UPC · Release
Tosca
Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Orchestra, Coro del Teatro alla Scala di Milano, Victor de Sabata
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0825646341030 is the Universal Product Code (UPC barcode) for the release “Tosca” by Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Orchestra, Coro del Teatro alla Scala di Milano, Victor de Sabata, released 2014-09-22. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include GBAYC9701971.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tosca: Act I. “Ah! Finalmente!” (Angelotti, Cavaradossi) | — | ||
| 2 | Tosca: Act I. “Dammi i colori! … Recondita armonia” (Cavaradossi) | — | ||
| 3 | Tosca: Act I. “Gente là dentro!” (Cavaradossi, Angelotti, Tosca) | — | ||
| 4 | Tosca: Act I. “Mario!” (Tosca, Cavaradossi) | — | ||
| 5 | Tosca: Act I. “Ah, quegli occhi … Quale occhio al mondo può di paro” (Tosca, Cavaradossi) | — | ||
| 6 | Tosca: Act I. “È buona la mia Tosca” (Cavaradossi, Angelotti) | — | ||
| 7 | Tosca: Act I. “Un tal baccano in chiesa!” (Scarpia) | — | ||
| 8 | Tosca: Act I. “Tutto è chiaro … Tosca? Che non mi veda … Mario ! Mario !” (Scarpia, Tosca) | — | ||
| 9 | Tosca: Act I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia) | — | ||
| 10 | Tosca: Act I. “Tre sbirri, una carrozza” (Scarpia) | — | ||
| 2-1 | Tosca: Act II. “Tosca è un buon falco” (Scarpia) | — | ||
| 2-2 | Tosca: Act II. “Ha più forte” (Scarpia) | — | ||
| 2-3 | Tosca: Act II. “Meno male!” (Scarpia, Cavaradossi) | — | ||
| 2-4 | Tosca: Act II. “Dov’è dunque Angelotti?” (Scarpia, Cavaradossi, Tosca) | — | ||
| 2-5 | Tosca: Act II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca, Cavaradossi) | — | ||
| 2-6 | Tosca: Act II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi) | — | ||
| 2-7 | Tosca: Act II. “Nel pozzo … Del giardino” (Scarpia, Cavaradossi, Tosca) | — | ||
| 2-8 | Tosca: Act II. “Se la giurata” (Scarpia, Tosca) | — | ||
| 2-9 | Tosca: Atto II. “Vissi d'arte” (Tosca) | Maria Callas, Orchestra del Teatro alla Scala di Milano, Victor de Sabata | T-005.000.838-2 | |
| 2-10 | Tosca: Act II. “Vedi, ecco, vedi” (Tosca, Scarpia) | — | ||
| 2-11 | Tosca: Act II. “E qual via scegliete?” (Scarpia, Tosca) | — | ||
| 2-12 | Tosca: Act III. “Io de’ sospiri” | — | ||
| 2-13 | Tosca: Act III. “Mario Cavaradossi?” (Cavaradossi) | — | ||
| 2-14 | Tosca: Act III. “E lucevan le stelle” (Cavaradossi) | — | ||
| 2-15 | Tosca: Act III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca) | — | ||
| 2-16 | Tosca: Act III. “O dolci mani” (Cavaradossi, Tosca) | — | ||
| 2-17 | Tosca: Act III. “E non giungono” (Tosca, Cavaradossi) | — | ||
| 2-18 | Tosca: Act III. “Com’è lunga l’attesa!” (Tosca) | — | ||
| 2-19 | Tosca: Act III. “Presto! su, Mario! Andiamo! Andiamo!, Su!” (Tosca) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Credits Graph
People also ask
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What is UPC 0825646341030?
0825646341030 is a Universal Product Code (UPC) assigned to Tosca by Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Orchestra, Coro del Teatro alla Scala di Milano, Victor de Sabata. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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