ||
| 2 | Orchestral Suite no.4 in D major - II. Bourree 1, 2 | — | ||
| 3 | Orchestral Suite no.4 in D major - III. Gavotte | — | ||
| 4 | Orchestral Suite no.4 in D major - IV. Menuett 1, 2 | — | ||
| 5 | Orchestral Suite no.4 in D major - V. Rejouissance | — | ||
| 6 | Brandenburg Concertos, Concerto no.1 in F major - I. | — | ||
| 7 | Brandenburg Concertos, Concerto no.1 in F major - II. Adagio | — | ||
| 8 | Brandenburg Concertos, Concerto no.1 in F major - III. Allegro | — | ||
| 9 | Brandenburg Concertos, Concerto no.1 in F major - IV. Menuetto, Trio, Menuetto | — | ||
| 10 | Concerto no.2 in F major - I. | — | ||
| 11 | Concerto no.2 in F major - II. Andante | — | ||
| 12 | Concerto no.2 in F major - III. Allegro assai | — | ||
| 13 | Concerto no.3 in G major - I. | — | ||
| 14 | Concerto no.3 in G major - II. Adagio | — | ||
| 15 | Concerto no.3 in G major - III. Allegro | — | ||
| 2-1 | Symphonie no. 5 in C minor, op. 67: I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-2 | Symphonie no. 5 in C minor, op. 67: II. Andante con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-3 | Symphonie no. 5 in C minor, op. 67: III. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-4 | Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-5 | Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-6 | Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-7 | Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-8 | Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-9 | Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-1 | Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 3-2 | Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace | — | ||
| 3-3 | Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato | — | ||
| 3-4 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Finale: Presto | — | ||
| 4-1 | Symphonie Fantastique op. 14: Réveries, Passions (Largo - Allegro agitato e apassionato assai) | — | ||
| 4-2 | Symphonie Fantastique op. 14: Un Bal (Valse. Allegro non troppo) | — | ||
| 4-3 | Symphonie Fantastique op. 14: Scène aux champs (Adagio) | — | ||
| 4-4 | Symphonie Fantastique op. 14: Marche au Supplice (Allegretto non troppo) | — | ||
| 4-5 | Symphonie Fantastique op. 14: Songe d'une nuit du Sabbat (Larghetto - Allegro - Dies irae) | — | ||
| 5-1 | L'Arlésienne, Suite No. 1: I. Prélude, allegro deciso | — | ||
| 5-2 | L'Arlésienne, Suite No. 1: II. Minuet, allegro giocoso | — | ||
| 5-3 | L'Arlésienne, Suite No. 1: III. Adagietto | — | ||
| 5-4 | L'Arlésienne, Suite No. 1: IV. Carillon, allegro moderato | — | ||
| 5-5 | L'Arlésienne, Suite No. 2: I. Pastorale | — | ||
| 5-6 | L'Arlésienne, Suite No. 2: II. Intermezzo | — | ||
| 5-7 | L'Arlésienne, Suite No. 2: III. Minuet | — | ||
| 5-8 | L'Arlésienne, Suite No. 2: IV. Farandole | — | ||
| 5-9 | La jolie fille de Perth: I. Prelude | — | ||
| 5-10 | La jolie fille de Perth: II. Serenade | — | ||
| 5-11 | La jolie fille de Perth: III. Marche | — | ||
| 5-12 | La jolie fille de Perth: IV. Danse Bohémienne | — | ||
| 5-13 | Jeux d'enfants, Op. 22: VI. Trompette et tambour | — | ||
| 5-14 | Jeux d'enfants, Op. 22: III. La poupée | — | ||
| 5-15 | Jeux d'enfants, Op. 22: II. La toupie | — | ||
| 5-16 | Jeux d'enfants, Op. 22: XI. Petit mari, petite femme | — | ||
| 5-17 | Jeux d'enfants, Op. 22: XII. Le bal | — | ||
| 6-1 | Symphonie no.3 in F major op.90 - I. Allegro con brio | — | ||
| 6-2 | Symphonie no.3 in F major op.90 - II. Andante | — | ||
| 6-3 | Symphonie no.3 in F major op.90 - III. Poco allegretto | — | ||
| 6-4 | Symphonie no.3 in F major op.90 - IV. Allegro | — | ||
| 6-5 | Hungarian Dances - No.1 in G minor | — | ||
| 6-6 | Hungarian Dances - No.3 in F major | — | ||
| 6-7 | Hungarian Dances - No.4 in F sharp minor | — | ||
| 6-8 | Hungarian Dances - No.5 in G minor | — | ||
| 6-9 | Hungarian Dances - No.6 in D major | — | ||
| 6-10 | Hungarian Dances - No.7 in F major | — | ||
| 6-11 | Hungarian Dances - No.17 in F sharp minor | — | ||
| 6-12 | Hungarian Dances - No.18 in D major | — | ||
| 6-13 | Hungarian Dances - No.20 in E minor | — | ||
| 6-14 | Hungarian Dances - No.21 in E minor | — | ||
| 7-1 | Klavierkonzert Nr. 1 e-Moll, op. 11: I. Allegro maestoso | — | ||
| 7-2 | Klavierkonzert Nr. 1 e-Moll, op. 11: II. Romanze. Larghetto | — | ||
| 7-3 | Klavierkonzert Nr. 1 e-Moll, op. 11: III. Rondo. Vivace | — | ||
| 7-4 | Klavierkonzert Nr. 2 f-Moll, op. 21: I. Maestoso | — | ||
| 7-5 | Klavierkonzert Nr. 2 f-Moll, op. 21: II. Larghetto | — | ||
| 7-6 | Klavierkonzert Nr. 2 f-Moll, op. 21: III. Allegro vivace | — | ||
| 8-1 | Symphonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt« - 1. Adagio, Allegro molto | — | ||
| 8-2 | Symphonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt« - 2. Largo | — | ||
| 8-3 | Symphonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt« - 3. Scherzo. Molto vivace | — | ||
| 8-4 | Symphonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt« - 4. Allegro con fuoco | — | ||
| 8-5 | Slawische Tänze - Nr. 1 C-Dur, op. 46 Nr. 1 | — | ||
| 8-6 | Slawische Tänze - Nr. 7 C-Moll, op. 46 Nr. 7 | — | ||
| 8-7 | Slawische Tänze - Nr. 9 H-Dur, op. 72 Nr. 1 | — | ||
| 8-8 | Slawische Tänze - Nr. 12 Des-Dur, op. 72 Nr. 4 | — | ||
| 8-9 | Slawische Tänze - Nr. 15 C-Dur, op. 72 Nr. 7 | — | ||
| 8-10 | Slawische Tänze - Nr. 16 As-Dur, op. 72 Nr. 8 | — | ||
| 9-1 | Rhapsody in Blue | — | ||
| 9-2 | "Porgy and Bess" Suite | — | ||
| 9-3 | Cuban Ouverture | — | ||
| 9-4 | An American in Paris | — | ||
| 10-1 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 1. Ouvertüre | — | ||
| 10-2 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 2. Adagio e staccato | — | ||
| 10-3 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 3. (Allegro) | — | ||
| 10-4 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 4. Andante | — | ||
| 10-5 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): Nr. 3 da capo | — | ||
| 10-6 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 5. (Presto) | — | ||
| 10-7 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 6 Air | — | ||
| 10-8 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 7. Minuet | — | ||
| 10-9 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 8. Bourrée | — | ||
| 10-10 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 9. Hornpipe | — | ||
| 10-11 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 10. (Ohne Satzbezeichnung) | — | ||
| 10-12 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 11. (Ohne Satzbezeichnung) | — | ||
| 10-13 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 12. Alla Hornpipe | — | ||
| 10-14 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 13. Minuet | — | ||
| 10-15 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 14. Lentement | — | ||
| 10-16 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 15. Bourrée | — | ||
| 10-17 | Feuerwerksmusik (Concerto grosso Nr. 26): 1. Ouvertüre | — | ||
| 10-18 | Feuerwerksmusik (Concerto grosso Nr. 26): 2. Bourrée | — | ||
| 10-19 | Feuerwerksmusik (Concerto grosso Nr. 26): 3. La Paix | — | ||
| 10-20 | Feuerwerksmusik (Concerto grosso Nr. 26): 4. La Réjouissance | — | ||
| 10-21 | Feuerwerksmusik (Concerto grosso Nr. 26): Menuet I | — | ||
| 10-22 | Feuerwerksmusik (Concerto grosso Nr. 26): Menuet II | — | ||
| 11-1 | Symphony no.93 in D major - I. Adagio | — | ||
| 11-2 | Symphony no.93 in D major - II. Largo cantabile | — | ||
| 11-3 | Symphony no.93 in D major - III. Menuetto | — | ||
| 11-4 | Symphony no.93 in D major - IV. Finale | — | ||
| 11-5 | Symphony no.94 in G major 'Surprise' - I. Adagio | — | ||
| 11-6 | Symphony no.94 in G major 'Surprise' - II. Andante | — | ||
| 11-7 | Symphony no.94 in G major 'Surprise' - III. Menuet | — | ||
| 11-8 | Symphony no.94 in G major 'Surprise' - IV. Finale | — | ||
| 11-9 | Symphony no.103 in E flat major 'Drum Roll' - I. Adagio | — | ||
| 11-10 | Symphony no.103 in E flat major 'Drum Roll' - II. Andante piu tosto allegretto | — | ||
| 11-11 | Symphony no.103 in E flat major 'Drum Roll' - III. Menuet | — | ||
| 11-12 | Symphony no.103 in E flat major 'Drum Roll' - IV. Finale | — | ||
| 12-1 | Ungarische Rhapsodie Nr. 2 | — | ||
| 12-2 | Première Valse Oubilée | — | ||
| 12-3 | Mephisto-Walzer Nr. 1 | — | ||
| 12-4 | Grandes Etudes De Paganini - 3. Campanella | — | ||
| 12-5 | Années De Pèlerinage (2de Année: Italie) - 5. Sonetto 104 Del Petrarca | — | ||
| 12-6 | Rigoletto - Konzert-Paraphrase | — | ||
| 12-7 | Notturno Nr. 3 As-Dur (Liebestraum) | — | ||
| 12-8 | Etude De Concert Nr. 3 Des-Dur | — | ||
| 12-9 | Ungarische Rhapsodie Nr. 6 | — | ||
| 13-1 | Symphonie no. 5 cis-moll: I. Abteilung, I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 13-2 | Symphonie no. 5 cis-moll: I. Abteilung, I. Stürmisch bewegt. Mit größter Vehemenz | — | ||
| 13-3 | Symphonie no. 5 cis-moll: II. Abteilung, II. Scherzo. Kräftig, nicht zu schnell | — | ||
| 13-4 | Symphonie no. 5 cis-moll: III. Abteilung, II. Adagietto. Sehr langsam | — | ||
| 13-5 | Symphonie no. 5 cis-moll: III. Abteilung, III. Rondo. Finale | — | ||
| 14-1 | Symphonie Nr. 3 a-Moll op. 56 "Schottische": 1. Andante con moto - Allegro un poco agitato | — | ||
| 14-2 | Symphonie Nr. 3 a-Moll op. 56 "Schottische": 2. Vivace non troppo | — | ||
| 14-3 | Symphonie Nr. 3 a-Moll op. 56 "Schottische": 3. Adagio | — | ||
| 14-4 | Symphonie Nr. 3 a-Moll op. 56 "Schottische": 4. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 14-5 | Konzert für Violine und Orchester e-Moll op. 64: 1. Allegro molto apassionata | — | ||
| 14-6 | Konzert für Violine und Orchester e-Moll op. 64: 2. Andante | — | ||
| 14-7 | Konzert für Violine und Orchester e-Moll op. 64: 3. Allegretto non troppo - Allegro molto vivace | — | ||
| 15-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | — | ||
| 15-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 15-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto: Allegretto | — | ||
| 15-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 15-5 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 15-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 15-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto | — | ||
| 15-8 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 15-9 | Symphony no. 41 in C major ("Jupiter"), K. 551: I. Allegro vivace | — | ||
| 15-10 | Symphony no. 41 in C major ("Jupiter"), K. 551: II. Andante cantabile | — | ||
| 15-11 | Symphony no. 41 in C major ("Jupiter"), K. 551: III. Menuetto: Allegretto | — | ||
| 15-12 | Symphony no. 41 in C major ("Jupiter"), K. 551: IV. Finale. Molto allegro | — | ||
| 16-1 | Requiem, K. 626: Requiem: Introitus - Kyrie: Adagio | Jutta Vulpius, Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-2 | Requiem, K. 626: Dies Irae: Allegro assai | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-3 | Requiem, K. 626: Tuba mirum: Andante | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-4 | Requiem, K. 626: Rex tremendae: Grave | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-5 | Requiem, K. 626: Recordare: Andante | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | T-916.756.672-5 | |
| 16-6 | Requiem, K. 626: Confutatis: Andante | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-7 | Requiem, K. 626: Lacrimosa: Larghetto | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-8 | Requiem, K. 626: Domine Jesu: Andante con moto | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-9 | Requiem, K. 626: Hostias: Andante | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | T-900.137.873-0 | |
| 16-10 | Requiem, K. 626: Sanctus: Adagio | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-11 | Requiem, K. 626: Benedictus: Andante - Allegro | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-12 | Requiem, K. 626: Agnus Dei | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 17-1 | Carmina Burana: Fortuna Imperatrix mundi: I. O Fortuna | — | ||
| 17-2 | Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | — | ||
| 17-3 | Carmina Burana: I Primo vere: I. Veris leta facies | — | ||
| 17-4 | Carmina Burana: I Primo vere: II. Omnia sol temperat | — | ||
| 17-5 | Carmina Burana: I Primo vere: III. Ecce gratum | — | ||
| 17-6 | Carmina Burana: Uf dem anger: I. Tanz | — | ||
| 17-7 | Carmina Burana: Uf dem anger: II. Floret silva nobilis | — | ||
| 17-8 | Carmina Burana: Uf dem anger: III. Chramer, gip die varwe mir | — | ||
| 17-9 | Carmina Burana: Uf dem anger: IV. Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | — | ||
| 17-10 | Carmina Burana: Uf dem anger: V. Were diu werlt alle min | — | ||
| 17-11 | Carmina Burana: II In Taberna: I. Estuans interius | — | ||
| 17-12 | Carmina Burana: II In Taberna: II. Olim lacus colueram | — | ||
| 17-13 | Carmina Burana: II In Taberna: III. Ego sum abbas | — | ||
| 17-14 | Carmina Burana: II In Taberna: IV. In taberna quando sumus | — | ||
| 17-15 | Carmina Burana: III Cour d'amours: I. Amor volat undique | — | ||
| 17-16 | Carmina Burana: III Cour d'amours: II. Dies, nox et omnia | — | ||
| 17-17 | Carmina Burana: III Cour d'amours: III. Stetit puella | — | ||
| 17-18 | Carmina Burana: III Cour d'amours: IV. Circa mea pectora | — | ||
| 17-19 | Carmina Burana: III Cour d'amours: V. Si puer cum puellula | — | ||
| 17-20 | Carmina Burana: III Cour d'amours: VI. Veni, veni, venias | — | ||
| 17-21 | Carmina Burana: III Cour d'amours: VII. In trutina mentis dubia | — | ||
| 17-22 | Carmina Burana: III Cour d'amours: VIII. Tempus est iocundum | — | ||
| 17-23 | Carmina Burana: III Cour d'amours: IX. Dulcissime | — | ||
| 17-24 | Carmina Burana: Blanziflor et Helena: Ave formosissima | — | ||
| 17-25 | Carmina Burana: Fortuna Imperatrix: O Fortuna | — | ||
| 18-1 | Rhapsodie über ein Thema von Paganini für Klavier und Orchester op. 43 | — | ||
| 18-2 | Konzert für Klavier und Orchester Nr. 2 c-Moll op. 18: 1. Moderato | — | ||
| 18-3 | Konzert für Klavier und Orchester Nr. 2 c-Moll op. 18: 2. Adagio soustenuto | — | ||
| 18-4 | Konzert für Klavier und Orchester Nr. 2 c-Moll op. 18: 3. Allegro scherzando | — | ||
| 19-1 | La Valse | — | ||
| 19-2 | Ma Mère l’Oye: I. Pavane de la Belle au bois dormant. Lent. | — | ||
| 19-3 | Ma Mére l’Oye: II. Petit poucet. Très modéré. | — | ||
| 19-4 | Ma Mére l’Oye: III. Laideronette, impératrice des Pagodes. Mouvement de marche. | — | ||
| 19-5 | Ma Mére l’Oye: IV. Les entretiens de la belle et de la Bete. Mouvement de valse très modéré | — | ||
| 19-6 | Ma Mére l’Oye: V. Le jardin Féerique. Lent et grave. | — | ||
| 19-7 | Pavane pour une Infante défunte | — | ||
| 19-8 | Bolero | — | ||
| 20-1 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 1. Allegro vivace | — | ||
| 20-2 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 2. Andante | — | ||
| 20-3 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 3. Scherzo. Presto | — | ||
| 20-4 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 4. Thema mit Variationen | — | ||
| 20-5 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 5. Finale. Allegro giusto | — | ||
| 20-6 | Adagio e Rondo concertante für Klavier, Violine, Viola und Violoncello F-Dur D 487: 1. Adagio | — | ||
| 20-7 | Adagio e Rondo concertante für Klavier, Violine, Viola und Violoncello F-Dur D 487: 2. Rondo. Allegro vivace | — | ||
| 21-1 | Kinderszenen op.15 - I. Von fremben Ländern und Menschen | — | ||
| 21-2 | Kinderszenen op.15 - II. Kuriose Geschichten | — | ||
| 21-3 | Kinderszenen op.15 - III. Hasche-Mann | — | ||
| 21-4 | Kinderszenen op.15 - IV. Bittendes Kind | — | ||
| 21-5 | Kinderszenen op.15 - V. Glückes genug | — | ||
| 21-6 | Kinderszenen op.15 - VI. Wichtige Begebenheit | — | ||
| 21-7 | Kinderszenen op.15 - VII. Träumerei | — | ||
| 21-8 | Kinderszenen op.15 - VIII. Am Kamin | — | ||
| 21-9 | Kinderszenen op.15 - IX. Ritter von Steckenpferd | — | ||
| 21-10 | Kinderszenen op.15 - X. Fast zu ernst | — | ||
| 21-11 | Kinderszenen op.15 - XI. Fürchtenmachen | — | ||
| 21-12 | Kinderszenen op.15 - XII. Kind im Einschlummern | — | ||
| 21-13 | Kinderszenen op.15 - XIII. Der Dichter spricht | — | ||
| 21-14 | Blumenstück op.19 | — | ||
| 21-15 | Drei Romanzen op.28 - I. Sehr markiert | — | ||
| 21-16 | Drei Romanzen op.28 - II. Einfach | — | ||
| 21-17 | Drei Romanzen op.28 - III. Sehr markiert | — | ||
| 21-18 | Arabeske op.18 | — | ||
| 22-1 | Má vlast: I. Vyšehrad | — | ||
| 22-2 | Má vlast: II. Die Moldau | — | ||
| 22-3 | Má vlast: III. Šárka | — | ||
| 22-4 | Má vlast: IV. Aus Böhmens Hain und Flur | — | ||
| 22-5 | Má vlast: V. Tábor | — | ||
| 22-6 | Má vlast: VI. Blanik | — | ||
| 23-1 | Klavierkonzert Nr. 1 b-Moll op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 23-2 | Klavierkonzert Nr. 1 b-Moll op. 23: 2. Andantino semplice | — | ||
| 23-3 | Klavierkonzert Nr. 1 b-Moll op. 23: 3. Allegro con fuoco | — | ||
| 23-4 | Klavierkonzert a-Moll op. 16: 1. Allegro molto moderato | — | ||
| 23-5 | Klavierkonzert a-Moll op. 16: 2. Adagio | — | ||
| 23-6 | Klavierkonzert a-Moll op. 16: 3. Allegro moderato molto e marcato | — | ||
| 24-1 | "Tannhäuser" - Ouvertüre | — | ||
| 24-2 | "Lohengrin" - Vorspiel 1. Akt | — | ||
| 24-3 | "Der Fliegende Holländer" - Ouvertüre | — | ||
| 24-4 | "Rienzi" - Ouvertüre | — | ||
| 24-5 | "Parsifal" - Vorspiel 1. Akt | — | ||
| 25-1 | "Die Fledermaus", Ouvertüre | — | ||
| 25-2 | Gschichten aus dem Wienerwald, Walzer op. 325 | — | ||
| 25-3 | Transactionen, Walzer op. 184 | — | ||
| 25-4 | Frühlingsstimmen, Walzer op. 410 | — | ||
| 25-5 | Auf der Jagd, Polka op. 373 | — | ||
| 25-6 | Unter Donner und Blitz, Polka op. 324 | — | ||
| 25-7 | An der schönen blauen Donau, Walzer op. 314 | — | ||
| 25-8 | Dorfschwalben aus Österreich, Walzer op. 164 | — | ||
| 25-9 | Radetzky-Marsch, op. 228 | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0782124860028 is a Universal Product Code (UPC) assigned to BASICS:DIE BASIS-DISKOTHEK by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 251 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0782124860028 is the Universal Product Code (UPC barcode) for the release “BASICS:DIE BASIS-DISKOTHEK” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 251 tracks, each with its own ISRC. Tracks include DES382025301, DES382025302, DES382025303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestral Suite no.4 in D major - I. Ouverture | — | ||
| 2 | Orchestral Suite no.4 in D major - II. Bourree 1, 2 | — | ||
| 3 | Orchestral Suite no.4 in D major - III. Gavotte | — | ||
| 4 | Orchestral Suite no.4 in D major - IV. Menuett 1, 2 | — | ||
| 5 | Orchestral Suite no.4 in D major - V. Rejouissance | — | ||
| 6 | Brandenburg Concertos, Concerto no.1 in F major - I. | — | ||
| 7 | Brandenburg Concertos, Concerto no.1 in F major - II. Adagio | — | ||
| 8 | Brandenburg Concertos, Concerto no.1 in F major - III. Allegro | — | ||
| 9 | Brandenburg Concertos, Concerto no.1 in F major - IV. Menuetto, Trio, Menuetto | — | ||
| 10 | Concerto no.2 in F major - I. | — | ||
| 11 | Concerto no.2 in F major - II. Andante | — | ||
| 12 | Concerto no.2 in F major - III. Allegro assai | — | ||
| 13 | Concerto no.3 in G major - I. | — | ||
| 14 | Concerto no.3 in G major - II. Adagio | — | ||
| 15 | Concerto no.3 in G major - III. Allegro | — | ||
| 2-1 | Symphonie no. 5 in C minor, op. 67: I. Allegro con brio | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-2 | Symphonie no. 5 in C minor, op. 67: II. Andante con moto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-3 | Symphonie no. 5 in C minor, op. 67: III. Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-4 | Symphonie no. 5 in C minor, op. 67: IV. Allegro - Presto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-5 | Symphonie no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-6 | Symphonie no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach: Andante molto mosso | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-7 | Symphonie no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-8 | Symphonie no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 2-9 | Symphonie no. 6 in F major, op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Sächsische Staatskapelle Dresden, Herbert Blomstedt | — | |
| 3-1 | Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 3-2 | Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace | — | ||
| 3-3 | Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato | — | ||
| 3-4 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Finale: Presto | — | ||
| 4-1 | Symphonie Fantastique op. 14: Réveries, Passions (Largo - Allegro agitato e apassionato assai) | — | ||
| 4-2 | Symphonie Fantastique op. 14: Un Bal (Valse. Allegro non troppo) | — | ||
| 4-3 | Symphonie Fantastique op. 14: Scène aux champs (Adagio) | — | ||
| 4-4 | Symphonie Fantastique op. 14: Marche au Supplice (Allegretto non troppo) | — | ||
| 4-5 | Symphonie Fantastique op. 14: Songe d'une nuit du Sabbat (Larghetto - Allegro - Dies irae) | — | ||
| 5-1 | L'Arlésienne, Suite No. 1: I. Prélude, allegro deciso | — | ||
| 5-2 | L'Arlésienne, Suite No. 1: II. Minuet, allegro giocoso | — | ||
| 5-3 | L'Arlésienne, Suite No. 1: III. Adagietto | — | ||
| 5-4 | L'Arlésienne, Suite No. 1: IV. Carillon, allegro moderato | — | ||
| 5-5 | L'Arlésienne, Suite No. 2: I. Pastorale | — | ||
| 5-6 | L'Arlésienne, Suite No. 2: II. Intermezzo | — | ||
| 5-7 | L'Arlésienne, Suite No. 2: III. Minuet | — | ||
| 5-8 | L'Arlésienne, Suite No. 2: IV. Farandole | — | ||
| 5-9 | La jolie fille de Perth: I. Prelude | — | ||
| 5-10 | La jolie fille de Perth: II. Serenade | — | ||
| 5-11 | La jolie fille de Perth: III. Marche | — | ||
| 5-12 | La jolie fille de Perth: IV. Danse Bohémienne | — | ||
| 5-13 | Jeux d'enfants, Op. 22: VI. Trompette et tambour | — | ||
| 5-14 | Jeux d'enfants, Op. 22: III. La poupée | — | ||
| 5-15 | Jeux d'enfants, Op. 22: II. La toupie | — | ||
| 5-16 | Jeux d'enfants, Op. 22: XI. Petit mari, petite femme | — | ||
| 5-17 | Jeux d'enfants, Op. 22: XII. Le bal | — | ||
| 6-1 | Symphonie no.3 in F major op.90 - I. Allegro con brio | — | ||
| 6-2 | Symphonie no.3 in F major op.90 - II. Andante | — | ||
| 6-3 | Symphonie no.3 in F major op.90 - III. Poco allegretto | — | ||
| 6-4 | Symphonie no.3 in F major op.90 - IV. Allegro | — | ||
| 6-5 | Hungarian Dances - No.1 in G minor | — | ||
| 6-6 | Hungarian Dances - No.3 in F major | — | ||
| 6-7 | Hungarian Dances - No.4 in F sharp minor | — | ||
| 6-8 | Hungarian Dances - No.5 in G minor | — | ||
| 6-9 | Hungarian Dances - No.6 in D major | — | ||
| 6-10 | Hungarian Dances - No.7 in F major | — | ||
| 6-11 | Hungarian Dances - No.17 in F sharp minor | — | ||
| 6-12 | Hungarian Dances - No.18 in D major | — | ||
| 6-13 | Hungarian Dances - No.20 in E minor | — | ||
| 6-14 | Hungarian Dances - No.21 in E minor | — | ||
| 7-1 | Klavierkonzert Nr. 1 e-Moll, op. 11: I. Allegro maestoso | — | ||
| 7-2 | Klavierkonzert Nr. 1 e-Moll, op. 11: II. Romanze. Larghetto | — | ||
| 7-3 | Klavierkonzert Nr. 1 e-Moll, op. 11: III. Rondo. Vivace | — | ||
| 7-4 | Klavierkonzert Nr. 2 f-Moll, op. 21: I. Maestoso | — | ||
| 7-5 | Klavierkonzert Nr. 2 f-Moll, op. 21: II. Larghetto | — | ||
| 7-6 | Klavierkonzert Nr. 2 f-Moll, op. 21: III. Allegro vivace | — | ||
| 8-1 | Symphonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt« - 1. Adagio, Allegro molto | — | ||
| 8-2 | Symphonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt« - 2. Largo | — | ||
| 8-3 | Symphonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt« - 3. Scherzo. Molto vivace | — | ||
| 8-4 | Symphonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt« - 4. Allegro con fuoco | — | ||
| 8-5 | Slawische Tänze - Nr. 1 C-Dur, op. 46 Nr. 1 | — | ||
| 8-6 | Slawische Tänze - Nr. 7 C-Moll, op. 46 Nr. 7 | — | ||
| 8-7 | Slawische Tänze - Nr. 9 H-Dur, op. 72 Nr. 1 | — | ||
| 8-8 | Slawische Tänze - Nr. 12 Des-Dur, op. 72 Nr. 4 | — | ||
| 8-9 | Slawische Tänze - Nr. 15 C-Dur, op. 72 Nr. 7 | — | ||
| 8-10 | Slawische Tänze - Nr. 16 As-Dur, op. 72 Nr. 8 | — | ||
| 9-1 | Rhapsody in Blue | — | ||
| 9-2 | "Porgy and Bess" Suite | — | ||
| 9-3 | Cuban Ouverture | — | ||
| 9-4 | An American in Paris | — | ||
| 10-1 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 1. Ouvertüre | — | ||
| 10-2 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 2. Adagio e staccato | — | ||
| 10-3 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 3. (Allegro) | — | ||
| 10-4 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 4. Andante | — | ||
| 10-5 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): Nr. 3 da capo | — | ||
| 10-6 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 5. (Presto) | — | ||
| 10-7 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 6 Air | — | ||
| 10-8 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 7. Minuet | — | ||
| 10-9 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 8. Bourrée | — | ||
| 10-10 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 9. Hornpipe | — | ||
| 10-11 | Wassermusik, Suite Nr. 1 F-Dur (Orchestersuite Nr. 25): 10. (Ohne Satzbezeichnung) | — | ||
| 10-12 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 11. (Ohne Satzbezeichnung) | — | ||
| 10-13 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 12. Alla Hornpipe | — | ||
| 10-14 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 13. Minuet | — | ||
| 10-15 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 14. Lentement | — | ||
| 10-16 | Wassermusik, Suite Nr. 2 D-Dur (Orchestersuite Nr. 25): 15. Bourrée | — | ||
| 10-17 | Feuerwerksmusik (Concerto grosso Nr. 26): 1. Ouvertüre | — | ||
| 10-18 | Feuerwerksmusik (Concerto grosso Nr. 26): 2. Bourrée | — | ||
| 10-19 | Feuerwerksmusik (Concerto grosso Nr. 26): 3. La Paix | — | ||
| 10-20 | Feuerwerksmusik (Concerto grosso Nr. 26): 4. La Réjouissance | — | ||
| 10-21 | Feuerwerksmusik (Concerto grosso Nr. 26): Menuet I | — | ||
| 10-22 | Feuerwerksmusik (Concerto grosso Nr. 26): Menuet II | — | ||
| 11-1 | Symphony no.93 in D major - I. Adagio | — | ||
| 11-2 | Symphony no.93 in D major - II. Largo cantabile | — | ||
| 11-3 | Symphony no.93 in D major - III. Menuetto | — | ||
| 11-4 | Symphony no.93 in D major - IV. Finale | — | ||
| 11-5 | Symphony no.94 in G major 'Surprise' - I. Adagio | — | ||
| 11-6 | Symphony no.94 in G major 'Surprise' - II. Andante | — | ||
| 11-7 | Symphony no.94 in G major 'Surprise' - III. Menuet | — | ||
| 11-8 | Symphony no.94 in G major 'Surprise' - IV. Finale | — | ||
| 11-9 | Symphony no.103 in E flat major 'Drum Roll' - I. Adagio | — | ||
| 11-10 | Symphony no.103 in E flat major 'Drum Roll' - II. Andante piu tosto allegretto | — | ||
| 11-11 | Symphony no.103 in E flat major 'Drum Roll' - III. Menuet | — | ||
| 11-12 | Symphony no.103 in E flat major 'Drum Roll' - IV. Finale | — | ||
| 12-1 | Ungarische Rhapsodie Nr. 2 | — | ||
| 12-2 | Première Valse Oubilée | — | ||
| 12-3 | Mephisto-Walzer Nr. 1 | — | ||
| 12-4 | Grandes Etudes De Paganini - 3. Campanella | — | ||
| 12-5 | Années De Pèlerinage (2de Année: Italie) - 5. Sonetto 104 Del Petrarca | — | ||
| 12-6 | Rigoletto - Konzert-Paraphrase | — | ||
| 12-7 | Notturno Nr. 3 As-Dur (Liebestraum) | — | ||
| 12-8 | Etude De Concert Nr. 3 Des-Dur | — | ||
| 12-9 | Ungarische Rhapsodie Nr. 6 | — | ||
| 13-1 | Symphonie no. 5 cis-moll: I. Abteilung, I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 13-2 | Symphonie no. 5 cis-moll: I. Abteilung, I. Stürmisch bewegt. Mit größter Vehemenz | — | ||
| 13-3 | Symphonie no. 5 cis-moll: II. Abteilung, II. Scherzo. Kräftig, nicht zu schnell | — | ||
| 13-4 | Symphonie no. 5 cis-moll: III. Abteilung, II. Adagietto. Sehr langsam | — | ||
| 13-5 | Symphonie no. 5 cis-moll: III. Abteilung, III. Rondo. Finale | — | ||
| 14-1 | Symphonie Nr. 3 a-Moll op. 56 "Schottische": 1. Andante con moto - Allegro un poco agitato | — | ||
| 14-2 | Symphonie Nr. 3 a-Moll op. 56 "Schottische": 2. Vivace non troppo | — | ||
| 14-3 | Symphonie Nr. 3 a-Moll op. 56 "Schottische": 3. Adagio | — | ||
| 14-4 | Symphonie Nr. 3 a-Moll op. 56 "Schottische": 4. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 14-5 | Konzert für Violine und Orchester e-Moll op. 64: 1. Allegro molto apassionata | — | ||
| 14-6 | Konzert für Violine und Orchester e-Moll op. 64: 2. Andante | — | ||
| 14-7 | Konzert für Violine und Orchester e-Moll op. 64: 3. Allegretto non troppo - Allegro molto vivace | — | ||
| 15-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | — | ||
| 15-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 15-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto: Allegretto | — | ||
| 15-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 15-5 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 15-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 15-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto | — | ||
| 15-8 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 15-9 | Symphony no. 41 in C major ("Jupiter"), K. 551: I. Allegro vivace | — | ||
| 15-10 | Symphony no. 41 in C major ("Jupiter"), K. 551: II. Andante cantabile | — | ||
| 15-11 | Symphony no. 41 in C major ("Jupiter"), K. 551: III. Menuetto: Allegretto | — | ||
| 15-12 | Symphony no. 41 in C major ("Jupiter"), K. 551: IV. Finale. Molto allegro | — | ||
| 16-1 | Requiem, K. 626: Requiem: Introitus - Kyrie: Adagio | Jutta Vulpius, Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-2 | Requiem, K. 626: Dies Irae: Allegro assai | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-3 | Requiem, K. 626: Tuba mirum: Andante | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-4 | Requiem, K. 626: Rex tremendae: Grave | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-5 | Requiem, K. 626: Recordare: Andante | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | T-916.756.672-5 | |
| 16-6 | Requiem, K. 626: Confutatis: Andante | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-7 | Requiem, K. 626: Lacrimosa: Larghetto | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-8 | Requiem, K. 626: Domine Jesu: Andante con moto | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-9 | Requiem, K. 626: Hostias: Andante | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | T-900.137.873-0 | |
| 16-10 | Requiem, K. 626: Sanctus: Adagio | Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-11 | Requiem, K. 626: Benedictus: Andante - Allegro | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 16-12 | Requiem, K. 626: Agnus Dei | Jutta Vulpius, Gertraud Prenzlow, Rolf Apreck, Theo Adam, Solistenvereinigung des Berliner Rundfunks, Rundfunk-Sinfonieorchester Berlin, Helmut Koch | — | |
| 17-1 | Carmina Burana: Fortuna Imperatrix mundi: I. O Fortuna | — | ||
| 17-2 | Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | — | ||
| 17-3 | Carmina Burana: I Primo vere: I. Veris leta facies | — | ||
| 17-4 | Carmina Burana: I Primo vere: II. Omnia sol temperat | — | ||
| 17-5 | Carmina Burana: I Primo vere: III. Ecce gratum | — | ||
| 17-6 | Carmina Burana: Uf dem anger: I. Tanz | — | ||
| 17-7 | Carmina Burana: Uf dem anger: II. Floret silva nobilis | — | ||
| 17-8 | Carmina Burana: Uf dem anger: III. Chramer, gip die varwe mir | — | ||
| 17-9 | Carmina Burana: Uf dem anger: IV. Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | — | ||
| 17-10 | Carmina Burana: Uf dem anger: V. Were diu werlt alle min | — | ||
| 17-11 | Carmina Burana: II In Taberna: I. Estuans interius | — | ||
| 17-12 | Carmina Burana: II In Taberna: II. Olim lacus colueram | — | ||
| 17-13 | Carmina Burana: II In Taberna: III. Ego sum abbas | — | ||
| 17-14 | Carmina Burana: II In Taberna: IV. In taberna quando sumus | — | ||
| 17-15 | Carmina Burana: III Cour d'amours: I. Amor volat undique | — | ||
| 17-16 | Carmina Burana: III Cour d'amours: II. Dies, nox et omnia | — | ||
| 17-17 | Carmina Burana: III Cour d'amours: III. Stetit puella | — | ||
| 17-18 | Carmina Burana: III Cour d'amours: IV. Circa mea pectora | — | ||
| 17-19 | Carmina Burana: III Cour d'amours: V. Si puer cum puellula | — | ||
| 17-20 | Carmina Burana: III Cour d'amours: VI. Veni, veni, venias | — | ||
| 17-21 | Carmina Burana: III Cour d'amours: VII. In trutina mentis dubia | — | ||
| 17-22 | Carmina Burana: III Cour d'amours: VIII. Tempus est iocundum | — | ||
| 17-23 | Carmina Burana: III Cour d'amours: IX. Dulcissime | — | ||
| 17-24 | Carmina Burana: Blanziflor et Helena: Ave formosissima | — | ||
| 17-25 | Carmina Burana: Fortuna Imperatrix: O Fortuna | — | ||
| 18-1 | Rhapsodie über ein Thema von Paganini für Klavier und Orchester op. 43 | — | ||
| 18-2 | Konzert für Klavier und Orchester Nr. 2 c-Moll op. 18: 1. Moderato | — | ||
| 18-3 | Konzert für Klavier und Orchester Nr. 2 c-Moll op. 18: 2. Adagio soustenuto | — | ||
| 18-4 | Konzert für Klavier und Orchester Nr. 2 c-Moll op. 18: 3. Allegro scherzando | — | ||
| 19-1 | La Valse | — | ||
| 19-2 | Ma Mère l’Oye: I. Pavane de la Belle au bois dormant. Lent. | — | ||
| 19-3 | Ma Mére l’Oye: II. Petit poucet. Très modéré. | — | ||
| 19-4 | Ma Mére l’Oye: III. Laideronette, impératrice des Pagodes. Mouvement de marche. | — | ||
| 19-5 | Ma Mére l’Oye: IV. Les entretiens de la belle et de la Bete. Mouvement de valse très modéré | — | ||
| 19-6 | Ma Mére l’Oye: V. Le jardin Féerique. Lent et grave. | — | ||
| 19-7 | Pavane pour une Infante défunte | — | ||
| 19-8 | Bolero | — | ||
| 20-1 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 1. Allegro vivace | — | ||
| 20-2 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 2. Andante | — | ||
| 20-3 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 3. Scherzo. Presto | — | ||
| 20-4 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 4. Thema mit Variationen | — | ||
| 20-5 | Quintett für Klavier, Violine, Viola, Violoncello und Kontrabaß A-Dur op. 114 D 667 "Forellenquintett": 5. Finale. Allegro giusto | — | ||
| 20-6 | Adagio e Rondo concertante für Klavier, Violine, Viola und Violoncello F-Dur D 487: 1. Adagio | — | ||
| 20-7 | Adagio e Rondo concertante für Klavier, Violine, Viola und Violoncello F-Dur D 487: 2. Rondo. Allegro vivace | — | ||
| 21-1 | Kinderszenen op.15 - I. Von fremben Ländern und Menschen | — | ||
| 21-2 | Kinderszenen op.15 - II. Kuriose Geschichten | — | ||
| 21-3 | Kinderszenen op.15 - III. Hasche-Mann | — | ||
| 21-4 | Kinderszenen op.15 - IV. Bittendes Kind | — | ||
| 21-5 | Kinderszenen op.15 - V. Glückes genug | — | ||
| 21-6 | Kinderszenen op.15 - VI. Wichtige Begebenheit | — | ||
| 21-7 | Kinderszenen op.15 - VII. Träumerei | — | ||
| 21-8 | Kinderszenen op.15 - VIII. Am Kamin | — | ||
| 21-9 | Kinderszenen op.15 - IX. Ritter von Steckenpferd | — | ||
| 21-10 | Kinderszenen op.15 - X. Fast zu ernst | — | ||
| 21-11 | Kinderszenen op.15 - XI. Fürchtenmachen | — | ||
| 21-12 | Kinderszenen op.15 - XII. Kind im Einschlummern | — | ||
| 21-13 | Kinderszenen op.15 - XIII. Der Dichter spricht | — | ||
| 21-14 | Blumenstück op.19 | — | ||
| 21-15 | Drei Romanzen op.28 - I. Sehr markiert | — | ||
| 21-16 | Drei Romanzen op.28 - II. Einfach | — | ||
| 21-17 | Drei Romanzen op.28 - III. Sehr markiert | — | ||
| 21-18 | Arabeske op.18 | — | ||
| 22-1 | Má vlast: I. Vyšehrad | — | ||
| 22-2 | Má vlast: II. Die Moldau | — | ||
| 22-3 | Má vlast: III. Šárka | — | ||
| 22-4 | Má vlast: IV. Aus Böhmens Hain und Flur | — | ||
| 22-5 | Má vlast: V. Tábor | — | ||
| 22-6 | Má vlast: VI. Blanik | — | ||
| 23-1 | Klavierkonzert Nr. 1 b-Moll op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 23-2 | Klavierkonzert Nr. 1 b-Moll op. 23: 2. Andantino semplice | — | ||
| 23-3 | Klavierkonzert Nr. 1 b-Moll op. 23: 3. Allegro con fuoco | — | ||
| 23-4 | Klavierkonzert a-Moll op. 16: 1. Allegro molto moderato | — | ||
| 23-5 | Klavierkonzert a-Moll op. 16: 2. Adagio | — | ||
| 23-6 | Klavierkonzert a-Moll op. 16: 3. Allegro moderato molto e marcato | — | ||
| 24-1 | "Tannhäuser" - Ouvertüre | — | ||
| 24-2 | "Lohengrin" - Vorspiel 1. Akt | — | ||
| 24-3 | "Der Fliegende Holländer" - Ouvertüre | — | ||
| 24-4 | "Rienzi" - Ouvertüre | — | ||
| 24-5 | "Parsifal" - Vorspiel 1. Akt | — | ||
| 25-1 | "Die Fledermaus", Ouvertüre | — | ||
| 25-2 | Gschichten aus dem Wienerwald, Walzer op. 325 | — | ||
| 25-3 | Transactionen, Walzer op. 184 | — | ||
| 25-4 | Frühlingsstimmen, Walzer op. 410 | — | ||
| 25-5 | Auf der Jagd, Polka op. 373 | — | ||
| 25-6 | Unter Donner und Blitz, Polka op. 324 | — | ||
| 25-7 | An der schönen blauen Donau, Walzer op. 314 | — | ||
| 25-8 | Dorfschwalben aus Österreich, Walzer op. 164 | — | ||
| 25-9 | Radetzky-Marsch, op. 228 | — |
