UPC · Release
Box of Chameleons
Sun City Girls
0802090023729
128 tracksReleased 1997-11-05
Last verified:
0802090023729 is the Universal Product Code (UPC barcode) for the release “Box of Chameleons” by Sun City Girls, released 1997-11-05. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 128 tracks, each with its own ISRC.
Format
080GS1 prefix
2090Company prefix
02372Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (128)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Respected for Being Irrespectable | — | ||
| 2 | SCG Inc. | — | ||
| 3 | Vientiene | — | ||
| 4 | Priest on the Run | — | ||
| 5 | On the Sign | — | ||
| 6 | Electrocution | — | ||
| 7 | Pinnacle | — | ||
| 8 | The Golden Cage | — | ||
| 9 | Theme to “Opium Cinema” | — | ||
| 10 | Criosote Landing | — | ||
| 11 | Song for a Dead Breath | — | ||
| 12 | Wuthering Corpse | — | ||
| 13 | Dogs of Luxor | — | ||
| 14 | Entrail — Littered Savannah | — | ||
| 15 | Asian Women on the Telephone | — | ||
| 16 | Dunderhead | — | ||
| 17 | And Once There Was Us | — | ||
| 18 | Pitchfork Capitol | — | ||
| 19 | Suck‐In | — | ||
| 20 | The Magic Switch | — | ||
| 21 | He’s Part Nickle | — | ||
| 22 | A Light‐Hearted Comedy | — | ||
| 23 | Slash Kick Wrist | — | ||
| 24 | Lunar No Sooner | — | ||
| 25 | Take a Giant Schmuck | — | ||
| 26 | Beauty Rides All Demons | — | ||
| 27 | Sun City of Industry | — | ||
| 28 | Gayatri | — | ||
| 29 | Flippin’ the Bird | — | ||
| 30 | Neverglades | — | ||
| 31 | High Drama Lama | — | ||
| 32 | Coffee With Eyelash | — | ||
| 33 | You Tell Me | — | ||
| 34 | Cuts on Phantom Limbo | — | ||
| 35 | Trailor Therapy | — | ||
| 36 | Viola Madre | — | ||
| 37 | Insect | — | ||
| 38 | Interlude | — | ||
| 39 | Swindler’s Fist | — | ||
| 40 | Nova Expression #3 | — | ||
| 41 | Tribute to Sonny Murray | — | ||
| 42 | Enough! | — | ||
| 43 | The Space Genie Hiss | — | ||
| 44 | Clickety‐Clack Go the Arterial S | — | ||
| 45 | Law of Diminished Returns | — | ||
| 46 | It’s Ours (reprise) | — | ||
| 47 | We’ll Still Be Hovering After You’re Gonesville | — | ||
| 48 | March on Atlas | — | ||
| 49 | Mama's Mild (Too Dry) | — | ||
| 50 | Thanks a Lot, Cerebral Man | — | ||
| 2-1 | Suncitivity | — | ||
| 2-2 | Prison Quality Food | — | ||
| 2-3 | Wary of It All | — | ||
| 2-4 | Nine Sides of Air | — | ||
| 2-5 | Yellow Fever | — | ||
| 2-6 | Your Amuckness | — | ||
| 2-7 | Impersonal Tragedy | — | ||
| 2-8 | Next to No Way | — | ||
| 2-9 | Kunda Kepang | — | ||
| 2-10 | Bad Housekeeping | — | ||
| 2-11 | Tribute to Liberace | — | ||
| 2-12 | Miss Majestic | — | ||
| 2-13 | Eddie, Is That the Blue Moon? | — | ||
| 2-14 | Surfin’ the Cardboard Stretcher | — | ||
| 2-15 | Vomiting Diamonds | — | ||
| 2-16 | Everything Burnt ’Cept the Navel | — | ||
| 2-17 | ODE TO GANESH | — | ||
| 2-18 | Indians, Jacks, and Pines | — | ||
| 2-19 | Bad Daylight | — | ||
| 2-20 | The Brickyard | — | ||
| 2-21 | I Deal a Stick | — | ||
| 2-22 | The Doldrums | — | ||
| 2-23 | They Wanted to Dance — We Gave Em This | — | ||
| 2-24 | Mood Bazaar | — | ||
| 2-25 | Liberated Forays | — | ||
| 2-26 | Doorknob Journalism | — | ||
| 2-27 | Is It Stroked? | — | ||
| 2-28 | Girl Trouble | — | ||
| 2-29 | Sprinkling the Demon Seed | — | ||
| 2-30 | Neptune Breeze | — | ||
| 2-31 | Indian Graveyard | — | ||
| 2-32 | The Palestine Club Half‐Way House Scene | — | ||
| 2-33 | Tabacco Bong Hits | — | ||
| 2-34 | Clown Prince | — | ||
| 2-35 | Amethyst Nightgown | — | ||
| 2-36 | A Random Finale | — | ||
| 2-37 | Plecostamus | — | ||
| 2-38 | TOBA HIGHTOP | — | ||
| 2-39 | Lifting the Hemline of the Unknown | — | ||
| 2-40 | A Photogenic Memory | — | ||
| 2-41 | BOBBY SANDS | — | ||
| 2-42 | The Eleven, Oh Nine in the Refrigerator, South Farmer | — | ||
| 2-43 | The Crowbar of Illusion | — | ||
| 2-44 | The Big Purr | — | ||
| 2-45 | A Throne’s Stow | — | ||
| 3-1 | Sun City Girls From Ipanema | — | ||
| 3-2 | Trust Me? | — | ||
| 3-3 | Zealous Island | — | ||
| 3-4 | Death in Yellowknife | — | ||
| 3-5 | Overseer | — | ||
| 3-6 | Ajax Floodlamp | — | ||
| 3-7 | The Fog Hotel Swindle | — | ||
| 3-8 | Cooking With Satan | — | ||
| 3-9 | I Mean, I’m New to Her School | — | ||
| 3-10 | Three Blind Dice | — | ||
| 3-11 | Powell & Market | — | ||
| 3-12 | Rodent With a View | — | ||
| 3-13 | OJIBWAY | — | ||
| 3-14 | Brockway Roller Rink | — | ||
| 3-15 | Moonflower Power | — | ||
| 3-16 | Tweakscape | — | ||
| 3-17 | My Daughter | — | ||
| 3-18 | Yemen Dagger Architect | — | ||
| 3-19 | The Third‐Eye Mood Ring Medallion | — | ||
| 3-20 | A Blessed Removal | — | ||
| 3-21 | BIG GAME | — | ||
| 3-22 | I Project Euphemy | — | ||
| 3-23 | Zeke Cambridge | — | ||
| 3-24 | The Apology | — | ||
| 3-25 | 5th & Mill | — | ||
| 3-26 | Way Left North Out | — | ||
| 3-27 | I Hear It’s the Best | — | ||
| 3-28 | Nights of Orange | — | ||
| 3-29 | Shilton | — | ||
| 3-30 | Theme 5 | — | ||
| 3-31 | Broken Cicuit of Love | — | ||
| 3-32 | Parade Aglow | — | ||
| 3-33 | Caterpiller | — |
Respected for Being Irrespectable
—
SCG Inc.
—
Vientiene
—
Priest on the Run
—
On the Sign
—
Electrocution
—
Pinnacle
—
The Golden Cage
—
Theme to “Opium Cinema”
—
Criosote Landing
—
Song for a Dead Breath
—
Wuthering Corpse
—
Dogs of Luxor
—
Entrail — Littered Savannah
—
Asian Women on the Telephone
—
Dunderhead
—
And Once There Was Us
—
Pitchfork Capitol
—
Suck‐In
—
The Magic Switch
—
He’s Part Nickle
—
A Light‐Hearted Comedy
—
Slash Kick Wrist
—
Lunar No Sooner
—
Take a Giant Schmuck
—
Beauty Rides All Demons
—
Sun City of Industry
—
Gayatri
—
Flippin’ the Bird
—
Neverglades
—
High Drama Lama
—
Coffee With Eyelash
—
You Tell Me
—
Cuts on Phantom Limbo
—
Trailor Therapy
—
Viola Madre
—
Insect
—
Interlude
—
Swindler’s Fist
—
Nova Expression #3
—
Tribute to Sonny Murray
—
Enough!
—
The Space Genie Hiss
—
Clickety‐Clack Go the Arterial S
—
Law of Diminished Returns
—
It’s Ours (reprise)
—
We’ll Still Be Hovering After You’re Gonesville
—
March on Atlas
—
Mama's Mild (Too Dry)
—
Thanks a Lot, Cerebral Man
—
Suncitivity
—
Prison Quality Food
—
Wary of It All
—
Nine Sides of Air
—
Yellow Fever
—
Your Amuckness
—
Impersonal Tragedy
—
Next to No Way
—
Kunda Kepang
—
Bad Housekeeping
—
Tribute to Liberace
—
Miss Majestic
—
Eddie, Is That the Blue Moon?
—
Surfin’ the Cardboard Stretcher
—
Vomiting Diamonds
—
Everything Burnt ’Cept the Navel
—
ODE TO GANESH
—
Indians, Jacks, and Pines
—
Bad Daylight
—
The Brickyard
—
I Deal a Stick
—
The Doldrums
—
They Wanted to Dance — We Gave Em This
—
Mood Bazaar
—
Liberated Forays
—
Doorknob Journalism
—
Is It Stroked?
—
Girl Trouble
—
Sprinkling the Demon Seed
—
Neptune Breeze
—
Indian Graveyard
—
The Palestine Club Half‐Way House Scene
—
Tabacco Bong Hits
—
Clown Prince
—
Amethyst Nightgown
—
A Random Finale
—
Plecostamus
—
TOBA HIGHTOP
—
Lifting the Hemline of the Unknown
—
A Photogenic Memory
—
BOBBY SANDS
—
The Eleven, Oh Nine in the Refrigerator, South Farmer
—
The Crowbar of Illusion
—
The Big Purr
—
A Throne’s Stow
—
Sun City Girls From Ipanema
—
Trust Me?
—
Zealous Island
—
Death in Yellowknife
—
Overseer
—
Ajax Floodlamp
—
The Fog Hotel Swindle
—
Cooking With Satan
—
I Mean, I’m New to Her School
—
Three Blind Dice
—
Powell & Market
—
Rodent With a View
—
OJIBWAY
—
Brockway Roller Rink
—
Moonflower Power
—
Tweakscape
—
My Daughter
—
Yemen Dagger Architect
—
The Third‐Eye Mood Ring Medallion
—
A Blessed Removal
—
BIG GAME
—
I Project Euphemy
—
Zeke Cambridge
—
The Apology
—
5th & Mill
—
Way Left North Out
—
I Hear It’s the Best
—
Nights of Orange
—
Shilton
—
Theme 5
—
Broken Cicuit of Love
—
Parade Aglow
—
Caterpiller
—
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What is UPC 0802090023729?
0802090023729 is a Universal Product Code (UPC) assigned to Box of Chameleons by Sun City Girls. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 128 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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