UPC · Release
American Roots: A History of American Folk Music
Various Artists
0793515285726
104 tracksReleased 2000-01-01
Last verified:
0793515285726 is the Universal Product Code (UPC barcode) for the release “American Roots: A History of American Folk Music” by Various Artists, released 2000-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC. Tracks include USA370639295, GBAJD0271016, GBAJD0271022.
Format
079GS1 prefix
3515Company prefix
28572Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCAmerican Roots: A History of American Folk Music
ISRC24 recordings
ISWC30 works
IPI16 songwriters
Track List (104)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Peach Pickin’ Time in Georgia | — | ||
| 2 | Sail Away Ladies | Uncle Dave Macon, Fruit Jar Drinkers | — | |
| 3 | Wildwood Flower | The Carter Family | T-920.104.495-3 | |
| 4 | Trail to Mexico | — | ||
| 5 | The Runaway Train | — | ||
| 6 | When the Saints Go Marching In | — | ||
| 7 | All Night Long | — | ||
| 8 | Red Wing | — | ||
| 9 | I’m Thinking Tonight of My Blue Eyes | The Carter Family | — | |
| 10 | Goin’ to the Barn Dance Tonight | — | ||
| 11 | Go Long Mule | — | ||
| 12 | Frankie and Johnny | Jimmie Rodgers | T-071.975.871-0 | |
| 13 | Three Men Went a Huntin’ | — | ||
| 14 | My Man’s a Jolly Railroad Man | — | ||
| 15 | Waiting for a Train | Jimmie Rodgers | T-070.197.253-3 | |
| 16 | Georgia’s Three‐Dollar Tag | — | ||
| 17 | Jamestown Exhibition | — | ||
| 18 | Lay Down Baby, Take Your Rest | — | ||
| 19 | Backwater Blues | — | ||
| 20 | The Wreck of the Old 97 | — | ||
| 21 | The Little Old Sod Shanty on My Claim | — | ||
| 22 | Bury Me Under the Weeping Willow | The Carter Family | T-900.016.449-8 | |
| 23 | In the Hills of Tennessee | Jimmie Rodgers | — | |
| 24 | Ida Red | — | ||
| 25 | Alto Waltz | — | ||
| 2-1 | John Hardy Was a Desperate Little Man | The Carter Family | — | |
| 2-2 | Gambling Bar Room Blues | Jimmie Rodgers | T-305.724.024-7 | |
| 2-3 | Little Bessie | — | ||
| 2-4 | I’ll Roll in My Sweet Baby’s Arms | — | ||
| 2-5 | I’m Goin’ Away in the Morn | — | ||
| 2-6 | Pappa’s Billy Goat | — | ||
| 2-7 | Hackberry Trot | — | ||
| 2-8 | Abbeville Breakdown | — | ||
| 2-9 | Tiger Rag Blues | — | ||
| 2-10 | Louisiana Mazurka | — | ||
| 2-11 | Step It Fast | — | ||
| 2-12 | High‐Steppin’ Mama | — | ||
| 2-13 | Blue Yodel (T for Texas) | Jimmie Rodgers | T-070.011.850-8 | |
| 2-14 | Anchored in Love | The Carter Family | — | |
| 2-15 | Jimmie Rodgers Visits the Carter Family | Jimmie Rodgers, The Carter Family | — | |
| 2-16 | Hard for to Love | — | ||
| 2-17 | The Yellow Rose of Texas | — | ||
| 2-18 | The Brave Engineer | — | ||
| 2-19 | Taxes on the Farmer Feeds Them All | — | ||
| 2-20 | Hold That Wood-Pile Down | Uncle Dave Macon | — | |
| 2-21 | I’m a Man of Constant Sorrow | — | ||
| 2-22 | Rambling Boy | The Carter Family | — | |
| 2-23 | My Little Lady | Jimmie Rodgers | — | |
| 2-24 | Two Italians… Red Bird | — | ||
| 3-1 | Orange Blossom Special | Bill Monroe and the Bluegrass Boys | T-070.272.494-4 | |
| 3-2 | Brown’s Ferry Blues | — | ||
| 3-3 | Row Us Over the Tide | — | ||
| 3-4 | Big Rock Candy Mountain (from Sing Out Sweet Land) | Burl Ives | T-070.011.254-4 | |
| 3-5 | Oklahoma Hills | — | ||
| 3-6 | Nine Pound Hammer | — | ||
| 3-7 | Cannonball Rag | — | ||
| 3-8 | Red River Valley | — | ||
| 3-9 | Mule Skinner Blues | Bill Monroe | T-070.110.443-9 | |
| 3-10 | Great Speckled Bird | Roy Acuff and His Crazy Tennesseans | T-900.028.059-1 | |
| 3-11 | Take It to the Captain | — | ||
| 3-12 | Garden in the Sky | — | ||
| 3-13 | Ain’t That a Cryin’ Shame | — | ||
| 3-14 | Milk Cow Blues | — | ||
| 3-15 | When My Blue Moon Turns to Gold Again | — | ||
| 3-16 | Footprints in the Snow | — | ||
| 3-17 | You Can’t Do Wrong and Get By | — | ||
| 3-18 | Why Should It End This Way | — | ||
| 3-19 | Cotton‐Eyed Joe | Bob Wills and His Texas Playboys | — | |
| 3-20 | Night Train to Memphis | — | ||
| 3-21 | You Are My Sunshine | — | ||
| 3-22 | Rounder’s Blues | — | ||
| 3-23 | Rocky Road Blues | Bill Monroe and His Bluegrass Boys | — | |
| 3-24 | Wabash Cannonball | — | ||
| 3-25 | It Makes No Difference | — | ||
| 3-26 | Pigmeat Strut | — | ||
| 3-27 | No Letter in the Mail | Bill Monroe and the Bluegrass Boys | — | |
| 4-1 | This Land Is Your Land | Woody Guthrie | T-902.203.334-7 | |
| 4-2 | House of the Rising Sun | — | ||
| 4-3 | Grand Coulee Dam | — | ||
| 4-4 | John Henry | — | ||
| 4-5 | All I Want | — | ||
| 4-6 | Talking Union | — | ||
| 4-7 | Teeroo Teeroo | — | ||
| 4-8 | I Know an Old Lady | — | ||
| 4-9 | Columbus Stockade | — | ||
| 4-10 | The Sinking of the Reuben James | — | ||
| 4-11 | Boll Weevil Blues | — | ||
| 4-12 | Away Rio | — | ||
| 4-13 | The Coast of High Barbary | — | ||
| 4-14 | Jack‐Hammer Blues | — | ||
| 4-15 | Liza Jane | — | ||
| 4-16 | Pastures of Plenty | — | ||
| 4-17 | Cumberland Gap | — | ||
| 4-18 | Casey Jones | — | ||
| 4-19 | Cumberland Bear‐Chase | — | ||
| 4-20 | So Long It’s Been Good to Know You | — | ||
| 4-21 | Union Maid | — | ||
| 4-22 | Hard Travelin’ Guthrie | — | ||
| 4-23 | Erie Canal | — | ||
| 4-24 | Pretty Boy Floyd | — | ||
| 4-25 | State of Arkansas | — | ||
| 4-26 | Worried Man Blues | — | ||
| 4-27 | Deliver the Goods | — | ||
| 4-28 | DO RE MI | Woody Guthrie | — |
Peach Pickin’ Time in Georgia
—
Sail Away Ladies
Uncle Dave Macon, Fruit Jar Drinkers
—
Trail to Mexico
—
The Runaway Train
—
When the Saints Go Marching In
—
All Night Long
—
Red Wing
—
I’m Thinking Tonight of My Blue Eyes
The Carter Family
—
Goin’ to the Barn Dance Tonight
—
Go Long Mule
—
Three Men Went a Huntin’
—
My Man’s a Jolly Railroad Man
—
Georgia’s Three‐Dollar Tag
—
Jamestown Exhibition
—
Lay Down Baby, Take Your Rest
—
Backwater Blues
—
The Wreck of the Old 97
—
The Little Old Sod Shanty on My Claim
—
In the Hills of Tennessee
Jimmie Rodgers
—
Ida Red
—
Alto Waltz
—
John Hardy Was a Desperate Little Man
The Carter Family
—
Little Bessie
—
I’ll Roll in My Sweet Baby’s Arms
—
I’m Goin’ Away in the Morn
—
Pappa’s Billy Goat
—
Hackberry Trot
—
Abbeville Breakdown
—
Tiger Rag Blues
—
Louisiana Mazurka
—
Step It Fast
—
High‐Steppin’ Mama
—
Anchored in Love
The Carter Family
—
Jimmie Rodgers Visits the Carter Family
Jimmie Rodgers, The Carter Family
—
Hard for to Love
—
The Yellow Rose of Texas
—
The Brave Engineer
—
Taxes on the Farmer Feeds Them All
—
Hold That Wood-Pile Down
Uncle Dave Macon
—
I’m a Man of Constant Sorrow
—
Rambling Boy
The Carter Family
—
My Little Lady
Jimmie Rodgers
—
Two Italians… Red Bird
—
Brown’s Ferry Blues
—
Row Us Over the Tide
—
Oklahoma Hills
—
Nine Pound Hammer
—
Cannonball Rag
—
Red River Valley
—
Take It to the Captain
—
Garden in the Sky
—
Ain’t That a Cryin’ Shame
—
Milk Cow Blues
—
When My Blue Moon Turns to Gold Again
—
Footprints in the Snow
—
You Can’t Do Wrong and Get By
—
Why Should It End This Way
—
Cotton‐Eyed Joe
Bob Wills and His Texas Playboys
—
Night Train to Memphis
—
You Are My Sunshine
—
Rounder’s Blues
—
Rocky Road Blues
Bill Monroe and His Bluegrass Boys
—
Wabash Cannonball
—
It Makes No Difference
—
Pigmeat Strut
—
No Letter in the Mail
Bill Monroe and the Bluegrass Boys
—
House of the Rising Sun
—
Grand Coulee Dam
—
John Henry
—
All I Want
—
Talking Union
—
Teeroo Teeroo
—
I Know an Old Lady
—
Columbus Stockade
—
The Sinking of the Reuben James
—
Boll Weevil Blues
—
Away Rio
—
The Coast of High Barbary
—
Jack‐Hammer Blues
—
Liza Jane
—
Pastures of Plenty
—
Cumberland Gap
—
Casey Jones
—
Cumberland Bear‐Chase
—
So Long It’s Been Good to Know You
—
Union Maid
—
Hard Travelin’ Guthrie
—
Erie Canal
—
Pretty Boy Floyd
—
State of Arkansas
—
Worried Man Blues
—
Deliver the Goods
—
DO RE MI
Woody Guthrie
—
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| John Hardy Was a Desperate Little Man | The Carter Family | — |
| John Hardy Was a Desperate Little Man | The Carter Family | — |
| I’m Thinking Tonight of My Blue Eyes | The Carter Family | — |
| Anchored in Love | The Carter Family | — |
| Mule Skinner Blues | Bill Monroe and the Bluegrass Boys | T-030.157.231-5 |
| Sail Away Ladies | Uncle Dave Macon, Fruit Jar Drinkers | — |
| Rocky Road Blues | Bill Monroe and His Bluegrass Boys | — |
| Rocky Road Blues | Bill Monroe and His Bluegrass Boys | — |
John Hardy Was a Desperate Little Man
The Carter Family
—
John Hardy Was a Desperate Little Man
The Carter Family
—
I’m Thinking Tonight of My Blue Eyes
The Carter Family
—
Anchored in Love
The Carter Family
—
Bill Monroe and the Bluegrass Boys
Sail Away Ladies
Uncle Dave Macon, Fruit Jar Drinkers
—
Rocky Road Blues
Bill Monroe and His Bluegrass Boys
—
Rocky Road Blues
Bill Monroe and His Bluegrass Boys
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-001.531.339-9T-030.157.231-5T-070.011.254-4T-070.011.850-8T-070.110.443-9T-070.197.253-3T-070.272.494-4T-070.010.119-4T-070.011.254-4T-070.011.850-8
+20 more
T-070.110.443-9T-070.197.253-3T-070.204.793-5T-070.229.967-9T-070.243.723-7T-070.264.085-4T-070.272.494-4T-070.906.108-4T-070.918.660-6T-070.939.706-7T-070.939.916-5T-071.514.436-7T-071.975.871-0T-072.273.259-3T-314.792.577-3T-700.018.254-9T-700.031.727-3T-700.038.054-3T-700.063.528-1T-700.159.410-3
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 0793515285726?
0793515285726 is a Universal Product Code (UPC) assigned to American Roots: A History of American Folk Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 104 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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