UPC · Release
The The
Last verified:
The UPC for “Radio Cinéola Trilogy” by The The is 0799600587805. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Lazarus. This release contains 120 tracks, each with its own ISRC. Tracks include QM7281708137, GB8KY1700110, GB8KY1700111.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Announcement | — | ||
| 2 | This Is the Day | — | ||
| 3 | Slow Emotion Replay | — | ||
| 4 | Weatherbelle | — | ||
| 5 | Gravitate to Me | — | ||
| 6 | Bugle Boy | — | ||
| 7 | Pillar Box Red | — | ||
| 8 | December Sunlight | — | ||
| 9 | Bluer Than Midnight | — | ||
| 10 | Love Is Stronger Than Death | — | ||
| 11 | Phantom Walls | — | ||
| 12 | We Can’t Stop What’s Coming | — | ||
| 13 | This Is the Night | — | ||
| 2-1 | Introduction | The The | — | |
| 2-2 | Atmosfear | The The | — | |
| 2-3 | A Long Hard Lazy Apprenticeship | The The | T-323.586.987-7 | |
| 2-4 | Fear of Known Things | The The | — | |
| 2-5 | Atmosmear | The The | — | |
| 2-6 | Nothing | The The | — | |
| 2-7 | An Explanation | The The | — | |
| 2-8 | How Little How Far | The The | — | |
| 2-9 | Atmostear | The The | — | |
| 2-10 | Consolation | The The | — | |
| 2-11 | The Challenge | The The | — | |
| 2-12 | Atmoshear | The The | — | |
| 2-13 | Suddenly | The The | — | |
| 2-14 | The Rites of Indolence | The The | — | |
| 2-15 | Yellow Afternoon of the Soul | The The | — | |
| 2-16 | Tense Offering | The The | — | |
| 2-17 | Creation | The The | — | |
| 2-18 | Ceremony | The The | — | |
| 2-19 | A Time of Reckoning | The The | — | |
| 2-20 | Art and Eros | The The | — | |
| 2-21 | Suddenly Again | The The | — | |
| 2-22 | Lying on My Side | The The | — | |
| 2-23 | A Wednesday in August | The The | — | |
| 2-24 | Molasses | The The | — | |
| 2-25 | That Time of Day | The The | — | |
| 2-26 | I’m Not Tired | The The | — | |
| 2-27 | Taped | The The | — | |
| 2-28 | Chair, Sofa and Bed | The The | — | |
| 2-29 | Leaden Afternoon | The The | — | |
| 2-30 | Inaction Figure | The The | — | |
| 2-31 | The Island | The The | — | |
| 2-32 | Butterfly Springs | The The | — | |
| 2-33 | Rush Hour | The The | — | |
| 2-34 | Butterfly Pings | The The | — | |
| 2-35 | Droning | The The | — | |
| 2-36 | The Legacy | The The | — | |
| 2-37 | Drowler | The The | — | |
| 2-38 | The Shadows of Purpose | The The | — | |
| 2-39 | Accomplishment | The The | — | |
| 2-40 | Time Moves, but Not I | The The | — | |
| 2-41 | Another Day | The The | — | |
| 2-42 | Butterfly Rings | The The | — | |
| 2-43 | Gaslight | The The | — | |
| 2-44 | Ruinous Tranquility | The The | — | |
| 2-45 | Beauty | The The | — | |
| 2-46 | Days | The The | — | |
| 2-47 | Inured to Otiosity | The The | — | |
| 2-48 | Blood Streams | The The | — | |
| 2-49 | Anomic Otiosity | The The | — | |
| 2-50 | The Measure of a Man | The The | — | |
| 2-51 | Elsewhere | The The | — | |
| 2-52 | Alien Lungs | The The | — | |
| 2-53 | View From a Hill | The The | — | |
| 2-54 | Born Winner, Self‐Made Loser | The The | — | |
| 2-55 | Dust Falls Regardless | The The | — | |
| 2-56 | Drench | The The | — | |
| 2-57 | Riveting Torpor | The The | — | |
| 2-58 | Drenched | The The | — | |
| 2-59 | The Prime of Life | The The | — | |
| 2-60 | Entitlement | The The | — | |
| 2-61 | Lifelong Lean Period | The The | — | |
| 2-62 | Point Hope | The The | — | |
| 2-63 | Room With a Void | The The | — | |
| 2-64 | The Arrival | The The | — | |
| 2-65 | Figment to Filament | The The | — | |
| 2-66 | Constancy | The The | — | |
| 2-67 | Ode to Invented Melancholy | The The | — | |
| 2-68 | Improvidence | The The | — | |
| 2-69 | This Day | The The | — | |
| 2-70 | Feelings | The The | — | |
| 2-71 | Point Hope | The The | — | |
| 3-1 | Announcement | The The | — | |
| 3-2 | Between the Living and the Dead | The The | — | |
| 3-3 | The Late Station | The The | — | |
| 3-4 | William Engdahl | The The | T-323.586.987-7 | |
| 3-5 | Wireless Trip | The The | — | |
| 3-6 | Zoe Hepden | The The | — | |
| 3-7 | When Tomorrow Becomes Today | The The | — | |
| 3-8 | Night Flighs | The The | T-913.146.079-2 | |
| 3-9 | David Edwards | The The | — | |
| 3-10 | Same Face Different Mask | The The | — | |
| 3-11 | Wireless Ship | The The | — | |
| 3-12 | Abdi Assadi | The The | — | |
| 3-13 | Wargasm | The The | — | |
| 3-14 | Here Comes the Drones | The The | — | |
| 3-15 | Secretum | The The | — | |
| 3-16 | Lucinda Rogers | The The | — | |
| 3-17 | Spyrograph | The The | — | |
| 3-18 | The Divided Selfie | The The | — | |
| 3-19 | Neil Sanders | The The | — | |
| 3-20 | Between Raindrops | The The | — | |
| 3-21 | Digital Dystopia | The The | — | |
| 3-22 | Marian St Laurent | The The | — | |
| 3-23 | Missing People | The The | — | |
| 3-24 | Radiophonique | The The | — | |
| 3-25 | Neil Clark | The The | — | |
| 3-26 | The Watchers and the Watched | The The | — | |
| 3-27 | The Invisible Empire | The The | — | |
| 3-28 | Wireless Blip | The The | — | |
| 3-29 | William Engdahl | The The | — | |
| 3-30 | The Future Isn’t What It Used to Be | The The | — | |
| 3-31 | The New Normal | The The | — | |
| 3-32 | David Edwards (II) | The The | — | |
| 3-33 | The Space Between Words | The The | — | |
| 3-34 | The Veil of Amnesia | The The | — | |
| 3-35 | Goodnight | The The | — | |
| 3-36 | Every Secret Light | The The | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0799600587805 is a Universal Product Code (UPC) assigned to Radio Cinéola Trilogy by The The. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 120 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Radio Cinéola Trilogy” by The The is 0799600587805. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Lazarus. This release contains 120 tracks, each with its own ISRC. Tracks include QM7281708137, GB8KY1700110, GB8KY1700111.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Announcement | — | ||
| 2 | This Is the Day | — | ||
| 3 | Slow Emotion Replay | — | ||
| 4 | Weatherbelle | — | ||
| 5 | Gravitate to Me | — | ||
| 6 | Bugle Boy | — | ||
| 7 | Pillar Box Red | — | ||
| 8 | December Sunlight | — | ||
| 9 | Bluer Than Midnight | — | ||
| 10 | Love Is Stronger Than Death | — | ||
| 11 | Phantom Walls | — | ||
| 12 | We Can’t Stop What’s Coming | — | ||
| 13 | This Is the Night | — | ||
| 2-1 | Introduction | The The | — | |
| 2-2 | Atmosfear | The The | — | |
| 2-3 | A Long Hard Lazy Apprenticeship | The The | T-323.586.987-7 | |
| 2-4 | Fear of Known Things | The The | — | |
| 2-5 | Atmosmear | The The | — | |
| 2-6 | Nothing | The The | — | |
| 2-7 | An Explanation | The The | — | |
| 2-8 | How Little How Far | The The | — | |
| 2-9 | Atmostear | The The | — | |
| 2-10 | Consolation | The The | — | |
| 2-11 | The Challenge | The The | — | |
| 2-12 | Atmoshear | The The | — | |
| 2-13 | Suddenly | The The | — | |
| 2-14 | The Rites of Indolence | The The | — | |
| 2-15 | Yellow Afternoon of the Soul | The The | — | |
| 2-16 | Tense Offering | The The | — | |
| 2-17 | Creation | The The | — | |
| 2-18 | Ceremony | The The | — | |
| 2-19 | A Time of Reckoning | The The | — | |
| 2-20 | Art and Eros | The The | — | |
| 2-21 | Suddenly Again | The The | — | |
| 2-22 | Lying on My Side | The The | — | |
| 2-23 | A Wednesday in August | The The | — | |
| 2-24 | Molasses | The The | — | |
| 2-25 | That Time of Day | The The | — | |
| 2-26 | I’m Not Tired | The The | — | |
| 2-27 | Taped | The The | — | |
| 2-28 | Chair, Sofa and Bed | The The | — | |
| 2-29 | Leaden Afternoon | The The | — | |
| 2-30 | Inaction Figure | The The | — | |
| 2-31 | The Island | The The | — | |
| 2-32 | Butterfly Springs | The The | — | |
| 2-33 | Rush Hour | The The | — | |
| 2-34 | Butterfly Pings | The The | — | |
| 2-35 | Droning | The The | — | |
| 2-36 | The Legacy | The The | — | |
| 2-37 | Drowler | The The | — | |
| 2-38 | The Shadows of Purpose | The The | — | |
| 2-39 | Accomplishment | The The | — | |
| 2-40 | Time Moves, but Not I | The The | — | |
| 2-41 | Another Day | The The | — | |
| 2-42 | Butterfly Rings | The The | — | |
| 2-43 | Gaslight | The The | — | |
| 2-44 | Ruinous Tranquility | The The | — | |
| 2-45 | Beauty | The The | — | |
| 2-46 | Days | The The | — | |
| 2-47 | Inured to Otiosity | The The | — | |
| 2-48 | Blood Streams | The The | — | |
| 2-49 | Anomic Otiosity | The The | — | |
| 2-50 | The Measure of a Man | The The | — | |
| 2-51 | Elsewhere | The The | — | |
| 2-52 | Alien Lungs | The The | — | |
| 2-53 | View From a Hill | The The | — | |
| 2-54 | Born Winner, Self‐Made Loser | The The | — | |
| 2-55 | Dust Falls Regardless | The The | — | |
| 2-56 | Drench | The The | — | |
| 2-57 | Riveting Torpor | The The | — | |
| 2-58 | Drenched | The The | — | |
| 2-59 | The Prime of Life | The The | — | |
| 2-60 | Entitlement | The The | — | |
| 2-61 | Lifelong Lean Period | The The | — | |
| 2-62 | Point Hope | The The | — | |
| 2-63 | Room With a Void | The The | — | |
| 2-64 | The Arrival | The The | — | |
| 2-65 | Figment to Filament | The The | — | |
| 2-66 | Constancy | The The | — | |
| 2-67 | Ode to Invented Melancholy | The The | — | |
| 2-68 | Improvidence | The The | — | |
| 2-69 | This Day | The The | — | |
| 2-70 | Feelings | The The | — | |
| 2-71 | Point Hope | The The | — | |
| 3-1 | Announcement | The The | — | |
| 3-2 | Between the Living and the Dead | The The | — | |
| 3-3 | The Late Station | The The | — | |
| 3-4 | William Engdahl | The The | T-323.586.987-7 | |
| 3-5 | Wireless Trip | The The | — | |
| 3-6 | Zoe Hepden | The The | — | |
| 3-7 | When Tomorrow Becomes Today | The The | — | |
| 3-8 | Night Flighs | The The | T-913.146.079-2 | |
| 3-9 | David Edwards | The The | — | |
| 3-10 | Same Face Different Mask | The The | — | |
| 3-11 | Wireless Ship | The The | — | |
| 3-12 | Abdi Assadi | The The | — | |
| 3-13 | Wargasm | The The | — | |
| 3-14 | Here Comes the Drones | The The | — | |
| 3-15 | Secretum | The The | — | |
| 3-16 | Lucinda Rogers | The The | — | |
| 3-17 | Spyrograph | The The | — | |
| 3-18 | The Divided Selfie | The The | — | |
| 3-19 | Neil Sanders | The The | — | |
| 3-20 | Between Raindrops | The The | — | |
| 3-21 | Digital Dystopia | The The | — | |
| 3-22 | Marian St Laurent | The The | — | |
| 3-23 | Missing People | The The | — | |
| 3-24 | Radiophonique | The The | — | |
| 3-25 | Neil Clark | The The | — | |
| 3-26 | The Watchers and the Watched | The The | — | |
| 3-27 | The Invisible Empire | The The | — | |
| 3-28 | Wireless Blip | The The | — | |
| 3-29 | William Engdahl | The The | — | |
| 3-30 | The Future Isn’t What It Used to Be | The The | — | |
| 3-31 | The New Normal | The The | — | |
| 3-32 | David Edwards (II) | The The | — | |
| 3-33 | The Space Between Words | The The | — | |
| 3-34 | The Veil of Amnesia | The The | — | |
| 3-35 | Goodnight | The The | — | |
| 3-36 | Every Secret Light | The The | — |
