UPC · Album
The J. Geils Band
Last verified:
081227127824 is the Universal Product Code (UPC barcode) for the release “Blow Your Face Out” by The J. Geils Band, released 1993-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include USAT20102424, USAT20102425, USAT20102521.
Credit Chain
| Track Title | Artist(s) | ISRC |
|---|---|---|
| (Ain’t Nothin’ but a) House Party | The J. Geils Band | USAT20102424 |
| Southside Shuffle | The J. Geils Band | USAT20102425 |
| Back to Get Ya | The J. Geils Band | USAT20102521 |
| Shoot Your Shot | The J. Geils Band | USAT20102522 |
| Musta Got Lost | The J. Geils Band | USAT20102523 |
| Where Did Our Love Go | The J. Geils Band | USAT20102524 |
| Truck Drivin’ Man (live) | The J. Geils Band | USAT20102525 |
| Love‐itis | The J. Geils Band | USAT20102526 |
| Intro / Lookin’ for a Love | The J. Geils Band | USAT20102527 |
| So Sharp | The J. Geils Band | USAT20102528 |
| Detroit Breakdown | The J. Geils Band | USAT20102529 |
| Chimes | The J. Geils Band | USAT20102530 |
| Sno‐Cone | The J. Geils Band | USAT20102531 |
| Wait | The J. Geils Band | USAT20102532 |
| Raise Your Hand | The J. Geils Band | USAT20102533 |
| Start All Over | The J. Geils Band | USAT20102534 |
| Give It to Me | The J. Geils Band | USAT20102535 |
Musical Works (ISWC)
Creative Contributors (ISNI)
081227127824 is a Universal Product Code (UPC) assigned to Blow Your Face Out by The J. Geils Band. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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