UPC · Release
The R&B Box: 30 Years of Rhythm & Blues
Various Artists
081227180621
108 tracksReleased 1994-01-01Rhino Records (2)
Last verified:
081227180621 is the Universal Product Code (UPC barcode) for the release “The R&B Box: 30 Years of Rhythm & Blues” by Various Artists, released 1994-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 108 tracks, each with its own ISRC. Tracks include GB8XC1049480, USSPI4700013, USUG10400101.
Format
0Number system
81227Manufacturer
18062Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe R&B Box: 30 Years of Rhythm & Blues
ISRC56 recordings
ISWC30 works
IPI30 songwriters
Track List (108)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Five Guys Named Mo | — | ||
| 2 | When My Man Comes Home | — | ||
| 3 | Flying Home, Part 1 | — | ||
| 4 | The Honeydripper | — | ||
| 5 | Hey! Ba‐Ba‐Re‐Bop | Lionel Hampton & His Orchestra | — | |
| 6 | Drifting Blues | — | ||
| 7 | R.M. Blues | Roy Milton & His Solid Senders | — | |
| 8 | Ol’ Man River | The Ravens | T-070.158.462-4 | |
| 9 | King Size Papa | — | ||
| 10 | Fine Brown Frame | — | ||
| 11 | Elevator Boogie | — | ||
| 12 | Chicken‐Shack Boogie | — | ||
| 13 | The Huckle‐Buck | — | ||
| 14 | The Deacon’s Hop | — | ||
| 15 | Drinkin’ Wine Spo‐Dee‐O‐Dee | Stick McGhee | T-925.931.691-1 | |
| 16 | Baby Get Lost | — | ||
| 17 | Cupid’s Boogie | Johnny Otis & His Orchestra, Mel Walker, Little Esther | T-070.233.548-5 | |
| 18 | Please Send Me Someone to Love | Percy Mayfield | T-070.242.942-2 | |
| 2-1 | Rocket 88 | Jackie Brenston and His Delta Cats | T-902.119.542-6 | |
| 2-2 | The Glory of Love | The Five Keys | — | |
| 2-3 | Lawdy Miss Clawdy (take 1, alternate) | Lloyd Price | T-070.241.591-5 | |
| 2-4 | (Mama) He Treats Your Daughter Mean | — | ||
| 2-5 | Hound Dog | Willie Mae “Big Mama” Thornton, Kansas City Bill & Orchestra | T-011.364.221-9 | |
| 2-6 | Crying in the Chapel | The Orioles | T-071.000.608-8 | |
| 2-7 | Shake a Hand | Faye Adams, the Joe Morris Orchestra | — | |
| 2-8 | Drunk | — | ||
| 2-9 | Honey Hush | Big Joe Turner | T-070.918.829-3 | |
| 2-10 | Tipitina | — | ||
| 2-11 | A Sunday Kind of Love | — | ||
| 2-12 | Lovey Dovey | — | ||
| 2-13 | Goodnite, Sweetheart, Goodnite | — | ||
| 2-14 | Sh‐Boom | The Chords | T-071.017.283-0 | |
| 2-15 | Earth Angel | The Penguins | T-070.233.855-3 | |
| 2-16 | Tweedle Dee | — | ||
| 2-17 | Sincerely | The Moonglows | T-070.940.232-3 | |
| 2-18 | All Night Long | — | ||
| 3-1 | I’ve Got a Woman | Ray Charles | T-070.919.077-1 | |
| 3-2 | Pledging My Love | — | ||
| 3-3 | What’cha Gonna Do | Clyde McPhatter, The Drifters | T-070.940.771-5 | |
| 3-4 | Bo Diddley | — | ||
| 3-5 | Feel So Good | — | ||
| 3-6 | I Hear You Knocking | — | ||
| 3-7 | At My Front Door | The El Dorados | T-070.232.040-8 | |
| 3-8 | Smokey Joe’s Café | The Robins | T-070.136.138-7 | |
| 3-9 | Speedo | — | ||
| 3-10 | Please, Please, Please | James Brown | T-070.242.947-7 | |
| 3-11 | I’m in Love Again | Fats Domino | T-070.240.773-5 | |
| 3-12 | I Want You to Be My Girl | Frankie Lymon & The Teenagers | — | |
| 3-13 | In the Still of the Night | The Five Satins | T-070.240.693-6 | |
| 3-14 | Candy | — | ||
| 3-15 | It’s Too Late | Chuck Willis | T-070.939.586-7 | |
| 3-16 | Oh, What a Night | The Dells | T-070.242.628-5 | |
| 3-17 | Since I Met You Baby | — | ||
| 3-18 | Goodnight My Love (Pleasant Dreams) | — | ||
| 4-1 | The Girl Can’t Help It | — | ||
| 4-2 | Young Blood | The Coasters | T-070.211.163-4 | |
| 4-3 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 4-4 | Little Bitty Pretty One | Thurston Harris | T-904.770.662-7 | |
| 4-5 | Maybe | The Chantels | T-071.000.944-1 | |
| 4-6 | Don’t You Just Know It | Huey “Piano” Smith & His Clowns | T-070.233.772-1 | |
| 4-7 | For Your Precious Love | Jerry Butler & The Impressions | T-070.055.214-2 | |
| 4-8 | A Lover’s Question | — | ||
| 4-9 | Kansas City | Wilbert Harrison | T-010.434.450-4 | |
| 4-10 | I Only Have Eyes for You | The Flamingos | T-070.904.226-1 | |
| 4-11 | Hey Little Girl | — | ||
| 4-12 | Gee Whiz (Look at His Eyes) | — | ||
| 4-13 | At Last | Etta James | T-070.002.057-0 | |
| 4-14 | Spanish Harlem | — | ||
| 4-15 | Every Beat of My Heart | Gladys Knight and the Pips | T-070.233.904-5 | |
| 4-16 | I Pity the Fool | Bobby Bland | T-071.346.663-7 | |
| 4-17 | Mother‐in‐Law | — | ||
| 4-18 | Blue Moon | The Marcels | T-070.011.746-9 | |
| 5-1 | I Like It Like That, Part 1 | — | ||
| 5-2 | Just Out of Reach (of My Two Open Arms) | — | ||
| 5-3 | Gypsy Woman | The Impressions | T-070.234.388-1 | |
| 5-4 | Duke of Earl | — | ||
| 5-5 | The One Who Really Loves You | Mary Wells | T-070.160.272-3 | |
| 5-6 | Any Day Now (My Wild Beautiful Bird) | — | ||
| 5-7 | Green Onions | Booker T. & the MG’s | T-070.234.358-5 | |
| 5-8 | Release Me | — | ||
| 5-9 | Just One Look | Doris Troy | T-070.241.435-4 | |
| 5-10 | Pride and Joy | — | ||
| 5-11 | Mickey’s Monkey | The Miracles | T-071.000.971-4 | |
| 5-12 | Quicksand | — | ||
| 5-13 | Mercy, Mercy | Don Covay & the Goodtimers | T-070.242.160-0 | |
| 5-14 | Hold What You’ve Got | — | ||
| 5-15 | Hurt So Bad | — | ||
| 5-16 | We're Gonna Make It | Little Milton | T-070.247.739-1 | |
| 5-17 | I Can’t Help Myself | — | ||
| 5-18 | Over the Rainbow | — | ||
| 6-1 | This Old Heart of Mine (Is Weak for You) | The Isley Brothers | T-070.247.303-7 | |
| 6-2 | 634‒5789 | — | ||
| 6-3 | When a Man Loves a Woman | Percy Sledge | T-011.238.602-3 | |
| 6-4 | Ain’t Too Proud to Beg | The Temptations | T-070.231.874-8 | |
| 6-5 | Summertime | Billy Stewart | T-800.364.991-1 | |
| 6-6 | Knock on Wood | Eddie Floyd | T-070.241.510-8 | |
| 6-7 | Love Is a Hurtin’ Thing | — | ||
| 6-8 | Tell It Like It Is | Aaron Neville | T-904.212.016-1 | |
| 6-9 | Try a Little Tenderness | — | ||
| 6-10 | The Dark End of the Street | — | ||
| 6-11 | Do Right Woman – Do Right Man | Aretha Franklin | T-070.233.680-8 | |
| 6-12 | I Thank You | — | ||
| 6-13 | Slip Away | Clarence Carter | T-070.243.668-7 | |
| 6-14 | Who’s Making Love | Johnnie Taylor | T-071.017.450-7 | |
| 6-15 | The Thrill Is Gone | — | ||
| 6-16 | Rainy Night in Georgia | Brook Benton | T-070.243.081-6 | |
| 6-17 | Proud Mary | — | ||
| 6-18 | Feel Like Makin’ Love | Roberta Flack | T-070.234.003-1 |
Five Guys Named Mo
—
When My Man Comes Home
—
Flying Home, Part 1
—
The Honeydripper
—
Hey! Ba‐Ba‐Re‐Bop
Lionel Hampton & His Orchestra
—
Drifting Blues
—
R.M. Blues
Roy Milton & His Solid Senders
—
King Size Papa
—
Fine Brown Frame
—
Elevator Boogie
—
Chicken‐Shack Boogie
—
The Huckle‐Buck
—
The Deacon’s Hop
—
Baby Get Lost
—
The Glory of Love
The Five Keys
—
(Mama) He Treats Your Daughter Mean
—
Shake a Hand
Faye Adams, the Joe Morris Orchestra
—
Drunk
—
Tipitina
—
A Sunday Kind of Love
—
Lovey Dovey
—
Goodnite, Sweetheart, Goodnite
—
Tweedle Dee
—
All Night Long
—
Pledging My Love
—
Bo Diddley
—
Feel So Good
—
I Hear You Knocking
—
Speedo
—
I Want You to Be My Girl
Frankie Lymon & The Teenagers
—
Candy
—
Since I Met You Baby
—
Goodnight My Love (Pleasant Dreams)
—
The Girl Can’t Help It
—
A Lover’s Question
—
Hey Little Girl
—
Gee Whiz (Look at His Eyes)
—
Spanish Harlem
—
Mother‐in‐Law
—
I Like It Like That, Part 1
—
Just Out of Reach (of My Two Open Arms)
—
Duke of Earl
—
Any Day Now (My Wild Beautiful Bird)
—
Release Me
—
Pride and Joy
—
Quicksand
—
Hold What You’ve Got
—
Hurt So Bad
—
I Can’t Help Myself
—
Over the Rainbow
—
634‒5789
—
Love Is a Hurtin’ Thing
—
Try a Little Tenderness
—
The Dark End of the Street
—
I Thank You
—
The Thrill Is Gone
—
Proud Mary
—
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Glory of Love | The Five Keys | — |
| The Glory of Love | The Five Keys | T-070.064.388-4 |
| I’ll Be Around | The Spinners | T-070.240.653-8 |
| The Glory of Love | The Five Keys | T-070.064.388-4 |
The Glory of Love
The Five Keys
—
The Five Keys
The Spinners
The Five Keys
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.434.450-4T-010.164.843-4T-010.268.839-0T-010.434.450-4T-010.528.435-2T-011.238.602-3T-011.364.221-9T-011.238.602-3T-011.364.221-9T-070.002.057-0
+20 more
T-070.011.746-9T-070.055.214-2T-070.126.305-9T-070.136.138-7T-070.158.462-4T-070.160.272-3T-070.211.163-4T-070.231.874-8T-070.232.040-8T-070.233.548-5T-070.233.680-8T-070.233.772-1T-070.233.855-3T-070.233.904-5T-070.234.003-1T-070.234.358-5T-070.234.388-1T-070.240.653-8T-070.240.693-6T-070.240.773-5
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055131754000000005513493900000000551395020000000055148361000000005514857200000000551486280000000055151827000000005515526200000000551610640000000055173129
+20 more
0000000055183845000000005519100100000000594988870000000059514410000000006301470X000000006302442200000000663606240000000066405554000000007357081400000000735968890000000073652000000000007365750600000000770404660000000078235329000000007827611200000000784645510000000079698835000000008004877600000000800837820000000080847009
SourcesMLCMusicBrainzNotesDiscogs4 sources
Verified on
Identifier Graph
People also ask
What is UPC 081227180621?
081227180621 is a Universal Product Code (UPC) assigned to The R&B Box: 30 Years of Rhythm & Blues by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 108 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm