UPC · Release
The Immediate Blues Anthology
Various Artists
Last verified:
082333300729 is the Universal Product Code (UPC barcode) for the release “The Immediate Blues Anthology” by Various Artists, released 1996-01-01 on Charly Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 72 tracks, each with its own ISRC. Tracks include GABJE6700134, ARF411401240.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (72)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I’m Your Witchdoctor | — | ||
| 2 | Snake Drive | — | ||
| 3 | Ain’t Gonna Cry No More | — | ||
| 4 | I Tried | — | ||
| 5 | Tribute to Elmore | — | ||
| 6 | I Feel So Good | — | ||
| 7 | Telephone Blues | — | ||
| 8 | You Don’t Love Me | — | ||
| 9 | West Coast Idea | — | ||
| 10 | Ain’t See No Whisky | — | ||
| 11 | Flapjacks | — | ||
| 12 | Cold Blooded Woman | — | ||
| 13 | On Top of the World | — | ||
| 14 | Someone to Love Me | — | ||
| 15 | Can’t Quit You Baby | — | ||
| 16 | Draggin’ My Tail | — | ||
| 17 | Dealing With the Devil | — | ||
| 18 | Who’s Knocking | — | ||
| 19 | Freight Loader | — | ||
| 20 | Look Down at My Woman | — | ||
| 21 | Roll ’Em Pete | — | ||
| 22 | Choker | — | ||
| 23 | True Blue | — | ||
| 24 | When You Got a Good Friend | — | ||
| 2-1 | Someday Baby | — | ||
| 2-2 | Steelin’ | — | ||
| 2-3 | L.A. Breakdown | — | ||
| 2-4 | Chuckles | — | ||
| 2-5 | Down in the Boots | — | ||
| 2-6 | Piano Shuffle | — | ||
| 2-7 | Miles Road | — | ||
| 2-8 | Porcupine Juice | — | ||
| 2-9 | Albert | — | ||
| 2-10 | Rubber Monkey | — | ||
| 2-11 | Howlin’ for My Darling | — | ||
| 2-12 | The Next Milestone | — | ||
| 2-13 | Someone’s Gonna Get Their Head Kicked In Tonight | — | ||
| 2-14 | New Death Matter | — | ||
| 2-15 | Back Water Blues | — | ||
| 2-16 | So Much to Say | — | ||
| 2-17 | Married Woman Blues | — | ||
| 2-18 | Water on My Fire | — | ||
| 2-19 | Keep Your Hands Out of My Pockets | — | ||
| 2-20 | Alabama Woman | — | ||
| 2-21 | Crosstown Link | — | ||
| 2-22 | All Night Long | — | ||
| 2-23 | Down & Dirty | — | ||
| 2-24 | Not Fade Away | — | ||
| 3-1 | Come Home Baby | — | ||
| 3-2 | Life Is but Nothing | — | ||
| 3-3 | Little Miss Understood | — | ||
| 3-4 | Handbags and Gladrags | Chris Farlowe | T-010.052.374-7 | |
| 3-5 | That’s What a Friend Will Do | — | ||
| 3-6 | Our Soul Brothers | — | ||
| 3-7 | Cutting’ In | — | ||
| 3-8 | Treat Her Good | — | ||
| 3-9 | Skit Skat | — | ||
| 3-10 | Every Little Bit Hurts | — | ||
| 3-11 | Baby Make It Soon | — | ||
| 3-12 | She’s My Girl | — | ||
| 3-13 | It’ll Never Happen Again | — | ||
| 3-14 | Man of the World | — | ||
| 3-15 | Chocolate Rolls, Tea & Monopoly | — | ||
| 3-16 | You Can’t Buy My Love | — | ||
| 3-17 | Rockin’ Pneumonia & The Boogie Woogie Flu’ | — | ||
| 3-18 | North South East West | — | ||
| 3-19 | So Come On | — | ||
| 3-20 | Talk to You | — | ||
| 3-21 | Moanin’ | Chris Farlowe | T-070.113.929-8 | |
| 3-22 | Madame Garcia | — | ||
| 3-23 | Summertime | — | ||
| 3-24 | Gin House (live) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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People also ask
What is UPC 082333300729?
082333300729 is a Universal Product Code (UPC) assigned to The Immediate Blues Anthology by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 72 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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