UPC · Release
R/evolution: 1969–83
Dick Gaughan
0787480473615
163 tracksReleased 2025-12-01
Last verified:
0787480473615 is the Universal Product Code (UPC barcode) for the release “R/evolution: 1969–83” by Dick Gaughan, released 2025-12-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 163 tracks, each with its own ISRC.
Format
078GS1 prefix
7480Company prefix
47361Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (163)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fiddler’s Green | — | ||
| 2 | Burning of Auchindoun | — | ||
| 3 | Jock o’ Hazeldean | — | ||
| 4 | The Three Healths | — | ||
| 5 | The Thatchers of Glenrea | — | ||
| 6 | Derwentwater’s Farewell | — | ||
| 7 | Jigs: The Langstern Pony / Banish Misfortune | — | ||
| 8 | Rattlin’ Roarin’ Willie | — | ||
| 9 | Fair Flower O’ Northumberland | — | ||
| 10 | Floo’ers o’ the Forest | — | ||
| 11 | Farewell to Whiskey | — | ||
| 12 | Slip Jigs: The Whinny Hills of Leitrim/Paddy O’Brien of Offaly’s | — | ||
| 13 | Rigs o’ Rye | — | ||
| 14 | Reel: The Hurricane | — | ||
| 15 | The Trooper and the Maid | — | ||
| 16 | MacCrimmon’s Lament / Mrs Jamieson’s Favourite | — | ||
| 17 | The Jolly Beggar | — | ||
| 18 | The Blackbird | — | ||
| 19 | Song Extracts: The Cruel Mother / Sweet CarnloughBay / Andrew Lammie | — | ||
| 20 | The Jolly Beggar | — | ||
| 21 | Alan MacPherson of Mosspark | — | ||
| 2-1 | Farewell to Whisky | — | ||
| 2-2 | MacCrimmon’s Lament | — | ||
| 2-3 | The Aughengeich Disaster | — | ||
| 2-4 | Bonny Woodha’ | — | ||
| 2-5 | The Cruel Brother | — | ||
| 2-6 | Sleepy Toon | — | ||
| 2-7 | Arthur MacBride | — | ||
| 2-8 | The Rashy Moor | — | ||
| 2-9 | Lord Randal | — | ||
| 2-10 | The Gypsy Laddies | — | ||
| 2-11 | The John McLean March | — | ||
| 2-12 | Planxty Johnson | — | ||
| 2-13 | Raglan Road | — | ||
| 2-14 | Boys of the Lough / Roaring Mary | — | ||
| 2-15 | The 51st Highland Division’s Farewell to Sicily | — | ||
| 2-16 | Rigs o’ Rye | — | ||
| 2-17 | Planxty Johnson | — | ||
| 2-18 | The Earl of Errol | — | ||
| 3-1 | Farewell to Whisky | — | ||
| 3-2 | Boys of the Lough | — | ||
| 3-3 | Freedom Come All Ye | — | ||
| 3-4 | My Donald | — | ||
| 3-5 | The Rashy Moor | — | ||
| 3-6 | Pinch of Snuff | — | ||
| 3-7 | A Man’s a Man for a’ That | — | ||
| 3-8 | Carrickfergus | — | ||
| 3-9 | Bonnie Jeannie O’ Bethelnie | — | ||
| 3-10 | Bonnie Lass Amang the Heather | — | ||
| 3-11 | Crooked Jack | — | ||
| 3-12 | The Recruited Collier | — | ||
| 3-13 | The Pound a Week Rise | — | ||
| 3-14 | My Donald | — | ||
| 3-15 | Willie O’ Winsbury | — | ||
| 3-16 | Such a Parcel O’ Rogues in a Nation | — | ||
| 3-17 | Gillie Mor | — | ||
| 3-18 | Reels: O’Keefe’s / The Foxhunter’s | — | ||
| 3-19 | Reels: The Oak Tree / The Music in the Glen | — | ||
| 3-20 | Reels: The Spey in Spate / The Hurricane | — | ||
| 3-21 | Shetland Reels: Jack Broke the Prison Door / Donald Blue / Wha’ll Dance Wi’ Wattie | — | ||
| 4-1 | Jackson and Jane | — | ||
| 4-2 | The Trooper and the Maid | — | ||
| 4-3 | My Love Is Like a Red, Red Rose | — | ||
| 4-4 | P Stands for Paddy | — | ||
| 4-5 | Coppers and Brass / Behind the Haystack | — | ||
| 4-6 | Erin the Green | — | ||
| 4-7 | Bonnie Jeanie O’ Bethelnie | — | ||
| 4-8 | Fair Flower O’ Northumberland | — | ||
| 4-9 | The Pound a Week Rise | — | ||
| 4-10 | Willie O’ Winsbury | — | ||
| 4-11 | Craigie Hill | — | ||
| 4-12 | The 51st Highland Division’s Farewell to Sicily | — | ||
| 4-13 | Gillie Mor | — | ||
| 4-14 | The Bonnie Lass Amang the Heather | — | ||
| 4-15 | Jamie Foyers | — | ||
| 4-16 | Schooldays End | — | ||
| 5-1 | Erin-Go-Bragh | — | ||
| 5-2 | Now Westlin Winds | — | ||
| 5-3 | The Snows They Melt the Soonest | — | ||
| 5-4 | Lough Erne / First Kiss at Parting | — | ||
| 5-5 | Scojun Waltz / Randers Hopsa | — | ||
| 5-6 | Both Sides the Tweed | — | ||
| 5-7 | The World Turned Upside Down | — | ||
| 5-8 | Lassie Lie Near Me | — | ||
| 5-9 | The Father’s Song | — | ||
| 5-10 | The Lads o’ the Fair / Leith Docks | — | ||
| 5-11 | My Back Pages / Afterthoughts | — | ||
| 5-12 | Floo’ers o’ the Forest | — | ||
| 5-13 | The Shoals of Herring | — | ||
| 5-14 | The Verdent Braes of Screen | — | ||
| 5-15 | Too Much of Nothing | — | ||
| 5-16 | McPherson’s Rant | — | ||
| 5-17 | Ballad of the Men of Knoydart | — | ||
| 5-18 | Come Lay Me Down, Love | — | ||
| 6-1 | Magdalen Green | — | ||
| 6-2 | Now Westlin Winds | — | ||
| 6-3 | Tommy Peoples’ Jig / Jackie Daly’s Jig | — | ||
| 6-4 | Farewell to Whisky | — | ||
| 6-5 | Bonnie Jeannie o’ Bethelnie | — | ||
| 6-6 | The West Clare Railway / Chicago Reel / Jenny’s Welcome to Charlie | — | ||
| 6-7 | Lough Erne | — | ||
| 6-8 | Erin-Go-Bragh | — | ||
| 6-9 | Song for Ireland | — | ||
| 6-10 | Willie o’ Winsbury | — | ||
| 6-11 | Craigie Hill | — | ||
| 6-12 | Your Daughters and Your Sons | — | ||
| 6-13 | Johnny & Molly / Colonel Fraser / Charlie Lennon’s | — | ||
| 6-14 | The World Turned Upside Down | — | ||
| 6-15 | Thirty-Foot Trailer | — | ||
| 7-1 | A Different Kind of Love Song | — | ||
| 7-2 | Revolution | — | ||
| 7-3 | Prisoner 562 | — | ||
| 7-4 | Song of Choice | — | ||
| 7-5 | The Father’s Song | — | ||
| 7-6 | Think Again | — | ||
| 7-7 | As I Walked on the Road | — | ||
| 7-8 | Stand Up for Judas | — | ||
| 7-9 | By the People | — | ||
| 7-10 | Games People Play | — | ||
| 7-11 | The Spoot o' Skerry | — | ||
| 7-12 | The Rebel Corps | — | ||
| 7-13 | As I Walked on the Road | — | ||
| 7-14 | Tom Billy's / The Monaghan / Sean Ryan's | — | ||
| 7-15 | Freedom Come All Ye | — | ||
| 7-16 | Raglan Road | — | ||
| 7-17 | Revolution | — | ||
| 8-1 | Fiddler’s Green | — | ||
| 8-2 | Jackson and Jane / Boys of the Lough | — | ||
| 8-3 | Magdalen Green | — | ||
| 8-4 | Bonnie Jeannie o’ Bethelnie + interview | — | ||
| 8-5 | The Concertina Hornpipe | — | ||
| 8-6 | Song for Ireland + interview | — | ||
| 8-7 | Floo’ers o’ the Forest + interview | — | ||
| 8-8 | Erin Go Bragh | — | ||
| 8-9 | The Games People Play | — | ||
| 8-10 | Your Daughters and Your Sons | — | ||
| 8-11 | World Turned Upside Down | — | ||
| 8-12 | Which Side Are You On? | — | ||
| 8-13 | A Different Kind of Love Song | — | ||
| 8-14 | What You Do With What You’ve Got | — | ||
| 8-15 | Interview with Bill Paterson | — | ||
| 8-16 | Now Westlin Winds | — | ||
| 8-17 | Both Sides the Tweed | — | ||
| 8-18 | Revolution | — | ||
| 8-19 | Freedom Come All Ye | — | ||
| 8-20 | Afton Water | — | ||
| 8-21 | Canan nan Gaidheal | — | ||
| 8-22 | What You Do With What You’ve Got | — | ||
| 8-23 | Waist Deep in the Big Muddy | — | ||
| 8-24 | World Turned Upside Down | — | ||
| 8-25 | Erin-Go-Bragh | — | ||
| 8-26 | Now Westlin Winds | — | ||
| 8-27 | Tommy Peoples’ Jig / Jackie Daly’s Jig | — | ||
| 8-28 | Workers’ Song | — | ||
| 8-29 | Jenny’s Welcome to Charlie | — | ||
| 8-30 | Farewell to Whisky | — | ||
| 8-31 | The Pound a Week Rise | — | ||
| 8-32 | Song of Choice | — | ||
| 8-33 | A Miner’s Life is Like a Sailor’s | — | ||
| 8-34 | The John McLean March | — | ||
| 8-35 | Ireland Her Own | — | ||
| 8-36 | U.S. Cousins | — | ||
| 8-37 | Hawks and Eagles | — |
Fiddler’s Green
—
Burning of Auchindoun
—
Jock o’ Hazeldean
—
The Three Healths
—
The Thatchers of Glenrea
—
Derwentwater’s Farewell
—
Jigs: The Langstern Pony / Banish Misfortune
—
Rattlin’ Roarin’ Willie
—
Fair Flower O’ Northumberland
—
Floo’ers o’ the Forest
—
Farewell to Whiskey
—
Slip Jigs: The Whinny Hills of Leitrim/Paddy O’Brien of Offaly’s
—
Rigs o’ Rye
—
Reel: The Hurricane
—
The Trooper and the Maid
—
MacCrimmon’s Lament / Mrs Jamieson’s Favourite
—
The Jolly Beggar
—
The Blackbird
—
Song Extracts: The Cruel Mother / Sweet CarnloughBay / Andrew Lammie
—
The Jolly Beggar
—
Alan MacPherson of Mosspark
—
Farewell to Whisky
—
MacCrimmon’s Lament
—
The Aughengeich Disaster
—
Bonny Woodha’
—
The Cruel Brother
—
Sleepy Toon
—
Arthur MacBride
—
The Rashy Moor
—
Lord Randal
—
The Gypsy Laddies
—
The John McLean March
—
Planxty Johnson
—
Raglan Road
—
Boys of the Lough / Roaring Mary
—
The 51st Highland Division’s Farewell to Sicily
—
Rigs o’ Rye
—
Planxty Johnson
—
The Earl of Errol
—
Farewell to Whisky
—
Boys of the Lough
—
Freedom Come All Ye
—
My Donald
—
The Rashy Moor
—
Pinch of Snuff
—
A Man’s a Man for a’ That
—
Carrickfergus
—
Bonnie Jeannie O’ Bethelnie
—
Bonnie Lass Amang the Heather
—
Crooked Jack
—
The Recruited Collier
—
The Pound a Week Rise
—
My Donald
—
Willie O’ Winsbury
—
Such a Parcel O’ Rogues in a Nation
—
Gillie Mor
—
Reels: O’Keefe’s / The Foxhunter’s
—
Reels: The Oak Tree / The Music in the Glen
—
Reels: The Spey in Spate / The Hurricane
—
Shetland Reels: Jack Broke the Prison Door / Donald Blue / Wha’ll Dance Wi’ Wattie
—
Jackson and Jane
—
The Trooper and the Maid
—
My Love Is Like a Red, Red Rose
—
P Stands for Paddy
—
Coppers and Brass / Behind the Haystack
—
Erin the Green
—
Bonnie Jeanie O’ Bethelnie
—
Fair Flower O’ Northumberland
—
The Pound a Week Rise
—
Willie O’ Winsbury
—
Craigie Hill
—
The 51st Highland Division’s Farewell to Sicily
—
Gillie Mor
—
The Bonnie Lass Amang the Heather
—
Jamie Foyers
—
Schooldays End
—
Erin-Go-Bragh
—
Now Westlin Winds
—
The Snows They Melt the Soonest
—
Lough Erne / First Kiss at Parting
—
Scojun Waltz / Randers Hopsa
—
Both Sides the Tweed
—
The World Turned Upside Down
—
Lassie Lie Near Me
—
The Father’s Song
—
The Lads o’ the Fair / Leith Docks
—
My Back Pages / Afterthoughts
—
Floo’ers o’ the Forest
—
The Shoals of Herring
—
The Verdent Braes of Screen
—
Too Much of Nothing
—
McPherson’s Rant
—
Ballad of the Men of Knoydart
—
Come Lay Me Down, Love
—
Magdalen Green
—
Now Westlin Winds
—
Tommy Peoples’ Jig / Jackie Daly’s Jig
—
Farewell to Whisky
—
Bonnie Jeannie o’ Bethelnie
—
The West Clare Railway / Chicago Reel / Jenny’s Welcome to Charlie
—
Lough Erne
—
Erin-Go-Bragh
—
Song for Ireland
—
Willie o’ Winsbury
—
Craigie Hill
—
Your Daughters and Your Sons
—
Johnny & Molly / Colonel Fraser / Charlie Lennon’s
—
The World Turned Upside Down
—
Thirty-Foot Trailer
—
A Different Kind of Love Song
—
Revolution
—
Prisoner 562
—
Song of Choice
—
The Father’s Song
—
Think Again
—
As I Walked on the Road
—
Stand Up for Judas
—
By the People
—
Games People Play
—
The Spoot o' Skerry
—
The Rebel Corps
—
As I Walked on the Road
—
Tom Billy's / The Monaghan / Sean Ryan's
—
Freedom Come All Ye
—
Raglan Road
—
Revolution
—
Fiddler’s Green
—
Jackson and Jane / Boys of the Lough
—
Magdalen Green
—
Bonnie Jeannie o’ Bethelnie + interview
—
The Concertina Hornpipe
—
Song for Ireland + interview
—
Floo’ers o’ the Forest + interview
—
Erin Go Bragh
—
The Games People Play
—
Your Daughters and Your Sons
—
World Turned Upside Down
—
Which Side Are You On?
—
A Different Kind of Love Song
—
What You Do With What You’ve Got
—
Interview with Bill Paterson
—
Now Westlin Winds
—
Both Sides the Tweed
—
Revolution
—
Freedom Come All Ye
—
Afton Water
—
Canan nan Gaidheal
—
What You Do With What You’ve Got
—
Waist Deep in the Big Muddy
—
World Turned Upside Down
—
Erin-Go-Bragh
—
Now Westlin Winds
—
Tommy Peoples’ Jig / Jackie Daly’s Jig
—
Workers’ Song
—
Jenny’s Welcome to Charlie
—
Farewell to Whisky
—
The Pound a Week Rise
—
Song of Choice
—
A Miner’s Life is Like a Sailor’s
—
The John McLean March
—
Ireland Her Own
—
U.S. Cousins
—
Hawks and Eagles
—
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People also ask
What is UPC 0787480473615?
0787480473615 is a Universal Product Code (UPC) assigned to R/evolution: 1969–83 by Dick Gaughan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 163 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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