UPC · Release
Various Artists
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081227987428 is the Universal Product Code (UPC barcode) for the release “Rhapsodies in Black: Music and Words From the Harlem Renaissance” by Various Artists, released 2000-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC. Tracks include USSM19927764, GB9TT1001299, DEU240802087.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Negro Speaks of Rivers (poem by Langston Hughes) | — | ||
| 2 | Cotton Club Stomp | — | ||
| 3 | The Harlem Strut | — | ||
| 4 | Brother Low Down | — | ||
| 5 | Letter From Aaron Douglas to Langston Hughes (excerpt) | — | ||
| 6 | There'll Be Some Changes Made | — | ||
| 7 | Sounds of Africa | — | ||
| 8 | Sweet Man o' Mine | — | ||
| 9 | The Weary Blues (poem by Langstron Hughes) | — | ||
| 10 | Blues Ain't Nothin Else But! | — | ||
| 11 | Kansas City Man Blues | — | ||
| 12 | Indianola | — | ||
| 13 | Hard Hearted Hannah | — | ||
| 14 | Sonnet to a Negro in Harlem (poem by Helene Johnson) | — | ||
| 15 | St. Louis Blues | — | ||
| 16 | Copenhagen | — | ||
| 17 | Cake Walkin’ Babies From Home | Clarence Williams’ Blue Five | T-071.058.321-3 | |
| 18 | Long Gone (poem by Sterling Brown) | — | ||
| 19 | Railroad Blues | — | ||
| 2-1 | Smoke, Lillies and Jade (short story by Richard Bruce Nugent) (excerpt) | — | ||
| 2-2 | (Lookie Lookie Lookie) Here Comes Cookie | — | ||
| 2-3 | Charleston | Paul Whiteman and His Orchestra | T-070.024.453-6 | |
| 2-4 | Chili Pepper | — | ||
| 2-5 | Lucy Long | — | ||
| 2-6 | Chain Gang Blues | — | ||
| 2-7 | Mother to Son (poem by Langston Hughes) | — | ||
| 2-8 | Deep River | — | ||
| 2-9 | East St. Louis Toodle-O | — | ||
| 2-10 | Lazy Drag | — | ||
| 2-11 | How It Feels to Be Colored Me (essay by Zora Neale Hurston) (excerpt) | — | ||
| 2-12 | Sengalese Stomp | — | ||
| 2-13 | After You've Gone | — | ||
| 2-14 | Dead Drunk Blues | — | ||
| 2-15 | No Images (poem by Waring Cuney) | — | ||
| 2-16 | Woke Up With the Blues in My Fingers | — | ||
| 2-17 | Worried Blues | — | ||
| 2-18 | Humpty Dumpty | — | ||
| 2-19 | Ham and Eggs | — | ||
| 2-20 | Sugar | — | ||
| 3-1 | If We Must Die (poem by Claude McKay) | — | ||
| 3-2 | Honey, I'm All Out and Down | — | ||
| 3-3 | My Handy Man | — | ||
| 3-4 | Ain’t Misbehavin’ | Louis Armstrong & His Orch. | T-071.056.299-4 | |
| 3-5 | A Handful of Riffs | Eddie Lang, Lonnie Johnson | — | |
| 3-6 | Bright Boy Blues | — | ||
| 3-7 | The Debt (poem by Paul Laurence Dunbar) | — | ||
| 3-8 | Harlem Fuss | Fats Waller and His Buddies | — | |
| 3-9 | Nobody Knows You When You're Down and Out | Bessie Smith | T-070.271.782-5 | |
| 3-10 | Fare Thee Honey Blues | — | ||
| 3-11 | Soon (poem by Leon Damas) | — | ||
| 3-12 | Smashing Thirds | Fats Waller | T-070.136.090-8 | |
| 3-13 | Do Shuffle | — | ||
| 3-14 | Wherever There's a Will, Baby | — | ||
| 3-15 | Dee Blues | — | ||
| 3-16 | Odyssey of Big Boy (poem by Sterling Brown) | — | ||
| 3-17 | Minnie the Moocher (The Ho De Ho Song) | — | ||
| 3-18 | Panama | — | ||
| 3-19 | Royal Garden Blues | — | ||
| 3-20 | America (poem by Claude McKay) | — | ||
| 3-21 | Jesus Gonna Make Up My Dying Bed | — | ||
| 4-1 | I Want to Die While You Love Me (poem by Georgia Douglas Johnson) | — | ||
| 4-2 | Stormy Weather (Keeps Rainin' All the Time) | — | ||
| 4-3 | Corrine Corrina | Cab Calloway and His Orchestra | — | |
| 4-4 | Sweetie Dear | — | ||
| 4-5 | The Damnation of Women (essay by W.E.B. Dubois) (excerpt) | — | ||
| 4-6 | Baby | — | ||
| 4-7 | Happy as the Day Is Long | — | ||
| 4-8 | I Got Rhythm | — | ||
| 4-9 | Let's Get Together | — | ||
| 4-10 | Their Eyes Were Watching God (novel by Zora Neale Hurston) (excerpt) | — | ||
| 4-11 | Lady, Be Good | — | ||
| 4-12 | Symphony in Riffs | — | ||
| 4-13 | Sendin' the Vipers | — | ||
| 4-14 | Down South Camp Meeting | — | ||
| 4-15 | The Day Breakers (poem by Arna Bontemps) | — | ||
| 4-16 | She'll Be Coming 'round the Mountain | — | ||
| 4-17 | Minor Mania | — | ||
| 4-18 | Sensemayá: Chant for Killing a Snake (poem by Nicolas Guillen) | — | ||
| 4-19 | Symphony in Black | — | ||
| 4-20 | Echoes of Spring | — | ||
| 4-21 | Lookie, Lookie, Lookie Here Comes Cookie | — | ||
| 4-22 | The Negro Artist and the Racial Mountain (essay by Langston Hughes) | — | ||
| 4-23 | It Never Dawned On Me | — | ||
| 4-24 | Honey Dripper Blues | — | ||
| 4-25 | I'm in the Mood for Love | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lilac Wine | Nina Simone | T-070.095.959-6 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
081227987428 is a Universal Product Code (UPC) assigned to Rhapsodies in Black: Music and Words From the Harlem Renaissance by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
081227987428 is the Universal Product Code (UPC barcode) for the release “Rhapsodies in Black: Music and Words From the Harlem Renaissance” by Various Artists, released 2000-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC. Tracks include USSM19927764, GB9TT1001299, DEU240802087.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Negro Speaks of Rivers (poem by Langston Hughes) | — | ||
| 2 | Cotton Club Stomp | — | ||
| 3 | The Harlem Strut | — | ||
| 4 | Brother Low Down | — | ||
| 5 | Letter From Aaron Douglas to Langston Hughes (excerpt) | — | ||
| 6 | There'll Be Some Changes Made | — | ||
| 7 | Sounds of Africa | — | ||
| 8 | Sweet Man o' Mine | — | ||
| 9 | The Weary Blues (poem by Langstron Hughes) | — | ||
| 10 | Blues Ain't Nothin Else But! | — | ||
| 11 | Kansas City Man Blues | — | ||
| 12 | Indianola | — | ||
| 13 | Hard Hearted Hannah | — | ||
| 14 | Sonnet to a Negro in Harlem (poem by Helene Johnson) | — | ||
| 15 | St. Louis Blues | — | ||
| 16 | Copenhagen | — | ||
| 17 | Cake Walkin’ Babies From Home | Clarence Williams’ Blue Five | T-071.058.321-3 | |
| 18 | Long Gone (poem by Sterling Brown) | — | ||
| 19 | Railroad Blues | — | ||
| 2-1 | Smoke, Lillies and Jade (short story by Richard Bruce Nugent) (excerpt) | — | ||
| 2-2 | (Lookie Lookie Lookie) Here Comes Cookie | — | ||
| 2-3 | Charleston | Paul Whiteman and His Orchestra | T-070.024.453-6 | |
| 2-4 | Chili Pepper | — | ||
| 2-5 | Lucy Long | — | ||
| 2-6 | Chain Gang Blues | — | ||
| 2-7 | Mother to Son (poem by Langston Hughes) | — | ||
| 2-8 | Deep River | — | ||
| 2-9 | East St. Louis Toodle-O | — | ||
| 2-10 | Lazy Drag | — | ||
| 2-11 | How It Feels to Be Colored Me (essay by Zora Neale Hurston) (excerpt) | — | ||
| 2-12 | Sengalese Stomp | — | ||
| 2-13 | After You've Gone | — | ||
| 2-14 | Dead Drunk Blues | — | ||
| 2-15 | No Images (poem by Waring Cuney) | — | ||
| 2-16 | Woke Up With the Blues in My Fingers | — | ||
| 2-17 | Worried Blues | — | ||
| 2-18 | Humpty Dumpty | — | ||
| 2-19 | Ham and Eggs | — | ||
| 2-20 | Sugar | — | ||
| 3-1 | If We Must Die (poem by Claude McKay) | — | ||
| 3-2 | Honey, I'm All Out and Down | — | ||
| 3-3 | My Handy Man | — | ||
| 3-4 | Ain’t Misbehavin’ | Louis Armstrong & His Orch. | T-071.056.299-4 | |
| 3-5 | A Handful of Riffs | Eddie Lang, Lonnie Johnson | — | |
| 3-6 | Bright Boy Blues | — | ||
| 3-7 | The Debt (poem by Paul Laurence Dunbar) | — | ||
| 3-8 | Harlem Fuss | Fats Waller and His Buddies | — | |
| 3-9 | Nobody Knows You When You're Down and Out | Bessie Smith | T-070.271.782-5 | |
| 3-10 | Fare Thee Honey Blues | — | ||
| 3-11 | Soon (poem by Leon Damas) | — | ||
| 3-12 | Smashing Thirds | Fats Waller | T-070.136.090-8 | |
| 3-13 | Do Shuffle | — | ||
| 3-14 | Wherever There's a Will, Baby | — | ||
| 3-15 | Dee Blues | — | ||
| 3-16 | Odyssey of Big Boy (poem by Sterling Brown) | — | ||
| 3-17 | Minnie the Moocher (The Ho De Ho Song) | — | ||
| 3-18 | Panama | — | ||
| 3-19 | Royal Garden Blues | — | ||
| 3-20 | America (poem by Claude McKay) | — | ||
| 3-21 | Jesus Gonna Make Up My Dying Bed | — | ||
| 4-1 | I Want to Die While You Love Me (poem by Georgia Douglas Johnson) | — | ||
| 4-2 | Stormy Weather (Keeps Rainin' All the Time) | — | ||
| 4-3 | Corrine Corrina | Cab Calloway and His Orchestra | — | |
| 4-4 | Sweetie Dear | — | ||
| 4-5 | The Damnation of Women (essay by W.E.B. Dubois) (excerpt) | — | ||
| 4-6 | Baby | — | ||
| 4-7 | Happy as the Day Is Long | — | ||
| 4-8 | I Got Rhythm | — | ||
| 4-9 | Let's Get Together | — | ||
| 4-10 | Their Eyes Were Watching God (novel by Zora Neale Hurston) (excerpt) | — | ||
| 4-11 | Lady, Be Good | — | ||
| 4-12 | Symphony in Riffs | — | ||
| 4-13 | Sendin' the Vipers | — | ||
| 4-14 | Down South Camp Meeting | — | ||
| 4-15 | The Day Breakers (poem by Arna Bontemps) | — | ||
| 4-16 | She'll Be Coming 'round the Mountain | — | ||
| 4-17 | Minor Mania | — | ||
| 4-18 | Sensemayá: Chant for Killing a Snake (poem by Nicolas Guillen) | — | ||
| 4-19 | Symphony in Black | — | ||
| 4-20 | Echoes of Spring | — | ||
| 4-21 | Lookie, Lookie, Lookie Here Comes Cookie | — | ||
| 4-22 | The Negro Artist and the Racial Mountain (essay by Langston Hughes) | — | ||
| 4-23 | It Never Dawned On Me | — | ||
| 4-24 | Honey Dripper Blues | — | ||
| 4-25 | I'm in the Mood for Love | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lilac Wine | Nina Simone | T-070.095.959-6 |
