UPC · Release
Ry Cooder
Last verified:
The UPC for “1970–1987” by Ry Cooder is 081227962418. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Warner Bros. Records. This release contains 105 tracks, each with its own ISRC. Tracks include USRE10100681, USRE10100682, USRE10100683.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alimony | — | ||
| 2 | France Chance | — | ||
| 3 | One Meat Ball | — | ||
| 4 | Do Re Mi | — | ||
| 5 | My Old Kentucky Home | — | ||
| 6 | How Can a Poor Man Stand Such Times and Live? | — | ||
| 7 | Available Space | — | ||
| 8 | Pigmeat | — | ||
| 9 | Police Dog Blues | — | ||
| 10 | Goin’ to Brownsville | — | ||
| 11 | Dark Is the Night | — | ||
| 2-1 | How Can You Keep On Moving (Unless You Migrate Too) | Ry Cooder | T-010.007.562-4 | |
| 2-2 | Billy the Kid | Ry Cooder | T-070.230.236-0 | |
| 2-3 | Money Honey | Ry Cooder | T-909.541.267-2 | |
| 2-4 | FDR in Trinidad | Ry Cooder | — | |
| 2-5 | Teardrops Will Fall | Ry Cooder | — | |
| 2-6 | Denomination Blues | Ry Cooder | — | |
| 2-7 | On a Monday | Ry Cooder | — | |
| 2-8 | Hey Porter | Ry Cooder | T-070.073.540-5 | |
| 2-9 | Great Dream From Heaven | Ry Cooder | T-010.186.117-9 | |
| 2-10 | Taxes on the Farmer Feeds Us All | Ry Cooder | T-700.069.951-6 | |
| 2-11 | Vigilante Man | Ry Cooder | — | |
| 3-1 | Boomer’s Story | — | ||
| 3-2 | Cherry Ball Blues | — | ||
| 3-3 | Crow Black Chicken | — | ||
| 3-4 | Ax Sweet Mama | — | ||
| 3-5 | Maria Elena | — | ||
| 3-6 | Dark End of the Street | — | ||
| 3-7 | Rally ’Round the Flag | — | ||
| 3-8 | Comin’ In on a Wing and a Prayer | — | ||
| 3-9 | President Kennedy | — | ||
| 3-10 | Good Morning Mr. Railroad Man | — | ||
| 4-1 | Tamp ’Em Up Solid | Ry Cooder | — | |
| 4-2 | Tattler | Ry Cooder | T-071.017.352-6 | |
| 4-3 | A Married Man’s a Fool | Ry Cooder | — | |
| 4-4 | Jesus on the Mainline | Ry Cooder | T-700.032.371-9 | |
| 4-5 | It’s All Over Now | Ry Cooder | T-070.241.251-8 | |
| 4-6 | I’m a Fool for a Cigarette / Feelin’ Good | Ry Cooder | — | |
| 4-7 | If Walls Could Talk | Ry Cooder | — | |
| 4-8 | Mexican Divorce | Ry Cooder | T-070.111.619-9 | |
| 4-9 | Ditty Wah Ditty | Ry Cooder | — | |
| 5-1 | The Bourgeois Blues | Ry Cooder | T-070.234.865-9 | |
| 5-2 | I Got Mine | Ry Cooder | — | |
| 5-3 | Always Lift Him Up / Kanaka Wai Wai | Ry Cooder | — | |
| 5-4 | He’ll Have to Go | Ry Cooder | T-070.918.696-8 | |
| 5-5 | Smack Dab in the Middle | Ry Cooder | T-070.243.685-8 | |
| 5-6 | Stand by Me | Ry Cooder | T-011.233.891-6 | |
| 5-7 | Yellow Roses | Ry Cooder | — | |
| 5-8 | Chloe | Ry Cooder | T-070.024.804-9 | |
| 5-9 | Goodnight Irene | Ry Cooder | T-070.881.899-8 | |
| 6-1 | School Is Out | — | ||
| 6-2 | Alimony | — | ||
| 6-3 | Jesus on the Mainline | — | ||
| 6-4 | The Dark End of the Street | — | ||
| 6-5 | Viva Seguin / Do Re Mi | — | ||
| 6-6 | Volver, Volver | — | ||
| 6-7 | How Can a Poor Man Stand Such Times and Live | — | ||
| 6-8 | Smack Dab in the Middle | — | ||
| 7-1 | Big Bad Bill Is Sweet William Now | — | ||
| 7-2 | Face to Face That I Shall Meet Him | — | ||
| 7-3 | The Pearls / Tia Juana | — | ||
| 7-4 | The Dream | — | ||
| 7-5 | Happy Meeting in Glory | — | ||
| 7-6 | In a Mist | — | ||
| 7-7 | Flashes | — | ||
| 7-8 | Davenport Blues | — | ||
| 7-9 | Shine | — | ||
| 7-10 | Nobody | — | ||
| 7-11 | We Shall Be Happy | — | ||
| 8-1 | Little Sister | — | ||
| 8-2 | Go Home, Girl | — | ||
| 8-3 | The Very Thing That Makes You Rich (Makes Me Poor) | — | ||
| 8-4 | I Think It’s Going to Work Out Fine | — | ||
| 8-5 | Down in Hollywood | — | ||
| 8-6 | Look at Granny Run Run | — | ||
| 8-7 | Trouble, You Can’t Fool Me | — | ||
| 8-8 | Don’t Mess Up a Good Thing | — | ||
| 8-9 | I Can’t Win | — | ||
| 9-1 | 634-5789 | — | ||
| 9-2 | Speedo | — | ||
| 9-3 | Why Don’t You Try Me | — | ||
| 9-4 | Down in the Boondocks | — | ||
| 9-5 | Johnny Porter | — | ||
| 9-6 | The Way We Make a Broken Heart | — | ||
| 9-7 | Crazy ’Bout an Automobile (Every Woman I Know) | — | ||
| 9-8 | The Girls From Texas | — | ||
| 9-9 | Borderline | — | ||
| 9-10 | Never Make Your Move Too Soon | — | ||
| 10-1 | UFO Has Landed in the Ghetto | — | ||
| 10-2 | I Need a Woman | — | ||
| 10-3 | Gypsy Woman | — | ||
| 10-4 | Blue Suede Shoes | — | ||
| 10-5 | Mama, Don’t Treat Your Daughter Mean | — | ||
| 10-6 | I’m Drinking Again | — | ||
| 10-7 | Which Came First | — | ||
| 10-8 | That’s the Way Love Turned Out for Me | — | ||
| 11-1 | Get Rhythm | — | ||
| 11-2 | Low–Commotion | — | ||
| 11-3 | Going Back to Okinawa | — | ||
| 11-4 | 13 Question Method | — | ||
| 11-5 | Women Will Rule the World | — | ||
| 11-6 | All Shook Up | Ry Cooder | T-909.347.642-7 | |
| 11-7 | I Can Tell by the Way You Smell | — | ||
| 11-8 | Across the Borderline | — | ||
| 11-9 | Let’s Have a Ball | — |
Identifier Graph
081227962418 is a Universal Product Code (UPC) assigned to 1970–1987 by Ry Cooder. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “1970–1987” by Ry Cooder is 081227962418. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Warner Bros. Records. This release contains 105 tracks, each with its own ISRC. Tracks include USRE10100681, USRE10100682, USRE10100683.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alimony | — | ||
| 2 | France Chance | — | ||
| 3 | One Meat Ball | — | ||
| 4 | Do Re Mi | — | ||
| 5 | My Old Kentucky Home | — | ||
| 6 | How Can a Poor Man Stand Such Times and Live? | — | ||
| 7 | Available Space | — | ||
| 8 | Pigmeat | — | ||
| 9 | Police Dog Blues | — | ||
| 10 | Goin’ to Brownsville | — | ||
| 11 | Dark Is the Night | — | ||
| 2-1 | How Can You Keep On Moving (Unless You Migrate Too) | Ry Cooder | T-010.007.562-4 | |
| 2-2 | Billy the Kid | Ry Cooder | T-070.230.236-0 | |
| 2-3 | Money Honey | Ry Cooder | T-909.541.267-2 | |
| 2-4 | FDR in Trinidad | Ry Cooder | — | |
| 2-5 | Teardrops Will Fall | Ry Cooder | — | |
| 2-6 | Denomination Blues | Ry Cooder | — | |
| 2-7 | On a Monday | Ry Cooder | — | |
| 2-8 | Hey Porter | Ry Cooder | T-070.073.540-5 | |
| 2-9 | Great Dream From Heaven | Ry Cooder | T-010.186.117-9 | |
| 2-10 | Taxes on the Farmer Feeds Us All | Ry Cooder | T-700.069.951-6 | |
| 2-11 | Vigilante Man | Ry Cooder | — | |
| 3-1 | Boomer’s Story | — | ||
| 3-2 | Cherry Ball Blues | — | ||
| 3-3 | Crow Black Chicken | — | ||
| 3-4 | Ax Sweet Mama | — | ||
| 3-5 | Maria Elena | — | ||
| 3-6 | Dark End of the Street | — | ||
| 3-7 | Rally ’Round the Flag | — | ||
| 3-8 | Comin’ In on a Wing and a Prayer | — | ||
| 3-9 | President Kennedy | — | ||
| 3-10 | Good Morning Mr. Railroad Man | — | ||
| 4-1 | Tamp ’Em Up Solid | Ry Cooder | — | |
| 4-2 | Tattler | Ry Cooder | T-071.017.352-6 | |
| 4-3 | A Married Man’s a Fool | Ry Cooder | — | |
| 4-4 | Jesus on the Mainline | Ry Cooder | T-700.032.371-9 | |
| 4-5 | It’s All Over Now | Ry Cooder | T-070.241.251-8 | |
| 4-6 | I’m a Fool for a Cigarette / Feelin’ Good | Ry Cooder | — | |
| 4-7 | If Walls Could Talk | Ry Cooder | — | |
| 4-8 | Mexican Divorce | Ry Cooder | T-070.111.619-9 | |
| 4-9 | Ditty Wah Ditty | Ry Cooder | — | |
| 5-1 | The Bourgeois Blues | Ry Cooder | T-070.234.865-9 | |
| 5-2 | I Got Mine | Ry Cooder | — | |
| 5-3 | Always Lift Him Up / Kanaka Wai Wai | Ry Cooder | — | |
| 5-4 | He’ll Have to Go | Ry Cooder | T-070.918.696-8 | |
| 5-5 | Smack Dab in the Middle | Ry Cooder | T-070.243.685-8 | |
| 5-6 | Stand by Me | Ry Cooder | T-011.233.891-6 | |
| 5-7 | Yellow Roses | Ry Cooder | — | |
| 5-8 | Chloe | Ry Cooder | T-070.024.804-9 | |
| 5-9 | Goodnight Irene | Ry Cooder | T-070.881.899-8 | |
| 6-1 | School Is Out | — | ||
| 6-2 | Alimony | — | ||
| 6-3 | Jesus on the Mainline | — | ||
| 6-4 | The Dark End of the Street | — | ||
| 6-5 | Viva Seguin / Do Re Mi | — | ||
| 6-6 | Volver, Volver | — | ||
| 6-7 | How Can a Poor Man Stand Such Times and Live | — | ||
| 6-8 | Smack Dab in the Middle | — | ||
| 7-1 | Big Bad Bill Is Sweet William Now | — | ||
| 7-2 | Face to Face That I Shall Meet Him | — | ||
| 7-3 | The Pearls / Tia Juana | — | ||
| 7-4 | The Dream | — | ||
| 7-5 | Happy Meeting in Glory | — | ||
| 7-6 | In a Mist | — | ||
| 7-7 | Flashes | — | ||
| 7-8 | Davenport Blues | — | ||
| 7-9 | Shine | — | ||
| 7-10 | Nobody | — | ||
| 7-11 | We Shall Be Happy | — | ||
| 8-1 | Little Sister | — | ||
| 8-2 | Go Home, Girl | — | ||
| 8-3 | The Very Thing That Makes You Rich (Makes Me Poor) | — | ||
| 8-4 | I Think It’s Going to Work Out Fine | — | ||
| 8-5 | Down in Hollywood | — | ||
| 8-6 | Look at Granny Run Run | — | ||
| 8-7 | Trouble, You Can’t Fool Me | — | ||
| 8-8 | Don’t Mess Up a Good Thing | — | ||
| 8-9 | I Can’t Win | — | ||
| 9-1 | 634-5789 | — | ||
| 9-2 | Speedo | — | ||
| 9-3 | Why Don’t You Try Me | — | ||
| 9-4 | Down in the Boondocks | — | ||
| 9-5 | Johnny Porter | — | ||
| 9-6 | The Way We Make a Broken Heart | — | ||
| 9-7 | Crazy ’Bout an Automobile (Every Woman I Know) | — | ||
| 9-8 | The Girls From Texas | — | ||
| 9-9 | Borderline | — | ||
| 9-10 | Never Make Your Move Too Soon | — | ||
| 10-1 | UFO Has Landed in the Ghetto | — | ||
| 10-2 | I Need a Woman | — | ||
| 10-3 | Gypsy Woman | — | ||
| 10-4 | Blue Suede Shoes | — | ||
| 10-5 | Mama, Don’t Treat Your Daughter Mean | — | ||
| 10-6 | I’m Drinking Again | — | ||
| 10-7 | Which Came First | — | ||
| 10-8 | That’s the Way Love Turned Out for Me | — | ||
| 11-1 | Get Rhythm | — | ||
| 11-2 | Low–Commotion | — | ||
| 11-3 | Going Back to Okinawa | — | ||
| 11-4 | 13 Question Method | — | ||
| 11-5 | Women Will Rule the World | — | ||
| 11-6 | All Shook Up | Ry Cooder | T-909.347.642-7 | |
| 11-7 | I Can Tell by the Way You Smell | — | ||
| 11-8 | Across the Borderline | — | ||
| 11-9 | Let’s Have a Ball | — |
