UPC · Release
L'opera per pianoforte
Alfredo Casella, Lya De Barberiis
0809274704320
60 tracksReleased 2002-01-01Warner Fonit
Last verified:
0809274704320 is the Universal Product Code (UPC barcode) for the release “L'opera per pianoforte” by Alfredo Casella, Lya De Barberiis, released 2002-01-01 on Warner Fonit. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC.
Format
080GS1 prefix
9274Company prefix
70432Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pavane, op. 1 | — | ||
| 2 | Variations sur une chaconne, op. 3 | — | ||
| 3 | Toccata, op. 6 | — | ||
| 4 | Sarabande, op. 10 | — | ||
| 5 | Notturnino | — | ||
| 6 | Berceuse triste, op. 14 | — | ||
| 7 | Barcarola, op. 15 | — | ||
| 8 | A la manière de (1st Series), op. 17: I. Richard Wagner (Einleitung des 3. Aufzuges) | — | ||
| 9 | A la manière de (1st Series), op. 17: II. Gabriel Fauré (Romance sans paroles) | — | ||
| 10 | A la manière de (1st Series), op. 17: III. Johannes Brahms (Intermezzo) | — | ||
| 11 | A la manière de (1st Series), op. 17: IV. Claude Debussy (Entr'acte pour un drame en preparation) | — | ||
| 12 | A la manière de (1st Series), op. 17: V. Richard Strauss (Symphonia molestica) | — | ||
| 13 | A la manière de (1st Series), op. 17: VI. César Franck | — | ||
| 14 | A la manière de (2nd Series), op. 17bis: VII. Vincent d'Indy (Prélude à l'après-midi d'un ascète) | — | ||
| 15 | A la manière de (2nd Series), op. 17bis: VIII. Maurice Ravel (Almanzor ou le mariage d'Adelaide) | — | ||
| 2-1 | Nove pezzi, op. 24: I. In modo funebre (a Igor Stravinski) | — | ||
| 2-2 | Nove pezzi, op. 24: II. In modo barbaro (a Enrique van der Henst) | — | ||
| 2-3 | Nove pezzi, op. 24: III. In modo elegiaco (a Ildebrando Pizzetti) | — | ||
| 2-4 | Nove pezzi, op. 24: IV. In modo burlesco (a Yvonne Lumley) | — | ||
| 2-5 | Nove pezzi, op. 24: V. In modo esotico (a Florent Schmitt) | — | ||
| 2-6 | Nove pezzi, op. 24: VI. In modo di nenia (a Maurice Ravel) | — | ||
| 2-7 | Nove pezzi, op. 24: VII. In modo di minuetto (a Tina Dreyfus) | — | ||
| 2-8 | Nove pezzi, op. 24: VIII. In modo di tango (a Yvonne Muller) | — | ||
| 2-9 | Nove pezzi, op. 24: IX. In modo rustico (a Gian Francesco Malipiero) | — | ||
| 2-10 | Sonatina, op. 28: I. Allegro con spirito | — | ||
| 2-11 | Sonatina, op. 28: II. Minueto | — | ||
| 2-12 | Sonatina, op. 28: III. Finale | — | ||
| 2-13 | A notte alta, op. 30 | — | ||
| 2-14 | Deux contrastes, op. 31: I. Grazioso (Hommage à Chopin) | — | ||
| 2-15 | Deux contrastes, op. 31: II. Antigrazioso | — | ||
| 2-16 | Inezie, op. 32: I. Preludio | — | ||
| 2-17 | Inezie, op. 32: II. Serenata | — | ||
| 2-18 | Inezie, op. 32: III. Berceuse | — | ||
| 2-19 | Cocktail's Dance | — | ||
| 3-1 | Undici pezzi infantili, op. 35: I. Preludio | — | ||
| 3-2 | Undici pezzi infantili, op. 35: II. Valse diatonique (sui tasti bianchi) | — | ||
| 3-3 | Undici pezzi infantili, op. 35: III. Canone (sui tasti neri) | — | ||
| 3-4 | Undici pezzi infantili, op. 35: IV. Bolero | — | ||
| 3-5 | Undici pezzi infantili, op. 35: V. Omaggio a Clementi (esercizio per le cinque dita) | — | ||
| 3-6 | Undici pezzi infantili, op. 35: VI. Siciliana | — | ||
| 3-7 | Undici pezzi infantili, op. 35: VII. Giga | — | ||
| 3-8 | Undici pezzi infantili, op. 35: VIII. Minuetto | — | ||
| 3-9 | Undici pezzi infantili, op. 35: IX. Carillon | — | ||
| 3-10 | Undici pezzi infantili, op. 35: X. Berceuse | — | ||
| 3-11 | Undici pezzi infantili, op. 35: XI. Galop final | — | ||
| 3-12 | Canzoni popolari italiane, op. 47: I. Ninna-Nanna (Sardegna) | — | ||
| 3-13 | Canzoni popolari italiane, op. 47: II. Canzone a ballo (Abruzzo) | — | ||
| 3-14 | Ricercari on the Name B-A-C-H, op. 52: I. Funebre | — | ||
| 3-15 | Ricercari on the Name B-A-C-H, op. 52: II. Ostinato | — | ||
| 3-16 | Sinfonia, arioso e toccata, op. 59: I. Sinfonia | — | ||
| 3-17 | Sinfonia, arioso e toccata, op. 59: II. Arioso | — | ||
| 3-18 | Sinfonia, arioso e toccata, op. 59: III. Toccata | — | ||
| 3-19 | Ricerche sul nome Guido M. Gatti | — | ||
| 3-20 | Studio sulle terze maggiori | — | ||
| 3-21 | Sei studi, op. 70: I. Sulle terze maggiori | — | ||
| 3-22 | Sei studi, op. 70: II. Sulle settime maggiori e minori | — | ||
| 3-23 | Sei studi, op. 70: III. Di legato sulle quarte | — | ||
| 3-24 | Sei studi, op. 70: IV. Sulle note ribattute | — | ||
| 3-25 | Sei studi, op. 70: V. Sulle quinte (Omaggio a Chopin n. 2) | — | ||
| 3-26 | Sei studi, op. 70: VI. Perpetuum mobile (Toccata) | — |
Pavane, op. 1
—
Variations sur une chaconne, op. 3
—
Toccata, op. 6
—
Sarabande, op. 10
—
Notturnino
—
Berceuse triste, op. 14
—
Barcarola, op. 15
—
A la manière de (1st Series), op. 17: I. Richard Wagner (Einleitung des 3. Aufzuges)
—
A la manière de (1st Series), op. 17: II. Gabriel Fauré (Romance sans paroles)
—
A la manière de (1st Series), op. 17: III. Johannes Brahms (Intermezzo)
—
A la manière de (1st Series), op. 17: IV. Claude Debussy (Entr'acte pour un drame en preparation)
—
A la manière de (1st Series), op. 17: V. Richard Strauss (Symphonia molestica)
—
A la manière de (1st Series), op. 17: VI. César Franck
—
A la manière de (2nd Series), op. 17bis: VII. Vincent d'Indy (Prélude à l'après-midi d'un ascète)
—
A la manière de (2nd Series), op. 17bis: VIII. Maurice Ravel (Almanzor ou le mariage d'Adelaide)
—
Nove pezzi, op. 24: I. In modo funebre (a Igor Stravinski)
—
Nove pezzi, op. 24: II. In modo barbaro (a Enrique van der Henst)
—
Nove pezzi, op. 24: III. In modo elegiaco (a Ildebrando Pizzetti)
—
Nove pezzi, op. 24: IV. In modo burlesco (a Yvonne Lumley)
—
Nove pezzi, op. 24: V. In modo esotico (a Florent Schmitt)
—
Nove pezzi, op. 24: VI. In modo di nenia (a Maurice Ravel)
—
Nove pezzi, op. 24: VII. In modo di minuetto (a Tina Dreyfus)
—
Nove pezzi, op. 24: VIII. In modo di tango (a Yvonne Muller)
—
Nove pezzi, op. 24: IX. In modo rustico (a Gian Francesco Malipiero)
—
Sonatina, op. 28: I. Allegro con spirito
—
Sonatina, op. 28: II. Minueto
—
Sonatina, op. 28: III. Finale
—
A notte alta, op. 30
—
Deux contrastes, op. 31: I. Grazioso (Hommage à Chopin)
—
Deux contrastes, op. 31: II. Antigrazioso
—
Inezie, op. 32: I. Preludio
—
Inezie, op. 32: II. Serenata
—
Inezie, op. 32: III. Berceuse
—
Cocktail's Dance
—
Undici pezzi infantili, op. 35: I. Preludio
—
Undici pezzi infantili, op. 35: II. Valse diatonique (sui tasti bianchi)
—
Undici pezzi infantili, op. 35: III. Canone (sui tasti neri)
—
Undici pezzi infantili, op. 35: IV. Bolero
—
Undici pezzi infantili, op. 35: V. Omaggio a Clementi (esercizio per le cinque dita)
—
Undici pezzi infantili, op. 35: VI. Siciliana
—
Undici pezzi infantili, op. 35: VII. Giga
—
Undici pezzi infantili, op. 35: VIII. Minuetto
—
Undici pezzi infantili, op. 35: IX. Carillon
—
Undici pezzi infantili, op. 35: X. Berceuse
—
Undici pezzi infantili, op. 35: XI. Galop final
—
Canzoni popolari italiane, op. 47: I. Ninna-Nanna (Sardegna)
—
Canzoni popolari italiane, op. 47: II. Canzone a ballo (Abruzzo)
—
Ricercari on the Name B-A-C-H, op. 52: I. Funebre
—
Ricercari on the Name B-A-C-H, op. 52: II. Ostinato
—
Sinfonia, arioso e toccata, op. 59: I. Sinfonia
—
Sinfonia, arioso e toccata, op. 59: II. Arioso
—
Sinfonia, arioso e toccata, op. 59: III. Toccata
—
Ricerche sul nome Guido M. Gatti
—
Studio sulle terze maggiori
—
Sei studi, op. 70: I. Sulle terze maggiori
—
Sei studi, op. 70: II. Sulle settime maggiori e minori
—
Sei studi, op. 70: III. Di legato sulle quarte
—
Sei studi, op. 70: IV. Sulle note ribattute
—
Sei studi, op. 70: V. Sulle quinte (Omaggio a Chopin n. 2)
—
Sei studi, op. 70: VI. Perpetuum mobile (Toccata)
—
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What is UPC 0809274704320?
0809274704320 is a Universal Product Code (UPC) assigned to L'opera per pianoforte by Alfredo Casella, Lya De Barberiis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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