UPC · Release
30 Trips Around the Sun: The Definitive Story (1965–1995)
Grateful Dead
Last verified:
081227954079 is the Universal Product Code (UPC barcode) for the release “30 Trips Around the Sun: The Definitive Story (1965–1995)” by Grateful Dead, released 2015-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (31)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Caution (Do Not Stop on Tracks) (feat. The Emergency Crew) | — | ||
| 2 | Cream Puff War (live at Fillmore Auditorium, San Francisco, CA 7/3/66) | — | ||
| 3 | Viola Lee Blues (live at Shrine Exhibition Hall, Los Angeles, CA 1/10/67) | — | ||
| 4 | Dark Star (live at Greek Theater, Berkeley, CA 10/20/68) | — | ||
| 5 | Doin’ That Rag (live at Dream Bowl, Vallejo, CA 2/22/69) | — | ||
| 6 | Dancing in the Street (live at Winterland, San Francisco, CA 4/15/70) | — | ||
| 7 | Ain’t It Crazy (The Rub) (live at Fox Theater, St. Louis, MO 3/18/71) | — | ||
| 8 | Tomorrow Is Forever (live at the Palace Theater, Waterbury, CT 9/24/72) | — | ||
| 9 | Here Comes Sunshine (live from San Diego Sports Arena 11/14/73) | — | ||
| 2-1 | Uncle John’s Band (live from Parc des Expositions, Dijon, France 9/18/74) | — | ||
| 2-2 | Franklin’s Tower (live from Lindley Meadows, Golden Gate Park, San Francisco 9/28/75) | — | ||
| 2-3 | Scarlet Begonias (live at Cobo Hall, Detroit, MI 10/3/76) | — | ||
| 2-4 | Estimated Prophet (live at Capital Theatre, Passaic, NJ 4/25/77) | — | ||
| 2-5 | Samson and Delilah (live at Providence Civic Center, Providence, RI 5/14/78) | — | ||
| 2-6 | Lost Sailor > Saint of Circumstance (live at Cape Cod Coliseum, South Yarmouth, MA 10/27/79) | — | ||
| 2-7 | Deep Elem Blues (live at Lakeland Civic Center, Lakeland, FL 11/28/80) | — | ||
| 3-1 | Shakedown Street (live at Cornell University, Ithaca, NY 5/16/81) | — | ||
| 3-2 | Bird Song (live at Manor Downs, Austin, TX 7/31/82) | — | ||
| 3-3 | My Brother Esau (live at The Centrum, Worchester, MA 10/21/83) | — | ||
| 3-4 | Feel Like a Stranger (live at Agusta Civic Center, Agusta, ME 10/12/84) | — | ||
| 3-5 | Let It Grow (live at River Bend Music Center, Cincinnati, OH 6/24/85) | — | ||
| 3-6 | Comes a Time (live at Cal Expo Amphitheatre, Sacramento, CA 5/3/86) | — | ||
| 3-7 | Morning Dew (live at Madison Square Garden, New York, NY 9/18/87) | — | ||
| 4-1 | Not Fade Away (live at Oxford Plains Speedway, Oxford, ME 7/3/88) | — | ||
| 4-2 | Blow Away (live at Miami Arena, Miami, FL 10/26/89) | — | ||
| 4-3 | Ramble On Rose (live at Zenith, Paris, France 10/27/90) | — | ||
| 4-4 | High Time (live from Madison Square Garden, New York, NY 9/10/91) | — | ||
| 4-5 | Althea (live at Copps Coliseum, Ontario Canada 3/20/92) | — | ||
| 4-6 | Broken Arrow (live at Knickerbocker Arena, Albany, NY 3/27/1993) | — | ||
| 4-7 | So Many Roads (live at Boston Garden, Boston, MA 10/1/94) | — | ||
| 4-8 | Visions of Johanna (Delta Center, Salt Lake City, UT 2/21/95) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 081227954079?
081227954079 is a Universal Product Code (UPC) assigned to 30 Trips Around the Sun: The Definitive Story (1965–1995) by Grateful Dead. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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