UPC · Album
The Best of Esther Phillips, 1962–1970
Esther Phillips
Last verified:
081227262426 is the Universal Product Code (UPC barcode) for the release “The Best of Esther Phillips, 1962–1970” by Esther Phillips, released 1997-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include USAT20001015, USAT20001018, USAT20103879.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (41)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Release Me | Esther Phillips | USAT20001015 |
| And I Love Him | Esther Phillips | USAT20001018 |
| Every Time We Say Goodbye | Esther Phillips | USAT20103879 |
| ’Tis Autumn | Esther Phillips | USAT20104254 |
| Shangri‐La | Esther Phillips | USAT20104257 |
| Moonglow and Theme From Picnic | Esther Phillips | USAT20104259 |
| Out of the Blue | Esther Phillips | USAT20104260 |
| Makin’ Whoopee | Esther Phillips | USAT20104262 |
| It Could Happen to You | Esther Phillips | USAT20106590 |
| I’m Getting ’long Alright | Esther Phillips | USAT20106592 |
| Try Me | Esther Phillips | USAT20200139 |
| Am I That Easy to Forget | Esther Phillips | USAT20200307 |
| I’ve Forgotten More Than You’ll Ever Know About Him | Esther Phillips | USAT20200308 |
| No Headstone on My Grave | Esther Phillips | USAT20200309 |
| Hello Walls | Esther Phillips | USAT20200310 |
| Mo Jo Hannah | Esther Phillips | USAT20200311 |
| I Saw Me | Esther Phillips | USAT20200312 |
| Double Crossing Blues | Esther Phillips, Jimmy Ricks | USAT20200313 |
| It’s Too Soon to Know | Esther Phillips | USAT20200314 |
| Some Things You Never Get Used To | Esther Phillips | USAT20200315 |
| Let Me Know When It’s Over | Esther Phillips | USAT20200316 |
| I Could Have Told You So | Esther Phillips | USAT20200317 |
| The Party’s Over | Esther Phillips | USAT20200318 |
| As Tears Go By | Esther Phillips | USAT20200319 |
| Crazy He Calls Me | Esther Phillips | USAT20200320 |
| When a Woman Loves a Man | Esther Phillips | USAT20200321 |
| When Love Comes to the Human Race | Esther Phillips | USAT20200322 |
| I’m Sorry | Esther Phillips | USAT20200323 |
| Please Send Me Someone to Love | Esther Phillips | USAT20200324 |
| Cry Me a River Blues | Esther Phillips | USAT20200325 |
| Set Me Free | Esther Phillips | USAT20200326 |
| Brand New Day | Esther Phillips | USAT20200327 |
| Crazy Love | Esther Phillips | USAT20200328 |
| All God Has Is Us | Esther Phillips | USAT20200329 |
| I’m in the Mood for Love (Moody’s Mood for Love) | Esther Phillips | USAT20200330 |
| Too Late to Worry, Too Blue to Cry | Esther Phillips | USAT20200331 |
| As Tears Go By | Esther Phillips | USAT20502421 |
| Nobody but You | Esther Phillips | USRH10111003 |
| Sweet Dreams | Esther Phillips | USRH10111348 |
| Too Much of a Man (to Be Tied Down) | Esther Phillips | USRH10111436 |
| Tonight, I’ll Be Staying Here With You | Esther Phillips | USRH10281921 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
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What is UPC 081227262426?
081227262426 is a Universal Product Code (UPC) assigned to The Best of Esther Phillips, 1962–1970 by Esther Phillips. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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