UPC · Release
The Essential Recordings 1925 - 1940
Louis Armstrong
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082333256828 is the Universal Product Code (UPC barcode) for the release “The Essential Recordings 1925 - 1940” by Louis Armstrong, released 1995-01-01 on Charly Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include DEU240800881, DEU240800886, DEU240800887.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (23)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | The Last Time | Louis Armstrong and His Hot Five | — | |
| 2-2 | Struttin' With Some Barbecue | — | ||
| 2-3 | Once in a While | — | ||
| 2-4 | Hotter Than That | Louis Armstrong and His Hot Five | T-070.265.109-9 | |
| 2-5 | Savoy Blues | Louis Armstrong and His Hot Five | — | |
| 2-6 | Fireworks | Louis Armstrong and His Hot Five | — | |
| 2-7 | Skip the Gutter | Louis Armstrong and His Hot Five | T-070.276.021-1 | |
| 2-8 | A Monday Date | Louis Armstrong and His Hot Five | T-070.270.090-0 | |
| 2-9 | West End Blues | Louis Armstrong and His Hot Five | — | |
| 2-10 | Sugar Foot Strut | Louis Armstrong and His Hot Five | — | |
| 2-11 | Two Deuces | Louis Armstrong and His Hot Five | T-070.181.665-0 | |
| 2-12 | Squeeze Me | Louis Armstrong and His Hot Five | T-070.275.716-1 | |
| 2-13 | Chicago Breakdown | Louis Armstrong and His Hot Seven | T-070024625-8 | |
| 2-14 | Symphonic Raps | Carroll Dickerson’s Savoyagers | — | |
| 2-15 | Knee Drops | Louis Armstrong and His Hot Five | T-070.092.671-1 | |
| 2-16 | Basin Street Blues | Louis Armstrong & His Orchestra | T-070.010.455-7 | |
| 2-17 | No One Else but You | Louis Armstrong and His Savoy Ballroom Five | T-070.152.742-5 | |
| 2-18 | Save It, Pretty Mama | — | ||
| 2-19 | Weather Bird | Louis Armstrong | — | |
| 2-20 | Muggles | Louis Armstrong & His Orchestra | T0702700444 | |
| 2-21 | Heah Me Talkin’ to Ya? | Louis Armstrong and His Savoy Ballroom Five | T-070.265.023-4 | |
| 2-22 | St. James Infirmary | Louis Armstrong & His Savoy Ballroom Five | T-071.070.447-4 | |
| 2-23 | Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
Additional database matches (98)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| My Heart | Louis Armstrong and His Hot Five | T-914.835.025-8 |
| Yes! I’m in the Barrel | Louis Armstrong and His Hot Five | — |
| Gut Bucket Blues | Louis Armstrong and His Hot Five | T-070.264.143-7 |
| Come Back, Sweet Papa | Louis Armstrong and His Hot Five | T-906.863.013-7 |
| Heebie Jeebies | Louis Armstrong and His Hot Five | — |
| Oriental Strut | Louis Armstrong and His Hot Five | — |
| Muskrat Ramble | Louis Armstrong and His Hot Five | T-071.067.361-2 |
| Don’t Forget to Mess Around | Louis Armstrong and His Hot Five | T-901.130.027-9 |
| The King of the Zulu’s (at a Chit’ Lin’ Rag) | Louis Armstrong and His Hot Five | T-070.092.511-6 |
| Jazz Lips | Louis Armstrong and His Hot Five | T-070.088.248-9 |
| Skid‐Dat‐De‐Dat | Louis Armstrong and His Hot Five | — |
| Big Butter and Egg Man From the West | Louis Armstrong and His Hot Five | — |
| You Made Me Love You | Louis Armstrong and His Hot Five | — |
| Willie the Weeper | Louis Armstrong and His Hot Seven | — |
| Alligator Crawl | Louis Armstrong and His Hot Seven | T-906.846.765-2 |
| Keyhole Blues | Louis Armstrong and His Hot Seven | T-071.065.377-2 |
| S.O.L. Blues | Louis Armstrong and His Hot Seven | — |
| Gully Low Blues | Louis Armstrong and His Hot Seven | T-070.264.142-6 |
| That’s When I’ll Come Back to You | Louis Armstrong and His Hot Seven | — |
| Ain’t Misbehavin’ | Louis Armstrong & His Orch., Louis Armstrong & His Orchestra | T-071.056.299-4 |
| (What Did I Do to Be So) Black and Blue? | Louis Armstrong & His Orchestra | T-071.056.398-6 |
| That Rhythm Man | Louis Armstrong & His Orchestra | T-071.189.795-8 |
| Bessie Couldn’t Help It | Louis Armstrong and His Orchestra | — |
| Dear Old Southland | Louis Armstrong | T-071.422.512-3 |
| My Sweet | Louis Armstrong & His Orchestra | — |
| I Can’t Believe That You’re in Love With Me | Louis Armstrong and His Orchestra | T-071.063.735-6 |
| Dinah | Louis Armstrong and His Orchestra | T-071.059.730-0 |
| Memories of You | Louis Armstrong & His Sebastian New Cotton Club Orchestra | T-070.108.975-9 |
| You’re Lucky to Me | Louis Armstrong & His Sebastian New Cotton Club Orchestra | T-070.211.350-5 |
| Star Dust | Louis Armstrong and His Orchestra | T-031.563.049-9 |
| I Got Rhythm | Louis Armstrong | T-010.860.260-3 |
| I Hope Gabriel Likes My Music | Louis Armstrong and His Orchestra | T-070.903.116-2 |
| Ev’ntide | Louis Armstrong & His Orchestra | T-800.127.575-9 |
| Swing That Music | Louis Armstrong & His Orchestra | — |
| Jeepers Creepers | Louis Armstrong and His Orchestra | T-070.088.298-9 |
| Between the Devil and the Deep Blue Sea | Louis Armstrong & His Orchestra | T-010.041.592-6 |
| Lawd, You Made the Night Too Long | Louis Armstrong & His Orchestra | — |
| That’s My Home | Louis Armstrong & His Orchestra | — |
| Hobo, You Can’t Ride This Train | Louis Armstrong & His Orchestra | — |
| Hustlin’ and Bustlin’ for Baby | Louis Armstrong and His Orchestra | T-070.074.926-3 |
| Some Sweet Day | Louis Armstrong and His Orchestra | — |
| Mahogany Hall Stomp | Louis Armstrong and His Orchestra | T-901.129.193-3 |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Heebie Jeebies | Louis Armstrong and His Hot Five | — |
| Fireworks | Louis Armstrong and His Hot Five | — |
| Weather Bird | Louis Armstrong | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Down in Honky Tonk Town | Louis Armstrong | T-914.723.554-9 |
| Willie the Weeper | Louis Armstrong and His Hot Seven | — |
| Dipper Mouth Blues | Louis Armstrong, Jimmy Dorsey and His Orchestra | — |
| West End Blues | Louis Armstrong and His Hot Five | — |
| Weather Bird | Louis Armstrong | — |
| Yes! I’m in the Barrel | Louis Armstrong and His Hot Five | — |
| Fireworks | Louis Armstrong and His Hot Five | — |
| You Made Me Love You | Louis Armstrong and His Hot Five | T3105535675 |
| Savoy Blues | Louis Armstrong and His Hot Five | — |
| Big Butter and Egg Man From the West | Louis Armstrong and His Hot Five | — |
| Oriental Strut | Louis Armstrong and His Hot Five | — |
| That’s When I’ll Come Back to You | Louis Armstrong and His Hot Seven | T9101472393 |
| Willie the Weeper | Louis Armstrong and His Hot Seven | — |
| Skid‐Dat‐De‐Dat | Louis Armstrong and His Hot Five | — |
| S.O.L. Blues | Louis Armstrong and His Hot Seven | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Sugar Foot Strut | Louis Armstrong and His Hot Five | — |
| Black and Blue | Louis Armstrong | T-071.056.398-6 |
| Bessie Couldn’t Help It | Louis Armstrong and His Orchestra | — |
| Dallas Blues | Louis Armstrong & His Orchestra | — |
| Lawd, You Made the Night Too Long | Louis Armstrong & His Orchestra | — |
| Willie the Weeper | Louis Armstrong and His Hot Seven | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Confessin’ (That I Love You) | Louis Armstrong and His Orchestra | T-926.429.120-5 |
| West End Blues | Louis Armstrong and His Hot Five | T0702807757 |
| Heebie Jeebies | Louis Armstrong and His Hot Five | — |
| Weather Bird | Louis Armstrong | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Heebie Jeebies | Louis Armstrong and His Hot Five | — |
| The Last Time | Louis Armstrong and His Hot Five | — |
| My Heart | Louis Armstrong and His Hot Five | T-914.835.025-8 |
| Gut Bucket Blues | Louis Armstrong and His Hot Five | T-070.264.143-7 |
| Come Back, Sweet Papa | Louis Armstrong and His Hot Five | T-906.863.013-7 |
| Muskrat Ramble | Louis Armstrong and His Hot Five | T-071.067.361-2 |
| Muskrat Ramble | Louis Armstrong and His Hot Five | T-071.067.361-2 |
| Don’t Forget to Mess Around | Louis Armstrong and His Hot Five | T-901.130.027-9 |
| The King of the Zulu’s (at a Chit’ Lin’ Rag) | Louis Armstrong and His Hot Five | T-070.092.511-6 |
| Jazz Lips | Louis Armstrong and His Hot Five | T-070.088.248-9 |
| Alligator Crawl | Louis Armstrong and His Hot Seven | T-906.846.765-2 |
| Keyhole Blues | Louis Armstrong and His Hot Seven | T-071.065.377-2 |
| Gully Low Blues | Louis Armstrong and His Hot Seven | T-070.264.142-6 |
| Ain’t Misbehavin’ | Louis Armstrong & His Orch. | T-071.056.299-4 |
| Ain’t Misbehavin’ | Louis Armstrong & His Orchestra | T-071.056.299-4 |
| That Rhythm Man | Louis Armstrong & His Orchestra | T-071.189.795-8 |
| Memories of You | Louis Armstrong & His Sebastian New Cotton Club Orchestra | T-070.108.975-9 |
| Memories of You | Louis Armstrong & His Sebastian New Cotton Club Orchestra | T-070.108.975-9 |
| Star Dust | Louis Armstrong and His Orchestra | T-031.563.049-9 |
| Star Dust | Louis Armstrong and His Orchestra | T-031.563.049-9 |
| Star Dust | Louis Armstrong and His Orchestra | T-031.563.049-9 |
| Ev’ntide | Louis Armstrong & His Orchestra | T-800.127.575-9 |
| West End Blues | Louis Armstrong and His Hot Five | T0702807757 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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What is UPC 082333256828?
082333256828 is a Universal Product Code (UPC) assigned to The Essential Recordings 1925 - 1940 by Louis Armstrong. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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