UPC · Release
Beg, Scream & Shout! The Big Ol’ Box of ’60s Soul
Various Artists
081227281526
144 tracksReleased 1997-01-01Rhino Records (2)
Last verified:
081227281526 is the Universal Product Code (UPC barcode) for the release “Beg, Scream & Shout! The Big Ol’ Box of ’60s Soul” by Various Artists, released 1997-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 144 tracks, each with its own ISRC. Tracks include USAR17200014, FR6F31393230, USMO16400471.
Format
0Number system
81227Manufacturer
28152Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBeg, Scream & Shout! The Big Ol’ Box of ’60s Soul
ISRC68 recordings
ISWC30 works
IPI30 songwriters
Track List (144)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | That’s How It Feels | — | ||
| 2 | La‐La Means I Love You | The Delfonics | T-906.624.376-3 | |
| 3 | The Whole World Is a Stage | — | ||
| 4 | Stand by Me | Ben E. King | T-011.233.891-6 | |
| 5 | You’re the Best (That Ever Did It) | — | ||
| 6 | Eight Men, Four Women | — | ||
| 7 | Every Little Bit Hurts (single version) | Brenda Holloway | T-070.881.326-6 | |
| 8 | Nothing Takes the Place of You | — | ||
| 9 | Private Number | Judy Clay, William Bell | T-070.243.007-6 | |
| 10 | I Don’t Want to Lose Your Love | The Mad Lads | — | |
| 11 | Who’s Lovin You | — | ||
| 12 | Cry Baby | — | ||
| 13 | Dry Your Eyes | — | ||
| 14 | Yes, I’m Ready | — | ||
| 15 | The Love I Saw in You Was Just a Mirage | Smokey Robinson & The Miracles | T-070.099.275-1 | |
| 16 | When Something Is Wrong With My Baby | Sam & Dave | T-070.247.888-3 | |
| 17 | That’s How It Is (When You’re in Love) | — | ||
| 18 | Sweet Inspiration | — | ||
| 19 | Baby I’m Yours | Barbara Lewis | T-070.880.708-2 | |
| 20 | It Tears Me Up | Percy Sledge | T-070.241.311-3 | |
| 21 | I Had a Talk With My Man | — | ||
| 22 | Love Makes the World Go Round | — | ||
| 23 | Back Up Train | — | ||
| 24 | Choice of Colors | The Impressions | T-070.881.081-4 | |
| 2-1 | Ice Cream Song | — | ||
| 2-2 | I’ve Been Loving You Too Long (to Stop Now) | Otis Redding | T-070.079.377-6 | |
| 2-3 | Stay in My Corner | The Dells | T-070.243.938-0 | |
| 2-4 | Selfish One | Jackie Ross | T-700.061.476-8 | |
| 2-5 | Hey There Lonely Girl | Eddie Holman | T-070.098.195-8 | |
| 2-6 | Everyday Will Be Like a Holiday | William Bell | T-070.881.343-7 | |
| 2-7 | Funny How Time Slips Away | — | ||
| 2-8 | Wrong Number (I Am Sorry, Goodbye) | — | ||
| 2-9 | The Entertainer | — | ||
| 2-10 | It’s Got to Be Mellow | — | ||
| 2-11 | Can I Change My Mind | Tyrone Davis | T-070.233.226-0 | |
| 2-12 | Sunny | — | ||
| 2-13 | Cowboys to Girls | The Intruders | T-070.233.514-5 | |
| 2-14 | Don’t Make Me Over | — | ||
| 2-15 | Oh No Not My Baby | Maxine Brown | T-070.939.702-3 | |
| 2-16 | Fly Me to the Moon | — | ||
| 2-17 | I Do Love You | Billy Stewart | T-070.082.047-8 | |
| 2-18 | Voice Your Choice | — | ||
| 2-19 | I’m Your Puppet | James & Bobby Purify | T-070.240.832-9 | |
| 2-20 | Release Me | — | ||
| 2-21 | Rainbow | — | ||
| 2-22 | Sad Girl | — | ||
| 2-23 | Wish Someone Would Care | Irma Thomas | T-070.940.850-3 | |
| 2-24 | In the Heat of the Night | — | ||
| 2-25 | Stay With Me | — | ||
| 3-1 | Function at the Junction | Shorty Long | T-070.234.157-8 | |
| 3-2 | Memphis Soul Stew | King Curtis | T-070.242.152-0 | |
| 3-3 | The “In” Crowd | — | ||
| 3-4 | I Sold My Heart to the Junkman | Patti LaBelle & The Bluebelles | T-071.063.841-7 | |
| 3-5 | Love Makes a Woman | Barbara Acklin | T-070.241.928-0 | |
| 3-6 | Lipstick Traces (on a Cigarette) | — | ||
| 3-7 | Make Me Yours | — | ||
| 3-8 | She Shot a Hole in My Soul | — | ||
| 3-9 | You’re No Good | — | ||
| 3-10 | I’m Blue (The Gong‐Gong Song) | — | ||
| 3-11 | 7‐Rooms of Gloom | Four Tops | T-071.017.282-9 | |
| 3-12 | Since You’ve Been Gone (Sweet Sweet Baby) | Aretha Franklin | T-070.243.629-0 | |
| 3-13 | Wack Wack | — | ||
| 3-14 | Got to Get You Off My Mind | Solomon Burke | — | |
| 3-15 | You’ve Been in Love Too Long | — | ||
| 3-16 | Pouring Water on a Drowning Man | — | ||
| 3-17 | Rescue Me | Fontella Bass | T-070.243.141-1 | |
| 3-18 | Show Me | Joe Tex | T-070.940.214-1 | |
| 3-19 | Friendship Train | — | ||
| 3-20 | Temptation ’bout to Get Me | — | ||
| 3-21 | Snatching It Back | — | ||
| 3-22 | Dead End Street Monologue / Dead End Street | — | ||
| 4-1 | Out of Sight | — | ||
| 4-2 | Get On Up | — | ||
| 4-3 | Only the Strong Survive | Jerry Butler | T-039.266.306-7 | |
| 4-4 | Teasin’ You | — | ||
| 4-5 | Backfield in Motion | — | ||
| 4-6 | Piece of My Heart | Erma Franklin | T-070.167.575-3 | |
| 4-7 | I Don’t Want to Cry | — | ||
| 4-8 | Girl Watcher | The O’Kaysions | T-070.234.229-7 | |
| 4-9 | I WAS MADE TO LOVE HER [SINGLE VERSION / MONO] | STEVIE WONDER | T-931.292.612-8 | |
| 4-10 | B‐A‐B‐Y | Carla Thomas | T-070.232.055-5 | |
| 4-11 | You Are the Circus | — | ||
| 4-12 | I'm in Love | Wilson Pickett | T-070.240.771-3 | |
| 4-13 | Searching for My Love | Bobby Moore and the Rhythm Aces | — | |
| 4-14 | He Was Really Sayin’ Somethin’ | The Velvelettes | T-070.234.475-9 | |
| 4-15 | Chokin’ Kind | Joe Simon | T-070.233.349-0 | |
| 4-16 | See Saw | — | ||
| 4-17 | 39‐21‐46 | — | ||
| 4-18 | A Fool in Love | — | ||
| 4-19 | Bye Bye Baby | Mary Wells | T-070.233.194-9 | |
| 4-20 | The Oogum Boogum Song | — | ||
| 4-21 | Just One Look | Doris Troy | T-070.241.435-4 | |
| 4-22 | Time Is Tight | — | ||
| 5-1 | Sweet Soul Music | Arthur Conley | T-070.244.122-2 | |
| 5-2 | Cissy Strut | The Meters | — | |
| 5-3 | Tighten Up | — | ||
| 5-4 | Harlem Shuffle | Bob & Earl | T-070.234.432-8 | |
| 5-5 | Are You Lonely for Me | Freddie Scott | T-070.350.250-4 | |
| 5-6 | Stop | — | ||
| 5-7 | The Funky Judge | — | ||
| 5-8 | Some Kind of Wonderful | Soul Brothers Six | T-070.243.537-7 | |
| 5-9 | The Monkey Time | — | ||
| 5-10 | Love Is Like an Itching in My Heart | The Supremes | T-070.241.914-4 | |
| 5-11 | Twine Time | — | ||
| 5-12 | Tainted Love | Gloria Jones | T-070.244.150-6 | |
| 5-13 | My Pledge of Love | — | ||
| 5-14 | Sock It to ’em J.B., Part 1 | — | ||
| 5-15 | Can I Get a Witness | Marvin Gaye | T-070.233.228-2 | |
| 5-16 | I Want You to Have Everything | — | ||
| 5-17 | The Real Nitty Gritty | — | ||
| 5-18 | She’s Looking Good | — | ||
| 5-19 | The Horse | — | ||
| 5-20 | Who’s Making Love | Johnnie Taylor | T-071.017.450-7 | |
| 5-21 | T.C.B. or T.Y.A. | — | ||
| 5-22 | Grits Ain’t Groceries (All Around the World) | — | ||
| 5-23 | It’s Your Thing | The Isley Brothers | T-070.080.002-7 | |
| 5-24 | Open the Door to Your Heart | — | ||
| 5-25 | I Can’t Stand It | — | ||
| 5-26 | We Got More Soul | — | ||
| 6-1 | Baby Workout | Jackie Wilson | T-070.232.866-2 | |
| 6-2 | Agent Double‐O‐Soul | — | ||
| 6-3 | Barefootin’ | — | ||
| 6-4 | I Do | — | ||
| 6-5 | Mustang Sally | — | ||
| 6-6 | Expressway (to Your Heart) | The Soul Survivors | T-070.233.956-7 | |
| 6-7 | Cool Jerk | The Capitols | T-911.056.568-9 | |
| 6-8 | But It’s Alright | — | ||
| 6-9 | Tell Mama | Etta James | T-070.244.235-0 | |
| 6-10 | Nothing but a Heartache | The Flirtations | T-010.319.668-4 | |
| 6-11 | (I Know) I’m Losing You | The Temptations | T-070.240.636-7 | |
| 6-12 | The Memphis Train | Rufus Thomas | — | |
| 6-13 | Last Night | The Mar-Keys | T-070.241.565-3 | |
| 6-14 | Shake a Tail Feather | The Five Du-Tones | T-070.243.464-7 | |
| 6-15 | First I Look at the Purse | The Contours | T-070.056.784-5 | |
| 6-16 | Big Bird | Eddie Floyd | T-070.880.808-5 | |
| 6-17 | The Cheater | — | ||
| 6-18 | Danger Heartbreak Dead Ahead | The Marvelettes | T-070.041.367-7 | |
| 6-19 | Shake and Fingerpop | Jr. Walker & the All Stars | — | |
| 6-20 | Boogaloo Down Broadway | — | ||
| 6-21 | Soul Finger | The Bar-Kays | T-070.243.844-5 | |
| 6-22 | Take Me in Your Arms (Rock Me a Little While) | Kim Weston | T-070.244.175-5 | |
| 6-23 | Leaving Here | Eddie Holland | T-070.251.741-6 | |
| 6-24 | My Whole World Ended (the Moment You Left Me) | David Ruffin | T-070.242.409-6 | |
| 6-25 | Ain’t Nothin’ but a House Party | — |
That’s How It Feels
—
The Whole World Is a Stage
—
You’re the Best (That Ever Did It)
—
Eight Men, Four Women
—
Nothing Takes the Place of You
—
I Don’t Want to Lose Your Love
The Mad Lads
—
Who’s Lovin You
—
Cry Baby
—
Dry Your Eyes
—
Yes, I’m Ready
—
That’s How It Is (When You’re in Love)
—
Sweet Inspiration
—
I Had a Talk With My Man
—
Love Makes the World Go Round
—
Back Up Train
—
Ice Cream Song
—
Funny How Time Slips Away
—
Wrong Number (I Am Sorry, Goodbye)
—
The Entertainer
—
It’s Got to Be Mellow
—
Sunny
—
Don’t Make Me Over
—
Fly Me to the Moon
—
Voice Your Choice
—
Release Me
—
Rainbow
—
Sad Girl
—
In the Heat of the Night
—
Stay With Me
—
The “In” Crowd
—
Lipstick Traces (on a Cigarette)
—
Make Me Yours
—
She Shot a Hole in My Soul
—
You’re No Good
—
I’m Blue (The Gong‐Gong Song)
—
Wack Wack
—
Got to Get You Off My Mind
Solomon Burke
—
You’ve Been in Love Too Long
—
Pouring Water on a Drowning Man
—
Friendship Train
—
Temptation ’bout to Get Me
—
Snatching It Back
—
Dead End Street Monologue / Dead End Street
—
Out of Sight
—
Get On Up
—
Teasin’ You
—
Backfield in Motion
—
I Don’t Want to Cry
—
You Are the Circus
—
Searching for My Love
Bobby Moore and the Rhythm Aces
—
See Saw
—
39‐21‐46
—
A Fool in Love
—
The Oogum Boogum Song
—
Time Is Tight
—
Cissy Strut
The Meters
—
Tighten Up
—
Stop
—
The Funky Judge
—
The Monkey Time
—
Twine Time
—
My Pledge of Love
—
Sock It to ’em J.B., Part 1
—
I Want You to Have Everything
—
The Real Nitty Gritty
—
She’s Looking Good
—
The Horse
—
T.C.B. or T.Y.A.
—
Grits Ain’t Groceries (All Around the World)
—
Open the Door to Your Heart
—
I Can’t Stand It
—
We Got More Soul
—
Agent Double‐O‐Soul
—
Barefootin’
—
I Do
—
Mustang Sally
—
But It’s Alright
—
The Memphis Train
Rufus Thomas
—
The Cheater
—
Shake and Fingerpop
Jr. Walker & the All Stars
—
Boogaloo Down Broadway
—
Ain’t Nothin’ but a House Party
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Memphis Train | Rufus Thomas | — |
| Stand by Me (Remastered LP version) | Ben E. King | T-011.233.891-6 |
| Every Little Bit Hurts | Brenda Holloway | T-070.881.326-6 |
The Memphis Train
Rufus Thomas
—
Brenda Holloway
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.319.668-4T-010.319.668-4T-010.528.435-2T-011.233.891-6T-011.233.891-6T-039.266.306-7T-039.266.306-7T-070.041.367-7T-070.056.784-5T-070.079.377-6
+20 more
T-070.080.455-2T-070.098.195-8T-070.099.275-1T-070.167.575-3T-070.232.055-5T-070.232.866-2T-070.233.194-9T-070.233.226-0T-070.233.228-2T-070.233.349-0T-070.233.514-5T-070.233.956-7T-070.234.157-8T-070.234.229-7T-070.234.432-8T-070.234.475-9T-070.240.636-7T-070.240.771-3T-070.240.832-9T-070.241.435-4
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000000872184000000000111315500000000030777680000000031230547000000003449392400000000394944750000000045324835000000004636383600000000480176700000000055132642
+20 more
0000000055134939000000005513538400000000551483610000000055148572000000005514976X0000000055151712000000005515682000000000551657190000000055183845000000005518987600000000555356600000000059261740000000005947958X00000000595475380000000060893614000000006301470X000000006302442200000000630377760000000066360624000000007100865X
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What is UPC 081227281526?
081227281526 is a Universal Product Code (UPC) assigned to Beg, Scream & Shout! The Big Ol’ Box of ’60s Soul by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 144 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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