UPC · Release
Love Is the Song We Sing: San Francisco Nuggets 1965–1970
Various Artists
081227998301
74 tracksReleased 2007-01-01Rhino Records (2)
Last verified:
081227998301 is the Universal Product Code (UPC barcode) for the release “Love Is the Song We Sing: San Francisco Nuggets 1965–1970” by Various Artists, released 2007-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include USRH10721074, USAM16900849, USRH10901081.
Format
0Number system
81227Manufacturer
99830Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLove Is the Song We Sing: San Francisco Nuggets 1965–1970
ISRC33 recordings
ISWC77 works
IPI7 songwriters
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Let’s Get Together | Dino Valenti | T-700.016.037-4 | |
| 3 | You Were on My Mind | We Five | T-070.211.608-2 | |
| 4 | Number One | — | ||
| 5 | Can’t Come Down | The Warlocks | T-901.312.648-2 | |
| 6 | Don’t Talk to Strangers | The Beau Brummels | T-700.010.311-9 | |
| 7 | Anything | The Vejtables | T-070.350.147-6 | |
| 8 | It’s No Secret | — | ||
| 9 | Johnny Was a Good Boy | The Mystery Trend | — | |
| 10 | Free Advice | — | ||
| 11 | Mr Jones (A Ballad of a Thin Man) | The Grass Roots | T-070.249.949-7 | |
| 12 | Stranger in a Strange Land | Blackburn & Snow | T-071.220.930-7 | |
| 14 | She’s My Baby | The Mojo Men | — | |
| 15 | Coffee Cup | — | ||
| 16 | Live Your Own Life | — | ||
| 17 | Fat City | — | ||
| 18 | Human Monkey | — | ||
| 19 | Bye Bye Bye (Warner Bros. single version) | The Tikis | T-071.075.771-3 | |
| 21 | Hello, Hello | Sopwith Camel | T-070.240.218-3 | |
| 2-1 | Psychotic Reaction | Count Five | T-070.243.018-9 | |
| 2-2 | Got Love | The Front Line | T-918.229.912-3 | |
| 2-3 | Satisfaction Guaranteed | — | ||
| 2-4 | Foolish Woman | — | ||
| 2-5 | My Buddy Sin | — | ||
| 2-6 | Streetcar | The Other Side | — | |
| 2-7 | Suzy Creamcheese | Teddy and His Patches | — | |
| 2-8 | Rubiyat | — | ||
| 2-9 | Rumors | The Syndicate of Sound | T-918.287.079-7 | |
| 2-10 | Sometimes I Wonder | — | ||
| 2-11 | Want Ad Reader | — | ||
| 2-12 | I’m a Good Woman | — | ||
| 2-13 | No Way Out | — | ||
| 2-14 | Hey I’m Lost | — | ||
| 2-15 | I Love You | People | T-010.163.151-9 | |
| 2-16 | America | — | ||
| 2-17 | Fly to New York | — | ||
| 2-18 | Thing in “E” | — | ||
| 2-19 | Hearts to Cry | — | ||
| 3-1 | Alabama Bound | — | ||
| 3-2 | Carl Street | — | ||
| 3-3 | Somebody to Love (LP version) | — | ||
| 3-4 | Super Bird | Country Joe and the Fish | — | |
| 3-5 | Two Days 'til Tomorrow (Unedited version) | The Beau Brummels | — | |
| 3-6 | Omaha | Moby Grape | T-700.050.344-8 | |
| 3-7 | Up and Down | — | ||
| 3-8 | The Golden Road (to Unlimited Devotion) | Grateful Dead | T-071.062.075-9 | |
| 3-9 | Codine | — | ||
| 3-10 | Down on Me (live) | — | ||
| 3-11 | Think Twice | — | ||
| 3-12 | White Rabbit | Jefferson Airplane | T-070.247.962-6 | |
| 3-13 | Roll With It | Steve Miller Band | T-070.127.946-0 | |
| 3-14 | Why Did You Put Me On | — | ||
| 3-15 | Underdog | Sly & the Family Stone | T-700.075.606-1 | |
| 3-16 | Summertime Blues | Blue Cheer | T-070.244.055-8 | |
| 3-17 | Glue | — | ||
| 3-18 | Soul Sacrifice | Santana | T-010.542.056-1 | |
| 3-19 | The Bells | — | ||
| 4-1 | Evil Ways | Santana | T-070.881.359-5 | |
| 4-2 | Red the Sign Post | — | ||
| 4-3 | Lemonaide Kid | — | ||
| 4-4 | 1982‐A | The Sons of Champlin | — | |
| 4-5 | How Can I Miss You When You Won’t Go Away | — | ||
| 4-6 | Amphetamine Gazelle | — | ||
| 4-7 | Quicksilver Girl | The Steve Miller Band | T-070.125.096-5 | |
| 4-8 | Revolution | — | ||
| 4-9 | Murder in My Heart for the Judge | — | ||
| 4-10 | Light Your Windows | — | ||
| 4-11 | I’m Drowning | — | ||
| 4-12 | Portrait of the Artist as a Young Lady | — | ||
| 4-13 | White Bird | It’s a Beautiful Day | — | |
| 4-14 | DARK STAR (REMASTERED) | VARIOUS ARTISTS | T-011.720.318-5 | |
| 4-15 | Fool (single version) | — | ||
| 4-16 | Mexico | — | ||
| 4-17 | Mercedes Benz | Janis Joplin | T-071.008.442-6 | |
| 4-18 | Get Together | The Youngbloods | T-700.016.037-4 |
Number One
—
It’s No Secret
—
Johnny Was a Good Boy
The Mystery Trend
—
Free Advice
—
She’s My Baby
The Mojo Men
—
Coffee Cup
—
Live Your Own Life
—
Fat City
—
Human Monkey
—
Satisfaction Guaranteed
—
Foolish Woman
—
My Buddy Sin
—
Streetcar
The Other Side
—
Suzy Creamcheese
Teddy and His Patches
—
Rubiyat
—
Sometimes I Wonder
—
Want Ad Reader
—
I’m a Good Woman
—
No Way Out
—
Hey I’m Lost
—
America
—
Fly to New York
—
Thing in “E”
—
Hearts to Cry
—
Alabama Bound
—
Carl Street
—
Somebody to Love (LP version)
—
Super Bird
Country Joe and the Fish
—
Two Days 'til Tomorrow (Unedited version)
The Beau Brummels
—
Up and Down
—
Codine
—
Down on Me (live)
—
Think Twice
—
Why Did You Put Me On
—
Glue
—
The Bells
—
Red the Sign Post
—
Lemonaide Kid
—
1982‐A
The Sons of Champlin
—
How Can I Miss You When You Won’t Go Away
—
Amphetamine Gazelle
—
Revolution
—
Murder in My Heart for the Judge
—
Light Your Windows
—
I’m Drowning
—
Portrait of the Artist as a Young Lady
—
White Bird
It’s a Beautiful Day
—
Fool (single version)
—
Mexico
—
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Feel Like I’m Fixin’ to Die Rag (EP version) | Country Joe and the Fish | T-070.256.227-3 |
| Who Do You Love (demo version) | Quicksilver Messenger Service | T-070.247.967-1 |
| Section 43 (EP version) | Country Joe and the Fish | — |
| THE GOLDEN ROAD (2007 REMASTER) | GRATEFUL DEAD | T-071.062.075-9 |
| Dark Star (studio) | Grateful Dead | T-071.059.859-6 |
Country Joe and the Fish
Quicksilver Messenger Service
Section 43 (EP version)
Country Joe and the Fish
—
GRATEFUL DEAD
Grateful Dead
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.163.151-9T-010.542.056-1T-010.163.151-9T-010.542.056-1T-011.720.318-5T-070.125.096-5T-070.211.608-2T-070.240.218-3T-070.243.018-9T-070.244.055-8
+67 more
T-070.247.962-6T-070.247.967-1T-070.249.949-7T-070.256.227-3T-070.350.147-6T-070.881.359-5T-070.027.216-7T-070.076.016-2T-070.080.090-3T-070.125.096-5T-070.211.608-2T-070.240.218-3T-070.243.018-9T-070.243.777-1T-070.244.055-8T-070.247.962-6T-070.247.967-1T-070.249.949-7T-070.256.227-3T-070.350.147-6T-070.881.359-5T-071.008.442-6T-071.059.859-6T-071.062.075-9T-071.075.771-3T-071.220.930-7T-071.008.442-6T-071.059.859-6T-071.062.075-9T-071.075.771-3T-071.129.952-3T-071.220.930-7T-071.230.774-8T-072.141.249-2T-072.861.547-1T-072.861.619-0T-073.344.224-4T-700.010.311-9T-700.016.037-4T-700.050.344-8T-700.075.606-1T-700.010.311-9T-700.016.037-4T-700.026.408-6T-700.036.295-0T-700.037.508-8T-700.048.722-1T-700.050.344-8T-700.057.689-8T-700.075.606-1T-901.312.648-2T-901.312.648-2T-902.387.486-4T-902.660.136-5T-902.885.487-7T-903.898.596-5T-903.956.553-2T-903.988.028-9T-904.168.930-9T-910.986.696-8T-918.229.912-3T-918.287.079-7T-918.229.912-3T-918.279.236-5T-918.287.079-7T-918.290.875-4T-070.127.946-0
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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Verified on
What is UPC 081227998301?
081227998301 is a Universal Product Code (UPC) assigned to Love Is the Song We Sing: San Francisco Nuggets 1965–1970 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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