UPC · Release
Various Artists
Last verified:
The UPC for “Our Souls Have Grown Deep Like the Rivers: Black Poets Read Their Work” by Various Artists is 081227801229. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Rhino Word Beat. This release contains 75 tracks, each with its own ISRC. Tracks include USDJ28800024.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Negro Speaks of Rivers | — | ||
| 2 | I, Too | — | ||
| 3 | The Atlanta Years (excerpt) | — | ||
| 4 | If We Must Die | — | ||
| 5 | St. Isaac's Church, Petrograd | — | ||
| 6 | The Tropics in New York | — | ||
| 7 | The Creation | — | ||
| 8 | We to America | — | ||
| 9 | Nocturne at Bethesda | — | ||
| 10 | Heritage | — | ||
| 11 | Dark Symphony | — | ||
| 12 | Ma Rainey | — | ||
| 13 | Strong Men | — | ||
| 14 | For My People | — | ||
| 15 | Kissie Lee | — | ||
| 16 | The Mother | — | ||
| 17 | Dream Montage: Tell Me / Good Morning / Harlem / Same in Blues / Comment on Curb | — | ||
| 18 | We Real Cool | — | ||
| 19 | Those Winter Sundays | — | ||
| 20 | Fredrick Douglass | — | ||
| 21 | Sepia Fashion Show | — | ||
| 22 | To a Man | — | ||
| 23 | Freedom Suite | — | ||
| 24 | Crusoe's Island | — | ||
| 25 | Dahomey | — | ||
| 26 | In Memoriam: Martin Luther King, Jr. | — | ||
| 27 | Run Nigger | — | ||
| 28 | Admonitions | — | ||
| 29 | Nikki-Rosa | — | ||
| 30 | A Dance for Militant Dilettantes | — | ||
| 31 | Dear John, Dear Coltrane | — | ||
| 32 | Rueben, Rueben | — | ||
| 33 | My House | — | ||
| 34 | Flight to Canada | — | ||
| 35 | Betty's Ball Blues | — | ||
| 36 | Wounded in the House of a Friend | — | ||
| 37 | Song No. 2 | — | ||
| 38 | A Poem for Players | — | ||
| 2-1 | Muhammad Ali at the Ringside, 1985 | — | ||
| 2-2 | Hard Rock Returns to Prison From the Hospital for the Criminal Insane | — | ||
| 2-3 | The Idea of Ancestry | — | ||
| 2-4 | Bang, Bang Outishly | — | ||
| 2-5 | Rhythim Blues | — | ||
| 2-6 | Shazam Doowah | — | ||
| 2-7 | The End of Civilization as We Know It | — | ||
| 2-8 | Cruelty | — | ||
| 2-9 | Lucy (Part 6) | — | ||
| 2-10 | Endangered Species List Blues | — | ||
| 2-11 | I Live for My Car | — | ||
| 2-12 | Nigger Rhythm Rhymes From the Blues Part of Town (Pt. 4) | — | ||
| 2-13 | Lester Leaps In | — | ||
| 2-14 | Poem for Magic | — | ||
| 2-15 | I Am She | — | ||
| 2-16 | Tuskegee Airfield | — | ||
| 2-17 | Facing It | — | ||
| 2-18 | Venus's-Flytraps | — | ||
| 2-19 | Rise Up Fallen Fighters (Okra Takes Up with a Rastafari Man / She Can't Hold Back / She Say Smilin') | — | ||
| 2-20 | A Poem to Thrill the NAACP; or, A Black Family Moves to the Suburbs | — | ||
| 2-21 | The Near-Johannesburg Boy | — | ||
| 2-22 | The Revolution Will Not Be Televised | — | ||
| 2-23 | Helen | — | ||
| 2-24 | Helen and Martha | — | ||
| 2-25 | Martha and Helen | — | ||
| 2-26 | 1962: My Brother Richard Returns From the Monastery | — | ||
| 2-27 | Shakespeare Say | — | ||
| 2-28 | After Reading Mickey in the Night Kitchen for the Third Time Before Bed | — | ||
| 2-29 | Jamal's Lamentation | — | ||
| 2-30 | Self Portrait, 1988 | — | ||
| 2-31 | Barbie's Little Sister | — | ||
| 2-32 | The Slaughter | — | ||
| 2-33 | Nocturne | — | ||
| 2-34 | Black Steel in the Hour of Chaos | Public Enemy | T-070.233.035-5 | |
| 2-35 | Project Princess | — | ||
| 2-36 | Ohm | — | ||
| 2-37 | No Black Male Show | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
081227801229 is a Universal Product Code (UPC) assigned to Our Souls Have Grown Deep Like the Rivers: Black Poets Read Their Work by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Our Souls Have Grown Deep Like the Rivers: Black Poets Read Their Work” by Various Artists is 081227801229. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Rhino Word Beat. This release contains 75 tracks, each with its own ISRC. Tracks include USDJ28800024.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Negro Speaks of Rivers | — | ||
| 2 | I, Too | — | ||
| 3 | The Atlanta Years (excerpt) | — | ||
| 4 | If We Must Die | — | ||
| 5 | St. Isaac's Church, Petrograd | — | ||
| 6 | The Tropics in New York | — | ||
| 7 | The Creation | — | ||
| 8 | We to America | — | ||
| 9 | Nocturne at Bethesda | — | ||
| 10 | Heritage | — | ||
| 11 | Dark Symphony | — | ||
| 12 | Ma Rainey | — | ||
| 13 | Strong Men | — | ||
| 14 | For My People | — | ||
| 15 | Kissie Lee | — | ||
| 16 | The Mother | — | ||
| 17 | Dream Montage: Tell Me / Good Morning / Harlem / Same in Blues / Comment on Curb | — | ||
| 18 | We Real Cool | — | ||
| 19 | Those Winter Sundays | — | ||
| 20 | Fredrick Douglass | — | ||
| 21 | Sepia Fashion Show | — | ||
| 22 | To a Man | — | ||
| 23 | Freedom Suite | — | ||
| 24 | Crusoe's Island | — | ||
| 25 | Dahomey | — | ||
| 26 | In Memoriam: Martin Luther King, Jr. | — | ||
| 27 | Run Nigger | — | ||
| 28 | Admonitions | — | ||
| 29 | Nikki-Rosa | — | ||
| 30 | A Dance for Militant Dilettantes | — | ||
| 31 | Dear John, Dear Coltrane | — | ||
| 32 | Rueben, Rueben | — | ||
| 33 | My House | — | ||
| 34 | Flight to Canada | — | ||
| 35 | Betty's Ball Blues | — | ||
| 36 | Wounded in the House of a Friend | — | ||
| 37 | Song No. 2 | — | ||
| 38 | A Poem for Players | — | ||
| 2-1 | Muhammad Ali at the Ringside, 1985 | — | ||
| 2-2 | Hard Rock Returns to Prison From the Hospital for the Criminal Insane | — | ||
| 2-3 | The Idea of Ancestry | — | ||
| 2-4 | Bang, Bang Outishly | — | ||
| 2-5 | Rhythim Blues | — | ||
| 2-6 | Shazam Doowah | — | ||
| 2-7 | The End of Civilization as We Know It | — | ||
| 2-8 | Cruelty | — | ||
| 2-9 | Lucy (Part 6) | — | ||
| 2-10 | Endangered Species List Blues | — | ||
| 2-11 | I Live for My Car | — | ||
| 2-12 | Nigger Rhythm Rhymes From the Blues Part of Town (Pt. 4) | — | ||
| 2-13 | Lester Leaps In | — | ||
| 2-14 | Poem for Magic | — | ||
| 2-15 | I Am She | — | ||
| 2-16 | Tuskegee Airfield | — | ||
| 2-17 | Facing It | — | ||
| 2-18 | Venus's-Flytraps | — | ||
| 2-19 | Rise Up Fallen Fighters (Okra Takes Up with a Rastafari Man / She Can't Hold Back / She Say Smilin') | — | ||
| 2-20 | A Poem to Thrill the NAACP; or, A Black Family Moves to the Suburbs | — | ||
| 2-21 | The Near-Johannesburg Boy | — | ||
| 2-22 | The Revolution Will Not Be Televised | — | ||
| 2-23 | Helen | — | ||
| 2-24 | Helen and Martha | — | ||
| 2-25 | Martha and Helen | — | ||
| 2-26 | 1962: My Brother Richard Returns From the Monastery | — | ||
| 2-27 | Shakespeare Say | — | ||
| 2-28 | After Reading Mickey in the Night Kitchen for the Third Time Before Bed | — | ||
| 2-29 | Jamal's Lamentation | — | ||
| 2-30 | Self Portrait, 1988 | — | ||
| 2-31 | Barbie's Little Sister | — | ||
| 2-32 | The Slaughter | — | ||
| 2-33 | Nocturne | — | ||
| 2-34 | Black Steel in the Hour of Chaos | Public Enemy | T-070.233.035-5 | |
| 2-35 | Project Princess | — | ||
| 2-36 | Ohm | — | ||
| 2-37 | No Black Male Show | — |
