UPC · Release
Andreas Scholl: The Voice
Andreas Scholl
0794881613229
21 tracks
Last verified:
0794881613229 is the Universal Product Code (UPC barcode) for the release “Andreas Scholl: The Voice” by Andreas Scholl. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include FRZ149644050, FRZ149644200, FRZ149304060.
Format
079GS1 prefix
4881Company prefix
61322Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCAndreas Scholl: The Voice
ISRC21 recordings
ISWC4 works
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Three Ravens | Andreas Scholl, Andreas Martin | T3143957926 | |
| 2 | Barbara Allen | Andreas Scholl, Andreas Martin | — | |
| 3 | Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?" | Andreas Scholl, William Christie, Les Arts Florissants | — | |
| 4 | Serse, HWV 40: Act III. Sinfonia | Akademie für Alte Musik Berlin | — | |
| 5 | Serse, HWV 40: Act I, Scene I. "Frondi tenere" | Andreas Scholl, Akademie für Alte Musik Berlin | — | |
| 6 | Serse, HWV 40: Act I, Scene I. "Ombra mai fù" | Andreas Scholl, Akademie für Alte Musik Berlin | — | |
| 7 | Cantata “Cessate, omai cessate”, RV 684: I. Largo e sciolto. “Cessate, omai cessate” | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 8 | Cantata “Cessate, omai cessate”, RV 684: II. Larghetto & Andante molto. “Ah ch'infelice sempre” | Andreas Scholl, Ensemble 415, Chiara Banchini | T0062633537 | |
| 9 | Cantata “Cessate, omai cessate”, RV 684: III. Andante. “A voi dunque ricorro orridi specchi” | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 10 | Cantata “Cessate, omai cessate”, RV 684: IV. Allegro. “Nell'orrido albergo ricetto di pene” | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 11 | Mass in B minor, BWV 232: IVe. Agnus Dei | Collegium Vocale Gent, Andreas Scholl, Philippe Herreweghe | — | |
| 12 | Stabat Mater, RV 621: VII. Eja mater, fons amoris. Largo | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 13 | Stabat Mater, RV 621: VIII. Fac ut ardeat. Lento | Andreas Scholl, Ensemble 415, Chiara Banchini | — | |
| 14 | Stabat Mater, RV 621: IX. Amen. Allegro | Andreas Scholl, Ensemble 415, Chiara Banchini | T9159272001 | |
| 15 | Oratorio "Maddalena ai piedi di Cristo": No. 50 Recitativo "Di miei dardi possenti" (Amor Celeste) | Antonio Caldara | — | |
| 16 | Oratorio "Maddalena ai piedi di Cristo": No. 51 Aria "Da quel strale che stilla veleno" (Amor Celeste) | Antonio Caldara | — | |
| 17 | Cantata, BuxWV 64 "Jubilate Domino" | Andreas Scholl, Brigitte Gasser, Friederike Heumann, Markus Märkl, Karl-Ernst Schröder | — | |
| 18 | Ach Liebste, laß uns eilen | Andreas Scholl, Markus Märkl, Karl-Ernst Schröder, Alix Verzier | — | |
| 19 | Kunst des Küssens | Andreas Scholl, Markus Märkl, Karl-Ernst Schröder, Alix Verzier | — | |
| 20 | Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Hercules) "Treues Echo dieser Orten" | Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs | — | |
| 21 | Matthäus‐Passion, BWV 244: Zweiter Teil. 39. „Erbarme dich“ (Aria (Alt)) | Collegium Vocale Gent, Andreas Scholl, Philippe Herreweghe | T1016076676 |
Barbara Allen
Andreas Scholl, Andreas Martin
—
Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?"
Andreas Scholl, William Christie, Les Arts Florissants
—
Serse, HWV 40: Act III. Sinfonia
Akademie für Alte Musik Berlin
—
Serse, HWV 40: Act I, Scene I. "Frondi tenere"
Andreas Scholl, Akademie für Alte Musik Berlin
—
Serse, HWV 40: Act I, Scene I. "Ombra mai fù"
Andreas Scholl, Akademie für Alte Musik Berlin
—
Cantata “Cessate, omai cessate”, RV 684: I. Largo e sciolto. “Cessate, omai cessate”
Andreas Scholl, Ensemble 415, Chiara Banchini
—
Andreas Scholl, Ensemble 415, Chiara Banchini
Cantata “Cessate, omai cessate”, RV 684: III. Andante. “A voi dunque ricorro orridi specchi”
Andreas Scholl, Ensemble 415, Chiara Banchini
—
Cantata “Cessate, omai cessate”, RV 684: IV. Allegro. “Nell'orrido albergo ricetto di pene”
Andreas Scholl, Ensemble 415, Chiara Banchini
—
Mass in B minor, BWV 232: IVe. Agnus Dei
Collegium Vocale Gent, Andreas Scholl, Philippe Herreweghe
—
Stabat Mater, RV 621: VII. Eja mater, fons amoris. Largo
Andreas Scholl, Ensemble 415, Chiara Banchini
—
Stabat Mater, RV 621: VIII. Fac ut ardeat. Lento
Andreas Scholl, Ensemble 415, Chiara Banchini
—
Oratorio "Maddalena ai piedi di Cristo": No. 50 Recitativo "Di miei dardi possenti" (Amor Celeste)
Antonio Caldara
—
Oratorio "Maddalena ai piedi di Cristo": No. 51 Aria "Da quel strale che stilla veleno" (Amor Celeste)
Antonio Caldara
—
Cantata, BuxWV 64 "Jubilate Domino"
Andreas Scholl, Brigitte Gasser, Friederike Heumann, Markus Märkl, Karl-Ernst Schröder
—
Ach Liebste, laß uns eilen
Andreas Scholl, Markus Märkl, Karl-Ernst Schröder, Alix Verzier
—
Kunst des Küssens
Andreas Scholl, Markus Märkl, Karl-Ernst Schröder, Alix Verzier
—
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Hercules) "Treues Echo dieser Orten"
Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs
—
Collegium Vocale Gent, Andreas Scholl, Philippe Herreweghe
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
SourcesMLCMusicBrainz2 sources
Verified on
What is UPC 0794881613229?
0794881613229 is a Universal Product Code (UPC) assigned to Andreas Scholl: The Voice by Andreas Scholl. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm