UPC · Release
British Music
Sir Charles Groves
0825646147243
331 tracks
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0825646147243 is the Universal Product Code (UPC barcode) for the release “British Music” by Sir Charles Groves. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 331 tracks, each with its own ISRC. Tracks include GBAYD8901268, GBAYD8901269, GBAYD8901270.
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5646Company prefix
14724Product
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Credit Chain
UPCBritish Music
ISRC12 recordings
ISWC5 works
IPI3 songwriters
Track List (331)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nursery Suite: I. Aubade | — | ||
| 2 | Nursery Suite: II. The Serious Doll | — | ||
| 3 | Nursery Suite: III. Busy-ness | — | ||
| 4 | Nursery Suite: IV. The Sad Doll | — | ||
| 5 | Nursery Suite: V. The Wagon | — | ||
| 6 | Nursery Suite: VI. The Merry Doll | — | ||
| 7 | Nursery Suite: VII. Dreaming | — | ||
| 8 | Nursery Suite: Envoy | — | ||
| 9 | Funeral March from "Grania and Diarmid" | — | ||
| 10 | Severn Suite: I. Worcester Castle | — | ||
| 11 | Severn Suite: II. Tournament | — | ||
| 12 | Severn Suite: III. Cathedral | — | ||
| 13 | Severn Suite: IV. Commandery | — | ||
| 14 | Severn Suite: V. Coda | — | ||
| 15 | Meditation from "The Light of Life" | — | ||
| 16 | Woodland interlude from "Caractacus" | — | ||
| 17 | The Crown of India: Ia. Introduction | — | ||
| 18 | The Crown of India: Ib. Dance of Nautch Girls | — | ||
| 19 | The Crown of India: II. Menuetto | — | ||
| 20 | The Crown of India: III. Warriors' Dance | — | ||
| 21 | The Crown of India: IV. Intermezzo | — | ||
| 22 | The Crown of India: V. March of the Mogul Emperors | — | ||
| 2-1 | The Black Knight, op. 25: Scene I. "'Twas Pentecost" | — | ||
| 2-2 | The Black Knight, op. 25: Scene II. "To the barrier of the fight" | — | ||
| 2-3 | The Black Knight, op. 25: Scene III. "Pipe and viol all call the dances" | — | ||
| 2-4 | The Black Knight, op. 25: Scene IV. "To the sumptuous banquet | — | ||
| 2-5 | Spanish Serenade, op. 23 | — | ||
| 2-6 | The Snow, op. 26 no. 1 | — | ||
| 2-7 | Fly, Singing Bird op. 26 no. 2 | — | ||
| 2-8 | Imperial March op. 32 | — | ||
| 2-9 | Triumphant March | — | ||
| 3-1 | The Light of Life op 29: 1. Meditation | — | ||
| 3-2 | The Light of Life op 29: 2. Seek Him that maketh the seven stars | — | ||
| 3-3 | The Light of Life op 29: 3. As Jesus passed by | — | ||
| 3-4 | The Light of Life op 29: 4. Be not extreme, O Lord | — | ||
| 3-5 | The Light of Life op 29: 5. Neither hath this man sinned | — | ||
| 3-6 | The Light of Life op 29: 6. Light out of darkness | — | ||
| 3-7 | The Light of Life op 29: 7. And when He had thus spoken | — | ||
| 3-8 | The Light of Life op 29: 8. Doubt not thy Father's care! | — | ||
| 3-9 | The Light of Life op 29: 9. He went his way therefore | — | ||
| 3-10 | The Light of Life op 29: 10. As a spirit didst Thou pass before mine eyes | — | ||
| 3-11 | The Light of Life op 29: 11. They brought him to the Pharisees | — | ||
| 3-12 | The Light of Life op 29: 12. Thou only hast the words of life | — | ||
| 3-13 | The Light of Life op 29: 13. But the Jews did not believe | — | ||
| 3-14 | The Light of Life op 29: 14. Woe to the shepherds of the flock | — | ||
| 3-15 | The Light of Life op 29: 15. Jesus heard that they had cast him out | — | ||
| 3-16 | The Light of Life op 29: 15. (sic) I am the Good Shepherd | — | ||
| 3-17 | The Light of Life op 29: 16. Light of the World, we know Thy praise | — | ||
| 4-1 | Caractacus, op. 35: Scene I. "Watchmen, Alert!" (British Host) | — | ||
| 4-2 | Caractacus, op. 35: Scene I. "Watchmen, Alert! The king is here" (Caractacus, Sentries) | — | ||
| 4-3 | Caractacus, op. 35: Scene I. "Father! Sire and king" (Eigen, Caractacus, Orbin, Sentries) | — | ||
| 4-4 | Caractacus, op. 35: Scene I. "At eve to the Greenwood" (Eigen) | — | ||
| 4-5 | Caractacus, op. 35: Scene I. "On the ocean and the river" (Orbin, Caractacus, Eigen) | — | ||
| 4-6 | Caractacus, op. 35: Scene I. "Rest, weary monarch" (Sprits of the Hill, Sentries) | — | ||
| 4-7 | Caractacus, op. 35: Scene II. "Tread the mystic circle around" (Arch-Druid, Druids, Druid Maidens) | — | ||
| 4-8 | Caractacus, op. 35: Scene II. "Lord of Dread" (Arch-Druid, Orbin, Druids, Druid Maidens, Caractacus) | — | ||
| 4-9 | Caractacus, op. 35: Scene II. "Bard, What read Ye?" (Caractacus, Soldiers, Arch-Druid, Orbin) | — | ||
| 4-10 | Caractacus, op. 35: Scene II. "Leap to the light" (Caractacus, Soldiers, Arch-Druid, Orbin) | — | ||
| 4-11 | Caractacus, op. 35: Scene II. "Hence, ere the Druid's wrath is woke" (Druids, Druid Maidens, Orbin, Soldiers) | — | ||
| 4-12 | Caractacus, op. 35: Scene III. Introduction (Woodland Interlude) | — | ||
| 4-13 | Caractacus, op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens) | — | ||
| 4-14 | Caractacus, op. 35: Scene III. "O'er-arched by leaves" (Eigen, Orbin) | — | ||
| 4-15 | Caractacus, op. 35: Scene III. "Last night beneath sacred oak" (Orbin) | — | ||
| 4-16 | Caractacus, op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens, Orbin, Eigen) | — | ||
| 4-17 | Caractacus, op. 35: Scene IV. "Wild rumours shake our calm retreat" (Maidens) | — | ||
| 4-18 | Caractacus, op. 35: Scene IV. "When the glow of the evening had died" (Eigen, Maidens) | — | ||
| 4-19 | Caractacus, op. 35: Scene IV. "We were gather'd by the river" (Soldiers) | — | ||
| 4-20 | Caractacus, op. 35: Scene IV. "O my soldiers, tell me truly" (Caractacus, Soldiers) | — | ||
| 5-1 | Caractacus, op. 35: Scene V. "Captive Britons, see them!" (Druid Maidens, A Bard) | — | ||
| 5-2 | Caractacus, op. 35: Scene VI. The march triumphal thunders (chorus) | — | ||
| 5-3 | Caractacus, op. 35: Scene VI. "Unbind his hands" (Claudius) | — | ||
| 5-4 | Caractacus, op. 35: Scene VI. "Heap torment upon torment" (Caractacus, Eigen, Orbin) | — | ||
| 5-5 | Caractacus, op. 35: Scene VI. "Slay, slay the Briton" (Roman Citizens, Claudius) | — | ||
| 5-6 | Caractacus, op. 35: Scene VI. "I plead not for myself" (Caractacus, Orbin, Eigen, Roman Citizens, Claudius) | — | ||
| 5-7 | Caractacus, op. 35: Scene VI. "Grace from the Roman!" (Eigen, Claudius, Orbin, Caractacus) | — | ||
| 5-8 | Caractacus, op. 35: Scene VI. "The clang of arms is over (chorus) | — | ||
| 5-9 | Coronation March, op. 65 | — | ||
| 5-10 | Variations on an Original Theme "Enigma", op. 36: Theme | — | ||
| 5-11 | Variations on an Original Theme "Enigma", op. 36: 1. C.A.E. (the composer's... | — | ||
| 5-12 | Variations on an Original Theme "Enigma", op. 36: 2. H.D.S.-P. (Hew David S... | — | ||
| 5-13 | Variations on an Original Theme "Enigma", op. 36: 3. R.B.T. (Richard Baxter... | — | ||
| 5-14 | Variations on an Original Theme "Enigma", op. 36: 4. W.M.B. (William Meath ... | — | ||
| 5-15 | Variations on an Original Theme "Enigma", op. 36: 5. R.P.A. (Richard Penros... | — | ||
| 5-16 | Variations on an Original Theme "Enigma", op. 36: 6. Ysobel (Isabel Fitton) | — | ||
| 5-17 | Variations on an Original Theme "Enigma", op. 36: 7. Troyte (Troyte Griffith) | — | ||
| 5-18 | Variations on an Original Theme "Enigma", op. 36: 8. W.N. (Winifred Norbury) | — | ||
| 5-19 | Variations on an Original Theme "Enigma", op. 36: 9 Nimrod (A.J. Jaeger) | — | ||
| 5-20 | Variations on an Original Theme "Enigma", op. 36: 10. Intermezzo: Dorabella... | — | ||
| 5-21 | Variations on an Original Theme "Enigma", op. 36: 11. G.R.S. (George Robert... | — | ||
| 5-22 | Variations on an Original Theme "Enigma", op. 36: 12. B.G.N. (Basil G. Nevi... | — | ||
| 5-23 | Variations on an Original Theme "Enigma", op. 36: 13. Romanza: *** (Lady Ma... | — | ||
| 5-24 | Variations on an Original Theme "Enigma", op. 36: 14 Finale: E.D.U. (the co... | — | ||
| 6-1 | Violin Concerto in B minor, op. 61: 1. Allegro | — | ||
| 6-2 | Violin Concerto in B minor, op. 61: 2. Andante | — | ||
| 6-3 | Violin Concerto in B minor, op. 61: 3. Allegro molto - Cadenza (accompagnata:... | — | ||
| 6-4 | Military Marches, op. 39 "Pomp and Circumstance": No. 1 in D major | — | ||
| 6-5 | Military Marches, op. 39 "Pomp and Circumstance": No 4 in G major | — | ||
| 7-1 | A Song of Summer | — | ||
| 7-2 | Eventyr (Once Upon a Time) | — | ||
| 7-3 | A Dance Rhapsody no. 1 | — | ||
| 7-4 | Paris: A Nocturne (The Song of a Great City) | — | ||
| 8-1 | Lebenstanz (Life's Dance) | — | ||
| 8-2 | North Country Sketches, RT VI/20: I. Autumn. The Wind Soughs in the Trees | Royal Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-3 | North Country Sketches, RT VI/20: II. Winter Landscape (Slow) | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-4 | North Country Sketches, RT VI/20: III. Dance (Mazurka Tempo) | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-5 | North County Sketches: IV. The March Of Spring. Woodlands, Meadows and Silent... | — | ||
| 8-6 | Sea Drift: Once Paumanok | — | ||
| 8-7 | Sea Drift: Shine! Shine! Shine! | — | ||
| 8-8 | Sea Drift: Till Of A Sudden | — | ||
| 8-9 | Sea Drift: Blow! Blow! Blow! | — | ||
| 8-10 | Sea Drift: Yes, My Brother Stars! | — | ||
| 8-11 | Sea Drift: O Rising Stars! | — | ||
| 8-12 | Sea Drift: O Reckless Despairing Carols | — | ||
| 8-13 | Sea Drift: O Past! O Happy Life! | — | ||
| 8-14 | Cynara | — | ||
| 9-1 | Song of Sunset: A song of the setting sun! (Quietly) | — | ||
| 9-2 | Song of Sunset: Cease smiling, Dear! (With easy movement) | — | ||
| 9-3 | Song of Sunset: Pale amber sunlight falls (Slow) | — | ||
| 9-4 | Song of Sunset: Exceeding sorrow consumeth my sad heart! (Con tristezza. Not too slow) | — | ||
| 9-5 | Song of Sunset: By the sad waters of separation (With quiet movement) | — | ||
| 9-6 | Song of Sunset: See how the trees (Freshly) | — | ||
| 9-7 | Song of Sunset: I was not sorrowful (Very quietly but not too slow) | — | ||
| 9-8 | Song of Sunset: They are not long (Quietly) | — | ||
| 9-9 | An Arabesque | — | ||
| 9-10 | A Mass of Life, Part 1: I. O du mein Wille! (Animato, con fervore) | — | ||
| 9-11 | A Mass of Life, Part 1: II. Erhebt eure Herzen (Recit: Animoso, con alcuna licenza) | — | ||
| 9-12 | A Mass of Life, Part 1: III. In dein Auge schaute ich jüngst (Andante tranquillo con dolcezza) | — | ||
| 9-13 | A Mass of Life, Part 1: IV. Wehe mir! (Agitato ma moderato) | — | ||
| 9-14 | A Mass of Life, Part 1: V. Nacht ist est (Andante molto tranquillo) | — | ||
| 10-1 | A Mass of Life, Part 2: Auf den Bergen (On the Mountains) (Andante) | — | ||
| 10-2 | A Mass of Life, Part 2: I. Herauf! nun herauf (Con elevazione e vigore) | — | ||
| 10-3 | A Mass of Life, Part 2: II. Suße Leier! (Andante) | — | ||
| 10-4 | A Mass of Life, Part 2: III. Lento | — | ||
| 10-5 | A Mass of Life, Part 2: La la la | — | ||
| 10-6 | A Mass of Life, Part 2: IV. Heißer Mittag schläft (Lento molto) | — | ||
| 10-7 | A Mass of Life, Part 2: V. Gottes Weh ist tiefer (Allegro ma non troppo, con gravità) | — | ||
| 10-8 | A Mass of Life, Part 2: VI. Kommt! Laßt uns jetzo wandeln! (Largo, con solennità) | — | ||
| 11-1 | Koanga, RT I/4, Prologue: "Ha, ha, ha … Stop! Stop! I am quite out of breath" (Chorus, Planters' Daughters, Uncle Joe) | — | ||
| 11-2 | Koanga, RT I/4, Act 1: "Oh! I cannot sleep" (Palmyra, Simon Perez, The Slaves) | — | ||
| 11-3 | Koanga, RT I/4, Act 1: "Ah! There's Palmyra" (Simon Perez, Palmyra, The Slaves) | — | ||
| 11-4 | Koanga, RT I/4, Act 1: "But here comes Martinez" (Simon Perez, The Slaves, Don José Martinez, Palmyra) | — | ||
| 11-5 | Koanga, RT I/4, Act 1: "O Voodoo Manian, my fathers from your graves avenge me" (Koanga, Palmyra, Don José, Simon Perez) | — | ||
| 11-6 | Koanga, RT I/4, Act 1: "If you agree to work with us, Koanga" (Palmyra, Koanga, Don José, Simon Perez, The Slaves) | — | ||
| 11-7 | Koanga, RT I/4, Act 1: "Agreed then, that's a bargain!" (Don José, Simon Perez, Clotilda, Palmyra, Koanga) | — | ||
| 11-8 | Koanga, RT I/4, Act 1: "Oh gentle mistress, how gladly I served you" (Palmyra, Clotilda, Don José, Koanga, Simon Perez, The Slaves) | — | ||
| 11-9 | Koanga, RT I/4, Act 2: "Now once in a way we are free for a day" (The Slaves) | — | ||
| 11-10 | Koanga, RT I/4, Act 2: "He will meet her when the sun goes down" (The Slaves, Clotilda, Simon Perez) | — | ||
| 11-11 | Koanga, RT I/4, Act 2: "How time flows on!" (Palmyra, Simon Perez, Clotilda, The Slaves) | — | ||
| 11-12 | Koanga, RT I/4, Act 2: "The hour is near, when I to him my soul surrender" (Palmyra, The Slaves, Don José) | — | ||
| 11-13 | Koanga, RT I/4, Act 2: "Far, far away, Palmyra, my people mourn for me" (Koanga, The Slaves, Clotilda, Simon Perez) | — | ||
| 11-14 | Koanga, RT I/4, Act 2: La Calinda, "Hail to thee, mighty Prince!" (Palmyra, The Slaves, Koanga, Don José) | — | ||
| 11-15 | Koanga, RT I/4, Act 2: "Where is Palmyra?" (Koanga, Don José) | — | ||
| 11-16 | Koanga, RT I/4, Act 2: "Hear me, God Voodoo. I have betrayed my trust" (Koanga) | — | ||
| 12-1 | Koanga, RT I/4, Act 3: Introduction. Lento molto tranquillo - | — | ||
| 12-2 | Koanga, RT I/4, Act 3: "Ah! Ah! … Onyame! Onyame! … Hougan, Hougan, Koanga comes" (The Slaves, Rangwan) | — | ||
| 12-3 | Koanga, RT I/4, Act 3: "Come tell me, Rangwan, holy priest" (Koanga, Rangwan, The Slaves) | — | ||
| 12-4 | Koanga, RT I/4, Act 3: Dance. Furioso - "See, he prays! Voodoo must hear him" (The Slaves) | — | ||
| 12-5 | Koanga, RT I/4, Act 3: "Sick and pale the sun sinks down" (The Slaves) | — | ||
| 12-6 | Koanga, RT I/4, Act 3: "Ah! I hear Palmyra's voice" (Palmyra, Koanga, The Slaves) | — | ||
| 12-7 | Koanga, RT I/4, Act 3: "Fools you are to weep and wail!" (Don José, The Slaves) | — | ||
| 12-8 | Koanga, RT I/4, Act 3: "Ah! Tell me where Koanga is!" (Palmyra, Simon Perez) | — | ||
| 12-9 | Koanga, RT I/4, Act 3: "Koanga! … Now, by the seven times seven plagues" (Simon Perez, Koanga, Palmyra) | — | ||
| 12-10 | Koanga, RT I/4, Act 3: "I cannot bear the sight!" (Palmyra, Koanga) | — | ||
| 12-11 | Koanga, RT I/4, Act 3: "My lord Koanga dead!" (Palmyra) | — | ||
| 12-12 | Koanga, RT I/4, Act 3: Lento - Molto moderato e tranquillo | — | ||
| 12-13 | Koanga, RT I/4, Epilogue: "How sad, Uncle Joe, that she should die" (Renée, Hélène, Jeanne, Aurore, Olive, Paulette) | — | ||
| 12-14 | A Song of the High Hills, RT II/6: With quiet easy movement - Tranquillo - | — | ||
| 12-15 | A Song of the High Hills, RT II/6: Very slow (The wide, far distance - The great solitude) - Slow and solemnly - | — | ||
| 12-16 | A Song of the High Hills, RT II/6: In Tempo - | — | ||
| 12-17 | A Song of the High Hills, RT II/6: Very quietly - Tempo primo | — | ||
| 13-1 | Hugh the Drover: Act I, I. Buy, buy, buy | — | ||
| 13-2 | Hugh the Drover: Act I, II. Cold blows the wind on Cotsall | — | ||
| 13-3 | Hugh the Drover: Act I, III. As I was a-walking | — | ||
| 13-4 | Hugh the Drover: Act I, IV. Show me a richer man | — | ||
| 13-5 | Hugh the Drover: Act I, V. Here come the Morris men | — | ||
| 13-6 | Hugh the Drover: Act I, VI. Life must be full of care | — | ||
| 13-7 | Hugh the Drover: Act I, VII. Sweet little linnet that longs to be free | — | ||
| 13-8 | Hugh the Drover: Act I, VIII. Horse-hoofs, horse-hoofs, thunder down the valleys | — | ||
| 13-9 | Hugh the Drover: Act I, IX. In the night-time I have seen you riding | — | ||
| 13-10 | Hugh the Drover: Act I, X. Mary! Mary! | — | ||
| 13-11 | Hugh the Drover: Act I, XI. Oh! The devil and Bonyparty | — | ||
| 13-12 | Hugh the Drover: Act I, XII. Yes, I! | — | ||
| 13-13 | Hugh the Drover: Act I, XIII. Are you ready? Go! | — | ||
| 13-14 | Hugh the Drover: Act I, XIV. The drover's won! | — | ||
| 13-15 | Hugh the Drover: Act I, XV. I tell you there's a price on this man's head | — | ||
| 14-1 | Hugh the Drover: Act II, I. Past four o'clock | — | ||
| 14-2 | Hugh the Drover: Act II, II. Gaily I go to die | — | ||
| 14-3 | Hugh the Drover: Act II, III. Hugh!...Mary! | — | ||
| 14-4 | Hugh the Drover: Act II, IV. Sweet little home | — | ||
| 14-5 | Hugh the Drover: Act II, V. Where's she gone to? | — | ||
| 14-6 | Hugh the Drover: Act II, VI. Here, queen uncrowned | — | ||
| 14-7 | Hugh the Drover: Act II, VII. A trollop from the stocks | — | ||
| 14-8 | Hugh the Drover: Act II, VIII. Dropped from the ranks on a winter's night | — | ||
| 14-9 | Hugh the Drover: Act II, IX. March away, John! | — | ||
| 14-10 | Hugh the Drover: Act II, X. O foolish girl, O radiant soul! | — | ||
| 14-11 | Hugh the Drover: Act II, XI. Oh! the sky shall be our roof | — | ||
| 15-1 | The Hymn of Jesus, op. 37 H140: Prelude: Vexilla Regis prodeunt | — | ||
| 15-2 | The Hymn of Jesus, op. 37 H140: Hymn: Glory to thee, Father! | — | ||
| 15-3 | The Hymn of Jesus, op. 37 H140: Hymn: Fain would I be saved | — | ||
| 15-4 | The Hymn of Jesus, op. 37 H140: Hymn: Divine Grace is dancing | — | ||
| 15-5 | The Hymn of Jesus, op. 37 H140: Hymn: Give ye heed unto my dancing | — | ||
| 15-6 | Short Festival Te Deum, H145 | — | ||
| 15-7 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: I. To Varuna (God of the Waters) | — | ||
| 15-8 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: II. To Agni (God of Fire) | — | ||
| 15-9 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: III. Funeral Chant | — | ||
| 15-10 | Ode to Death, op. 38, H144 | — | ||
| 15-11 | Two Songs without Words. no. 2. Marching Song | — | ||
| 15-12 | Dawn Patrol (from the film Coastal Command) | — | ||
| 16-1 | Symphony no. 8 in B-flat minor: [Moderato] | — | ||
| 16-2 | Symphony no. 8 in B-flat minor: [Fig 19 - Andante moderato sempre cantabile] | — | ||
| 16-3 | Symphony no. 8 in B-flat minor: [Fig 27 - Allegro moderato] | — | ||
| 16-4 | Symphony no. 8 in B-flat minor: [Fig 37 - Lento e molto teneramente] | — | ||
| 16-5 | Symphony no. 8 in B-flat minor: [Fig 43 - Passacaglia I] | — | ||
| 16-6 | Symphony no. 8 in B-flat minor: [Fig 54 - Passacaglia II] | — | ||
| 16-7 | Symphony no. 9 in A minor: I. Adagio - Allegro moderato - Allegro vivo | — | ||
| 16-8 | Symphony no. 9 in A minor: II. Adagio | — | ||
| 16-9 | Symphony no. 9 in A minor: III. Allegro moderato | — | ||
| 17-1 | The Sea: I. Seascape. Allegro ben moderato | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 17-2 | The Sea: II. Sea-foam. Allegro vivo | — | ||
| 17-3 | The Sea: III. Moonlight. Allegro ma non troppo | — | ||
| 17-4 | The Sea: IV. Storm. Allegro energico | — | ||
| 17-5 | Summer | — | ||
| 17-6 | Cherry Ripe | — | ||
| 17-7 | Enter Spring | — | ||
| 17-8 | Lament | — | ||
| 18-1 | Morning Heroes: I. Hector's Farewell to Andromache (The Iliad) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-2 | Morning Heroes: II. The City's Arming (Walt Whitman) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-3 | Morning Heroes: III. Vigil (Li-Tai-Po) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-4 | Morning Heroes: III. The Bivouac's Flame (Whitman) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-5 | Morning Heroes: IV. Achilles Goes Forth to Battle (The Illiad) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-6 | Morning Heroes: IV. The Heroes | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-7 | Morning Heroes: V. Now Trumpeter for Thy Close: Spring Offensive (Wilfred Owen) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-8 | Morning Heroes: V. Now Trumpeter for Thy Close: Dawn on the Somme (Robert Nichols) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-9 | Processional | — | ||
| 19-1 | A Colour Symphony: 1. Purple: Andante maestoso | — | ||
| 19-2 | A Colour Symphony: 2. Red: Allegro vivace | — | ||
| 19-3 | A Colour Symphony: 3. Blue: Gently flowing | — | ||
| 19-4 | A Colour Symphony: 4. Green: Moderato | — | ||
| 19-5 | Things to Come: Prologue | — | ||
| 19-6 | Things to Come: Ballet for Children | — | ||
| 19-7 | Things to Come: Attack | — | ||
| 19-8 | Things to Come: March | — | ||
| 19-9 | Things to Come: The World in Ruins | — | ||
| 19-10 | Things to Come: The Building of the New World - | — | ||
| 19-11 | Things to Come: Attack on the Moon Gun - | — | ||
| 19-12 | Things to Come: Epilogue | — | ||
| 19-13 | The Young Person's Guide to the Orchestra: Theme | — | ||
| 19-14 | The Young Person's Guide to the Orchestra: A. Flutes and piccolo | — | ||
| 19-15 | The Young Person's Guide to the Orchestra: B. Oboes - Lento | — | ||
| 19-16 | The Young Person's Guide to the Orchestra: C. Clarinets - Moderato | — | ||
| 19-17 | The Young Person's Guide to the Orchestra: D. Bassons - Allegro alla marcia | — | ||
| 19-18 | The Young Person's Guide to the Orchestra: E. Violins - Brillante: all polacca | — | ||
| 19-19 | The Young Person's Guide to the Orchestra: F. Violas - Meno mosso | — | ||
| 19-20 | The Young Person's Guide to the Orchestra: G. Cellos | — | ||
| 19-21 | The Young Person's Guide to the Orchestra: H. Double basses - Comminciando lento ma poco a poco accelerando al allegro | — | ||
| 19-22 | The Young Person's Guide to the Orchestra: I. Harp - Maestoso | — | ||
| 19-23 | The Young Person's Guide to the Orchestra: J. Horns - L'istesso tempo | — | ||
| 19-24 | The Young Person's Guide to the Orchestra: K. Trumpets - Vivace | — | ||
| 19-25 | The Young Person's Guide to the Orchestra: L. Trombones & bass tuba - Allegro pomposo | — | ||
| 19-26 | The Young Person's Guide to the Orchestra: M. Percussion - Moderato | — | ||
| 19-27 | The Young Person's Guide to the Orchestra: Fugue: Allegro molto | — | ||
| 20-1 | 'Spitfire' Prelude and Fugue: Prelude | — | ||
| 20-2 | 'Spitfire' Prelude and Fugue: Fugue | — | ||
| 20-3 | Scapino - Comedy Overture | — | ||
| 20-4 | Crown Imperial - Coronation March (1937) | — | ||
| 20-5 | Orb and Sceptre - Coronation March (1953) | — | ||
| 20-6 | Johannesburg Festival Overture | — | ||
| 20-7 | Capriccio Burlesco | — | ||
| 20-8 | Funeral March From 'Hamlet' | — | ||
| 20-9 | Prelude: 'Richard III' | — | ||
| 20-10 | A Shakespeare Suite From 'Richard III': I. Fanfare | — | ||
| 20-11 | A Shakespeare Suite From 'Richard III': II. Music Plays | — | ||
| 20-12 | A Shakespeare Suite From 'Richard III': III. The Princes in the Tower | — | ||
| 20-13 | A Shakespeare Suite From 'Richard III': IV. With Drum and Colours | — | ||
| 20-14 | A Shakespeare Suite From 'Richard III': V. I Would I Knew Thy Heart | — | ||
| 20-15 | A Shakespeare Suite From 'Richard III': VI. Trumpets Sound | — | ||
| 21-1 | Hamlet and Ophelia, A Poem for Orchestra | — | ||
| 21-2 | Henry V Suite: I. Prelude: The Globe Playhouse | — | ||
| 21-3 | Henry V Suite: II. Passacaglia: The Death of Falstaff | — | ||
| 21-4 | Henry V Suite: III. Charge and Battle | — | ||
| 21-5 | Henry V Suite: IV. Touch her soft lips and part | — | ||
| 21-6 | Henry V Suite: V. Agincourt Song | — | ||
| 21-7 | On the Quarter Deck (March) | — | ||
| 21-8 | March Past of the Royal Air Force | — | ||
| 21-9 | Fantasia on British Sea Songs Horn Pipe | — | ||
| 21-10 | The British Grenadiers | — | ||
| 21-11 | Rule Britannia | — | ||
| 21-12 | The Dam Busters March | — | ||
| 21-13 | The Three Bears (Phantasy) | — | ||
| 21-14 | Cinderella (Phantasy) | — | ||
| 22-1 | By the Sleepy Lagoon (Valse-serenade) | — | ||
| 22-2 | From Meadow to Mayfair (Suite). I. In the Country (Rustic Dance) | — | ||
| 22-3 | From Meadow to Mayfair (Suite). II. A Song by the Way (Romance) | — | ||
| 22-4 | From Meadow to Mayfair (Suite). III. Evening in Town (Valse) | — | ||
| 22-5 | The Three Elizabeths (Suite) Springtime in Angus (Elizabeth of Glamis) | — | ||
| 22-6 | The Dam Busters (March) | — | ||
| 22-7 | Wood Nymphs (Valsette) | — | ||
| 22-8 | Music Everywhere (Rediffusion March) | — | ||
| 22-9 | Saxo-Rhapsody | — | ||
| 22-10 | Summer Days (Suite) At the Dance | — | ||
| 22-11 | London (London Everyday) (Suite). I. Covent Garden (Tarantelle) | — | ||
| 22-12 | London (London Everyday) (Suite). II. Westminster (Meditation) | — | ||
| 22-13 | London (London Everyday) (Suite). III. Knightsbridge (March) | — | ||
| 22-14 | London Again (Suite). I. Oxford Street (Suite) | — | ||
| 22-15 | London Again (Suite). II. Langham Place (Élégie) | — | ||
| 22-16 | London Again (Suite). III. Mayfair (Valse) | — | ||
| 23-1 | Symphony in E "Irish": I. Andante Allegro, ma non troppo vivace | — | ||
| 23-2 | Symphony in E "Irish": II. Andante espressivo | — | ||
| 23-3 | Symphony in E "Irish": III. Allegretto | — | ||
| 23-4 | Symphony in E "Irish": IV. Allegro vivace e con brio | — | ||
| 23-5 | H.M.S. Pinafore (Overture) | — | ||
| 23-6 | Patience (Overture) | — | ||
| 23-7 | Iolanthe (Overture) | — | ||
| 23-8 | The Mikado (Overture) | — | ||
| 23-9 | The Yeomen of the Guard (Overture) | — | ||
| 23-10 | The Gondoliers (Overture) | — | ||
| 24-1 | Overture di Ballo (1870) | — | ||
| 24-2 | English Dances. Set 1 op. 27. I. Andantino | — | ||
| 24-3 | English Dances. Set 1 op. 27. II. Vivace | — | ||
| 24-4 | English Dances. Set 1 op. 27. III. Mesto | — | ||
| 24-5 | English Dances. Set 1 op. 27. IV. Allegro risoluto | — | ||
| 24-6 | English Dances. Set 2 op. 33. V. Allegro non troppo | — | ||
| 24-7 | English Dances. Set 2 op. 33. VI. Con brio | — | ||
| 24-8 | English Dances. Set 2 op. 33. VII. Grazioso | — | ||
| 24-9 | English Dances. Set 2 op. 33. VIII. Giubiloso-Lento e maestoso | — | ||
| 24-10 | Symphony no. 2 op. 40. I. Allegro | — | ||
| 24-11 | Symphony no. 2 op. 40. II. Vivace | — | ||
| 24-12 | Symphony no. 2 op. 40. III. Lento | — | ||
| 24-13 | Symphony no. 2 op. 40. IV. Allegro con brio | — | ||
| 24-14 | Henry V (Suite). IV. Touch her soft lips and part | — | ||
| 24-15 | Henry V (Suite). V. Agincourt Song | — |
Nursery Suite: I. Aubade
—
Nursery Suite: II. The Serious Doll
—
Nursery Suite: III. Busy-ness
—
Nursery Suite: IV. The Sad Doll
—
Nursery Suite: V. The Wagon
—
Nursery Suite: VI. The Merry Doll
—
Nursery Suite: VII. Dreaming
—
Nursery Suite: Envoy
—
Funeral March from "Grania and Diarmid"
—
Severn Suite: I. Worcester Castle
—
Severn Suite: II. Tournament
—
Severn Suite: III. Cathedral
—
Severn Suite: IV. Commandery
—
Severn Suite: V. Coda
—
Meditation from "The Light of Life"
—
Woodland interlude from "Caractacus"
—
The Crown of India: Ia. Introduction
—
The Crown of India: Ib. Dance of Nautch Girls
—
The Crown of India: II. Menuetto
—
The Crown of India: III. Warriors' Dance
—
The Crown of India: IV. Intermezzo
—
The Crown of India: V. March of the Mogul Emperors
—
The Black Knight, op. 25: Scene I. "'Twas Pentecost"
—
The Black Knight, op. 25: Scene II. "To the barrier of the fight"
—
The Black Knight, op. 25: Scene III. "Pipe and viol all call the dances"
—
The Black Knight, op. 25: Scene IV. "To the sumptuous banquet
—
Spanish Serenade, op. 23
—
The Snow, op. 26 no. 1
—
Fly, Singing Bird op. 26 no. 2
—
Imperial March op. 32
—
Triumphant March
—
The Light of Life op 29: 1. Meditation
—
The Light of Life op 29: 2. Seek Him that maketh the seven stars
—
The Light of Life op 29: 3. As Jesus passed by
—
The Light of Life op 29: 4. Be not extreme, O Lord
—
The Light of Life op 29: 5. Neither hath this man sinned
—
The Light of Life op 29: 6. Light out of darkness
—
The Light of Life op 29: 7. And when He had thus spoken
—
The Light of Life op 29: 8. Doubt not thy Father's care!
—
The Light of Life op 29: 9. He went his way therefore
—
The Light of Life op 29: 10. As a spirit didst Thou pass before mine eyes
—
The Light of Life op 29: 11. They brought him to the Pharisees
—
The Light of Life op 29: 12. Thou only hast the words of life
—
The Light of Life op 29: 13. But the Jews did not believe
—
The Light of Life op 29: 14. Woe to the shepherds of the flock
—
The Light of Life op 29: 15. Jesus heard that they had cast him out
—
The Light of Life op 29: 15. (sic) I am the Good Shepherd
—
The Light of Life op 29: 16. Light of the World, we know Thy praise
—
Caractacus, op. 35: Scene I. "Watchmen, Alert!" (British Host)
—
Caractacus, op. 35: Scene I. "Watchmen, Alert! The king is here" (Caractacus, Sentries)
—
Caractacus, op. 35: Scene I. "Father! Sire and king" (Eigen, Caractacus, Orbin, Sentries)
—
Caractacus, op. 35: Scene I. "At eve to the Greenwood" (Eigen)
—
Caractacus, op. 35: Scene I. "On the ocean and the river" (Orbin, Caractacus, Eigen)
—
Caractacus, op. 35: Scene I. "Rest, weary monarch" (Sprits of the Hill, Sentries)
—
Caractacus, op. 35: Scene II. "Tread the mystic circle around" (Arch-Druid, Druids, Druid Maidens)
—
Caractacus, op. 35: Scene II. "Lord of Dread" (Arch-Druid, Orbin, Druids, Druid Maidens, Caractacus)
—
Caractacus, op. 35: Scene II. "Bard, What read Ye?" (Caractacus, Soldiers, Arch-Druid, Orbin)
—
Caractacus, op. 35: Scene II. "Leap to the light" (Caractacus, Soldiers, Arch-Druid, Orbin)
—
Caractacus, op. 35: Scene II. "Hence, ere the Druid's wrath is woke" (Druids, Druid Maidens, Orbin, Soldiers)
—
Caractacus, op. 35: Scene III. Introduction (Woodland Interlude)
—
Caractacus, op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens)
—
Caractacus, op. 35: Scene III. "O'er-arched by leaves" (Eigen, Orbin)
—
Caractacus, op. 35: Scene III. "Last night beneath sacred oak" (Orbin)
—
Caractacus, op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens, Orbin, Eigen)
—
Caractacus, op. 35: Scene IV. "Wild rumours shake our calm retreat" (Maidens)
—
Caractacus, op. 35: Scene IV. "When the glow of the evening had died" (Eigen, Maidens)
—
Caractacus, op. 35: Scene IV. "We were gather'd by the river" (Soldiers)
—
Caractacus, op. 35: Scene IV. "O my soldiers, tell me truly" (Caractacus, Soldiers)
—
Caractacus, op. 35: Scene V. "Captive Britons, see them!" (Druid Maidens, A Bard)
—
Caractacus, op. 35: Scene VI. The march triumphal thunders (chorus)
—
Caractacus, op. 35: Scene VI. "Unbind his hands" (Claudius)
—
Caractacus, op. 35: Scene VI. "Heap torment upon torment" (Caractacus, Eigen, Orbin)
—
Caractacus, op. 35: Scene VI. "Slay, slay the Briton" (Roman Citizens, Claudius)
—
Caractacus, op. 35: Scene VI. "I plead not for myself" (Caractacus, Orbin, Eigen, Roman Citizens, Claudius)
—
Caractacus, op. 35: Scene VI. "Grace from the Roman!" (Eigen, Claudius, Orbin, Caractacus)
—
Caractacus, op. 35: Scene VI. "The clang of arms is over (chorus)
—
Coronation March, op. 65
—
Variations on an Original Theme "Enigma", op. 36: Theme
—
Variations on an Original Theme "Enigma", op. 36: 1. C.A.E. (the composer's...
—
Variations on an Original Theme "Enigma", op. 36: 2. H.D.S.-P. (Hew David S...
—
Variations on an Original Theme "Enigma", op. 36: 3. R.B.T. (Richard Baxter...
—
Variations on an Original Theme "Enigma", op. 36: 4. W.M.B. (William Meath ...
—
Variations on an Original Theme "Enigma", op. 36: 5. R.P.A. (Richard Penros...
—
Variations on an Original Theme "Enigma", op. 36: 6. Ysobel (Isabel Fitton)
—
Variations on an Original Theme "Enigma", op. 36: 7. Troyte (Troyte Griffith)
—
Variations on an Original Theme "Enigma", op. 36: 8. W.N. (Winifred Norbury)
—
Variations on an Original Theme "Enigma", op. 36: 9 Nimrod (A.J. Jaeger)
—
Variations on an Original Theme "Enigma", op. 36: 10. Intermezzo: Dorabella...
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Variations on an Original Theme "Enigma", op. 36: 11. G.R.S. (George Robert...
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Variations on an Original Theme "Enigma", op. 36: 12. B.G.N. (Basil G. Nevi...
—
Variations on an Original Theme "Enigma", op. 36: 13. Romanza: *** (Lady Ma...
—
Variations on an Original Theme "Enigma", op. 36: 14 Finale: E.D.U. (the co...
—
Violin Concerto in B minor, op. 61: 1. Allegro
—
Violin Concerto in B minor, op. 61: 2. Andante
—
Violin Concerto in B minor, op. 61: 3. Allegro molto - Cadenza (accompagnata:...
—
Military Marches, op. 39 "Pomp and Circumstance": No. 1 in D major
—
Military Marches, op. 39 "Pomp and Circumstance": No 4 in G major
—
A Song of Summer
—
Eventyr (Once Upon a Time)
—
A Dance Rhapsody no. 1
—
Paris: A Nocturne (The Song of a Great City)
—
Lebenstanz (Life's Dance)
—
North Country Sketches, RT VI/20: I. Autumn. The Wind Soughs in the Trees
Royal Philharmonic Orchestra, Sir Charles Groves
—
North Country Sketches, RT VI/20: II. Winter Landscape (Slow)
Royal Liverpool Philharmonic Orchestra, Sir Charles Groves
—
North Country Sketches, RT VI/20: III. Dance (Mazurka Tempo)
Royal Liverpool Philharmonic Orchestra, Sir Charles Groves
—
North County Sketches: IV. The March Of Spring. Woodlands, Meadows and Silent...
—
Sea Drift: Once Paumanok
—
Sea Drift: Shine! Shine! Shine!
—
Sea Drift: Till Of A Sudden
—
Sea Drift: Blow! Blow! Blow!
—
Sea Drift: Yes, My Brother Stars!
—
Sea Drift: O Rising Stars!
—
Sea Drift: O Reckless Despairing Carols
—
Sea Drift: O Past! O Happy Life!
—
Cynara
—
Song of Sunset: A song of the setting sun! (Quietly)
—
Song of Sunset: Cease smiling, Dear! (With easy movement)
—
Song of Sunset: Pale amber sunlight falls (Slow)
—
Song of Sunset: Exceeding sorrow consumeth my sad heart! (Con tristezza. Not too slow)
—
Song of Sunset: By the sad waters of separation (With quiet movement)
—
Song of Sunset: See how the trees (Freshly)
—
Song of Sunset: I was not sorrowful (Very quietly but not too slow)
—
Song of Sunset: They are not long (Quietly)
—
An Arabesque
—
A Mass of Life, Part 1: I. O du mein Wille! (Animato, con fervore)
—
A Mass of Life, Part 1: II. Erhebt eure Herzen (Recit: Animoso, con alcuna licenza)
—
A Mass of Life, Part 1: III. In dein Auge schaute ich jüngst (Andante tranquillo con dolcezza)
—
A Mass of Life, Part 1: IV. Wehe mir! (Agitato ma moderato)
—
A Mass of Life, Part 1: V. Nacht ist est (Andante molto tranquillo)
—
A Mass of Life, Part 2: Auf den Bergen (On the Mountains) (Andante)
—
A Mass of Life, Part 2: I. Herauf! nun herauf (Con elevazione e vigore)
—
A Mass of Life, Part 2: II. Suße Leier! (Andante)
—
A Mass of Life, Part 2: III. Lento
—
A Mass of Life, Part 2: La la la
—
A Mass of Life, Part 2: IV. Heißer Mittag schläft (Lento molto)
—
A Mass of Life, Part 2: V. Gottes Weh ist tiefer (Allegro ma non troppo, con gravità)
—
A Mass of Life, Part 2: VI. Kommt! Laßt uns jetzo wandeln! (Largo, con solennità)
—
Koanga, RT I/4, Prologue: "Ha, ha, ha … Stop! Stop! I am quite out of breath" (Chorus, Planters' Daughters, Uncle Joe)
—
Koanga, RT I/4, Act 1: "Oh! I cannot sleep" (Palmyra, Simon Perez, The Slaves)
—
Koanga, RT I/4, Act 1: "Ah! There's Palmyra" (Simon Perez, Palmyra, The Slaves)
—
Koanga, RT I/4, Act 1: "But here comes Martinez" (Simon Perez, The Slaves, Don José Martinez, Palmyra)
—
Koanga, RT I/4, Act 1: "O Voodoo Manian, my fathers from your graves avenge me" (Koanga, Palmyra, Don José, Simon Perez)
—
Koanga, RT I/4, Act 1: "If you agree to work with us, Koanga" (Palmyra, Koanga, Don José, Simon Perez, The Slaves)
—
Koanga, RT I/4, Act 1: "Agreed then, that's a bargain!" (Don José, Simon Perez, Clotilda, Palmyra, Koanga)
—
Koanga, RT I/4, Act 1: "Oh gentle mistress, how gladly I served you" (Palmyra, Clotilda, Don José, Koanga, Simon Perez, The Slaves)
—
Koanga, RT I/4, Act 2: "Now once in a way we are free for a day" (The Slaves)
—
Koanga, RT I/4, Act 2: "He will meet her when the sun goes down" (The Slaves, Clotilda, Simon Perez)
—
Koanga, RT I/4, Act 2: "How time flows on!" (Palmyra, Simon Perez, Clotilda, The Slaves)
—
Koanga, RT I/4, Act 2: "The hour is near, when I to him my soul surrender" (Palmyra, The Slaves, Don José)
—
Koanga, RT I/4, Act 2: "Far, far away, Palmyra, my people mourn for me" (Koanga, The Slaves, Clotilda, Simon Perez)
—
Koanga, RT I/4, Act 2: La Calinda, "Hail to thee, mighty Prince!" (Palmyra, The Slaves, Koanga, Don José)
—
Koanga, RT I/4, Act 2: "Where is Palmyra?" (Koanga, Don José)
—
Koanga, RT I/4, Act 2: "Hear me, God Voodoo. I have betrayed my trust" (Koanga)
—
Koanga, RT I/4, Act 3: Introduction. Lento molto tranquillo -
—
Koanga, RT I/4, Act 3: "Ah! Ah! … Onyame! Onyame! … Hougan, Hougan, Koanga comes" (The Slaves, Rangwan)
—
Koanga, RT I/4, Act 3: "Come tell me, Rangwan, holy priest" (Koanga, Rangwan, The Slaves)
—
Koanga, RT I/4, Act 3: Dance. Furioso - "See, he prays! Voodoo must hear him" (The Slaves)
—
Koanga, RT I/4, Act 3: "Sick and pale the sun sinks down" (The Slaves)
—
Koanga, RT I/4, Act 3: "Ah! I hear Palmyra's voice" (Palmyra, Koanga, The Slaves)
—
Koanga, RT I/4, Act 3: "Fools you are to weep and wail!" (Don José, The Slaves)
—
Koanga, RT I/4, Act 3: "Ah! Tell me where Koanga is!" (Palmyra, Simon Perez)
—
Koanga, RT I/4, Act 3: "Koanga! … Now, by the seven times seven plagues" (Simon Perez, Koanga, Palmyra)
—
Koanga, RT I/4, Act 3: "I cannot bear the sight!" (Palmyra, Koanga)
—
Koanga, RT I/4, Act 3: "My lord Koanga dead!" (Palmyra)
—
Koanga, RT I/4, Act 3: Lento - Molto moderato e tranquillo
—
Koanga, RT I/4, Epilogue: "How sad, Uncle Joe, that she should die" (Renée, Hélène, Jeanne, Aurore, Olive, Paulette)
—
A Song of the High Hills, RT II/6: With quiet easy movement - Tranquillo -
—
A Song of the High Hills, RT II/6: Very slow (The wide, far distance - The great solitude) - Slow and solemnly -
—
A Song of the High Hills, RT II/6: In Tempo -
—
A Song of the High Hills, RT II/6: Very quietly - Tempo primo
—
Hugh the Drover: Act I, I. Buy, buy, buy
—
Hugh the Drover: Act I, II. Cold blows the wind on Cotsall
—
Hugh the Drover: Act I, III. As I was a-walking
—
Hugh the Drover: Act I, IV. Show me a richer man
—
Hugh the Drover: Act I, V. Here come the Morris men
—
Hugh the Drover: Act I, VI. Life must be full of care
—
Hugh the Drover: Act I, VII. Sweet little linnet that longs to be free
—
Hugh the Drover: Act I, VIII. Horse-hoofs, horse-hoofs, thunder down the valleys
—
Hugh the Drover: Act I, IX. In the night-time I have seen you riding
—
Hugh the Drover: Act I, X. Mary! Mary!
—
Hugh the Drover: Act I, XI. Oh! The devil and Bonyparty
—
Hugh the Drover: Act I, XII. Yes, I!
—
Hugh the Drover: Act I, XIII. Are you ready? Go!
—
Hugh the Drover: Act I, XIV. The drover's won!
—
Hugh the Drover: Act I, XV. I tell you there's a price on this man's head
—
Hugh the Drover: Act II, I. Past four o'clock
—
Hugh the Drover: Act II, II. Gaily I go to die
—
Hugh the Drover: Act II, III. Hugh!...Mary!
—
Hugh the Drover: Act II, IV. Sweet little home
—
Hugh the Drover: Act II, V. Where's she gone to?
—
Hugh the Drover: Act II, VI. Here, queen uncrowned
—
Hugh the Drover: Act II, VII. A trollop from the stocks
—
Hugh the Drover: Act II, VIII. Dropped from the ranks on a winter's night
—
Hugh the Drover: Act II, IX. March away, John!
—
Hugh the Drover: Act II, X. O foolish girl, O radiant soul!
—
Hugh the Drover: Act II, XI. Oh! the sky shall be our roof
—
The Hymn of Jesus, op. 37 H140: Prelude: Vexilla Regis prodeunt
—
The Hymn of Jesus, op. 37 H140: Hymn: Glory to thee, Father!
—
The Hymn of Jesus, op. 37 H140: Hymn: Fain would I be saved
—
The Hymn of Jesus, op. 37 H140: Hymn: Divine Grace is dancing
—
The Hymn of Jesus, op. 37 H140: Hymn: Give ye heed unto my dancing
—
Short Festival Te Deum, H145
—
Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: I. To Varuna (God of the Waters)
—
Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: II. To Agni (God of Fire)
—
Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: III. Funeral Chant
—
Ode to Death, op. 38, H144
—
Two Songs without Words. no. 2. Marching Song
—
Dawn Patrol (from the film Coastal Command)
—
Symphony no. 8 in B-flat minor: [Moderato]
—
Symphony no. 8 in B-flat minor: [Fig 19 - Andante moderato sempre cantabile]
—
Symphony no. 8 in B-flat minor: [Fig 27 - Allegro moderato]
—
Symphony no. 8 in B-flat minor: [Fig 37 - Lento e molto teneramente]
—
Symphony no. 8 in B-flat minor: [Fig 43 - Passacaglia I]
—
Symphony no. 8 in B-flat minor: [Fig 54 - Passacaglia II]
—
Symphony no. 9 in A minor: I. Adagio - Allegro moderato - Allegro vivo
—
Symphony no. 9 in A minor: II. Adagio
—
Symphony no. 9 in A minor: III. Allegro moderato
—
The Sea: I. Seascape. Allegro ben moderato
Royal Liverpool Philharmonic Orchestra, Sir Charles Groves
—
The Sea: II. Sea-foam. Allegro vivo
—
The Sea: III. Moonlight. Allegro ma non troppo
—
The Sea: IV. Storm. Allegro energico
—
Summer
—
Cherry Ripe
—
Enter Spring
—
Lament
—
Morning Heroes: I. Hector's Farewell to Andromache (The Iliad)
John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves
—
Morning Heroes: II. The City's Arming (Walt Whitman)
John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves
—
Morning Heroes: III. Vigil (Li-Tai-Po)
John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves
—
Morning Heroes: III. The Bivouac's Flame (Whitman)
John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves
—
Morning Heroes: IV. Achilles Goes Forth to Battle (The Illiad)
John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves
—
Morning Heroes: IV. The Heroes
John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves
—
Morning Heroes: V. Now Trumpeter for Thy Close: Spring Offensive (Wilfred Owen)
John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves
—
Morning Heroes: V. Now Trumpeter for Thy Close: Dawn on the Somme (Robert Nichols)
John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves
—
Processional
—
A Colour Symphony: 1. Purple: Andante maestoso
—
A Colour Symphony: 2. Red: Allegro vivace
—
A Colour Symphony: 3. Blue: Gently flowing
—
A Colour Symphony: 4. Green: Moderato
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Things to Come: Prologue
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Things to Come: Ballet for Children
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Things to Come: Attack
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Things to Come: March
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Things to Come: The World in Ruins
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Things to Come: The Building of the New World -
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Things to Come: Attack on the Moon Gun -
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Things to Come: Epilogue
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The Young Person's Guide to the Orchestra: Theme
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The Young Person's Guide to the Orchestra: A. Flutes and piccolo
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The Young Person's Guide to the Orchestra: B. Oboes - Lento
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The Young Person's Guide to the Orchestra: C. Clarinets - Moderato
—
The Young Person's Guide to the Orchestra: D. Bassons - Allegro alla marcia
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The Young Person's Guide to the Orchestra: E. Violins - Brillante: all polacca
—
The Young Person's Guide to the Orchestra: F. Violas - Meno mosso
—
The Young Person's Guide to the Orchestra: G. Cellos
—
The Young Person's Guide to the Orchestra: H. Double basses - Comminciando lento ma poco a poco accelerando al allegro
—
The Young Person's Guide to the Orchestra: I. Harp - Maestoso
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The Young Person's Guide to the Orchestra: J. Horns - L'istesso tempo
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The Young Person's Guide to the Orchestra: K. Trumpets - Vivace
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The Young Person's Guide to the Orchestra: L. Trombones & bass tuba - Allegro pomposo
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The Young Person's Guide to the Orchestra: M. Percussion - Moderato
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The Young Person's Guide to the Orchestra: Fugue: Allegro molto
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'Spitfire' Prelude and Fugue: Prelude
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'Spitfire' Prelude and Fugue: Fugue
—
Scapino - Comedy Overture
—
Crown Imperial - Coronation March (1937)
—
Orb and Sceptre - Coronation March (1953)
—
Johannesburg Festival Overture
—
Capriccio Burlesco
—
Funeral March From 'Hamlet'
—
Prelude: 'Richard III'
—
A Shakespeare Suite From 'Richard III': I. Fanfare
—
A Shakespeare Suite From 'Richard III': II. Music Plays
—
A Shakespeare Suite From 'Richard III': III. The Princes in the Tower
—
A Shakespeare Suite From 'Richard III': IV. With Drum and Colours
—
A Shakespeare Suite From 'Richard III': V. I Would I Knew Thy Heart
—
A Shakespeare Suite From 'Richard III': VI. Trumpets Sound
—
Hamlet and Ophelia, A Poem for Orchestra
—
Henry V Suite: I. Prelude: The Globe Playhouse
—
Henry V Suite: II. Passacaglia: The Death of Falstaff
—
Henry V Suite: III. Charge and Battle
—
Henry V Suite: IV. Touch her soft lips and part
—
Henry V Suite: V. Agincourt Song
—
On the Quarter Deck (March)
—
March Past of the Royal Air Force
—
Fantasia on British Sea Songs Horn Pipe
—
The British Grenadiers
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Rule Britannia
—
The Dam Busters March
—
The Three Bears (Phantasy)
—
Cinderella (Phantasy)
—
By the Sleepy Lagoon (Valse-serenade)
—
From Meadow to Mayfair (Suite). I. In the Country (Rustic Dance)
—
From Meadow to Mayfair (Suite). II. A Song by the Way (Romance)
—
From Meadow to Mayfair (Suite). III. Evening in Town (Valse)
—
The Three Elizabeths (Suite) Springtime in Angus (Elizabeth of Glamis)
—
The Dam Busters (March)
—
Wood Nymphs (Valsette)
—
Music Everywhere (Rediffusion March)
—
Saxo-Rhapsody
—
Summer Days (Suite) At the Dance
—
London (London Everyday) (Suite). I. Covent Garden (Tarantelle)
—
London (London Everyday) (Suite). II. Westminster (Meditation)
—
London (London Everyday) (Suite). III. Knightsbridge (March)
—
London Again (Suite). I. Oxford Street (Suite)
—
London Again (Suite). II. Langham Place (Élégie)
—
London Again (Suite). III. Mayfair (Valse)
—
Symphony in E "Irish": I. Andante Allegro, ma non troppo vivace
—
Symphony in E "Irish": II. Andante espressivo
—
Symphony in E "Irish": III. Allegretto
—
Symphony in E "Irish": IV. Allegro vivace e con brio
—
H.M.S. Pinafore (Overture)
—
Patience (Overture)
—
Iolanthe (Overture)
—
The Mikado (Overture)
—
The Yeomen of the Guard (Overture)
—
The Gondoliers (Overture)
—
Overture di Ballo (1870)
—
English Dances. Set 1 op. 27. I. Andantino
—
English Dances. Set 1 op. 27. II. Vivace
—
English Dances. Set 1 op. 27. III. Mesto
—
English Dances. Set 1 op. 27. IV. Allegro risoluto
—
English Dances. Set 2 op. 33. V. Allegro non troppo
—
English Dances. Set 2 op. 33. VI. Con brio
—
English Dances. Set 2 op. 33. VII. Grazioso
—
English Dances. Set 2 op. 33. VIII. Giubiloso-Lento e maestoso
—
Symphony no. 2 op. 40. I. Allegro
—
Symphony no. 2 op. 40. II. Vivace
—
Symphony no. 2 op. 40. III. Lento
—
Symphony no. 2 op. 40. IV. Allegro con brio
—
Henry V (Suite). IV. Touch her soft lips and part
—
Henry V (Suite). V. Agincourt Song
—
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
000000002570326400000000287166770000000050006858000000006302211X000000006309836800000000714377290000000078819703000000008111613600000000814381860000000081679107
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0000000106581449000000010788297200000001080615190000000108694148000000010869845600000001089062430000000109519069000000011033443200000001103401620000000114502608000000011450734500000001145329540000000114533084000000011454017X00000001145557500000000114803654000000011490930100000001193903850000000119550553000000012102494X000000012148249X00000001216773770000000121695196000000012181735X00000001219605780000000368635750
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0825646147243 is a Universal Product Code (UPC) assigned to British Music by Sir Charles Groves. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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