George Gershwin’s Porgy and Bess

UPC · Release

George Gershwin’s Porgy and Bess

George Gershwin, Mel Tormé, Frances Faye, The Bethlehem Orchestra, Russ Garcia, The Stan Levey Group, The Australian Jazz Quartet, Duke Ellington and His Famous Orchestra

081227582821
68 tracksReleased 1999-01-01Avenue Jazz

Last verified:

081227582821 is the Universal Product Code (UPC barcode) for the release George Gershwin’s Porgy and Bess by George Gershwin, Mel Tormé, Frances Faye, The Bethlehem Orchestra, Russ Garcia, The Stan Levey Group, The Australian Jazz Quartet, Duke Ellington and His Famous Orchestra, released 1999-01-01 on Avenue Jazz. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 68 tracks, each with its own ISRC.

Format

0Number system
81227Manufacturer
58282Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCGeorge Gershwin’s Porgy and Bess
ISWC19 works
IPI6 songwriters

Track List (68)

Introduction / Summertime
Introduction / Summertime
Narration 1
Narration 1
Summertime
Summertime
Narration 2
Narration 2
A Woman Is a Sometime Thing / Narration 3
A Woman Is a Sometime Thing / Narration 3
Here Come de Honey Man…
Here Come de Honey Man…
Narration 4
Narration 4
Evenin’ Ladies, Hello Boys…
Evenin’ Ladies, Hello Boys…
Narration 5
Narration 5
No, No, Brother, Porgy Ain’t Soft on No Woman…
No, No, Brother, Porgy Ain’t Soft on No Woman…
Narration (Scene: Crap Game and Murder)
Narration (Scene: Crap Game and Murder)
Narration 7
Narration 7
Gone, Gone, Gone
Gone, Gone, Gone
Overflow, Overflow
Overflow, Overflow
Narration 8
Narration 8
I Can’t Puzzle This Thing Out…
I Can’t Puzzle This Thing Out…
Narration 9
Narration 9
My Man’s Gone Now
My Man’s Gone Now
Narration 10
Narration 10
Oh the Train Is at the Station…
Oh the Train Is at the Station…
Narration 11
Narration 11
Oh I’m Agoin’ Out to the Blackfish Banks…
Oh I’m Agoin’ Out to the Blackfish Banks…
Narration 12
Narration 12
I Got Plenty o’ Nuttin’
I Got Plenty o’ Nuttin’
Mornin’, Lawyer. Looking for Somebody?…
Mornin’, Lawyer. Looking for Somebody?…
Buzzard Song
Buzzard Song
Narration 13
Narration 13
Bess, You Is My Woman Now
Bess, You Is My Woman Now
Oh, I Can’t Sit Down (Picnic Music)
Oh, I Can’t Sit Down (Picnic Music)
Porgy, I Hates to Go…
Porgy, I Hates to Go…
I Got Plenty o’ Nuttin’ (reprise)
I Got Plenty o’ Nuttin’ (reprise)
It Ain’t Necessarily So (instrumental)
It Ain’t Necessarily So (instrumental)
Narration 14
Narration 14
It Ain’t Necessarily So
It Ain’t Necessarily So
Narration 15
Narration 15
What You Want Wid Bess?
What You Want Wid Bess?
Narration 16
Narration 16
Oh I’m Agoin’ Out to the Blackfish Banks… (reprise)
Oh I’m Agoin’ Out to the Blackfish Banks… (reprise)
Narration 17
Narration 17
Oh, Doctor Jesus
Oh, Doctor Jesus
Here Come de Honey Man… / Oh Dey’s So Fresh and Fine… / I’m Talkin’ About Devil Crabs…
Here Come de Honey Man… / Oh Dey’s So Fresh and Fine… / I’m Talkin’ About Devil Crabs…
Narration 1
Narration 1
I Loves You, Porgy
I Loves You, Porgy
Narration 2 (Scene: Storm)
Narration 2 (Scene: Storm)
Summertime (reprise)
Summertime (reprise)
Narration 3
Narration 3
Oh, Dere’s Somebody Knockin’ at de Do’…
Oh, Dere’s Somebody Knockin’ at de Do’…
Narration 4
Narration 4
If God Want to Kill Me…
If God Want to Kill Me…
Narration 5
Narration 5
A Red‐Headed Woman…
A Red‐Headed Woman…
Narration 6
Narration 6
Oh, Doctor Jesus (reprise)
Oh, Doctor Jesus (reprise)
Narration 7
Narration 7
Clara, Clara, Don’t You Be Downhearted…
Clara, Clara, Don’t You Be Downhearted…
Narration 8
Narration 8
Summertime (reprise)
Summertime (reprise)
Narration 9
Narration 9
Oh, Lawd, What I Goin’ Do?…
Oh, Lawd, What I Goin’ Do?…
Narration 10
Narration 10
There’s a Boat Dat’s Leavin’ Soon for New York
There’s a Boat Dat’s Leavin’ Soon for New York
Narration 11
Narration 11
Narration 12
Narration 12
How Are You Dis Mornin’?…
How Are You Dis Mornin’?…
Narration 13
Narration 13
Oh, Bess, Oh, Where’s My Bess
Oh, Bess, Oh, Where’s My Bess
Oh Lawd, I’m on My Way
Oh Lawd, I’m on My Way
Porgy and Bess Suite
Porgy and Bess Suite

Credits Graph

People also ask

What is UPC 081227582821?
UPC 081227582821 is the Universal Product Code (barcode) for "George Gershwin’s Porgy and Bess" by George Gershwin, Mel Tormé, Frances Faye, The Bethlehem Orchestra, Russ Garcia, The Stan Levey Group, The Australian Jazz Quartet, Duke Ellington and His Famous Orchestra, released on Avenue Jazz.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 081227582821?
UPC 081227582821 contains 68 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 081227582821?

081227582821 is a Universal Product Code (UPC) assigned to George Gershwin’s Porgy and Bess by George Gershwin, Mel Tormé, Frances Faye, The Bethlehem Orchestra, Russ Garcia, The Stan Levey Group, The Australian Jazz Quartet, Duke Ellington and His Famous Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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