UPC · Release
Macbeth
Verdi, Leonard Warren, Leonie Rysanek, Carlo Bergonzi, Jerome Hines, Metropolitan Opera Orchestra, Chorus, Leinsdorf
Last verified:
078635451627 is the Universal Product Code (UPC barcode) for the release “Macbeth” by Verdi, Leonard Warren, Leonie Rysanek, Carlo Bergonzi, Jerome Hines, Metropolitan Opera Orchestra, Chorus, Leinsdorf, released 1990-01-01 on RCA. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 35 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (35)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Macbeth: Prelude | — | ||
| 2 | Macbeth: Atto I, scena 1. “Che faceste? Dite su!” | — | ||
| 3 | Macbeth: Atto I, scena 1. “Giorno non vidi mai sì fiero e bello!” | — | ||
| 4 | Macbeth: Atto I, scena 1. “Due vaticini compiuti or sono” | — | ||
| 5 | Macbeth: Atto I, scena 1. “S' allontanarono!” | — | ||
| 6 | Macbeth: Atto I, scena 2. “Nel dì della vittoria io le incontrai …” | — | ||
| 7 | Macbeth: Atto I, scena 2. “Vieni! t'affretta! accendere“ | — | ||
| 8 | Macbeth: Atto I, scena 2. “Oh donna mia!” | — | ||
| 9 | Macbeth: Atto I, scena 2. “Sappia la sposa mia” | — | ||
| 10 | Macbeth: Atto I, scena 2. “Fatal mia donna!” | — | ||
| 11 | Macbeth: Atto I, scena 2. “Di destarlo per tempo il Re m'impose” | — | ||
| 12 | Macbeth: Atto I, scena 2. “Schiudi, inferno, inghiotti” | — | ||
| 13 | Macbeth: Atto I, scena 2. “Perchè mi sfuggi” | — | ||
| 14 | Macbeth: Atto II, scena 1. “La luce langue” | — | ||
| 15 | Macbeth: Atto II, scena 2. “Chi v'impose unirvi a noi?” | — | ||
| 16 | Macbeth: Atto II, scena 2. “Studia il passo... Come dal ciel precipita” | — | ||
| 17 | Macbeth: Atto II, scena 3. “Salve, o Re!” | — | ||
| 18 | Macbeth: Atto II, scena 3. “Si colmi il calice” | — | ||
| 2-1 | Macbeth: Atto II, scena 3. “Voi siete demente!” | — | ||
| 2-2 | Macbeth: Atto II, scena 3. “Spirto d'abisso!” | — | ||
| 2-3 | Macbeth: Atto III. “Tre volte miagola la gatta” | — | ||
| 2-4 | Macbeth: Atto III. “Che fate voi, misteriose donne?” | — | ||
| 2-5 | Macbeth: Atto III. “Fuggi, regal fantasima“ | — | ||
| 2-6 | Macbeth: Atto III. “Ove son io?” | — | ||
| 2-7 | Macbeth: Atto III. “Ora di morte e di vendetta” | — | ||
| 2-8 | Macbeth: Atto IV, scena 1. “Patria oppressa!” | — | ||
| 2-9 | Macbeth: Atto IV, scena 1. “O figli... Ah, la paterna mano“ | — | ||
| 2-10 | Macbeth: Atto IV, scena 1. “Dove siam? che bosco è quello?“ | — | ||
| 2-11 | Macbeth: Atto IV, scena 2. “Vegliammo invan due notti“ | — | ||
| 2-12 | Macbeth: Atto IV, scena 2. “Una macchia è qui tuttora” | — | ||
| 2-13 | Macbeth: Atto IV, scena 3. “Perfidi! All'Anglo contro me” | — | ||
| 2-14 | Macbeth: Atto IV, scena 3. “Pietà, rispetto, amore“ | — | ||
| 2-15 | Macbeth: Atto IV, scena 3. “Ella è morta!” | — | ||
| 2-16 | Macbeth: Atto IV, scena 3. “Mal per me che m'affidai” | — | ||
| 2-17 | Macbeth: Atto IV, scena 3. “Vittoria! Vittoria!” | — |
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What is UPC 078635451627?
078635451627 is a Universal Product Code (UPC) assigned to Macbeth by Verdi, Leonard Warren, Leonie Rysanek, Carlo Bergonzi, Jerome Hines, Metropolitan Opera Orchestra, Chorus, Leinsdorf. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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