UPC · Release
Anechoic Orchestral Music Recording
Various Artists
081759017105
64 tracksReleased 1988-01-01Denon
Last verified:
081759017105 is the Universal Product Code (UPC barcode) for the release “Anechoic Orchestral Music Recording” by Various Artists, released 1988-01-01 on Denon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC.
Format
0Number system
81759Manufacturer
01710Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (64)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | "Le Nozze di Figaro" - Overture | — | ||
| 2 | Symphony No.3 In A Minor, Op.56 "Scottish", 4th Mov. - Bars 396-490 | — | ||
| 3 | "L'Arlesienne", Suite No.2 - Menuet | — | ||
| 4 | Pizzicate-Polka | — | ||
| 5 | "Ruslan And Lyudmila" - Overture | — | ||
| 6 | "La Traviata" - Prelude To Act 1 | — | ||
| 7 | Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 517-573 | — | ||
| 8 | Prelude A L'Apres-Midi D'un Faune, Bars 1-20 | — | ||
| 9 | Water Music Suite, No.6 - Bars 1-11 | — | ||
| 10 | "Le Nozze di Figaro", Overture - Bars 1-18 | — | ||
| 11 | Symphony No.9 In D Minor, Op.125 "Choral", 4th Mov. - Bars 1-7 | — | ||
| 12 | Symphony No.4 In E Minor, Op.98, 1st Mov. - Bars 354- 362 | — | ||
| 13 | Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 | — | ||
| 14 | Symphony No.4 In F Minor, Op.36, 1st Mov. - Bars 1-6 | — | ||
| 15 | Symphony No.5, 4th Mov. - Bars 1-3 | — | ||
| 16 | Prelude A L'Apres-Midi D'un Faune, Bars 1-3 | — | ||
| 17 | "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Wien Musikvereinssaal's Reverberation | — | ||
| 18 | "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Amsterdam Concertgebouw's Reverberation | — | ||
| 19 | "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Boston Symphony Hall's Reverberation | — | ||
| 20 | Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Wien Musikvereinssaal's Reverberation | — | ||
| 21 | Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Amsterdam Concertgebouw's Reverberation | — | ||
| 22 | Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Boston Symphony Hall's Reverberation | — | ||
| 23 | Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Wien Musikvereinssaal's Reverberation | — | ||
| 24 | Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Amsterdam Concertgebouw's Reverberation | — | ||
| 25 | Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Boston Symphony Hall's Reverberation | — | ||
| 26 | Symphony No.4, 1st Mov. - Bars 386-407 - Full Orchestra (Timp. + Hrn. + Trp. + Fl. + Ob. +Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I] | — | ||
| 27 | Symphony No.4, 1st Mov. - Bars 386-407 - Timpani | — | ||
| 28 | Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. | — | ||
| 29 | Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. | — | ||
| 30 | Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. | — | ||
| 31 | Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. | — | ||
| 32 | Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. | — | ||
| 33 | Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II | — | ||
| 34 | Symphony No.4, 1st Mov. - Bars 386-407 - Full Orch. (Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I) | — | ||
| 35 | "Le Nozze di Figaro", Overture - Bars 1-50 - Omni-directional Single-point Pickup Recording | — | ||
| 36 | "Le Nozze di Figaro", Overture - Bars 1-50 - Omni-directional Single-point Pickup + Time-coherent Recording | — | ||
| 37 | "Le Nozze di Figaro", Overture - Bars 1-50 - Uni-directional Single-point Pickup Recording | — | ||
| 38 | "Le Nozze di Figaro", Overture - Bars 1-50 - Multi-mike Setup Recording | — | ||
| 39 | "Le Nozze di Figaro", Overture - Bars 1-50 - Multi-mike Setup + Time-coherent Recording | — | ||
| 40 | Symphony No.4 In E-flat - 1st Mov. - Omni-directional Single-point Pickup Recording | — | ||
| 41 | Symphony No.4 In E-flat - 1st Mov. - Omni-directional Single-point Pickup + Time-coherent Recording | — | ||
| 42 | Symphony No.4 In E-flat - 1st Mov. - Uni-directional Single-point Pickup Recording | — | ||
| 43 | Symphony No.4 In E-flat - 1st Mov. - Multi-mike Setup Recording | — | ||
| 44 | Symphony No.4 In E-flat - 1st Mov. - Multi-mike Setup + Time-coherent Recording | — | ||
| 45 | 1001 Hz - Sine Wave Channel Check (L-R) -15 dB | — | ||
| 46 | 1001 Hz - Sine Wave -15 dB | — | ||
| 47 | 1 kHz - 5 Hz / 22.05 kHz Sweep -20 dB | — | ||
| 48 | 1001 Hz Toneburst (EIJ) 0 dB | — | ||
| 49 | 1001 Hz Toneburst (EIAJ) 0 dB | — | ||
| 50 | Impulse I (I Sample) 100 ms ±20% (random) cycle. 256 times 0 dB | — | ||
| 51 | Impulse II (I Sample) 4 sec ±20% (random) cycle, 8 times 0 dB | — | ||
| 52 | Pulsive Signal (40ms) 7 sec ±20% (random) cycle, 4 times 0 dB | — | ||
| 53 | White Noise Uniformly Distributed Noise in the M-Sequence 0 dB | — | ||
| 54 | L: 25 Hz, 31.5 Hz, 40 Hz -20 dB / R: 31.5 Hz -16 dB | — | ||
| 55 | L: 50 Hz, 63 Hz, 80 Hz -20 dB / R: 63 Hz -16 dB | — | ||
| 56 | L: 100 Hz, 125 Hz, 160 Hz -20 dB / R: 125 Hz -16 dB | — | ||
| 57 | L: 200 Hz, 250 Hz, 315 Hz -20 dB / R: 250 Hz -16 dB | — | ||
| 58 | L: 400 Hz, 500 Hz, 630 Hz -20 dB / R: 500 Hz -16 dB | — | ||
| 59 | L: 800 Hz, 1 kHz, 1.25 kHz -20 dB / R: 1 kHz -16 dB | — | ||
| 60 | L: 1.6 kHz, 2 kHz, 2.5 kHz -20 dB / R: 2 kHz -16 dB | — | ||
| 61 | L: 3.15 kHz, 4 kHz, 5 kHz -20 dB / R: 4 kHz -16 dB | — | ||
| 62 | L: 6.3 kHz, 8 kHz, 10 kHz -20 dB / R: 8 kHz -16 dB | — | ||
| 63 | L: 12.5 kHz, 16 kHz, -20 dB / R: 16 kHz -16 dB | — | ||
| 64 | Pink Noise -14 dB | — |
"Le Nozze di Figaro" - Overture
—
Symphony No.3 In A Minor, Op.56 "Scottish", 4th Mov. - Bars 396-490
—
"L'Arlesienne", Suite No.2 - Menuet
—
Pizzicate-Polka
—
"Ruslan And Lyudmila" - Overture
—
"La Traviata" - Prelude To Act 1
—
Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 517-573
—
Prelude A L'Apres-Midi D'un Faune, Bars 1-20
—
Water Music Suite, No.6 - Bars 1-11
—
"Le Nozze di Figaro", Overture - Bars 1-18
—
Symphony No.9 In D Minor, Op.125 "Choral", 4th Mov. - Bars 1-7
—
Symphony No.4 In E Minor, Op.98, 1st Mov. - Bars 354- 362
—
Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573
—
Symphony No.4 In F Minor, Op.36, 1st Mov. - Bars 1-6
—
Symphony No.5, 4th Mov. - Bars 1-3
—
Prelude A L'Apres-Midi D'un Faune, Bars 1-3
—
"Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Wien Musikvereinssaal's Reverberation
—
"Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Amsterdam Concertgebouw's Reverberation
—
"Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Boston Symphony Hall's Reverberation
—
Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Wien Musikvereinssaal's Reverberation
—
Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Amsterdam Concertgebouw's Reverberation
—
Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Boston Symphony Hall's Reverberation
—
Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Wien Musikvereinssaal's Reverberation
—
Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Amsterdam Concertgebouw's Reverberation
—
Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Boston Symphony Hall's Reverberation
—
Symphony No.4, 1st Mov. - Bars 386-407 - Full Orchestra (Timp. + Hrn. + Trp. + Fl. + Ob. +Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I]
—
Symphony No.4, 1st Mov. - Bars 386-407 - Timpani
—
Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp.
—
Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg.
—
Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb.
—
Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc.
—
Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla.
—
Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II
—
Symphony No.4, 1st Mov. - Bars 386-407 - Full Orch. (Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I)
—
"Le Nozze di Figaro", Overture - Bars 1-50 - Omni-directional Single-point Pickup Recording
—
"Le Nozze di Figaro", Overture - Bars 1-50 - Omni-directional Single-point Pickup + Time-coherent Recording
—
"Le Nozze di Figaro", Overture - Bars 1-50 - Uni-directional Single-point Pickup Recording
—
"Le Nozze di Figaro", Overture - Bars 1-50 - Multi-mike Setup Recording
—
"Le Nozze di Figaro", Overture - Bars 1-50 - Multi-mike Setup + Time-coherent Recording
—
Symphony No.4 In E-flat - 1st Mov. - Omni-directional Single-point Pickup Recording
—
Symphony No.4 In E-flat - 1st Mov. - Omni-directional Single-point Pickup + Time-coherent Recording
—
Symphony No.4 In E-flat - 1st Mov. - Uni-directional Single-point Pickup Recording
—
Symphony No.4 In E-flat - 1st Mov. - Multi-mike Setup Recording
—
Symphony No.4 In E-flat - 1st Mov. - Multi-mike Setup + Time-coherent Recording
—
1001 Hz - Sine Wave Channel Check (L-R) -15 dB
—
1001 Hz - Sine Wave -15 dB
—
1 kHz - 5 Hz / 22.05 kHz Sweep -20 dB
—
1001 Hz Toneburst (EIJ) 0 dB
—
1001 Hz Toneburst (EIAJ) 0 dB
—
Impulse I (I Sample) 100 ms ±20% (random) cycle. 256 times 0 dB
—
Impulse II (I Sample) 4 sec ±20% (random) cycle, 8 times 0 dB
—
Pulsive Signal (40ms) 7 sec ±20% (random) cycle, 4 times 0 dB
—
White Noise Uniformly Distributed Noise in the M-Sequence 0 dB
—
L: 25 Hz, 31.5 Hz, 40 Hz -20 dB / R: 31.5 Hz -16 dB
—
L: 50 Hz, 63 Hz, 80 Hz -20 dB / R: 63 Hz -16 dB
—
L: 100 Hz, 125 Hz, 160 Hz -20 dB / R: 125 Hz -16 dB
—
L: 200 Hz, 250 Hz, 315 Hz -20 dB / R: 250 Hz -16 dB
—
L: 400 Hz, 500 Hz, 630 Hz -20 dB / R: 500 Hz -16 dB
—
L: 800 Hz, 1 kHz, 1.25 kHz -20 dB / R: 1 kHz -16 dB
—
L: 1.6 kHz, 2 kHz, 2.5 kHz -20 dB / R: 2 kHz -16 dB
—
L: 3.15 kHz, 4 kHz, 5 kHz -20 dB / R: 4 kHz -16 dB
—
L: 6.3 kHz, 8 kHz, 10 kHz -20 dB / R: 8 kHz -16 dB
—
L: 12.5 kHz, 16 kHz, -20 dB / R: 16 kHz -16 dB
—
Pink Noise -14 dB
—
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What is UPC 081759017105?
081759017105 is a Universal Product Code (UPC) assigned to Anechoic Orchestral Music Recording by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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