UPC · Release
Sir Charles Groves
Last verified:
The UPC for “British Music” by Sir Charles Groves is 0825646147243. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 331 tracks, each with its own ISRC. Tracks include GBAYD8901268, GBAYD8901269, GBAYD8901270.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nursery Suite: I. Aubade | — | ||
| 2 | Nursery Suite: II. The Serious Doll | — | ||
| 3 | Nursery Suite: III. Busy-ness | — | ||
| 4 | Nursery Suite: IV. The Sad Doll | — | ||
| 5 | Nursery Suite: V. The Wagon | — | ||
| 6 | Nursery Suite: VI. The Merry Doll | — | ||
| 7 | Nursery Suite: VII. Dreaming | — | ||
| 8 | Nursery Suite: Envoy | — | ||
| 9 | Funeral March from "Grania and Diarmid" | — | ||
| 10 | Severn Suite: I. Worcester Castle | — | ||
| 11 | Severn Suite: II. Tournament | — | ||
| 12 | Severn Suite: III. Cathedral | — | ||
| 13 | Severn Suite: IV. Commandery | — | ||
| 14 | Severn Suite: V. Coda | — | ||
| 15 | Meditation from "The Light of Life" | — | ||
| 16 | Woodland interlude from "Caractacus" | — | ||
| 17 | The Crown of India: Ia. Introduction | — | ||
| 18 | The Crown of India: Ib. Dance of Nautch Girls | — | ||
| 19 | The Crown of India: II. Menuetto | — | ||
| 20 | The Crown of India: III. Warriors' Dance | — | ||
| 21 | The Crown of India: IV. Intermezzo | — | ||
| 22 | The Crown of India: V. March of the Mogul Emperors | — | ||
| 2-1 | The Black Knight, op. 25: Scene I. "'Twas Pentecost" | — | ||
| 2-2 | The Black Knight, op. 25: Scene II. "To the barrier of the fight" | — | ||
| 2-3 | The Black Knight, op. 25: Scene III. "Pipe and viol all call the dances" | — | ||
| 2-4 | The Black Knight, op. 25: Scene IV. "To the sumptuous banquet | — | ||
| 2-5 | Spanish Serenade, op. 23 | — | ||
| 2-6 | The Snow, op. 26 no. 1 | — | ||
| 2-7 | Fly, Singing Bird op. 26 no. 2 | — | ||
| 2-8 | Imperial March op. 32 | — | ||
| 2-9 | Triumphant March | — | ||
| 3-1 | The Light of Life op 29: 1. Meditation | — | ||
| 3-2 | The Light of Life op 29: 2. Seek Him that maketh the seven stars | — | ||
| 3-3 | The Light of Life op 29: 3. As Jesus passed by | — | ||
| 3-4 | The Light of Life op 29: 4. Be not extreme, O Lord | — | ||
| 3-5 | The Light of Life op 29: 5. Neither hath this man sinned | — | ||
| 3-6 | The Light of Life op 29: 6. Light out of darkness | — | ||
| 3-7 | The Light of Life op 29: 7. And when He had thus spoken | — | ||
| 3-8 | The Light of Life op 29: 8. Doubt not thy Father's care! | — | ||
| 3-9 | The Light of Life op 29: 9. He went his way therefore | — | ||
| 3-10 | The Light of Life op 29: 10. As a spirit didst Thou pass before mine eyes | — | ||
| 3-11 | The Light of Life op 29: 11. They brought him to the Pharisees | — | ||
| 3-12 | The Light of Life op 29: 12. Thou only hast the words of life | — | ||
| 3-13 | The Light of Life op 29: 13. But the Jews did not believe | — | ||
| 3-14 | The Light of Life op 29: 14. Woe to the shepherds of the flock | — | ||
| 3-15 | The Light of Life op 29: 15. Jesus heard that they had cast him out | — | ||
| 3-16 | The Light of Life op 29: 15. (sic) I am the Good Shepherd | — | ||
| 3-17 | The Light of Life op 29: 16. Light of the World, we know Thy praise | — | ||
| 4-1 | Caractacus, op. 35: Scene I. "Watchmen, Alert!" (British Host) | — | ||
| 4-2 | Caractacus, op. 35: Scene I. "Watchmen, Alert! The king is here" (Caractacus, Sentries) | — | ||
| 4-3 | Caractacus, op. 35: Scene I. "Father! Sire and king" (Eigen, Caractacus, Orbin, Sentries) | — | ||
| 4-4 | Caractacus, op. 35: Scene I. "At eve to the Greenwood" (Eigen) | — | ||
| 4-5 | Caractacus, op. 35: Scene I. "On the ocean and the river" (Orbin, Caractacus, Eigen) | — | ||
| 4-6 | Caractacus, op. 35: Scene I. "Rest, weary monarch" (Sprits of the Hill, Sentries) | — | ||
| 4-7 | Caractacus, op. 35: Scene II. "Tread the mystic circle around" (Arch-Druid, Druids, Druid Maidens) | — | ||
| 4-8 | Caractacus, op. 35: Scene II. "Lord of Dread" (Arch-Druid, Orbin, Druids, Druid Maidens, Caractacus) | — | ||
| 4-9 | Caractacus, op. 35: Scene II. "Bard, What read Ye?" (Caractacus, Soldiers, Arch-Druid, Orbin) | — | ||
| 4-10 | Caractacus, op. 35: Scene II. "Leap to the light" (Caractacus, Soldiers, Arch-Druid, Orbin) | — | ||
| 4-11 | Caractacus, op. 35: Scene II. "Hence, ere the Druid's wrath is woke" (Druids, Druid Maidens, Orbin, Soldiers) | — | ||
| 4-12 | Caractacus, op. 35: Scene III. Introduction (Woodland Interlude) | — | ||
| 4-13 | Caractacus, op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens) | — | ||
| 4-14 | Caractacus, op. 35: Scene III. "O'er-arched by leaves" (Eigen, Orbin) | — | ||
| 4-15 | Caractacus, op. 35: Scene III. "Last night beneath sacred oak" (Orbin) | — | ||
| 4-16 | Caractacus, op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens, Orbin, Eigen) | — | ||
| 4-17 | Caractacus, op. 35: Scene IV. "Wild rumours shake our calm retreat" (Maidens) | — | ||
| 4-18 | Caractacus, op. 35: Scene IV. "When the glow of the evening had died" (Eigen, Maidens) | — | ||
| 4-19 | Caractacus, op. 35: Scene IV. "We were gather'd by the river" (Soldiers) | — | ||
| 4-20 | Caractacus, op. 35: Scene IV. "O my soldiers, tell me truly" (Caractacus, Soldiers) | — | ||
| 5-1 | Caractacus, op. 35: Scene V. "Captive Britons, see them!" (Druid Maidens, A Bard) | — | ||
| 5-2 | Caractacus, op. 35: Scene VI. The march triumphal thunders (chorus) | — | ||
| 5-3 | Caractacus, op. 35: Scene VI. "Unbind his hands" (Claudius) | — | ||
| 5-4 | Caractacus, op. 35: Scene VI. "Heap torment upon torment" (Caractacus, Eigen, Orbin) | — | ||
| 5-5 | Caractacus, op. 35: Scene VI. "Slay, slay the Briton" (Roman Citizens, Claudius) | — | ||
| 5-6 | Caractacus, op. 35: Scene VI. "I plead not for myself" (Caractacus, Orbin, Eigen, Roman Citizens, Claudius) | — | ||
| 5-7 | Caractacus, op. 35: Scene VI. "Grace from the Roman!" (Eigen, Claudius, Orbin, Caractacus) | — | ||
| 5-8 | Caractacus, op. 35: Scene VI. "The clang of arms is over (chorus) | — | ||
| 5-9 | Coronation March, op. 65 | — | ||
| 5-10 | Variations on an Original Theme "Enigma", op. 36: Theme | — | ||
| 5-11 | Variations on an Original Theme "Enigma", op. 36: 1. C.A.E. (the composer's... | — | ||
| 5-12 | Variations on an Original Theme "Enigma", op. 36: 2. H.D.S.-P. (Hew David S... | — | ||
| 5-13 | Variations on an Original Theme "Enigma", op. 36: 3. R.B.T. (Richard Baxter... | — | ||
| 5-14 | Variations on an Original Theme "Enigma", op. 36: 4. W.M.B. (William Meath ... | — | ||
| 5-15 | Variations on an Original Theme "Enigma", op. 36: 5. R.P.A. (Richard Penros... | — | ||
| 5-16 | Variations on an Original Theme "Enigma", op. 36: 6. Ysobel (Isabel Fitton) | — | ||
| 5-17 | Variations on an Original Theme "Enigma", op. 36: 7. Troyte (Troyte Griffith) | — | ||
| 5-18 | Variations on an Original Theme "Enigma", op. 36: 8. W.N. (Winifred Norbury) | — | ||
| 5-19 | Variations on an Original Theme "Enigma", op. 36: 9 Nimrod (A.J. Jaeger) | — | ||
| 5-20 | Variations on an Original Theme "Enigma", op. 36: 10. Intermezzo: Dorabella... | — | ||
| 5-21 | Variations on an Original Theme "Enigma", op. 36: 11. G.R.S. (George Robert... | — | ||
| 5-22 | Variations on an Original Theme "Enigma", op. 36: 12. B.G.N. (Basil G. Nevi... | — | ||
| 5-23 | Variations on an Original Theme "Enigma", op. 36: 13. Romanza: *** (Lady Ma... | — | ||
| 5-24 | Variations on an Original Theme "Enigma", op. 36: 14 Finale: E.D.U. (the co... | — | ||
| 6-1 | Violin Concerto in B minor, op. 61: 1. Allegro | — | ||
| 6-2 | Violin Concerto in B minor, op. 61: 2. Andante | — | ||
| 6-3 | Violin Concerto in B minor, op. 61: 3. Allegro molto - Cadenza (accompagnata:... | — | ||
| 6-4 | Military Marches, op. 39 "Pomp and Circumstance": No. 1 in D major | — | ||
| 6-5 | Military Marches, op. 39 "Pomp and Circumstance": No 4 in G major | — | ||
| 7-1 | A Song of Summer | — | ||
| 7-2 | Eventyr (Once Upon a Time) | — | ||
| 7-3 | A Dance Rhapsody no. 1 | — | ||
| 7-4 | Paris: A Nocturne (The Song of a Great City) | — | ||
| 8-1 | Lebenstanz (Life's Dance) | — | ||
| 8-2 | North Country Sketches, RT VI/20: I. Autumn. The Wind Soughs in the Trees | Royal Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-3 | North Country Sketches, RT VI/20: II. Winter Landscape (Slow) | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-4 | North Country Sketches, RT VI/20: III. Dance (Mazurka Tempo) | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-5 | North County Sketches: IV. The March Of Spring. Woodlands, Meadows and Silent... | — | ||
| 8-6 | Sea Drift: Once Paumanok | — | ||
| 8-7 | Sea Drift: Shine! Shine! Shine! | — | ||
| 8-8 | Sea Drift: Till Of A Sudden | — | ||
| 8-9 | Sea Drift: Blow! Blow! Blow! | — | ||
| 8-10 | Sea Drift: Yes, My Brother Stars! | — | ||
| 8-11 | Sea Drift: O Rising Stars! | — | ||
| 8-12 | Sea Drift: O Reckless Despairing Carols | — | ||
| 8-13 | Sea Drift: O Past! O Happy Life! | — | ||
| 8-14 | Cynara | — | ||
| 9-1 | Song of Sunset: A song of the setting sun! (Quietly) | — | ||
| 9-2 | Song of Sunset: Cease smiling, Dear! (With easy movement) | — | ||
| 9-3 | Song of Sunset: Pale amber sunlight falls (Slow) | — | ||
| 9-4 | Song of Sunset: Exceeding sorrow consumeth my sad heart! (Con tristezza. Not too slow) | — | ||
| 9-5 | Song of Sunset: By the sad waters of separation (With quiet movement) | — | ||
| 9-6 | Song of Sunset: See how the trees (Freshly) | — | ||
| 9-7 | Song of Sunset: I was not sorrowful (Very quietly but not too slow) | — | ||
| 9-8 | Song of Sunset: They are not long (Quietly) | — | ||
| 9-9 | An Arabesque | — | ||
| 9-10 | A Mass of Life, Part 1: I. O du mein Wille! (Animato, con fervore) | — | ||
| 9-11 | A Mass of Life, Part 1: II. Erhebt eure Herzen (Recit: Animoso, con alcuna licenza) | — | ||
| 9-12 | A Mass of Life, Part 1: III. In dein Auge schaute ich jüngst (Andante tranquillo con dolcezza) | — | ||
| 9-13 | A Mass of Life, Part 1: IV. Wehe mir! (Agitato ma moderato) | — | ||
| 9-14 | A Mass of Life, Part 1: V. Nacht ist est (Andante molto tranquillo) | — | ||
| 10-1 | A Mass of Life, Part 2: Auf den Bergen (On the Mountains) (Andante) | — | ||
| 10-2 | A Mass of Life, Part 2: I. Herauf! nun herauf (Con elevazione e vigore) | — | ||
| 10-3 | A Mass of Life, Part 2: II. Suße Leier! (Andante) | — | ||
| 10-4 | A Mass of Life, Part 2: III. Lento | — | ||
| 10-5 | A Mass of Life, Part 2: La la la | — | ||
| 10-6 | A Mass of Life, Part 2: IV. Heißer Mittag schläft (Lento molto) | — | ||
| 10-7 | A Mass of Life, Part 2: V. Gottes Weh ist tiefer (Allegro ma non troppo, con gravità) | — | ||
| 10-8 | A Mass of Life, Part 2: VI. Kommt! Laßt uns jetzo wandeln! (Largo, con solennità) | — | ||
| 11-1 | Koanga, RT I/4, Prologue: "Ha, ha, ha … Stop! Stop! I am quite out of breath" (Chorus, Planters' Daughters, Uncle Joe) | — | ||
| 11-2 | Koanga, RT I/4, Act 1: "Oh! I cannot sleep" (Palmyra, Simon Perez, The Slaves) | — | ||
| 11-3 | Koanga, RT I/4, Act 1: "Ah! There's Palmyra" (Simon Perez, Palmyra, The Slaves) | — | ||
| 11-4 | Koanga, RT I/4, Act 1: "But here comes Martinez" (Simon Perez, The Slaves, Don José Martinez, Palmyra) | — | ||
| 11-5 | Koanga, RT I/4, Act 1: "O Voodoo Manian, my fathers from your graves avenge me" (Koanga, Palmyra, Don José, Simon Perez) | — | ||
| 11-6 | Koanga, RT I/4, Act 1: "If you agree to work with us, Koanga" (Palmyra, Koanga, Don José, Simon Perez, The Slaves) | — | ||
| 11-7 | Koanga, RT I/4, Act 1: "Agreed then, that's a bargain!" (Don José, Simon Perez, Clotilda, Palmyra, Koanga) | — | ||
| 11-8 | Koanga, RT I/4, Act 1: "Oh gentle mistress, how gladly I served you" (Palmyra, Clotilda, Don José, Koanga, Simon Perez, The Slaves) | — | ||
| 11-9 | Koanga, RT I/4, Act 2: "Now once in a way we are free for a day" (The Slaves) | — | ||
| 11-10 | Koanga, RT I/4, Act 2: "He will meet her when the sun goes down" (The Slaves, Clotilda, Simon Perez) | — | ||
| 11-11 | Koanga, RT I/4, Act 2: "How time flows on!" (Palmyra, Simon Perez, Clotilda, The Slaves) | — | ||
| 11-12 | Koanga, RT I/4, Act 2: "The hour is near, when I to him my soul surrender" (Palmyra, The Slaves, Don José) | — | ||
| 11-13 | Koanga, RT I/4, Act 2: "Far, far away, Palmyra, my people mourn for me" (Koanga, The Slaves, Clotilda, Simon Perez) | — | ||
| 11-14 | Koanga, RT I/4, Act 2: La Calinda, "Hail to thee, mighty Prince!" (Palmyra, The Slaves, Koanga, Don José) | — | ||
| 11-15 | Koanga, RT I/4, Act 2: "Where is Palmyra?" (Koanga, Don José) | — | ||
| 11-16 | Koanga, RT I/4, Act 2: "Hear me, God Voodoo. I have betrayed my trust" (Koanga) | — | ||
| 12-1 | Koanga, RT I/4, Act 3: Introduction. Lento molto tranquillo - | — | ||
| 12-2 | Koanga, RT I/4, Act 3: "Ah! Ah! … Onyame! Onyame! … Hougan, Hougan, Koanga comes" (The Slaves, Rangwan) | — | ||
| 12-3 | Koanga, RT I/4, Act 3: "Come tell me, Rangwan, holy priest" (Koanga, Rangwan, The Slaves) | — | ||
| 12-4 | Koanga, RT I/4, Act 3: Dance. Furioso - "See, he prays! Voodoo must hear him" (The Slaves) | — | ||
| 12-5 | Koanga, RT I/4, Act 3: "Sick and pale the sun sinks down" (The Slaves) | — | ||
| 12-6 | Koanga, RT I/4, Act 3: "Ah! I hear Palmyra's voice" (Palmyra, Koanga, The Slaves) | — | ||
| 12-7 | Koanga, RT I/4, Act 3: "Fools you are to weep and wail!" (Don José, The Slaves) | — | ||
| 12-8 | Koanga, RT I/4, Act 3: "Ah! Tell me where Koanga is!" (Palmyra, Simon Perez) | — | ||
| 12-9 | Koanga, RT I/4, Act 3: "Koanga! … Now, by the seven times seven plagues" (Simon Perez, Koanga, Palmyra) | — | ||
| 12-10 | Koanga, RT I/4, Act 3: "I cannot bear the sight!" (Palmyra, Koanga) | — | ||
| 12-11 | Koanga, RT I/4, Act 3: "My lord Koanga dead!" (Palmyra) | — | ||
| 12-12 | Koanga, RT I/4, Act 3: Lento - Molto moderato e tranquillo | — | ||
| 12-13 | Koanga, RT I/4, Epilogue: "How sad, Uncle Joe, that she should die" (Renée, Hélène, Jeanne, Aurore, Olive, Paulette) | — | ||
| 12-14 | A Song of the High Hills, RT II/6: With quiet easy movement - Tranquillo - | — | ||
| 12-15 | A Song of the High Hills, RT II/6: Very slow (The wide, far distance - The great solitude) - Slow and solemnly - | — | ||
| 12-16 | A Song of the High Hills, RT II/6: In Tempo - | — | ||
| 12-17 | A Song of the High Hills, RT II/6: Very quietly - Tempo primo | — | ||
| 13-1 | Hugh the Drover: Act I, I. Buy, buy, buy | — | ||
| 13-2 | Hugh the Drover: Act I, II. Cold blows the wind on Cotsall | — | ||
| 13-3 | Hugh the Drover: Act I, III. As I was a-walking | — | ||
| 13-4 | Hugh the Drover: Act I, IV. Show me a richer man | — | ||
| 13-5 | Hugh the Drover: Act I, V. Here come the Morris men | — | ||
| 13-6 | Hugh the Drover: Act I, VI. Life must be full of care | — | ||
| 13-7 | Hugh the Drover: Act I, VII. Sweet little linnet that longs to be free | — | ||
| 13-8 | Hugh the Drover: Act I, VIII. Horse-hoofs, horse-hoofs, thunder down the valleys | — | ||
| 13-9 | Hugh the Drover: Act I, IX. In the night-time I have seen you riding | — | ||
| 13-10 | Hugh the Drover: Act I, X. Mary! Mary! | — | ||
| 13-11 | Hugh the Drover: Act I, XI. Oh! The devil and Bonyparty | — | ||
| 13-12 | Hugh the Drover: Act I, XII. Yes, I! | — | ||
| 13-13 | Hugh the Drover: Act I, XIII. Are you ready? Go! | — | ||
| 13-14 | Hugh the Drover: Act I, XIV. The drover's won! | — | ||
| 13-15 | Hugh the Drover: Act I, XV. I tell you there's a price on this man's head | — | ||
| 14-1 | Hugh the Drover: Act II, I. Past four o'clock | — | ||
| 14-2 | Hugh the Drover: Act II, II. Gaily I go to die | — | ||
| 14-3 | Hugh the Drover: Act II, III. Hugh!...Mary! | — | ||
| 14-4 | Hugh the Drover: Act II, IV. Sweet little home | — | ||
| 14-5 | Hugh the Drover: Act II, V. Where's she gone to? | — | ||
| 14-6 | Hugh the Drover: Act II, VI. Here, queen uncrowned | — | ||
| 14-7 | Hugh the Drover: Act II, VII. A trollop from the stocks | — | ||
| 14-8 | Hugh the Drover: Act II, VIII. Dropped from the ranks on a winter's night | — | ||
| 14-9 | Hugh the Drover: Act II, IX. March away, John! | — | ||
| 14-10 | Hugh the Drover: Act II, X. O foolish girl, O radiant soul! | — | ||
| 14-11 | Hugh the Drover: Act II, XI. Oh! the sky shall be our roof | — | ||
| 15-1 | The Hymn of Jesus, op. 37 H140: Prelude: Vexilla Regis prodeunt | — | ||
| 15-2 | The Hymn of Jesus, op. 37 H140: Hymn: Glory to thee, Father! | — | ||
| 15-3 | The Hymn of Jesus, op. 37 H140: Hymn: Fain would I be saved | — | ||
| 15-4 | The Hymn of Jesus, op. 37 H140: Hymn: Divine Grace is dancing | — | ||
| 15-5 | The Hymn of Jesus, op. 37 H140: Hymn: Give ye heed unto my dancing | — | ||
| 15-6 | Short Festival Te Deum, H145 | — | ||
| 15-7 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: I. To Varuna (God of the Waters) | — | ||
| 15-8 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: II. To Agni (God of Fire) | — | ||
| 15-9 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: III. Funeral Chant | — | ||
| 15-10 | Ode to Death, op. 38, H144 | — | ||
| 15-11 | Two Songs without Words. no. 2. Marching Song | — | ||
| 15-12 | Dawn Patrol (from the film Coastal Command) | — | ||
| 16-1 | Symphony no. 8 in B-flat minor: [Moderato] | — | ||
| 16-2 | Symphony no. 8 in B-flat minor: [Fig 19 - Andante moderato sempre cantabile] | — | ||
| 16-3 | Symphony no. 8 in B-flat minor: [Fig 27 - Allegro moderato] | — | ||
| 16-4 | Symphony no. 8 in B-flat minor: [Fig 37 - Lento e molto teneramente] | — | ||
| 16-5 | Symphony no. 8 in B-flat minor: [Fig 43 - Passacaglia I] | — | ||
| 16-6 | Symphony no. 8 in B-flat minor: [Fig 54 - Passacaglia II] | — | ||
| 16-7 | Symphony no. 9 in A minor: I. Adagio - Allegro moderato - Allegro vivo | — | ||
| 16-8 | Symphony no. 9 in A minor: II. Adagio | — | ||
| 16-9 | Symphony no. 9 in A minor: III. Allegro moderato | — | ||
| 17-1 | The Sea: I. Seascape. Allegro ben moderato | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 17-2 | The Sea: II. Sea-foam. Allegro vivo | — | ||
| 17-3 | The Sea: III. Moonlight. Allegro ma non troppo | — | ||
| 17-4 | The Sea: IV. Storm. Allegro energico | — | ||
| 17-5 | Summer | — | ||
| 17-6 | Cherry Ripe | — | ||
| 17-7 | Enter Spring | — | ||
| 17-8 | Lament | — | ||
| 18-1 | Morning Heroes: I. Hector's Farewell to Andromache (The Iliad) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-2 | Morning Heroes: II. The City's Arming (Walt Whitman) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-3 | Morning Heroes: III. Vigil (Li-Tai-Po) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-4 | Morning Heroes: III. The Bivouac's Flame (Whitman) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-5 | Morning Heroes: IV. Achilles Goes Forth to Battle (The Illiad) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-6 | Morning Heroes: IV. The Heroes | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | T-070.204.289-4 | |
| 18-7 | Morning Heroes: V. Now Trumpeter for Thy Close: Spring Offensive (Wilfred Owen) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-8 | Morning Heroes: V. Now Trumpeter for Thy Close: Dawn on the Somme (Robert Nichols) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-9 | Processional | — | ||
| 19-1 | A Colour Symphony: 1. Purple: Andante maestoso | — | ||
| 19-2 | A Colour Symphony: 2. Red: Allegro vivace | — | ||
| 19-3 | A Colour Symphony: 3. Blue: Gently flowing | — | ||
| 19-4 | A Colour Symphony: 4. Green: Moderato | — | ||
| 19-5 | Things to Come: Prologue | — | ||
| 19-6 | Things to Come: Ballet for Children | — | ||
| 19-7 | Things to Come: Attack | — | ||
| 19-8 | Things to Come: March | — | ||
| 19-9 | Things to Come: The World in Ruins | — | ||
| 19-10 | Things to Come: The Building of the New World - | — | ||
| 19-11 | Things to Come: Attack on the Moon Gun - | — | ||
| 19-12 | Things to Come: Epilogue | — | ||
| 19-13 | The Young Person's Guide to the Orchestra: Theme | — | ||
| 19-14 | The Young Person's Guide to the Orchestra: A. Flutes and piccolo | — | ||
| 19-15 | The Young Person's Guide to the Orchestra: B. Oboes - Lento | — | ||
| 19-16 | The Young Person's Guide to the Orchestra: C. Clarinets - Moderato | — | ||
| 19-17 | The Young Person's Guide to the Orchestra: D. Bassons - Allegro alla marcia | — | ||
| 19-18 | The Young Person's Guide to the Orchestra: E. Violins - Brillante: all polacca | — | ||
| 19-19 | The Young Person's Guide to the Orchestra: F. Violas - Meno mosso | — | ||
| 19-20 | The Young Person's Guide to the Orchestra: G. Cellos | — | ||
| 19-21 | The Young Person's Guide to the Orchestra: H. Double basses - Comminciando lento ma poco a poco accelerando al allegro | — | ||
| 19-22 | The Young Person's Guide to the Orchestra: I. Harp - Maestoso | — | ||
| 19-23 | The Young Person's Guide to the Orchestra: J. Horns - L'istesso tempo | — | ||
| 19-24 | The Young Person's Guide to the Orchestra: K. Trumpets - Vivace | — | ||
| 19-25 | The Young Person's Guide to the Orchestra: L. Trombones & bass tuba - Allegro pomposo | — | ||
| 19-26 | The Young Person's Guide to the Orchestra: M. Percussion - Moderato | — | ||
| 19-27 | The Young Person's Guide to the Orchestra: Fugue: Allegro molto | — | ||
| 20-1 | 'Spitfire' Prelude and Fugue: Prelude | — | ||
| 20-2 | 'Spitfire' Prelude and Fugue: Fugue | — | ||
| 20-3 | Scapino - Comedy Overture | — | ||
| 20-4 | Crown Imperial - Coronation March (1937) | — | ||
| 20-5 | Orb and Sceptre - Coronation March (1953) | — | ||
| 20-6 | Johannesburg Festival Overture | — | ||
| 20-7 | Capriccio Burlesco | — | ||
| 20-8 | Funeral March From 'Hamlet' | — | ||
| 20-9 | Prelude: 'Richard III' | — | ||
| 20-10 | A Shakespeare Suite From 'Richard III': I. Fanfare | — | ||
| 20-11 | A Shakespeare Suite From 'Richard III': II. Music Plays | — | ||
| 20-12 | A Shakespeare Suite From 'Richard III': III. The Princes in the Tower | — | ||
| 20-13 | A Shakespeare Suite From 'Richard III': IV. With Drum and Colours | — | ||
| 20-14 | A Shakespeare Suite From 'Richard III': V. I Would I Knew Thy Heart | — | ||
| 20-15 | A Shakespeare Suite From 'Richard III': VI. Trumpets Sound | — | ||
| 21-1 | Hamlet and Ophelia, A Poem for Orchestra | — | ||
| 21-2 | Henry V Suite: I. Prelude: The Globe Playhouse | — | ||
| 21-3 | Henry V Suite: II. Passacaglia: The Death of Falstaff | — | ||
| 21-4 | Henry V Suite: III. Charge and Battle | — | ||
| 21-5 | Henry V Suite: IV. Touch her soft lips and part | — | ||
| 21-6 | Henry V Suite: V. Agincourt Song | — | ||
| 21-7 | On the Quarter Deck (March) | — | ||
| 21-8 | March Past of the Royal Air Force | — | ||
| 21-9 | Fantasia on British Sea Songs Horn Pipe | — | ||
| 21-10 | The British Grenadiers | — | ||
| 21-11 | Rule Britannia | — | ||
| 21-12 | The Dam Busters March | — | ||
| 21-13 | The Three Bears (Phantasy) | — | ||
| 21-14 | Cinderella (Phantasy) | — | ||
| 22-1 | By the Sleepy Lagoon (Valse-serenade) | — | ||
| 22-2 | From Meadow to Mayfair (Suite). I. In the Country (Rustic Dance) | — | ||
| 22-3 | From Meadow to Mayfair (Suite). II. A Song by the Way (Romance) | — | ||
| 22-4 | From Meadow to Mayfair (Suite). III. Evening in Town (Valse) | — | ||
| 22-5 | The Three Elizabeths (Suite) Springtime in Angus (Elizabeth of Glamis) | — | ||
| 22-6 | The Dam Busters (March) | — | ||
| 22-7 | Wood Nymphs (Valsette) | — | ||
| 22-8 | Music Everywhere (Rediffusion March) | — | ||
| 22-9 | Saxo-Rhapsody | — | ||
| 22-10 | Summer Days (Suite) At the Dance | — | ||
| 22-11 | London (London Everyday) (Suite). I. Covent Garden (Tarantelle) | — | ||
| 22-12 | London (London Everyday) (Suite). II. Westminster (Meditation) | — | ||
| 22-13 | London (London Everyday) (Suite). III. Knightsbridge (March) | — | ||
| 22-14 | London Again (Suite). I. Oxford Street (Suite) | — | ||
| 22-15 | London Again (Suite). II. Langham Place (Élégie) | — | ||
| 22-16 | London Again (Suite). III. Mayfair (Valse) | — | ||
| 23-1 | Symphony in E "Irish": I. Andante Allegro, ma non troppo vivace | — | ||
| 23-2 | Symphony in E "Irish": II. Andante espressivo | — | ||
| 23-3 | Symphony in E "Irish": III. Allegretto | — | ||
| 23-4 | Symphony in E "Irish": IV. Allegro vivace e con brio | — | ||
| 23-5 | H.M.S. Pinafore (Overture) | — | ||
| 23-6 | Patience (Overture) | — | ||
| 23-7 | Iolanthe (Overture) | — | ||
| 23-8 | The Mikado (Overture) | — | ||
| 23-9 | The Yeomen of the Guard (Overture) | — | ||
| 23-10 | The Gondoliers (Overture) | — | ||
| 24-1 | Overture di Ballo (1870) | — | ||
| 24-2 | English Dances. Set 1 op. 27. I. Andantino | — | ||
| 24-3 | English Dances. Set 1 op. 27. II. Vivace | — | ||
| 24-4 | English Dances. Set 1 op. 27. III. Mesto | — | ||
| 24-5 | English Dances. Set 1 op. 27. IV. Allegro risoluto | — | ||
| 24-6 | English Dances. Set 2 op. 33. V. Allegro non troppo | — | ||
| 24-7 | English Dances. Set 2 op. 33. VI. Con brio | — | ||
| 24-8 | English Dances. Set 2 op. 33. VII. Grazioso | — | ||
| 24-9 | English Dances. Set 2 op. 33. VIII. Giubiloso-Lento e maestoso | — | ||
| 24-10 | Symphony no. 2 op. 40. I. Allegro | — | ||
| 24-11 | Symphony no. 2 op. 40. II. Vivace | — | ||
| 24-12 | Symphony no. 2 op. 40. III. Lento | — | ||
| 24-13 | Symphony no. 2 op. 40. IV. Allegro con brio | — | ||
| 24-14 | Henry V (Suite). IV. Touch her soft lips and part | — | ||
| 24-15 | Henry V (Suite). V. Agincourt Song | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0825646147243 is a Universal Product Code (UPC) assigned to British Music by Sir Charles Groves. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 331 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “British Music” by Sir Charles Groves is 0825646147243. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 331 tracks, each with its own ISRC. Tracks include GBAYD8901268, GBAYD8901269, GBAYD8901270.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nursery Suite: I. Aubade | — | ||
| 2 | Nursery Suite: II. The Serious Doll | — | ||
| 3 | Nursery Suite: III. Busy-ness | — | ||
| 4 | Nursery Suite: IV. The Sad Doll | — | ||
| 5 | Nursery Suite: V. The Wagon | — | ||
| 6 | Nursery Suite: VI. The Merry Doll | — | ||
| 7 | Nursery Suite: VII. Dreaming | — | ||
| 8 | Nursery Suite: Envoy | — | ||
| 9 | Funeral March from "Grania and Diarmid" | — | ||
| 10 | Severn Suite: I. Worcester Castle | — | ||
| 11 | Severn Suite: II. Tournament | — | ||
| 12 | Severn Suite: III. Cathedral | — | ||
| 13 | Severn Suite: IV. Commandery | — | ||
| 14 | Severn Suite: V. Coda | — | ||
| 15 | Meditation from "The Light of Life" | — | ||
| 16 | Woodland interlude from "Caractacus" | — | ||
| 17 | The Crown of India: Ia. Introduction | — | ||
| 18 | The Crown of India: Ib. Dance of Nautch Girls | — | ||
| 19 | The Crown of India: II. Menuetto | — | ||
| 20 | The Crown of India: III. Warriors' Dance | — | ||
| 21 | The Crown of India: IV. Intermezzo | — | ||
| 22 | The Crown of India: V. March of the Mogul Emperors | — | ||
| 2-1 | The Black Knight, op. 25: Scene I. "'Twas Pentecost" | — | ||
| 2-2 | The Black Knight, op. 25: Scene II. "To the barrier of the fight" | — | ||
| 2-3 | The Black Knight, op. 25: Scene III. "Pipe and viol all call the dances" | — | ||
| 2-4 | The Black Knight, op. 25: Scene IV. "To the sumptuous banquet | — | ||
| 2-5 | Spanish Serenade, op. 23 | — | ||
| 2-6 | The Snow, op. 26 no. 1 | — | ||
| 2-7 | Fly, Singing Bird op. 26 no. 2 | — | ||
| 2-8 | Imperial March op. 32 | — | ||
| 2-9 | Triumphant March | — | ||
| 3-1 | The Light of Life op 29: 1. Meditation | — | ||
| 3-2 | The Light of Life op 29: 2. Seek Him that maketh the seven stars | — | ||
| 3-3 | The Light of Life op 29: 3. As Jesus passed by | — | ||
| 3-4 | The Light of Life op 29: 4. Be not extreme, O Lord | — | ||
| 3-5 | The Light of Life op 29: 5. Neither hath this man sinned | — | ||
| 3-6 | The Light of Life op 29: 6. Light out of darkness | — | ||
| 3-7 | The Light of Life op 29: 7. And when He had thus spoken | — | ||
| 3-8 | The Light of Life op 29: 8. Doubt not thy Father's care! | — | ||
| 3-9 | The Light of Life op 29: 9. He went his way therefore | — | ||
| 3-10 | The Light of Life op 29: 10. As a spirit didst Thou pass before mine eyes | — | ||
| 3-11 | The Light of Life op 29: 11. They brought him to the Pharisees | — | ||
| 3-12 | The Light of Life op 29: 12. Thou only hast the words of life | — | ||
| 3-13 | The Light of Life op 29: 13. But the Jews did not believe | — | ||
| 3-14 | The Light of Life op 29: 14. Woe to the shepherds of the flock | — | ||
| 3-15 | The Light of Life op 29: 15. Jesus heard that they had cast him out | — | ||
| 3-16 | The Light of Life op 29: 15. (sic) I am the Good Shepherd | — | ||
| 3-17 | The Light of Life op 29: 16. Light of the World, we know Thy praise | — | ||
| 4-1 | Caractacus, op. 35: Scene I. "Watchmen, Alert!" (British Host) | — | ||
| 4-2 | Caractacus, op. 35: Scene I. "Watchmen, Alert! The king is here" (Caractacus, Sentries) | — | ||
| 4-3 | Caractacus, op. 35: Scene I. "Father! Sire and king" (Eigen, Caractacus, Orbin, Sentries) | — | ||
| 4-4 | Caractacus, op. 35: Scene I. "At eve to the Greenwood" (Eigen) | — | ||
| 4-5 | Caractacus, op. 35: Scene I. "On the ocean and the river" (Orbin, Caractacus, Eigen) | — | ||
| 4-6 | Caractacus, op. 35: Scene I. "Rest, weary monarch" (Sprits of the Hill, Sentries) | — | ||
| 4-7 | Caractacus, op. 35: Scene II. "Tread the mystic circle around" (Arch-Druid, Druids, Druid Maidens) | — | ||
| 4-8 | Caractacus, op. 35: Scene II. "Lord of Dread" (Arch-Druid, Orbin, Druids, Druid Maidens, Caractacus) | — | ||
| 4-9 | Caractacus, op. 35: Scene II. "Bard, What read Ye?" (Caractacus, Soldiers, Arch-Druid, Orbin) | — | ||
| 4-10 | Caractacus, op. 35: Scene II. "Leap to the light" (Caractacus, Soldiers, Arch-Druid, Orbin) | — | ||
| 4-11 | Caractacus, op. 35: Scene II. "Hence, ere the Druid's wrath is woke" (Druids, Druid Maidens, Orbin, Soldiers) | — | ||
| 4-12 | Caractacus, op. 35: Scene III. Introduction (Woodland Interlude) | — | ||
| 4-13 | Caractacus, op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens) | — | ||
| 4-14 | Caractacus, op. 35: Scene III. "O'er-arched by leaves" (Eigen, Orbin) | — | ||
| 4-15 | Caractacus, op. 35: Scene III. "Last night beneath sacred oak" (Orbin) | — | ||
| 4-16 | Caractacus, op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens, Orbin, Eigen) | — | ||
| 4-17 | Caractacus, op. 35: Scene IV. "Wild rumours shake our calm retreat" (Maidens) | — | ||
| 4-18 | Caractacus, op. 35: Scene IV. "When the glow of the evening had died" (Eigen, Maidens) | — | ||
| 4-19 | Caractacus, op. 35: Scene IV. "We were gather'd by the river" (Soldiers) | — | ||
| 4-20 | Caractacus, op. 35: Scene IV. "O my soldiers, tell me truly" (Caractacus, Soldiers) | — | ||
| 5-1 | Caractacus, op. 35: Scene V. "Captive Britons, see them!" (Druid Maidens, A Bard) | — | ||
| 5-2 | Caractacus, op. 35: Scene VI. The march triumphal thunders (chorus) | — | ||
| 5-3 | Caractacus, op. 35: Scene VI. "Unbind his hands" (Claudius) | — | ||
| 5-4 | Caractacus, op. 35: Scene VI. "Heap torment upon torment" (Caractacus, Eigen, Orbin) | — | ||
| 5-5 | Caractacus, op. 35: Scene VI. "Slay, slay the Briton" (Roman Citizens, Claudius) | — | ||
| 5-6 | Caractacus, op. 35: Scene VI. "I plead not for myself" (Caractacus, Orbin, Eigen, Roman Citizens, Claudius) | — | ||
| 5-7 | Caractacus, op. 35: Scene VI. "Grace from the Roman!" (Eigen, Claudius, Orbin, Caractacus) | — | ||
| 5-8 | Caractacus, op. 35: Scene VI. "The clang of arms is over (chorus) | — | ||
| 5-9 | Coronation March, op. 65 | — | ||
| 5-10 | Variations on an Original Theme "Enigma", op. 36: Theme | — | ||
| 5-11 | Variations on an Original Theme "Enigma", op. 36: 1. C.A.E. (the composer's... | — | ||
| 5-12 | Variations on an Original Theme "Enigma", op. 36: 2. H.D.S.-P. (Hew David S... | — | ||
| 5-13 | Variations on an Original Theme "Enigma", op. 36: 3. R.B.T. (Richard Baxter... | — | ||
| 5-14 | Variations on an Original Theme "Enigma", op. 36: 4. W.M.B. (William Meath ... | — | ||
| 5-15 | Variations on an Original Theme "Enigma", op. 36: 5. R.P.A. (Richard Penros... | — | ||
| 5-16 | Variations on an Original Theme "Enigma", op. 36: 6. Ysobel (Isabel Fitton) | — | ||
| 5-17 | Variations on an Original Theme "Enigma", op. 36: 7. Troyte (Troyte Griffith) | — | ||
| 5-18 | Variations on an Original Theme "Enigma", op. 36: 8. W.N. (Winifred Norbury) | — | ||
| 5-19 | Variations on an Original Theme "Enigma", op. 36: 9 Nimrod (A.J. Jaeger) | — | ||
| 5-20 | Variations on an Original Theme "Enigma", op. 36: 10. Intermezzo: Dorabella... | — | ||
| 5-21 | Variations on an Original Theme "Enigma", op. 36: 11. G.R.S. (George Robert... | — | ||
| 5-22 | Variations on an Original Theme "Enigma", op. 36: 12. B.G.N. (Basil G. Nevi... | — | ||
| 5-23 | Variations on an Original Theme "Enigma", op. 36: 13. Romanza: *** (Lady Ma... | — | ||
| 5-24 | Variations on an Original Theme "Enigma", op. 36: 14 Finale: E.D.U. (the co... | — | ||
| 6-1 | Violin Concerto in B minor, op. 61: 1. Allegro | — | ||
| 6-2 | Violin Concerto in B minor, op. 61: 2. Andante | — | ||
| 6-3 | Violin Concerto in B minor, op. 61: 3. Allegro molto - Cadenza (accompagnata:... | — | ||
| 6-4 | Military Marches, op. 39 "Pomp and Circumstance": No. 1 in D major | — | ||
| 6-5 | Military Marches, op. 39 "Pomp and Circumstance": No 4 in G major | — | ||
| 7-1 | A Song of Summer | — | ||
| 7-2 | Eventyr (Once Upon a Time) | — | ||
| 7-3 | A Dance Rhapsody no. 1 | — | ||
| 7-4 | Paris: A Nocturne (The Song of a Great City) | — | ||
| 8-1 | Lebenstanz (Life's Dance) | — | ||
| 8-2 | North Country Sketches, RT VI/20: I. Autumn. The Wind Soughs in the Trees | Royal Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-3 | North Country Sketches, RT VI/20: II. Winter Landscape (Slow) | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-4 | North Country Sketches, RT VI/20: III. Dance (Mazurka Tempo) | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 8-5 | North County Sketches: IV. The March Of Spring. Woodlands, Meadows and Silent... | — | ||
| 8-6 | Sea Drift: Once Paumanok | — | ||
| 8-7 | Sea Drift: Shine! Shine! Shine! | — | ||
| 8-8 | Sea Drift: Till Of A Sudden | — | ||
| 8-9 | Sea Drift: Blow! Blow! Blow! | — | ||
| 8-10 | Sea Drift: Yes, My Brother Stars! | — | ||
| 8-11 | Sea Drift: O Rising Stars! | — | ||
| 8-12 | Sea Drift: O Reckless Despairing Carols | — | ||
| 8-13 | Sea Drift: O Past! O Happy Life! | — | ||
| 8-14 | Cynara | — | ||
| 9-1 | Song of Sunset: A song of the setting sun! (Quietly) | — | ||
| 9-2 | Song of Sunset: Cease smiling, Dear! (With easy movement) | — | ||
| 9-3 | Song of Sunset: Pale amber sunlight falls (Slow) | — | ||
| 9-4 | Song of Sunset: Exceeding sorrow consumeth my sad heart! (Con tristezza. Not too slow) | — | ||
| 9-5 | Song of Sunset: By the sad waters of separation (With quiet movement) | — | ||
| 9-6 | Song of Sunset: See how the trees (Freshly) | — | ||
| 9-7 | Song of Sunset: I was not sorrowful (Very quietly but not too slow) | — | ||
| 9-8 | Song of Sunset: They are not long (Quietly) | — | ||
| 9-9 | An Arabesque | — | ||
| 9-10 | A Mass of Life, Part 1: I. O du mein Wille! (Animato, con fervore) | — | ||
| 9-11 | A Mass of Life, Part 1: II. Erhebt eure Herzen (Recit: Animoso, con alcuna licenza) | — | ||
| 9-12 | A Mass of Life, Part 1: III. In dein Auge schaute ich jüngst (Andante tranquillo con dolcezza) | — | ||
| 9-13 | A Mass of Life, Part 1: IV. Wehe mir! (Agitato ma moderato) | — | ||
| 9-14 | A Mass of Life, Part 1: V. Nacht ist est (Andante molto tranquillo) | — | ||
| 10-1 | A Mass of Life, Part 2: Auf den Bergen (On the Mountains) (Andante) | — | ||
| 10-2 | A Mass of Life, Part 2: I. Herauf! nun herauf (Con elevazione e vigore) | — | ||
| 10-3 | A Mass of Life, Part 2: II. Suße Leier! (Andante) | — | ||
| 10-4 | A Mass of Life, Part 2: III. Lento | — | ||
| 10-5 | A Mass of Life, Part 2: La la la | — | ||
| 10-6 | A Mass of Life, Part 2: IV. Heißer Mittag schläft (Lento molto) | — | ||
| 10-7 | A Mass of Life, Part 2: V. Gottes Weh ist tiefer (Allegro ma non troppo, con gravità) | — | ||
| 10-8 | A Mass of Life, Part 2: VI. Kommt! Laßt uns jetzo wandeln! (Largo, con solennità) | — | ||
| 11-1 | Koanga, RT I/4, Prologue: "Ha, ha, ha … Stop! Stop! I am quite out of breath" (Chorus, Planters' Daughters, Uncle Joe) | — | ||
| 11-2 | Koanga, RT I/4, Act 1: "Oh! I cannot sleep" (Palmyra, Simon Perez, The Slaves) | — | ||
| 11-3 | Koanga, RT I/4, Act 1: "Ah! There's Palmyra" (Simon Perez, Palmyra, The Slaves) | — | ||
| 11-4 | Koanga, RT I/4, Act 1: "But here comes Martinez" (Simon Perez, The Slaves, Don José Martinez, Palmyra) | — | ||
| 11-5 | Koanga, RT I/4, Act 1: "O Voodoo Manian, my fathers from your graves avenge me" (Koanga, Palmyra, Don José, Simon Perez) | — | ||
| 11-6 | Koanga, RT I/4, Act 1: "If you agree to work with us, Koanga" (Palmyra, Koanga, Don José, Simon Perez, The Slaves) | — | ||
| 11-7 | Koanga, RT I/4, Act 1: "Agreed then, that's a bargain!" (Don José, Simon Perez, Clotilda, Palmyra, Koanga) | — | ||
| 11-8 | Koanga, RT I/4, Act 1: "Oh gentle mistress, how gladly I served you" (Palmyra, Clotilda, Don José, Koanga, Simon Perez, The Slaves) | — | ||
| 11-9 | Koanga, RT I/4, Act 2: "Now once in a way we are free for a day" (The Slaves) | — | ||
| 11-10 | Koanga, RT I/4, Act 2: "He will meet her when the sun goes down" (The Slaves, Clotilda, Simon Perez) | — | ||
| 11-11 | Koanga, RT I/4, Act 2: "How time flows on!" (Palmyra, Simon Perez, Clotilda, The Slaves) | — | ||
| 11-12 | Koanga, RT I/4, Act 2: "The hour is near, when I to him my soul surrender" (Palmyra, The Slaves, Don José) | — | ||
| 11-13 | Koanga, RT I/4, Act 2: "Far, far away, Palmyra, my people mourn for me" (Koanga, The Slaves, Clotilda, Simon Perez) | — | ||
| 11-14 | Koanga, RT I/4, Act 2: La Calinda, "Hail to thee, mighty Prince!" (Palmyra, The Slaves, Koanga, Don José) | — | ||
| 11-15 | Koanga, RT I/4, Act 2: "Where is Palmyra?" (Koanga, Don José) | — | ||
| 11-16 | Koanga, RT I/4, Act 2: "Hear me, God Voodoo. I have betrayed my trust" (Koanga) | — | ||
| 12-1 | Koanga, RT I/4, Act 3: Introduction. Lento molto tranquillo - | — | ||
| 12-2 | Koanga, RT I/4, Act 3: "Ah! Ah! … Onyame! Onyame! … Hougan, Hougan, Koanga comes" (The Slaves, Rangwan) | — | ||
| 12-3 | Koanga, RT I/4, Act 3: "Come tell me, Rangwan, holy priest" (Koanga, Rangwan, The Slaves) | — | ||
| 12-4 | Koanga, RT I/4, Act 3: Dance. Furioso - "See, he prays! Voodoo must hear him" (The Slaves) | — | ||
| 12-5 | Koanga, RT I/4, Act 3: "Sick and pale the sun sinks down" (The Slaves) | — | ||
| 12-6 | Koanga, RT I/4, Act 3: "Ah! I hear Palmyra's voice" (Palmyra, Koanga, The Slaves) | — | ||
| 12-7 | Koanga, RT I/4, Act 3: "Fools you are to weep and wail!" (Don José, The Slaves) | — | ||
| 12-8 | Koanga, RT I/4, Act 3: "Ah! Tell me where Koanga is!" (Palmyra, Simon Perez) | — | ||
| 12-9 | Koanga, RT I/4, Act 3: "Koanga! … Now, by the seven times seven plagues" (Simon Perez, Koanga, Palmyra) | — | ||
| 12-10 | Koanga, RT I/4, Act 3: "I cannot bear the sight!" (Palmyra, Koanga) | — | ||
| 12-11 | Koanga, RT I/4, Act 3: "My lord Koanga dead!" (Palmyra) | — | ||
| 12-12 | Koanga, RT I/4, Act 3: Lento - Molto moderato e tranquillo | — | ||
| 12-13 | Koanga, RT I/4, Epilogue: "How sad, Uncle Joe, that she should die" (Renée, Hélène, Jeanne, Aurore, Olive, Paulette) | — | ||
| 12-14 | A Song of the High Hills, RT II/6: With quiet easy movement - Tranquillo - | — | ||
| 12-15 | A Song of the High Hills, RT II/6: Very slow (The wide, far distance - The great solitude) - Slow and solemnly - | — | ||
| 12-16 | A Song of the High Hills, RT II/6: In Tempo - | — | ||
| 12-17 | A Song of the High Hills, RT II/6: Very quietly - Tempo primo | — | ||
| 13-1 | Hugh the Drover: Act I, I. Buy, buy, buy | — | ||
| 13-2 | Hugh the Drover: Act I, II. Cold blows the wind on Cotsall | — | ||
| 13-3 | Hugh the Drover: Act I, III. As I was a-walking | — | ||
| 13-4 | Hugh the Drover: Act I, IV. Show me a richer man | — | ||
| 13-5 | Hugh the Drover: Act I, V. Here come the Morris men | — | ||
| 13-6 | Hugh the Drover: Act I, VI. Life must be full of care | — | ||
| 13-7 | Hugh the Drover: Act I, VII. Sweet little linnet that longs to be free | — | ||
| 13-8 | Hugh the Drover: Act I, VIII. Horse-hoofs, horse-hoofs, thunder down the valleys | — | ||
| 13-9 | Hugh the Drover: Act I, IX. In the night-time I have seen you riding | — | ||
| 13-10 | Hugh the Drover: Act I, X. Mary! Mary! | — | ||
| 13-11 | Hugh the Drover: Act I, XI. Oh! The devil and Bonyparty | — | ||
| 13-12 | Hugh the Drover: Act I, XII. Yes, I! | — | ||
| 13-13 | Hugh the Drover: Act I, XIII. Are you ready? Go! | — | ||
| 13-14 | Hugh the Drover: Act I, XIV. The drover's won! | — | ||
| 13-15 | Hugh the Drover: Act I, XV. I tell you there's a price on this man's head | — | ||
| 14-1 | Hugh the Drover: Act II, I. Past four o'clock | — | ||
| 14-2 | Hugh the Drover: Act II, II. Gaily I go to die | — | ||
| 14-3 | Hugh the Drover: Act II, III. Hugh!...Mary! | — | ||
| 14-4 | Hugh the Drover: Act II, IV. Sweet little home | — | ||
| 14-5 | Hugh the Drover: Act II, V. Where's she gone to? | — | ||
| 14-6 | Hugh the Drover: Act II, VI. Here, queen uncrowned | — | ||
| 14-7 | Hugh the Drover: Act II, VII. A trollop from the stocks | — | ||
| 14-8 | Hugh the Drover: Act II, VIII. Dropped from the ranks on a winter's night | — | ||
| 14-9 | Hugh the Drover: Act II, IX. March away, John! | — | ||
| 14-10 | Hugh the Drover: Act II, X. O foolish girl, O radiant soul! | — | ||
| 14-11 | Hugh the Drover: Act II, XI. Oh! the sky shall be our roof | — | ||
| 15-1 | The Hymn of Jesus, op. 37 H140: Prelude: Vexilla Regis prodeunt | — | ||
| 15-2 | The Hymn of Jesus, op. 37 H140: Hymn: Glory to thee, Father! | — | ||
| 15-3 | The Hymn of Jesus, op. 37 H140: Hymn: Fain would I be saved | — | ||
| 15-4 | The Hymn of Jesus, op. 37 H140: Hymn: Divine Grace is dancing | — | ||
| 15-5 | The Hymn of Jesus, op. 37 H140: Hymn: Give ye heed unto my dancing | — | ||
| 15-6 | Short Festival Te Deum, H145 | — | ||
| 15-7 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: I. To Varuna (God of the Waters) | — | ||
| 15-8 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: II. To Agni (God of Fire) | — | ||
| 15-9 | Hymns from the Rig Veda – 2nd Group, op. 26 no. 2 H98: III. Funeral Chant | — | ||
| 15-10 | Ode to Death, op. 38, H144 | — | ||
| 15-11 | Two Songs without Words. no. 2. Marching Song | — | ||
| 15-12 | Dawn Patrol (from the film Coastal Command) | — | ||
| 16-1 | Symphony no. 8 in B-flat minor: [Moderato] | — | ||
| 16-2 | Symphony no. 8 in B-flat minor: [Fig 19 - Andante moderato sempre cantabile] | — | ||
| 16-3 | Symphony no. 8 in B-flat minor: [Fig 27 - Allegro moderato] | — | ||
| 16-4 | Symphony no. 8 in B-flat minor: [Fig 37 - Lento e molto teneramente] | — | ||
| 16-5 | Symphony no. 8 in B-flat minor: [Fig 43 - Passacaglia I] | — | ||
| 16-6 | Symphony no. 8 in B-flat minor: [Fig 54 - Passacaglia II] | — | ||
| 16-7 | Symphony no. 9 in A minor: I. Adagio - Allegro moderato - Allegro vivo | — | ||
| 16-8 | Symphony no. 9 in A minor: II. Adagio | — | ||
| 16-9 | Symphony no. 9 in A minor: III. Allegro moderato | — | ||
| 17-1 | The Sea: I. Seascape. Allegro ben moderato | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | — | |
| 17-2 | The Sea: II. Sea-foam. Allegro vivo | — | ||
| 17-3 | The Sea: III. Moonlight. Allegro ma non troppo | — | ||
| 17-4 | The Sea: IV. Storm. Allegro energico | — | ||
| 17-5 | Summer | — | ||
| 17-6 | Cherry Ripe | — | ||
| 17-7 | Enter Spring | — | ||
| 17-8 | Lament | — | ||
| 18-1 | Morning Heroes: I. Hector's Farewell to Andromache (The Iliad) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-2 | Morning Heroes: II. The City's Arming (Walt Whitman) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-3 | Morning Heroes: III. Vigil (Li-Tai-Po) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-4 | Morning Heroes: III. The Bivouac's Flame (Whitman) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-5 | Morning Heroes: IV. Achilles Goes Forth to Battle (The Illiad) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-6 | Morning Heroes: IV. The Heroes | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | T-070.204.289-4 | |
| 18-7 | Morning Heroes: V. Now Trumpeter for Thy Close: Spring Offensive (Wilfred Owen) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-8 | Morning Heroes: V. Now Trumpeter for Thy Close: Dawn on the Somme (Robert Nichols) | John Westbrook, Royal Liverpool Philharmonic Choir, Orchestra, Sir Charles Groves | — | |
| 18-9 | Processional | — | ||
| 19-1 | A Colour Symphony: 1. Purple: Andante maestoso | — | ||
| 19-2 | A Colour Symphony: 2. Red: Allegro vivace | — | ||
| 19-3 | A Colour Symphony: 3. Blue: Gently flowing | — | ||
| 19-4 | A Colour Symphony: 4. Green: Moderato | — | ||
| 19-5 | Things to Come: Prologue | — | ||
| 19-6 | Things to Come: Ballet for Children | — | ||
| 19-7 | Things to Come: Attack | — | ||
| 19-8 | Things to Come: March | — | ||
| 19-9 | Things to Come: The World in Ruins | — | ||
| 19-10 | Things to Come: The Building of the New World - | — | ||
| 19-11 | Things to Come: Attack on the Moon Gun - | — | ||
| 19-12 | Things to Come: Epilogue | — | ||
| 19-13 | The Young Person's Guide to the Orchestra: Theme | — | ||
| 19-14 | The Young Person's Guide to the Orchestra: A. Flutes and piccolo | — | ||
| 19-15 | The Young Person's Guide to the Orchestra: B. Oboes - Lento | — | ||
| 19-16 | The Young Person's Guide to the Orchestra: C. Clarinets - Moderato | — | ||
| 19-17 | The Young Person's Guide to the Orchestra: D. Bassons - Allegro alla marcia | — | ||
| 19-18 | The Young Person's Guide to the Orchestra: E. Violins - Brillante: all polacca | — | ||
| 19-19 | The Young Person's Guide to the Orchestra: F. Violas - Meno mosso | — | ||
| 19-20 | The Young Person's Guide to the Orchestra: G. Cellos | — | ||
| 19-21 | The Young Person's Guide to the Orchestra: H. Double basses - Comminciando lento ma poco a poco accelerando al allegro | — | ||
| 19-22 | The Young Person's Guide to the Orchestra: I. Harp - Maestoso | — | ||
| 19-23 | The Young Person's Guide to the Orchestra: J. Horns - L'istesso tempo | — | ||
| 19-24 | The Young Person's Guide to the Orchestra: K. Trumpets - Vivace | — | ||
| 19-25 | The Young Person's Guide to the Orchestra: L. Trombones & bass tuba - Allegro pomposo | — | ||
| 19-26 | The Young Person's Guide to the Orchestra: M. Percussion - Moderato | — | ||
| 19-27 | The Young Person's Guide to the Orchestra: Fugue: Allegro molto | — | ||
| 20-1 | 'Spitfire' Prelude and Fugue: Prelude | — | ||
| 20-2 | 'Spitfire' Prelude and Fugue: Fugue | — | ||
| 20-3 | Scapino - Comedy Overture | — | ||
| 20-4 | Crown Imperial - Coronation March (1937) | — | ||
| 20-5 | Orb and Sceptre - Coronation March (1953) | — | ||
| 20-6 | Johannesburg Festival Overture | — | ||
| 20-7 | Capriccio Burlesco | — | ||
| 20-8 | Funeral March From 'Hamlet' | — | ||
| 20-9 | Prelude: 'Richard III' | — | ||
| 20-10 | A Shakespeare Suite From 'Richard III': I. Fanfare | — | ||
| 20-11 | A Shakespeare Suite From 'Richard III': II. Music Plays | — | ||
| 20-12 | A Shakespeare Suite From 'Richard III': III. The Princes in the Tower | — | ||
| 20-13 | A Shakespeare Suite From 'Richard III': IV. With Drum and Colours | — | ||
| 20-14 | A Shakespeare Suite From 'Richard III': V. I Would I Knew Thy Heart | — | ||
| 20-15 | A Shakespeare Suite From 'Richard III': VI. Trumpets Sound | — | ||
| 21-1 | Hamlet and Ophelia, A Poem for Orchestra | — | ||
| 21-2 | Henry V Suite: I. Prelude: The Globe Playhouse | — | ||
| 21-3 | Henry V Suite: II. Passacaglia: The Death of Falstaff | — | ||
| 21-4 | Henry V Suite: III. Charge and Battle | — | ||
| 21-5 | Henry V Suite: IV. Touch her soft lips and part | — | ||
| 21-6 | Henry V Suite: V. Agincourt Song | — | ||
| 21-7 | On the Quarter Deck (March) | — | ||
| 21-8 | March Past of the Royal Air Force | — | ||
| 21-9 | Fantasia on British Sea Songs Horn Pipe | — | ||
| 21-10 | The British Grenadiers | — | ||
| 21-11 | Rule Britannia | — | ||
| 21-12 | The Dam Busters March | — | ||
| 21-13 | The Three Bears (Phantasy) | — | ||
| 21-14 | Cinderella (Phantasy) | — | ||
| 22-1 | By the Sleepy Lagoon (Valse-serenade) | — | ||
| 22-2 | From Meadow to Mayfair (Suite). I. In the Country (Rustic Dance) | — | ||
| 22-3 | From Meadow to Mayfair (Suite). II. A Song by the Way (Romance) | — | ||
| 22-4 | From Meadow to Mayfair (Suite). III. Evening in Town (Valse) | — | ||
| 22-5 | The Three Elizabeths (Suite) Springtime in Angus (Elizabeth of Glamis) | — | ||
| 22-6 | The Dam Busters (March) | — | ||
| 22-7 | Wood Nymphs (Valsette) | — | ||
| 22-8 | Music Everywhere (Rediffusion March) | — | ||
| 22-9 | Saxo-Rhapsody | — | ||
| 22-10 | Summer Days (Suite) At the Dance | — | ||
| 22-11 | London (London Everyday) (Suite). I. Covent Garden (Tarantelle) | — | ||
| 22-12 | London (London Everyday) (Suite). II. Westminster (Meditation) | — | ||
| 22-13 | London (London Everyday) (Suite). III. Knightsbridge (March) | — | ||
| 22-14 | London Again (Suite). I. Oxford Street (Suite) | — | ||
| 22-15 | London Again (Suite). II. Langham Place (Élégie) | — | ||
| 22-16 | London Again (Suite). III. Mayfair (Valse) | — | ||
| 23-1 | Symphony in E "Irish": I. Andante Allegro, ma non troppo vivace | — | ||
| 23-2 | Symphony in E "Irish": II. Andante espressivo | — | ||
| 23-3 | Symphony in E "Irish": III. Allegretto | — | ||
| 23-4 | Symphony in E "Irish": IV. Allegro vivace e con brio | — | ||
| 23-5 | H.M.S. Pinafore (Overture) | — | ||
| 23-6 | Patience (Overture) | — | ||
| 23-7 | Iolanthe (Overture) | — | ||
| 23-8 | The Mikado (Overture) | — | ||
| 23-9 | The Yeomen of the Guard (Overture) | — | ||
| 23-10 | The Gondoliers (Overture) | — | ||
| 24-1 | Overture di Ballo (1870) | — | ||
| 24-2 | English Dances. Set 1 op. 27. I. Andantino | — | ||
| 24-3 | English Dances. Set 1 op. 27. II. Vivace | — | ||
| 24-4 | English Dances. Set 1 op. 27. III. Mesto | — | ||
| 24-5 | English Dances. Set 1 op. 27. IV. Allegro risoluto | — | ||
| 24-6 | English Dances. Set 2 op. 33. V. Allegro non troppo | — | ||
| 24-7 | English Dances. Set 2 op. 33. VI. Con brio | — | ||
| 24-8 | English Dances. Set 2 op. 33. VII. Grazioso | — | ||
| 24-9 | English Dances. Set 2 op. 33. VIII. Giubiloso-Lento e maestoso | — | ||
| 24-10 | Symphony no. 2 op. 40. I. Allegro | — | ||
| 24-11 | Symphony no. 2 op. 40. II. Vivace | — | ||
| 24-12 | Symphony no. 2 op. 40. III. Lento | — | ||
| 24-13 | Symphony no. 2 op. 40. IV. Allegro con brio | — | ||
| 24-14 | Henry V (Suite). IV. Touch her soft lips and part | — | ||
| 24-15 | Henry V (Suite). V. Agincourt Song | — |
