UPC · Release
Various Artists
Last verified:
0825646441815 is the Universal Product Code (UPC barcode) for the release “Erato – 50 CD Collection” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 750 tracks, each with its own ISRC. Tracks include FRZ200900063, FRZ200900064, FRZ200900065.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in B-Flat: Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Trumpet Concerto in B-flat major: II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Concerto in B-Flat: Andante | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Concerto in B-Flat: Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Trumpet Concerto in D major: I. Allegro moderato | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Trumpet Concerto in D major: II. Andante | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Trumpet Concerto in D major: III. Allegro grazioso | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): I. Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): III. Sarabande. Largo | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Trumpet Concerto in D major, TWV 51:D7: I. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 13 | Trumpet Concerto in D major, TWV 51:D7: II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14 | Trumpet Concerto in D major, TWV 51:D7: III. Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15 | Trumpet Concerto in D major, TWV 51:D7: IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16 | Trumpet Concerto in D major: I. Allegro | — | ||
| 17 | Trumpet Concerto in D major: II. Adagio | — | ||
| 18 | Trumpet Concerto in D major: III. Allegro | — | ||
| 19 | Trumpet Concerto in B flat major: I. Allegro | — | ||
| 20 | Trumpet Concerto in B flat major: II. Largo | — | ||
| 21 | Trumpet Concerto in B flat major: III. Allegro | — | ||
| 22 | Trumpet Sonata in D major: I. Moderato | — | ||
| 23 | Trumpet Sonata in D major: II. Largo | — | ||
| 24 | Trumpet Sonata in D major: III. Vivace | — | ||
| 2-1 | Orchestral Suite No. 3 in D major, BWV 1068: I. Ouverture. Vite | — | ||
| 2-2 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Amsterdam Baroque Orchestra, Ton Koopman | T-914.248.874-2 | |
| 2-3 | Orchestral Suite No. 3 in D major, BWV 1068: III. Gavotte I & II | — | ||
| 2-4 | Orchestral Suite No. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 2-5 | Orchestral Suite No. 3 in D major, BWV 1068: V. Gigue | — | ||
| 2-6 | Orchestral Suite No. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 2-7 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | — | ||
| 2-8 | Orchestral Suite No. 1 in C major, BWV 1066: III. Gavotte I & II | — | ||
| 2-9 | Orchestral Suite No. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 2-10 | Orchestral Suite No. 1 in C major, BWV 1066: V. Menuett I & II | — | ||
| 2-11 | Orchestral Suite No. 1 in C major, BWV 1066: VI. Bourrée I & II | — | ||
| 2-12 | Orchestral Suite No. 1 in C major, BWV 1066: VII. Passepied I & II | — | ||
| 2-13 | Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture. Lentement | — | ||
| 2-14 | Orchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 2-15 | Orchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 2-16 | Orchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrée I & II | — | ||
| 2-17 | Orchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 2-18 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Double | — | ||
| 2-19 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Menuett | — | ||
| 2-20 | Orchestral Suite No. 2 in B minor, BWV 1067: VIII. Badinerie | — | ||
| 2-21 | Orchestral Suite No. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 2-22 | Orchestral Suite No. 4 in D major, BWV 1069: II. Bourrée I & II | — | ||
| 2-23 | Orchestral Suite No. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 2-24 | Orchestral Suite No. 4 in D major, BWV 1069: IV. Menuett I & II | — | ||
| 2-25 | Orchestral Suite No. 4 in D major, BWV 1069: V. Réjouissance | — | ||
| 3-1 | Toccata and Fugue in D minor | Marie-Claire Alain | — | |
| 3-2 | Toccata and Fugue in D minor, BWV 565: II. Fugue | — | ||
| 3-3 | Toccata and Fugue in C major, BWV 564: I. Toccata | — | ||
| 3-4 | Toccata and Fugue in C major, BWV 564: II. Adagio | — | ||
| 3-5 | Toccata and Fugue in C major, BWV 564: III. Fugue | — | ||
| 3-6 | Orgelbüchlein: X. "In dulci Jubilo", BWV 608 | — | ||
| 3-7 | Orgelbüchlein: XII. "Jesu, meine Freude", BWV 610 | — | ||
| 3-8 | Orgelbüchlein: XVII. "In dir ist Freude", BWV 615 | — | ||
| 3-9 | Orgelbüchlein: XXXXIII. "Ich ruf zu dir, Herr Jesu Christ", BWV 639 | — | ||
| 3-10 | Concerto in A minor, BWV 593: I. Allegro | — | ||
| 3-11 | Concerto in A minor, BWV 593: II. Adagio | — | ||
| 3-12 | Concerto in A minor, BWV 593: III. Allegro | — | ||
| 3-13 | Toccata and Fugue in D minor, BWV 538 "Dorian": I. Toccata | — | ||
| 3-14 | Toccata and Fugue in D minor, BWV 538 "Dorian": II. Fugue | — | ||
| 3-15 | Toccata and Fugue in C major, BWV 566: I. Toccata | — | ||
| 3-16 | Toccata and Fugue in C major, BWV 566: II. Fugue | — | ||
| 3-17 | Chorale "Nun komm, der Heiden Heiland", BWV 659 | — | ||
| 4-1 | Benvenuto Cellini, op. 23 : Overture | — | ||
| 4-2 | Le Carnaval romain, op. 9 | — | ||
| 4-3 | Les Francs‐juges, op. 3 : Overture | — | ||
| 4-4 | Le Corsaire, op. 21 | — | ||
| 4-5 | Les Troyens : Part 4 : Chasse royale et orage | — | ||
| 4-6 | Les Troyens : Part 4 : Ballet | — | ||
| 4-7 | Les Troyens : Part 3 : Marche troyenne | — | ||
| 5-1 | Carmen : Ouverture | Orchestre national de France, Lorin Maazel | T-900.143.514-9 | |
| 5-2 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » | Julia Migenes, Chœur de Radio France, Orchestre national de France, Lorin Maazel | T-305.625.648-1 | |
| 5-3 | Carmen : Acte I. Duo « Parle‐moi de ma mère ! » | Plácido Domingo, Faith Esham, Orchestre national de France, Lorin Maazel | — | |
| 5-4 | Carmen: Premier Acte. No. 9 Séquedille et duo: "Près des remparts de Séville" (Carmen, Don José) | — | ||
| 5-5 | Carmen: Deuxième Acte. No. 11 Chanson bohème: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercedes) | — | ||
| 5-6 | Carmen: Deuxième Acte. No. 13 Couplets: "Votre toast je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Morales, Zuniga, Chorus) | — | ||
| 5-7 | Carmen, Deuxième Acte. "La fleur que tu m'avais jetée" (Don José) | — | ||
| 5-8 | Carmen: Troisième Acte. Air: "Je dis que rien ne m'épouvante" (Micaëla) | — | ||
| 5-9 | Carmen: Quatrième Acte. Marche et chœur: "Les voici, Voici la quadrille des toreros" (Chorus, Escamillo, Carmen, Frasquita, Mercedes) | — | ||
| 5-10 | Carmen: Quatrième Acte. Duo et chœur final: "C'est toi? - C'est moi!" (Don José, Carmen, Chorus) 9:28 | — | ||
| 6-1 | Le Visage Nuptial: Conduite | BBC Symphony Orchestra, Pierre Boulez | — | |
| 6-2 | Le Visage Nuptial: Gravité (L'emmuré) | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 6-3 | Le Visage Nuptial: Le Visage nuptial | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 6-4 | Le Visage Nuptial: Evadne | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 6-5 | Le Visage Nuptial: Post-Scriptum | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 6-6 | Le Soleil des eaux: Complainte du lizard amoureaux | BBC Singers, Phyllis Bryn-Julson, BBC Symphony Orchestra, Pierre Boulez | T-800.171.064-2 | |
| 6-7 | Le Soleil des eaux: La Sorgue (Chanson pour Yvonne) | BBC Singers, Phyllis Bryn-Julson, BBC Symphony Orchestra, Pierre Boulez | T-800.171.064-2 | |
| 6-8 | Figures, Doubles, Prismes, 2ème version 1968 | BBC Symphony Orchestra, Pierre Boulez | — | |
| 7-1 | Trio for piano, violin & horn in E flat major, op. 40: I. Andante | — | ||
| 7-2 | Trio for piano, violin & horn in E flat major, op. 40: II. Scherzo | — | ||
| 7-3 | Trio for piano, violin & horn in E flat major, op. 40: III. Adagio mesto | — | ||
| 7-4 | Trio for piano, violin & horn in E flat major, op. 40: IV. Finale. Allegro con brio | — | ||
| 7-5 | Trio for piano, clarinet & cello in A minor, op. 114: I. Allegro | — | ||
| 7-6 | Trio for piano, clarinet & cello in A minor, op. 114: II. Adagio | — | ||
| 7-7 | Trio for piano, clarinet & cello in A minor, op. 114: III. Andante grazioso | — | ||
| 7-8 | Trio for piano, clarinet & cello in A minor, op. 114: IV. Allegro | — | ||
| 8-1 | Requiem: I. Introït | André Campra | — | |
| 8-2 | Requiem: II. Kyrie | André Campra | — | |
| 8-3 | Requiem: III. Graduel | André Campra | — | |
| 8-4 | Requiem: IV. Offertoire | André Campra | — | |
| 8-5 | Requiem: V. Sanctus | André Campra | — | |
| 8-6 | Requiem: VI. Agnus Dei | André Campra | — | |
| 8-7 | Requiem: VII. Post‐communion | André Campra | — | |
| 9-1 | Chants d'Auvergne: Bailèro (Series 1) | — | ||
| 9-2 | Chants d'Auvergne: Trois Bourrées: I. L'Aïo dè Rotso (Series 1) | — | ||
| 9-3 | Chants d'Auvergne: Trois Bourrées: Interlude 1 (Series 1) | — | ||
| 9-4 | Chants d'Auvergne: Trois Bourrées: II. Ound' onorèn gorda? (Series 1) | — | ||
| 9-5 | Chants d'Auvergne: Trois Bourrées: Interlude 2 (Series 1) | — | ||
| 9-6 | Chants d'Auvergne: Trois Bourrées: III. Obal din lou Limouzi (Series 1) | — | ||
| 9-7 | Chants d'Auvergne: L'Antouèno (Series 2) | — | ||
| 9-8 | Chants d'Auvergne: La Pastrouletta è lou Chibalié (Series 2) | — | ||
| 9-9 | Chants d'Auvergne: Deux Bourrées: I. N'aï pas iéu de mîo (Series 2) | — | ||
| 9-10 | Chants d'Auvergne: Deux Bourrées: Interlude (Series 2) | — | ||
| 9-11 | Chants d'Auvergne: Deux Bourrées: II. Lo calhé (Series 2) | — | ||
| 9-12 | Chants d'Auvergne: Malurous qu'o uno fenno (Series 3) | — | ||
| 9-13 | Chants d'Auvergne: Per l'èfon (Series 4) | — | ||
| 9-14 | Chants d'Auvergne: Quand z'eyro petitoune (Series 5) | — | ||
| 9-15 | Chants d'Auvergne: Là-haut, sur le rocher (Series 5) | — | ||
| 9-16 | Chants d'Auvergne: Hé! Beyla-z-y dau fé (Series 5) | — | ||
| 9-17 | Chants d'Auvergne: Lou diziou bé (Series 5) | — | ||
| 9-18 | Chants d'Auvergne: La Pastoura als camps (Series 1) | — | ||
| 9-19 | Chansons bourguignonnes du Pays de Beaune: Quand j'ai sôti de mon villaige | — | ||
| 9-20 | Chansons bourguignonnes du Pays de Beaune: Il était une fille, une fille d'honneur | — | ||
| 9-21 | Chansons bourguignonnes du Pays de Beaune: Le Pommier d'Août | — | ||
| 9-22 | Chansons bourguignonnes du Pays de Beaune: Noël | — | ||
| 9-23 | Chansons bourguignonnes du Pays de Beaune: Complainte de Notre Dame | — | ||
| 9-24 | Chansons bourguignonnes du Pays de Beaune: Aidieu, bargeire! | — | ||
| 10-1 | Médée, H491: Prologue: Overture | — | ||
| 10-2 | Médée, H491: Prologue: Passepied (Chorus) | — | ||
| 10-3 | Médée, H491: Acte I, Scène 6: "Que d'épais bataillons" (Chorus) | — | ||
| 10-4 | Médée, H491: Acte I, Scène 6: Rondeau des Corinthiens | — | ||
| 10-5 | Médée, H491: Acte I, Scène 6: "Quel bonheur suit la tendresse" (Corinthien, Argien) | — | ||
| 10-6 | Médée, H491: Acte I, Scène 6: "Que d'épais bataillons" (reprise) (Chorus) | — | ||
| 10-7 | Médée, H491: Acte I, Scène 6: Entr'acte | — | ||
| 10-8 | Médée, H491: Acte III, Scène 5-7: "Noires filles du Stix" (Médée) | — | ||
| 10-9 | Médée, H491: Acte III, Scène 5-7: "L'Enfer obéit à ta voix" (Chorus, Médée) | — | ||
| 10-10 | Médée, H491: Acte III, Scène 5-7: "Je voy le don fatal qu'exige ma rivale" (Médée, Chorus) | — | ||
| 10-11 | Médée, H491: Acte III, Scène 5-7: Premier Air pour les Démons | — | ||
| 10-12 | Médée, H491: Acte III, Scène 5-7: "Dieu du Cocyte et des Royaumes sombres" (Médée, Chorus) | — | ||
| 10-13 | Médée, H491: Acte III, Scène 5-7: Seconde entrée des Démons (Chorus, Médée) | — | ||
| 10-14 | In Nativitatem Domini Canticum, H416: Nuit | — | ||
| 10-15 | In Nativitatem Domini Canticum, H416: Réveil des bergers | — | ||
| 10-16 | In Nativitatem Domini Canticum, H416: Chorus pastorum. "Cœli aperti sunt" (Chorus) | — | ||
| 10-17 | In Nativitatem Domini Canticum, H416: Récit de l'Ange. "Nolite timere pastores" (L'Ange) | — | ||
| 10-18 | In Nativitatem Domini Canticum, H416: Chœur des anges. "Gloria in altissimis Deo" (Chorus) | — | ||
| 10-19 | Dido and Aeneas, Z626: Act I: Overture | — | ||
| 10-20 | Dido and Aeneas: Act I. "Shake the cloud from off your brow" (Belinda, chorus) | Sophie Marin-Degor, Les Arts Florissants, William Christie | — | |
| 10-21 | Dido and Aeneas: Act I. "Ah Belinda, I am press'd with torment" (Dido) | Véronique Gens, Les Arts Florissants, William Christie | — | |
| 10-22 | Dido and Aeneas: Act I. "Grief increases by concealing" (Belinda, Dido) - "When monarchs unite, how happy their state" (Chorus) | Véronique Gens, Sophie Marin-Degor, Les Arts Florissants, William Christie | — | |
| 10-23 | Dido and Aeneas: Act I. The Triumphing Dance | Les Arts Florissants, William Christie | — | |
| 10-24 | Dido and Aeneas: Act III, Scene I. "Come away" (Sailor, chorus) - The Sailor's Dance | Jean-Paul Fouchécourt, Les Arts Florissants, William Christie | — | |
| 10-25 | Dido and Aeneas: Act III, Scene I. The Witches' Dance | Les Arts Florissants, William Christie | — | |
| 10-26 | Dido and Aeneas: Act III, Scene II. "When I am laid in earth" (Dido) | Véronique Gens, Les Arts Florissants, William Christie | T-306.483.217-9 | |
| 11-1 | 9 leçons de ténèbres: Première leçon de ténèbres du Mercredi Saint, H120 | — | ||
| 11-2 | 9 leçons de ténèbres: Première leçon de ténèbres du Jeudi Saint, H121 | — | ||
| 11-3 | 9 leçons de ténèbres: Première leçon de ténèbres du Vendredi Saint, H121bis | — | ||
| 11-4 | 9 leçons de ténèbres: Troisième leçon de ténèbres du Mercredi Saint, H123 | — | ||
| 11-5 | 9 leçons de ténèbres: Troisième leçon de ténèbres du Jeudi Saint, H124 | — | ||
| 12-1 | String Quartet in C minor, op. 35: I. Grave | — | ||
| 12-2 | String Quartet in C minor, op. 35: II. Très calme | — | ||
| 12-3 | String Quartet in C minor, op. 35: III. Gaiement et pas trop vite | — | ||
| 12-4 | String Quartet in D major, op. 45: I. Allegro | Quatuor Via Nova | — | |
| 12-5 | String Quartet in D major, op. 45: II. Adagio | Quatuor Via Nova | — | |
| 12-6 | String Quartet in D major, op. 45: III. Allegro vivo | Quatuor Via Nova | — | |
| 12-7 | String Quartet in D major, op. 45: IV. Allegro moderato | Quatuor Via Nova | — | |
| 13-1 | 12 Études, op. 10: No. 1 in C major | — | ||
| 13-2 | 12 Études, op. 10: No. 2 in A minor | — | ||
| 13-3 | 12 Études, op. 10: No. 3 in E major | — | ||
| 13-4 | 12 Études, op. 10: No. 4 in C sharp minor | — | ||
| 13-5 | 12 Études, op. 10: No. 5 in G flat major | — | ||
| 13-6 | 12 Études, op. 10: No. 6 in E flat minor | — | ||
| 13-7 | 12 Études, op. 10: No. 7 in C major | — | ||
| 13-8 | 12 Études, op. 10: No. 8 in F major | — | ||
| 13-9 | 12 Études, op. 10: No. 9 in F minor | — | ||
| 13-10 | 12 Études, op. 10: No. 10 in A flat major | — | ||
| 13-11 | 12 Études, op. 10: No. 11 in E flat major | — | ||
| 13-12 | 12 Études, op. 10: No. 12 in C minor | — | ||
| 13-13 | 12 Études, op. 25: No. 1 in A flat major | — | ||
| 13-14 | 12 Études, op. 25: No. 2 in F minor | — | ||
| 13-15 | 12 Études, op. 25: No. 3 in F major | — | ||
| 13-16 | 12 Études, op. 25: No. 4 in A minor | — | ||
| 13-17 | 12 Études, op. 25: No. 5 in E minor | — | ||
| 13-18 | 12 Études, op. 25: No. 6 in G sharp minor | — | ||
| 13-19 | 12 Études, op. 25: No. 7 in C sharp minor | — | ||
| 13-20 | 12 Études, op. 25: No. 8 in D flat major | — | ||
| 13-21 | 12 Études, op. 25: No. 9 in G flat major | — | ||
| 13-22 | 12 Études, op. 25: No. 10 in B minor | — | ||
| 13-23 | 12 Études, op. 25: No. 11 in A minor | — | ||
| 13-24 | 12 Études, op. 25: No. 12 in C minor | — | ||
| 13-25 | 3 Nouvelles Études, op. posth.: No. 1 in F minor | — | ||
| 13-26 | 3 Nouvelles Études, op. posth.: No. 2 in A flat major | — | ||
| 13-27 | 3 Nouvelles Études, op. posth.: No. 3 in D Flat major | — | ||
| 14-1 | Second livre de pièces de clavecin, Ordre 11: V. Les fastes de la grande et ancienne Mxnxstrxndxsx [Ménestrandise] | Olivier Baumont | — | |
| 14-2 | Second livre de pièces de clavecin, Ordre 6: V. Les baricades mistérieuses | Olivier Baumont | — | |
| 14-3 | Second livre de pièces de clavecin, Ordre 12: VI. La fileuse | Olivier Baumont | — | |
| 14-4 | Troisième livre de pièces de clavecin, Ordre 18: VI. Le tic-toc-choc, ou Les maillotins | Olivier Baumont | — | |
| 14-5 | Troisième livre de pièces de clavecin, Ordre 15: II. Le dodo, ou L'amour au berceau | Olivier Baumont | — | |
| 14-6 | Troisième livre de pièces de clavecin, Ordre 13: IV. Les folies françoises, ou Les dominos | Olivier Baumont | — | |
| 14-7 | Quatrième livre de pièces de clavecin, Ordre 20: III. Les chérubins, ou L'aimable Lazure | Olivier Baumont | — | |
| 14-8 | Quatrième livre de pièces de clavecin, Ordre 25: V. Les ombres errantes | Olivier Baumont | — | |
| 14-9 | Quatrième livre de pièces de clavecin, Ordre 22: VI. Les tours de passe-passe | Olivier Baumont | — | |
| 14-10 | Premier livre de pièces de clavecin, Ordre 3: IX. L'Espagnolète | Olivier Baumont | — | |
| 14-11 | Premier livre de pièces de clavecin, Ordre 2: XV. La Garnier | Olivier Baumont | — | |
| 14-12 | Premier livre de pièces de clavecin, Ordre 4: IV. Le réveil-matin | Olivier Baumont | — | |
| 14-13 | L'art de toucher le clavecin: VIII. Prelude In E minor | Olivier Baumont | — | |
| 14-14 | Quatrième livre de pièces de clavecin, Ordre 21: III. La Couperin | Olivier Baumont | — | |
| 14-15 | Allemande La Couperin | — | ||
| 14-16 | La Couprin | — | ||
| 14-17 | La Couperin | — | ||
| 15-1 | The Sorcerer’s Apprentice | Nouvel Orchestre Philharmonique, Armin Jordan | T-003.005.584-5 | |
| 15-2 | La Péri: Fanfare | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 15-3 | La Péri: La Péri | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 15-4 | Symphony in C major: I. Allegro non troppo vivace, ma con fuoco | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 15-5 | Symphony in C major: II. Andante espressivo e sostenuto | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 15-6 | Symphony in C major: III. Allegro spirituoso | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 16-1 | Requiem, op. 48: I. Introït & Kyrie | — | ||
| 16-2 | Requiem, op. 48: II. Offertorium | — | ||
| 16-3 | Requiem, op. 48: III. Sanctus | — | ||
| 16-4 | Requiem, op. 48: IV. Pie Jesu | — | ||
| 16-5 | Requiem, op. 48: V. Agnus Dei | — | ||
| 16-6 | Requiem, op. 48: VI. Libera me | — | ||
| 16-7 | Requiem, op. 48: VII. In paradisum | — | ||
| 16-8 | Requiem, op. 9: I. Introït | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-9 | Requiem, op. 9: II. Kyrie | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-10 | Requiem, op. 9: III. Domine Jesu Christe | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-11 | Requiem, op. 9: IV. Sanctus | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-12 | Requiem, op. 9: V. Pie Jesu | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-13 | Requiem, op. 9: VI. Agnus Dei | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-14 | Requiem, op. 9: VII. Lux aeterna | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-15 | Requiem, op. 9: VIII. Libera me | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-16 | Requiem, op. 9: IX. In Paradisum | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 17-1 | Fantaisie in C major, op. 16: I. Poco lento | — | ||
| 17-2 | Fantaisie in C major, op. 16: II. Allegro cantando | — | ||
| 17-3 | Fantaisie in C major, op. 16: III. Quasi lento | — | ||
| 17-4 | Fantaisie in C major, op. 16: IV. Adagio | — | ||
| 17-5 | Grande pièce symphonique, op. 17: I. Andantino serioso | — | ||
| 17-6 | Grande pièce symphonique, op. 17: II. Andante | — | ||
| 17-7 | Grande pièce symphonique, op. 17: III. Allegro | — | ||
| 17-8 | Grande pièce symphonique, op. 17: IV. Andante | — | ||
| 17-9 | Grande pièce symphonique, op. 17: V. Allegro non troppo e maestoso | — | ||
| 17-10 | Grande pièce symphonique, op. 17: VI. Beaucoup plus largement que précédemment | — | ||
| 17-11 | Prélude, Fugue et Variation, op. 18: I. Andantino | — | ||
| 17-12 | Prélude, Fugue et Variation, op. 18: II. Lent - Allegretto ma non troppo | — | ||
| 17-13 | Prélude, Fugue et Variation, op. 18: III. Variation. Andantino | — | ||
| 17-14 | Prière | — | ||
| 17-15 | Fantaisie in A major | — | ||
| 18-1 | Piano Concerto in F major: I. Allegro | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-070.025.723-3 | |
| 18-2 | Piano Concerto in F major: II. Adagio - Andante con moto | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | — | |
| 18-3 | Piano Concerto in F major: III. Allegro agitato | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | — | |
| 18-4 | Piano Concerto in G major: I. Allegramente | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-304.253.616-9 | |
| 18-5 | Piano Concerto in G major: II. Allegro assai | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-003.007.887-5 | |
| 18-6 | Piano Concerto in G major: III. Presto | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-304.253.616-9 | |
| 19-1 | Iphigénie en Aulide: Ouverture | — | ||
| 19-2 | Iphigénie en Aulide: Acte un: "Brillant auteur de la lumière" (Agamemnon) | — | ||
| 19-3 | Iphigénie en Aulide: Acte un: "C'est trop faire de résistance" (Chorus, Agamemnon, Calchas) | — | ||
| 19-4 | Iphigénie en Aulide: Acte un: "D'une sainte terreur" (Calchas) "Tu veux que par ma main tremblante" (Agamemnon, Calchas) | — | ||
| 19-5 | Iphigénie en Aulide: Acte un: "Nommez-nous la victime" (Grecs) | — | ||
| 19-6 | Iphigénie en Aulide: Acte un: "Au faîte des grandeurs" (Calchas) | — | ||
| 19-7 | Iphigénie en Aulide: Acte un: "Que d'attraits!" (Grecs) | — | ||
| 19-8 | Iphigénie en Aulide: Acte un: "Armez-vous d'un noble courage" (Clytemnestre) | — | ||
| 19-9 | Iphigénie en Aulide: Acte un: "Hélas! mon cœur sensible!" (Iphigénie) | — | ||
| 19-10 | Iphigénie en Aulide: Acte un: "Cruelle, non jamais" (Achille) | — | ||
| 19-11 | Iphigénie en Aulide: Acte un: "Ne doutez jamais de ma flamme" (Achille, Iphigénie) | — | ||
| 19-12 | Iphigénie en Aulide: Acte deux: "Rassurez-vous, belle Princesse" (Iphigénie, femmes de sa suite) | — | ||
| 19-13 | Iphigénie en Aulide: Acte deux: "Par la crainte et par l'espérance" (Iphigénie) | — | ||
| 19-14 | Iphigénie en Aulide: Acte deux: "Chantez, célébrez votre reine" (Achille, chœur) | — | ||
| 19-15 | Iphigénie en Aulide: Acte deux: "Achille est couronné" (Une Grecque) | — | ||
| 19-16 | Iphigénie en Aulide: Acte deux: "Ami sensible, ennemi redoutable" (chœur) | — | ||
| 19-17 | Iphigénie en Aulide: Acte deux: Air gai | — | ||
| 19-18 | Iphigénie en Aulide: Acte deux: Air pour les esclaves | — | ||
| 19-19 | Iphigénie en Aulide: Acte deux: "Jamais à tes autels" (Iphigénie, Clytemnestre, Achille, Patrocle, chœur) | — | ||
| 19-20 | Iphigénie en Aulide: Acte deux: "Par un père cruel" (Clytemnestre) | — | ||
| 19-21 | Iphigénie en Aulide: Acte deux: "C'est mon père, Seigneur" (Iphigénie, Clytemnestre, Achille) | — | ||
| 19-22 | Iphigénie en Aulide: Acte deux: "De votre audace téméraire" (Agamemnon, Achille) | — | ||
| 19-23 | Iphigénie en Aulide: Acte deux: "Ô toi, l'objet le plus aimable" (Agamemnon) | — | ||
| 19-24 | Iphigénie en Aulide: Acte trois: "Il faut, de mon destin" (Iphigénie) | — | ||
| 19-25 | Iphigénie en Aulide: Acte trois: "Adieu, conservez dans votre âme" (Iphigénie) | — | ||
| 19-26 | Iphigénie en Aulide: Acte trois: "Calchas, d'un trait mortel percé" (Achille) | — | ||
| 19-27 | Iphigénie en Aulide: Acte trois: "Adieu, vivez pour Oreste" (Iphigénie) | — | ||
| 19-28 | Iphigénie en Aulide: Acte trois: "Dieux puissants que j'atteste" "Ma fille, je la vois" (Clytemnestre) | — | ||
| 19-29 | Iphigénie en Aulide: Acte trois: "Jupiter, lance la foudre" (Clytemnestre) | — | ||
| 19-30 | Iphigénie en Aulide: Acte trois: "Mon cœur ne saurait contenir" (Iphigénie, Clytemnestre, Achille, Agamemnon) | — | ||
| 19-31 | Iphigénie en Aulide: Acte trois: "Jusqu-aux voûtes éthérées" (Grecs) | — | ||
| 20-1 | Organ Concerto in B flat major, op. 7 no. 6 HWV 311: I. Pomposo | — | ||
| 20-2 | Organ Concerto in B flat major, op. 7 no. 6 HWV 311: II. Adagio (Ad libitum) | — | ||
| 20-3 | Organ Concerto in B flat major, op. 7 no. 6 HWV 311: III. A tempo ordinario | — | ||
| 20-4 | Organ Concerto in F major, op. 4 no. 4 HWV 292: I. Allegro | — | ||
| 20-5 | Organ Concerto in F major, op. 4 no. 4 HWV 292: II. Andante | — | ||
| 20-6 | Organ Concerto in F major, op. 4 no. 4 HWV 292: III. Adagio (Ad libitum) | — | ||
| 20-7 | Organ Concerto in F major, op. 4 no. 4 HWV 292: IV. Allegro | — | ||
| 20-8 | Organ Concerto in B flat major, op. 4 no. 6 HWV 294: I. Andante - Allegro | — | ||
| 20-9 | Organ Concerto in B flat major, op. 4 no. 6 HWV 294: II. Larghetto | — | ||
| 20-10 | Organ Concerto in B flat major, op. 4 no. 6 HWV 294: III. Allegro moderato | — | ||
| 20-11 | Organ Concerto in G minor, op. 4 no. 3 HWV 291: I. Adagio | — | ||
| 20-12 | Organ Concerto in G minor, op. 4 no. 3 HWV 291: II. Allegro | — | ||
| 20-13 | Organ Concerto in G minor, op. 4 no. 3 HWV 291: III. Adagio | — | ||
| 20-14 | Organ Concerto in G minor, op. 4 no. 3 HWV 291: IV. Gavotte. Allegro | — | ||
| 20-15 | Organ Concerto in B flat major, op. 4 no. 2 HWV 290: I. A tempo ordinario | — | ||
| 20-16 | Organ Concerto in B flat major, op. 4 no. 2 HWV 290: II. Allegro | — | ||
| 20-17 | Organ Concerto in B flat major, op. 4 no. 2 HWV 290: III. Adagio | — | ||
| 20-18 | Organ Concerto in B flat major, op. 4 no. 2 HWV 290: IV. Allegro ma non troppo | — | ||
| 20-19 | Organ Concerto in G minor, op. 4 no. 1 HWV 289: I. Larghetto | — | ||
| 20-20 | Organ Concerto in G minor, op. 4 no. 1 HWV 289: II. Allegro | — | ||
| 20-21 | Organ Concerto in G minor, op. 4 no. 1 HWV 289: III. Adagio | — | ||
| 20-22 | Organ Concerto in G minor, op. 4 no. 1 HWV 289: IV. Andante | — | ||
| 20-23 | Organ Concerto in F major, op. 4 no. 5 HWV 293: I. Larghetto | — | ||
| 20-24 | Organ Concerto in F major, op. 4 no. 5 HWV 293: II. Allegro | — | ||
| 20-25 | Organ Concerto in F major, op. 4 no. 5 HWV 293: III. Alla siciliana | — | ||
| 20-26 | Organ Concerto in F major, op. 4 no. 5 HWV 293: IV. Presto | — | ||
| 21-1 | Concerto for trumpet and orchestra: I. Allegro | — | ||
| 21-2 | Concerto for trumpet and orchestra: II. Nocturne: Andantino | — | ||
| 21-3 | Concerto for trumpet and orchestra: III. Final: Allegro | — | ||
| 21-4 | Cello Concerto: I. Andante – | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-5 | Cello Concerto: II. Lento – | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-6 | Cello Concerto: III. Allegro marcato | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-7 | Cello Concerto no. 1, op. 136: I. Nonchalant | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-8 | Cello Concerto no. 1, op. 136: II. Grave | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-9 | Cello Concerto no. 1, op. 136: III. Joyeux | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-10 | Concerto for ondes Martenot and orchestra: I. Allegro moderato | — | ||
| 21-11 | Concerto for ondes Martenot and orchestra: II. Allegro vivace | — | ||
| 21-12 | Concerto for ondes Martenot and orchestra: III. Largo cantabile | — | ||
| 22-1 | Missa choralis, S10: I. Kyrie | — | ||
| 22-2 | Missa choralis, S10: II. Gloria | — | ||
| 22-3 | Missa choralis, S10: III. Credo | — | ||
| 22-4 | Missa choralis, S10: IV. Sanctus | — | ||
| 22-5 | Missa choralis, S10: V. Benedictus | — | ||
| 22-6 | Missa choralis, S10: VI. Agnus Dei | — | ||
| 22-7 | Via crucis, les 14 stations de la croix, S53: Andante maestoso | — | ||
| 22-8 | Via crucis, les 14 stations de la croix, S53: Statio I. "Jesus wird zum Tode verdammt" | — | ||
| 22-9 | Via crucis, les 14 stations de la croix, S53: Statio II. "Jesus trägt sein Kreuz" | — | ||
| 22-10 | Via crucis, les 14 stations de la croix, S53: Statio III. "Jesus fällt zum ersten Mal" | — | ||
| 22-11 | Via crucis, les 14 stations de la croix, S53: Statio IV. "Jesus begegnet seiner heiligen Mutter" | — | ||
| 22-12 | Via crucis, les 14 stations de la croix, S53: Statio V. "Simon von Kyrene hilft Jesus das Kreuz tragen" | — | ||
| 22-13 | Via crucis, les 14 stations de la croix, S53: Statio VI. "Sancta Veronica" | — | ||
| 22-14 | Via crucis, les 14 stations de la croix, S53: Statio VII. "Jesus fällt zum zweiten Mal" | — | ||
| 22-15 | Via crucis, les 14 stations de la croix, S53: Statio VIII. "Die Frauen von Jerusalem" | — | ||
| 22-16 | Via crucis, les 14 stations de la croix, S53: Statio IX. "Jesus fällt zum dritten Mal" | — | ||
| 22-17 | Via crucis, les 14 stations de la croix, S53: Statio X. "Jesus wird entkleidet" | — | ||
| 22-18 | Via crucis, les 14 stations de la croix, S53: Statio XI. "Jesus wird ans Kreuz geschlagen" | — | ||
| 22-19 | Via crucis, les 14 stations de la croix, S53: Statio XII. "Jesus stribt am Kreuze" | — | ||
| 22-20 | Via crucis, les 14 stations de la croix, S53: Statio XIII. "Jesus wird vom Kreuz genommen" | — | ||
| 22-21 | Via crucis, les 14 stations de la croix, S53: Statio XIV. "Jesus wird ins Grab gelegt" | — | ||
| 23-1 | Te Deum: I. Symphonie - Te Deum | — | ||
| 23-2 | Te Deum: II. Patrem immensae majestatis | — | ||
| 23-3 | Te Deum: III. Symphonie - Te ergo quae sumus | — | ||
| 23-4 | Te Deum: IV. Symphonie - Dignare Domine | — | ||
| 23-5 | Dies irae: I. Dies irae | — | ||
| 23-6 | Dies irae: II. Tuba mirum | — | ||
| 23-7 | Dies irae: III. Mors stupebit | — | ||
| 23-8 | Dies irae: IV. Liber scriptus | — | ||
| 23-9 | Dies irae: V. Quid sum, miser, tunc dicturus | — | ||
| 23-10 | Dies irae: VI. Rex tremendae | — | ||
| 23-11 | Dies irae: VII. Quaerens me sedisti lassus | — | ||
| 23-12 | Dies irae: VIII. Juste judex ultionis | — | ||
| 23-13 | Dies irae: IX. Ingemisco tanquam reus | — | ||
| 23-14 | Dies irae: X. Confutatis maledictis | — | ||
| 23-15 | Dies irae: XI. Oro supplex et acclinis | — | ||
| 23-16 | Dies irae: XII. Lacrymosa dies illa | — | ||
| 23-17 | Dies irae: XIII. Pie Jesu Domine | — | ||
| 24-1 | Couleurs de la cité céleste | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-702.379.390-2 | |
| 24-2 | Et exspecto resurrectionem mortuorum: I. "Des profondeurs de l'abîme, je crie vers toi, Seigneur : Seigneur, écoute ma voix !" (Psaume CXXX, 1, 2) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-3 | Et exspecto resurrectionem mortuorum: II. "Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire" (Épître de saint Paul aux Romains, VI, 9) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-4 | Et exspecto resurrectionem mortuorum: III. "L'heure vient où les morts entendront la voix du fils de Dieu" (Évangile selon saint Jean, V, 25) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-5 | Et exspecto resurrectionem mortuorum: IV. "Ils ressusciteront, glorieux, avec un nom nouveau" (1re Épître de saint Paul aux Corinthiens, XV, 43; Apocalypse II, 17; Livre de Job, XXXVIII, 7) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-6 | Et exspecto resurrectionem mortuorum: V. "Et j'entendis la voix d'une foule immense ..." (Apocalypse, XIX, 6) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-7 | L'Ascension: I. Majesté du Christ demandant sa gloire à son Père | — | ||
| 24-8 | L'Ascension: II. Alléluias sereins d'une âme qui désire le ciel | — | ||
| 24-9 | L'Ascension: III. Alléluia sur la trompette, alléluia sur la cymbale | — | ||
| 24-10 | L'Ascension: IV. Prière du Christ montant vers son Père | — | ||
| 25-1 | Méditations sur le mystère de la Sainte Trinité: Méditation I | — | ||
| 25-2 | Méditations sur le mystère de la Sainte Trinité: Méditation II | — | ||
| 25-3 | Méditations sur le mystère de la Sainte Trinité: Méditation III | — | ||
| 25-4 | Méditations sur le mystère de la Sainte Trinité: Méditation IV | — | ||
| 25-5 | Méditations sur le mystère de la Sainte Trinité: Méditation V | — | ||
| 25-6 | Méditations sur le mystère de la Sainte Trinité: Méditation VI | — | ||
| 25-7 | Méditations sur le mystère de la Sainte Trinité: Méditation VII | — | ||
| 25-8 | Méditations sur le mystère de la Sainte Trinité: Méditation VIII | — | ||
| 25-9 | Méditations sur le mystère de la Sainte Trinité: Méditation IX | — | ||
| 26-1 | Symphony no. 4 op. 281: I. L'Insurrection | — | ||
| 26-2 | Symphony no. 4 op. 281: II. Aux morts de la République | — | ||
| 26-3 | Symphony no. 4 op. 281: III. Les joies paisibles de la Liberté retrouvée | — | ||
| 26-4 | Symphony no. 4 op. 281: IV. Commémoration 1948 | — | ||
| 26-5 | Symphony no. 8 in D major, op. 362 "Rhodanienne": I. Avec mystère et violence | — | ||
| 26-6 | Symphony no. 8 in D major, op. 362 "Rhodanienne": II. Avec sérénité et nonchalance | — | ||
| 26-7 | Symphony no. 8 in D major, op. 362 "Rhodanienne": III. Avec emportement | — | ||
| 26-8 | Symphony no. 8 in D major, op. 362 "Rhodanienne": IV. Rapide et majestueux | — | ||
| 26-9 | Piano Concerto no. 4 op. 295: I. Animé | — | ||
| 26-10 | Piano Concerto no. 4 op. 295: II. Très lent | — | ||
| 26-11 | Piano Concerto no. 4 op. 295: III. Joyeux | — | ||
| 26-12 | Ballade for Piano and Orchestre op. 61 | — | ||
| 27-1 | Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" | William Christie, Les Arts Florissants | — | |
| 27-2 | Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum" | William Christie, Les Arts Florissants | — | |
| 27-3 | Vespro della Beata Vergine, SV 206: VIII. Concerto "Pulchra es" | William Christie, Les Arts Florissants | — | |
| 27-4 | Vespro della Beata Vergine, SV 206: Antiphona "Iam hiems transit, imber abiit" / VI. Psalmus IV "Nisi Dominus"aume 126) | William Christie, Les Arts Florissants | — | |
| 27-5 | Vespro della Beata Vergine, SV 206: XIII. Concerto "Duo Seraphim" | William Christie, Les Arts Florissants | — | |
| 27-6 | Madrigali a cinque voci, Libro VIII: "Alme luci beate" | — | ||
| 27-7 | Madrigali a cinque voci, Libro VIII: "Io vi lascio, mie scorte" | — | ||
| 27-8 | Madrigali a cinque voci, Libro V: "Sospir che del bel patto" | — | ||
| 27-9 | Madrigali a cinque voci, Libro I: "Crud' Amarilli" | — | ||
| 27-10 | La Pierre Philosophale, H. 501: I. Chœur des Quatre Eléments | Les Arts Florissants, William Christie | — | |
| 27-11 | La Pierre Philosophale, H. 501: II. Menuet pour la petite gnomide | Patricia Petibon, Les Arts Florissants, William Christie | — | |
| 27-12 | La Pierre Philosophale, H. 501: III. Chanson du Sylphe | Les Arts Florissants, William Christie | — | |
| 27-13 | La Pierre Philosophale, H. 501: IV. Duo pour le feu et l'eau | Les Arts Florissants, William Christie | — | |
| 27-14 | La Pierre Philosophale, H. 501: V. Chœur des Quatre Eléments | Les Arts Florissants, William Christie | — | |
| 27-15 | Air "Ah! qu'ils sont courts les beaux jours", H. 442 | Sophie Daneman, Les Arts Florissants, William Christie | — | |
| 27-16 | Air "Charmantes fleurs, naissez", H. 449b | Adèle Eikenes, Sophie Daneman, Les Arts Florissants, William Christie | — | |
| 27-17 | Air "Quoi! rien ne peut vous arrêter?", H. 462 | Patricia Petibon, Les Arts Florissants, William Christie | — | |
| 27-18 | Chaconne "Sans frayeur dans ce bois", H. 467 | Sophie Daneman, Les Arts Florissants, William Christie | — | |
| 27-19 | Il Sant'Alessio: Prologo: Sinfonia | — | ||
| 27-20 | Il Sant'Alessio: Prologo: "Chiaro giorno lieta sorte" (Chorus, Roma) | — | ||
| 27-21 | Il Sant'Alessio: Prologo: "Né fur solo i miei Figli" (Roma) | — | ||
| 27-22 | Il Sant'Alessio: Prologo: "Già fastosa Guerriera" (Chorus) | — | ||
| 27-23 | Il Sant'Alessio: Atto II, Scena VII: "O Morte gradita" (Sant'Alessio) | — | ||
| 27-24 | La descente d'Orphée aux Enfers H488: Overture to Act 1 | — | ||
| 27-25 | La descente d'Orphée aux Enfers H488: Acte I "Inventons mille jeux divers" (Daphnée, Chorus) - Entrée des nymphes - "Ruisseau qui dans ce beau séjour" (Énone, Aréthuze) | — | ||
| 27-26 | La descente d'Orphée aux Enfers H488: Acte I "Compagnes fidèles" (Euridice, Énone, Aréthuze) | — | ||
| 27-27 | La descente d'Orphée aux Enfers H488: Acte I "Soutiens-moi, chère Énone" (Euridice) - "Qu'ai-je entendu, que vois-je?" (Orphée, chorus) | — | ||
| 27-28 | La descente d'Orphée aux Enfers H488: Acte I "Ah! Bergers, c'en est fait" (Orphée, chorus) | — | ||
| 27-29 | La descente d'Orphée aux Enfers H488: Acte I Entrée de nymphes et de bergers désespérés - "Lâche amant" (Orphée) | — | ||
| 28-1 | Selva morale e spirituale: Laudate Dominum omnes gentes, Primo (a 5 voci concerto con 2 violini e B.C.) | — | ||
| 28-2 | Selva morale e spirituale: Confitebor Secondo (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso) | — | ||
| 28-3 | Selva morale e spirituale: Magnificat Secondo (a 4 voci in genere da Capella) | — | ||
| 28-4 | Selva morale e spirituale: Dixit Dominus Secondo (a 8 voci, coro, soli e orchestra) | — | ||
| 28-5 | Selva morale e spirituale: O ciechi ciechi (coro e orchestra) | — | ||
| 28-6 | Selva morale e spirituale: Voi ch'ascoltate (soli e orchestra) | — | ||
| 28-7 | Selva morale e spirituale: È questa vita un lampo (coro a 5 voci) | — | ||
| 28-8 | Selva morale e spirituale: Et iterum (2 tenori e baritono) | — | ||
| 28-9 | Selva morale e spirituale: Deus tuorum militum (3 voci e 2 violini) | — | ||
| 28-10 | Selva morale e spirituale: Laudate Dominum (voce sola) | — | ||
| 28-11 | Selva morale e spirituale: Magnificat primo (a 8 voci, coro, soli e orchestra) | — | ||
| 29-1 | Concerto pour flûte et harpe en do majeur: Allegro | Lily Laskine, Jean-Pierre Rampal, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | — | |
| 29-2 | Concerto pour flûte et harpe en do majeur: Andantino | Lily Laskine, Jean-Pierre Rampal, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | T-911.534.020-0 | |
| 29-3 | Concerto pour flûte et harpe en do majeur: Rondo allegro | Lily Laskine, Jean-Pierre Rampal, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | T-911.534.020-0 | |
| 29-4 | Concerto for Clarinet in A major, K. 622: I. Allegro | Jacques Lancelot, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | — | |
| 29-5 | Concerto for Clarinet in A major, K. 622: II. Adagio | Jacques Lancelot, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | — | |
| 29-6 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | Jacques Lancelot, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | — | |
| 30-1 | Le nozze di Figaro: Sinfonia | — | ||
| 30-2 | Le nozze di Figaro: Atto primo, Scena II. N.3 Cavatina "Se vuol ballare, signor Contino" (Figaro) | — | ||
| 30-3 | Le nozze di Figaro: Atto primo, Scena V. N.6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | — | ||
| 30-4 | Le nozze di Figaro: Atto primo, Scena VII. N.8 Coro "Giovani lieti, fiori spargete" (Chorus) | — | ||
| 30-5 | Le nozze di Figaro: Atto primo, Scena VII. N.10 Aria "Non più andrai farfallone amoroso" (Figaro) | — | ||
| 30-6 | Le nozze di Figaro, Atto secondo, Scena I. N.11 Cavatina "Porgi amor qualche ristoro" (La Contessa) | — | ||
| 30-7 | Le nozze di Figaro, Atto secondo, Scena II. N.12 Arietta "Voi, che sapete che cosa è amor" (Cherubino) | — | ||
| 30-8 | Le nozze di Figaro: Atto secondo, Scena II. N.13 Aria "Venite, inginocchiatevi" (Susanna) | — | ||
| 30-9 | Le nozze di Figaro: Atto secondo, Scena IV. N.15 Duettino "Aprite, presto aprite" (Susanna, Cherubino) - Recitativo "Oh guarda il demonietto!" (Susanna) | — | ||
| 30-10 | Le nozze di Figaro: Atto secondo, Scena XI. N.16 Finale "Voi, signor, che giusto siete" (La Contessa, Il Conte, Susanne, Figaro, Marcellina, Bartolo, Basilio) | — | ||
| 30-11 | Le nozze di Figaro: Atto terzo, Scena IV. N.18 Aria "Vedrò mentre io sospiro" (Il Conte) | — | ||
| 30-12 | Le nozze di Figaro: Atto terzo, Scena V. N.19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) | — | ||
| 30-13 | Le nozze di Figaro: Atto terzo, Scena VIII. N.20 Aria "Dove sono i bei momenti" (La Contessa) | — | ||
| 30-14 | Le nozze di Figaro: Atto terzo, Scena IX. N.21 Duettino "Che soave zeffiretto" (La Contessa, Susanna) - Recitativo "Piegato è il foglio" (Susanna, La Contessa) | — | ||
| 30-15 | Le nozze di Figaro: Atto quarto, Scena I. N.24 Cavatina "L'ho perduta, me meschina" (Barbarina) | — | ||
| 30-16 | Le nozze di Figaro: Atto quarto, Scena VII. N.26 Aria "In quelgl'anni, in cui val poco" (Basilio) | — | ||
| 30-17 | Le nozze di Figaro: Atto quarto, Scena VIII. N.27 Aria "Aprite un po' quegl'occhi" (Figaro) | — | ||
| 30-18 | Le nozze di Figaro: Atto quarto, Scena XI-XV. N.29 Finale "Pian pianin le andrò più presso" (Susanna, La Contessa, Barbarina, Cherubino, Marcellina, Basilio, Il Conte, Antonio, Figaro) | — | ||
| 31-1 | Requiem, KV 626 (Süßmayr version): Introitus | Anna Maria Panzarella, Les Arts Florissants, William Christie | — | |
| 31-2 | Requiem, KV 626 (Süßmayr version): Kyrie | Les Arts Florissants, William Christie | T-070.093.418-4 | |
| 31-3 | Requiem, KV 626 (Süßmayr version): Dies Irae | Les Arts Florissants, William Christie | — | |
| 31-4 | Requiem, KV 626 (Süßmayr version): Tuba mirum | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | — | |
| 31-5 | Requiem, KV 626 (Süßmayr version): Rex tremendae | Les Arts Florissants, William Christie | — | |
| 31-6 | Requiem, KV 626 (Süßmayr version): Recordare | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | — | |
| 31-7 | Requiem, KV 626 (Süßmayr version): Confutatis | Les Arts Florissants, William Christie | — | |
| 31-8 | Requiem, KV 626 (Süßmayr version): Lacrimosa | Monica Huggett, Les Arts Florissants, William Christie | — | |
| 31-9 | Requiem, KV 626 (Süßmayr version): Domine Jesu | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | — | |
| 31-10 | Requiem, KV 626 (Süßmayr version): Hostias | Les Arts Florissants, William Christie | — | |
| 31-11 | Requiem, KV 626 (Süßmayr version): Sanctus | Les Arts Florissants, William Christie | — | |
| 31-12 | Requiem, KV 626 (Süßmayr version): Benedictus | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | — | |
| 31-13 | Requiem, KV 626 (Süßmayr version): Agnus Dei | Les Arts Florissants, William Christie | — | |
| 31-14 | Requiem, KV 626 (Süßmayr version): Lux aeterna | Anna Maria Panzarella, Les Arts Florissants, William Christie | T-910.952.061-8 | |
| 31-15 | Ave verum corpus , KV 618 | Monica Huggett, Les Arts Florissants, William Christie | T-309.828.989-1 | |
| 32-1 | Concerto in G minor for organ, string orchestra and timpani | — | ||
| 32-2 | Prélude et fugue sur le nom d'Alain, op. 7: I. Prélude. Allegro | — | ||
| 32-3 | Prélude et fugue sur le nom d'Alain, op. 7: II. Fugue. Andante | — | ||
| 32-4 | Sarabande for organ, string quintet and timpani | — | ||
| 32-5 | 3 Dances for Orchestra, op. 6: I. Divertissement. Andante - Vivace | — | ||
| 32-6 | 3 Dances for Orchestra, op. 6: II. Danse lente. Lento | — | ||
| 32-7 | 3 Dances for Orchestra, op. 6: III. Tambourin. Allegro, ma non troppo | — | ||
| 33-1 | Symphony no. 7 in C-sharp minor, op. 131: I. Moderato | — | ||
| 33-2 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | — | ||
| 33-3 | Symphony no. 7 in C-sharp minor, op. 131: III. Andante espressivo | — | ||
| 33-4 | Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace | — | ||
| 33-5 | Symphony no. 5 in B-flat major, op. 100: I. Andante | — | ||
| 33-6 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | — | ||
| 33-7 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | — | ||
| 33-8 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | — | ||
| 34-1 | King Arthur: Overture | Les Arts Florissants | — | |
| 34-2 | King Arthur: Air | Les Arts Florissants | — | |
| 34-3 | King Arthur: Act I. "Woden, first to thee" | Les Arts Florissants, Mark Padmore, Luthea Salom | — | |
| 34-4 | King Arthur: Act I. "Come if you dare" - First Act Tune | Les Arts Florissants, Iain Paton | — | |
| 34-5 | King Arthur: Act II. "Hither, this way, this way bend" | Claron McFadden, Les Arts Florissants | — | |
| 34-6 | King Arthur: Act II. "How blest are shepherds" | Iain Paton, Les Arts Florissants | — | |
| 34-7 | King Arthur: Act II. "Shepherd, shepherd, leave decoying" | Véronique Gens, Sandrine Piau, Les Arts Florissants | — | |
| 34-8 | King Arthur: Act II. "Come, shepherds, lead up a lively measure" - Hornpipe | Les Arts Florissants | T-902.314.028-5 | |
| 34-9 | King Arthur: Act III. Prelude | Les Arts Florissants | — | |
| 34-10 | King Arthur: Act III. "What ho! thou genius of this isle" | Susannah Waters, Les Arts Florissants | — | |
| 34-11 | King Arthur: Act III. Prelude while the Cold Genius rises - "What power art thou" | Petteri Salomaa, Les Arts Florissants | — | |
| 34-12 | King Arthur: Act III. "Thou doting fool" | Susannah Waters, Les Arts Florissants | — | |
| 34-13 | King Arthur: Act III. "Great Love, I know thee now" | Petteri Salomaa, Les Arts Florissants | — | |
| 34-14 | King Arthur: Act III. "No part of my dominion" | Susannah Waters, Les Arts Florissants | — | |
| 34-15 | King Arthur: Act III. Prelude | Les Arts Florissants | — | |
| 34-16 | King Arthur: Act III. "See, see, we assemble" - Dance | Les Arts Florissants | T-070.038.248-4 | |
| 34-17 | King Arthur: Act III. "'Tis I that have warm'd ye" - "'Tis Love that has warm'd us" | Les Arts Florissants, Susannah Waters | — | |
| 34-18 | King Arthur: Act III. "Sound a parley" - "'Tis Love that has warm'd us" | Les Arts Florissants, Petteri Salomaa, Susannah Waters | — | |
| 34-19 | King Arthur: Act III. Third Act Tune (Hornpipe) | Les Arts Florissants | — | |
| 34-20 | King Arthur: Act IV. "Two daughters of this aged stream are we" | Claron McFadden, Sandrine Piau, Les Arts Florissants | — | |
| 34-21 | King Arthur: Act IV. Passacaglia - "How happy the lover" - Ritornello - "For love every creature" - "In vain are our graces" | Les Arts Florissants, Jonathan Best, Richard Duguay, Véronique Gens, Mhairi Lawson, Violaine Lucas, David Le Monnier, Mark Padmore, Valérie Picard, Anne Pichard, Jean-Marie Puissant, Carys Lloyd Roberts, Sheena Wolstencroft | — | |
| 34-22 | King Arthur: Act V. Trumpet Tune | Les Arts Florissants | — | |
| 34-23 | King Arthur: Act V. "Ye blust'ring brethren of the skies" | Petteri Salomaa, Les Arts Florissants | — | |
| 34-24 | King Arthur: Act V. Symphony | Les Arts Florissants | — | |
| 34-25 | King Arthur: Act V. "Fairest Isle" | Véronique Gens, Les Arts Florissants | — | |
| 34-26 | King Arthur: Act V. "Fairest Isle" | Véronique Gens, Les Arts Florissants | — | |
| 34-27 | King Arthur: Act V. "Our natives not alone appear" | Les Arts Florissants | — | |
| 34-28 | King Arthur: Act V. Chaconne | Les Arts Florissants | — | |
| 35-1 | La Guirlande: Scène 1. Ritournelle | — | ||
| 35-2 | La Guirlande: Scène 1. "Peut-on être à la fois si tendre et si volage?" (Myrtil) | — | ||
| 35-3 | La Guirlande: Scène 1. "Ranimez-vous" (Myrtil) | — | ||
| 35-4 | La Guirlande: Scène 1. "Toi qui vis mon erreur" (Myrtil) | — | ||
| 35-5 | La Guirlande: Scène 1. Annonce "Mais j'entends les bergers que ta fête rassemble" (Myrtil) | — | ||
| 35-6 | La Guirlande: Scène 2. Air gracieux | — | ||
| 35-7 | La Guirlande: Scène 2. "Hâtons-nous" (chœur) | — | ||
| 35-8 | La Guirlande: Scène 2. Menuets | — | ||
| 35-9 | La Guirlande: Scène 3. "Zélide, nos plaisirs n'ont rien qui vous amuse?" (Hylas, Zélide) | — | ||
| 35-10 | La Guirlande: Scène 3. "Tout languit dans nos bois" (Zélide) | — | ||
| 35-11 | La Guirlande: Scène 4. "Que vois-je?" (Myrtil) | — | ||
| 35-12 | La Guirlande: Scène 5. "Je vous revois, belle Zélide" (Myrtil, Zélide) | — | ||
| 35-13 | La Guirlande: Scène 5. Annonce "Nos bergers de l'Amour vont célébrer la fête" (Myrtil) | — | ||
| 35-14 | La Guirlande: Scène 5. "Triomphe, triomphe, Amour" (Zélide, Myrtil) | — | ||
| 35-15 | La Guirlande: Scène 6. "Aimons, aimons" (chœur) | — | ||
| 35-16 | La Guirlande: Scène 6. Bergers qui vont offrir leurs guirlandes à l'Amour | — | ||
| 35-17 | La Guirlande: Scène 6. "Sons brillants" (chœur) | — | ||
| 35-18 | La Guirlande: Scène 6. "La flûte est des soupirs le plus tendre interprète" (Myrtil, chœur) | — | ||
| 35-19 | La Guirlande: Scène 6. Air gracieux en rondeau | — | ||
| 35-20 | La Guirlande: Scène 6. Entrée des Pâtres | — | ||
| 35-21 | La Guirlande: Scène 6. Musette | — | ||
| 35-22 | La Guirlande: Scène 6. Gavotte (Rigaudon gai) | — | ||
| 35-23 | La Guirlande: Scène 6. "Quand du Dieu des bois" (Zélide) | — | ||
| 35-24 | La Guirlande: Scène 6. Pantomine noble | — | ||
| 35-25 | La Guirlande: Scène 6. Air gracieux, tambourins | — | ||
| 35-26 | La Guirlande: Scène 6. "Vole, Amour" (Zélide, Myrtil, chœur) | — | ||
| 35-27 | La Guirlande: Scène 6. Contredanse | — | ||
| 36-1 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | — | ||
| 36-2 | Scheherazade, op. 35: II. The Story of the Kalander Prince | — | ||
| 36-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | — | ||
| 36-4 | Scheherazade, op. 35: IV. Festival in Baghdad - The sea - Shipwreck | — | ||
| 36-5 | Tsar Saltan Suite, op. 57: I. The Tsar's Farewell and Departure. Allegro - Allegretto alla Marcia | — | ||
| 36-6 | Tsar Saltan Suite, op. 57: II. The Tsarina in a Barrel at Sea. Allegro - Maestoso | — | ||
| 36-7 | Tsar Saltan Suite, op. 57: III. The Three Wonders. Allegro - Moderato | — | ||
| 37-1 | Bacchus et Ariane op. 43, Première Suite d'orchestre | — | ||
| 37-2 | Bacchus et Ariane op. 43, Deuxième Suite d'orchestre | — | ||
| 37-3 | Le Festin de l'araignée, op. 17 | — | ||
| 38-1 | Sonata in G major, op. 78, D894: Molto moderato e cantabile | — | ||
| 38-2 | Sonata in G major, op. 78, D894: Andante | — | ||
| 38-3 | Sonata in G major, op. 78, D894: Menuetto - Allegro moderato | — | ||
| 38-4 | Sonata in G major, op. 78, D894: Allegretto | — | ||
| 38-5 | Fantasy in F minor, op. 103, D940: Allegro molto moderato | — | ||
| 38-6 | Fantasy in F minor, op. 103, D940: Largo | — | ||
| 38-7 | Fantasy in F minor, op. 103, D940: Allegro vivace | — | ||
| 39-1 | Symphony no. 15 in A major, op. 141: I. Allegretto | — | ||
| 39-2 | Symphony no. 15 in A major, op. 141: II. Adagio | — | ||
| 39-3 | Symphony no. 15 in A major, op. 141: III. Allegretto | — | ||
| 39-4 | Symphony no. 15 in A major, op. 141: IV. Adagio | — | ||
| 40-1 | Violin Concerto in D major, op. 35: I. Allegro Moderato | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-3 | Violin Concerto in D major, op. 35: III. Finale: Allegro Vivacissimo | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-4 | Violin Concerto in D minor, op. 47: I. Allegro Moderato | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-5 | Violin Concerto in D minor, op. 47: II. Adagio Di Molto | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-6 | Violin Concerto in D minor, op. 47: III. Allegro | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 41-1 | San Giovanni Battista: Parte prima. Sinfonia | — | ||
| 41-2 | San Giovanni Battista: Parte prima. "Amiche selve, addio" (San Giovanni Battista) | — | ||
| 41-3 | San Giovanni Battista: Parte prima. "Selve beate, addio!" (San Giovanni Battista, Coro di discipoli) | — | ||
| 41-4 | San Giovanni Battista: Parte prima. Aria "Soffin pur rabbiosi fremiti" (San Giovanni Battista) | — | ||
| 41-5 | San Giovanni Battista: Parte prima. Madrigali a cinque "Dove, Battista, dove" (San Giovanni Battista, discipoli) | — | ||
| 41-6 | San Giovanni Battista: Parte prima. "Invitto Erode" (Consigliero) | — | ||
| 41-7 | San Giovanni Battista: Parte prima. "Volin' pure lontano dal sen" (Erodiade la Figlia) | — | ||
| 41-8 | San Giovanni Battista: Parte prima. "Si, si dei tuoi devoti" (Erodiade la Madre) | — | ||
| 41-9 | San Giovanni Battista: Parte prima. "Anco in cielo il biondo Auriga" (Consigliero) | — | ||
| 41-10 | San Giovanni Battista: Parte prima. Aria Concerto grosso "Sorde dive, ch'ai mortali" (Erodiade la Figlia) | — | ||
| 41-11 | San Giovanni Battista: Parte prima. "Non più, cedo, non più" (Erode) | — | ||
| 41-12 | San Giovanni Battista: Parte prima. Trio "Non fia ver che mai si sciolga" (Erodiade la Figlia, Erodiade la Madre, Consigliero) | — | ||
| 41-13 | San Giovanni Battista: Parte prima. "Non piu, ferma non piu" (San Giovanni Battista, Consigliero, Erode, Erodia la Figlia) | — | ||
| 41-14 | San Giovanni Battista: Parte prima. Aria "Tuonerà tra mille turbini" (Erode) | — | ||
| 41-15 | San Giovanni Battista: Parte prima. Madrigale a quattro e Battista "S'uccida il reo!" (Cortigiani, San Giovanni Battista) | — | ||
| 41-16 | San Giovanni Battista: Parte prima. "Proverà se questo scettro" (Erode) | — | ||
| 41-17 | San Giovanni Battista: Parte prima. Duo "Freni, l'orgoglio" (Erode, Erodiade la Figlia) | — | ||
| 41-18 | San Giovanni Battista: Parte prima. Sinfonia | — | ||
| 41-19 | San Giovanni Battista: Parte seconda. Aria "Vaghe Ninfe del Giordano" (Erodiade la Figlia) | — | ||
| 41-20 | San Giovanni Battista: Parte seconda. "Giorno si lieto in vero" (Consigliero) | — | ||
| 41-21 | San Giovanni Battista: Parte seconda. Aria "Anco il sol fuor dell'usato" (Consigliero) | — | ||
| 41-22 | San Giovanni Battista: Parte seconda. "O di quest'occhi miei" (Erode, Erodiade la Figlia, San Giovanni Battista) | — | ||
| 41-23 | San Giovanni Battista: Parte seconda. "Io, per me, non cangerei" (San Giovanni Battista) | — | ||
| 41-24 | San Giovanni Battista: Parte seconda. "Figlia, se un gran tesoro" (Erodiade la Madre) | — | ||
| 41-25 | San Giovanni Battista: Parte seconda. "Regnator glorioso" (Erodiade la Figlia, Erode) | — | ||
| 41-26 | San Giovanni Battista: Parte seconda. "Nel seren de tuoi contenti" (Erode, Erodiade la Figlia) | — | ||
| 41-27 | San Giovanni Battista: Parte seconda. "Deh, che più tardi" (Erodiade la Figlia) | — | ||
| 41-28 | San Giovanni Battista: Parte seconda. "Queste lagrime e sospiri" (Erodiade la Figlia) | — | ||
| 41-29 | San Giovanni Battista: Parte seconda. "In questa degli affetti" (Erode) | — | ||
| 41-30 | San Giovanni Battista: Parte seconda. "Provi pur le miei vendetti" (Erode) | — | ||
| 41-31 | San Giovanni Battista: Parte seconda. "Il castigo d'un empio" (Erode) | — | ||
| 41-32 | San Giovanni Battista: Parte seconda. "Quando mai fia che morte" (San Giovanni Battista) | — | ||
| 41-33 | San Giovanni Battista: Parte seconda. "Morirai" (Erodiade la Figlia, San Giovanni Battista) | — | ||
| 41-34 | San Giovanni Battista: Parte seconda. "Su coronatemi" (Erodiade la Figlia) | — | ||
| 41-35 | San Giovanni Battista: Parte seconda. "Chi nel comun gioire" (Erode) | — | ||
| 41-36 | San Giovanni Battista: Parte seconda. "Che gioirre" (Erode, Erodiade la Figlia) | — | ||
| 42-1 | Pulcinella: I. Ouverture | — | ||
| 42-2 | Pulcinella: II. Serenata - Scherzino | — | ||
| 42-3 | Pulcinella: III. Tarantella | — | ||
| 42-4 | Pulcinella: IV. Gavotta con due variazioni | — | ||
| 42-5 | Le Chant du Rossignol: I. Marche chinoise | — | ||
| 42-6 | Le Chant du Rossignol: II. Chant du Rossignol | — | ||
| 42-7 | Le Chant du Rossignol: III. Jeu du Rossignol mécanique | — | ||
| 43-1 | Violin Sonata in A major, op. 1 no. 1: I. Grave | — | ||
| 43-2 | Violin Sonata in A major, op. 1 no. 1: II. Allegro | — | ||
| 43-3 | Violin Sonata in A major, op. 1 no. 1: III. Adagio | — | ||
| 43-4 | Violin Sonata in A major, op. 1 no. 1: IV. Presto | — | ||
| 43-5 | Violin Sonata in G minor, op. 1 no. 10: I. Affetuoso | — | ||
| 43-6 | Violin Sonata in G minor, op. 1 no. 10: II. Presto | — | ||
| 43-7 | Violin Sonata in G minor, op. 1 no. 10: III. Allegro | — | ||
| 43-8 | Violin Sonata in F major, op. 1 no. 12: I. Adagio | — | ||
| 43-9 | Violin Sonata in F major, op. 1 no. 12: II. Allegro | — | ||
| 43-10 | Violin Sonata in F major, op. 1 no. 12: III. Allegro | — | ||
| 43-11 | Violin Sonata in C major, op. 2 no. 6: I. Largo - Andante | — | ||
| 43-12 | Violin Sonata in C major, op. 2 no. 6: II. Allegro | — | ||
| 43-13 | Violin Sonata in C major, op. 2 no. 6: III. Presto assai | — | ||
| 43-14 | Violin Sonata in G minor, "Devil's Trill": I. Larghetto | — | ||
| 43-15 | Violin Sonata in G minor, "Devil's Trill": II. Tempo giusto della scuola tartinista | — | ||
| 43-16 | Violin Sonata in G minor, "Devil's Trill": III. Andante - Allegro assai | — | ||
| 44-1 | Francesca da Rimini op. 32 | — | ||
| 44-2 | Dawn over the Moscow River (Prelude to Act One of Khovanshchina) | — | ||
| 44-3 | Russlan & Ludmilla: Overture to Act 1 | — | ||
| 44-4 | Suite from Raymonda: I. Tableau | — | ||
| 44-5 | Suite from Raymonda: II. Tableau | — | ||
| 44-6 | Suite from Raymonda: III. Grande Valse | — | ||
| 44-7 | Suite from Raymonda: IV. Pizzicato | — | ||
| 44-8 | Suite from Raymonda: V. Valse - Reprise | — | ||
| 44-9 | Suite from Raymonda: VI. Prélude - La Romanesca | — | ||
| 44-10 | Suite from Raymonda: VII. Prélude et Variation | — | ||
| 44-11 | Suite from Raymonda: VIII. Entr'acte | — | ||
| 44-12 | Suite from Raymonda: IX. Entr'acte | — | ||
| 44-13 | Suite from Raymonda: X. Grand pas espagnol | — | ||
| 45-1 | Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": I. Allegro | — | ||
| 45-2 | Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": II. Largo | — | ||
| 45-3 | Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": III. Presto | — | ||
| 45-4 | Concerto in G minor, op. 10 no. 2, RV 439 "La Notte": I. Allegro | — | ||
| 45-5 | Concerto in G minor, op. 10 no. 2, RV 439 "La Notte": II. Fantasmi. Presto - Largo - Presto | — | ||
| 45-6 | Concerto in G minor, op. 10 no. 2, RV 439 "La Notte": III. Il Sonno. Largo | — | ||
| 45-7 | Concerto in G minor, op. 10 no. 2, RV 439 "La Notte": IV. Allegro | — | ||
| 45-8 | Concerto in D major, op. 10 no. 3, RV 428 "Il Gardellino": I. Allegro | — | ||
| 45-9 | Concerto in D major, op. 10 no. 3, RV 428 "Il Gardellino": II. Cantabile | — | ||
| 45-10 | Concerto for Flute, Strings and Basso Continuo in D major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro | Jean-Pierre Rampal, I Solisti Veneti, Claudio Scimone | — | |
| 45-11 | Concerto in G major, op. 10 no. 4, RV 435: I. Allegro | — | ||
| 45-12 | Concerto in G major, op. 10 no. 4, RV 435: II. Largo | — | ||
| 45-13 | Concerto in G major, op. 10 no. 4, RV 435: III. Allegro | — | ||
| 45-14 | Concerto in F major, op. 10 no. 5, RV 434: I. Allegro ma non tanto | — | ||
| 45-15 | Concerto in F major, op. 10 no. 5, RV 434: II. Largo cantabile | — | ||
| 45-16 | Concerto in F major, op. 10 no. 5, RV 434: III. Allegro | — | ||
| 45-17 | Concerto in G major, op. 10 no. 6, RV 437: I. Allegro | — | ||
| 45-18 | Concerto in G major, op. 10 no. 6, RV 437: II. Largo | — | ||
| 45-19 | Concerto in G major, op. 10 no. 6, RV 437: III. Allegro | — | ||
| 45-20 | Concerto in D major, RV 427: I. Allegro | — | ||
| 45-21 | Concerto in D major, RV 427: II. Largo | — | ||
| 45-22 | Concerto in D major, RV 427: III. Allegro | — | ||
| 45-23 | Concerto in G major, RV 414: I. Allegro molto | — | ||
| 45-24 | Concerto in G major, RV 414: II. Largo | — | ||
| 45-25 | Concerto in G major, RV 414: III. Allegro | — | ||
| 46-1 | Agnus Dei, op. 11 | Choir of New College Oxford, Edward Higginbottom | — | |
| 46-2 | Cantique de Jean Racine op. 11 | — | ||
| 46-3 | Missa Papae Marcelli: I. Kyrie | — | ||
| 46-4 | Ave verum corpus, K. 618 | — | ||
| 46-5 | Cantata "Herz und Mund und Tat und Leben" BWV 147: X. "Jesu bleibet meine Freude" | — | ||
| 46-6 | Vespers, op. 37: VI. Ave Maria | — | ||
| 46-7 | Enigma Variations, op. 36: Lux aeterna | Choir of New College Oxford, Edward Higginbottom | — | |
| 46-8 | Totus Tuus op. 60 | — | ||
| 46-9 | Hear My Prayer | Choir of New College Oxford, Edward Higginbottom | — | |
| 46-10 | The Lamb | — | ||
| 46-11 | Requiem in D minor, op. 48: VII. In Paradisum | — | ||
| 46-12 | Miserere mei, Deus | — | ||
| 47-1 | Italian Concerto in F major, BWV 971: I. Allegro | — | ||
| 47-2 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 47-3 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 47-4 | Duet in E minor, BWV 802 | — | ||
| 47-5 | Sonata K. 9, D minor | — | ||
| 47-6 | Sonata K. 27, B minor | — | ||
| 47-7 | Sonata K. 33, D major | — | ||
| 47-8 | Sonata K. 87, B minor | — | ||
| 47-9 | Sonata K. 141, D minor | — | ||
| 47-10 | Sonata K. 208, A major | — | ||
| 47-11 | Sonata K. 380, E major | — | ||
| 47-12 | Harpsichord Suite no. 7 in G minor, HWV 432: Passacaille | — | ||
| 47-13 | Harpsichord Suite no. 5 in E major, HWV 430: I. Air con variazioni | — | ||
| 47-14 | Harpsichord Suite no. 5 in E major, HWV 430: II. Variation 1 | — | ||
| 47-15 | Harpsichord Suite no. 5 in E major, HWV 430: III. Variation 2 | — | ||
| 47-16 | Harpsichord Suite no. 5 in E major, HWV 430: IV. Variation 3 | — | ||
| 47-17 | Harpsichord Suite no. 5 in E major, HWV 430: V. Variation 4 | — | ||
| 47-18 | Harpsichord Suite no. 5 in E major, HWV 430: VI. Variation 5 | — | ||
| 47-19 | Sonata no.3 in D minor, HWV 428: Allemande | — | ||
| 47-20 | Sonate no. 84 en ré majeur | — | ||
| 47-21 | Fandango en ré mineur | — | ||
| 48-1 | Il Barbiere di Siviglia, Act 1 Scene 5: “Una voce poco fa” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-2 | La Sonnambula: Act II. "Oh! se una volta sola revederlo io potessi" - "Ah non credea mirarti" (Amina) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-3 | Lakmé : Acte II, Scene 10. "Où va la jeune indoue" (Bell Song) (Lakmé) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-4 | Rigoletto, Act 1 Scene 13: “Gualtier Maldè...caro nome” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | T-913.242.186-4 | |
| 48-5 | Le Pardon de Ploermel, Act 2 Scene 10: “Ombres légères” | Sumi Jo, Anne Maugue, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-6 | Lucia di Lammermoor: Act III, Scene 1. "Il dolce suono mi colpì di sua voce!" (Mad Scene) (Lucie) | Sumi Jo, Anne Maugue, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-7 | Ariadne auf Naxos: Act I. "Noch glaub' ich dem einen ganz mich gehörend" - "Als ein Gott kam jeder gegangen" (Zerbinetta) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-8 | Candide, Act 1 Scene 12: “Glitter and Be Gay” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | T-070.064.357-7 | |
| 48-9 | Die Zauberflöte: Act II. "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night) | Sumi Jo, Ensemble Orchestral de Paris, Armin Jordan | — | |
| 48-10 | Boribat | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 49-1 | Toi c'est moi (1934): "C'est ça la vie" (Viviane) | — | ||
| 49-2 | L'Amour masqué (1923): "J'ai deux amants" (Elle) | — | ||
| 49-3 | Yes (1928): "Yes" (Totte) | — | ||
| 49-4 | Les Aventures du roi Pausole (1930): "Si vous saviez" (Diane) | — | ||
| 49-5 | Ô mon bel inconnu (1933): "Ô mon bel inconnu" (Marie-Anne, Antoinette, Félicie) | — | ||
| 49-6 | Fortunio (1907): "Je ne vois rien ... lorsque je n'étais qu'une enfant" (Jacqueline) | — | ||
| 49-7 | Coups de roulis (1928): "Les hommes sont biens tous les mêmes" (Béatrice) | — | ||
| 49-8 | Brummell (1931): "Air de la Lettre" (Lady Eversharp) | — | ||
| 49-9 | Passionnément (1926): "L'amour est un oiseau rebelle" (Julia) | — | ||
| 49-10 | Les P'tites Michu (1897): "Vois-tu, je m'en veux" (Blanche-Marie) | — | ||
| 49-11 | Mozart (1925): "Etre adoré" (Mozart) | — | ||
| 49-12 | La Petite Fonctionnaire (1921): "Je regrette mon Pressigny" (Suzanne) | — | ||
| 49-13 | Les Dragons de l'Impératrice (1905): "Amour, amour, quel est donc ton pouvoir" (Lucrèce) | — | ||
| 49-14 | L'Amour masqué (1923): "Mon rêve" (Elle) | — | ||
| 49-15 | O mon bel inconnu (1933): "C'est très vilain d'être infidèle" (Antoinette) | — | ||
| 49-16 | Ciboulette: "C'est pas Paris, c'est sa banlieue" (Ciboulette) | — | ||
| 49-17 | Toi c'est moi (1934): "Vagabonde" (Viviane) | — | ||
| 50-1 | Tristan et Iseult: Prologue/Opening music: Anon. | — | ||
| 50-2 | Tristan et Iseult: Prologue/Opening music: Le lai du chévrefeuille | — | ||
| 50-3 | Tristan et Iseult: Tristan in Dublin: Lai mortel | — | ||
| 50-4 | Tristan et Iseult: Tristan in Dublin: Les un pin verdoyant | — | ||
| 50-5 | Tristan et Iseult: La traverseé d'Irlande en Cornouaille/le philtre d'amour: Gottes namen waren mir | — | ||
| 50-6 | Tristan et Iseult: La traverseé d'Irlande en Cornouaille/le philtre d'amour: La u jou fui dedan la mer ("Le lai du boire") | — | ||
| 50-7 | Tristan et Iseult: La traverseé d'Irlande en Cornouaille/le philtre d'amour: Estat ai en greu cossirer | — | ||
| 50-8 | Tristan et Iseult: Brangane: Dô wir zwô vuoren | — | ||
| 50-9 | Tristan et Iseult: Brangane: Bache bene venies | — | ||
| 50-10 | Tristan et Iseult: Un Rendez-vous nocturne: Reis Glorios | — | ||
| 50-11 | Tristan et Iseult: Les amants surpris: Interlude | — | ||
| 50-12 | Tristan et Iseult: Les amants surpris: Se rage et derverie | — | ||
| 50-13 | Tristan et Iseult: L'épreuve d'Iseult: Jesu Crist | — | ||
| 50-14 | Tristan et Iseult: L'épreuve d'Iseult: Pange melos lacrimosum - D'une fausse ypochrisie/Lux Magna - Alleluia. salva nos, Christe salvator - Alle, psallite cum luya | — | ||
| 50-15 | Tristan et Iseult: L'exil: Gaite de la Tor | — | ||
| 50-16 | Tristan et Iseult: L'exil: Se rage et derverie | — | ||
| 50-17 | Tristan et Iseult: Tristan et Blanchemains: Lonc tans a que | — | ||
| 50-18 | Tristan et Iseult: Tristan et Blanchemains: Ysolt, bele amie | — | ||
| 50-19 | Tristan et Iseult: Tristan et Blanchemains: A vous, Tristan, amis verai | — | ||
| 50-20 | Tristan et Iseult: Tristan et Blanchemains: Le lai du chevrefeuille | — | ||
| 50-21 | Tristan et Iseult: La mort de Tristan: Senz aïe m'estut murir | — | ||
| 50-22 | Tristan et Iseult: La mort de Tristan: Ja fis canchonetes et lais | — | ||
| 50-23 | Tristan et Iseult: La mort d'Iseult: Li solaus Lluist | — | ||
| 50-24 | Tristan et Iseult: La mort d'Iseult: Epilogue | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0825646441815 is a Universal Product Code (UPC) assigned to Erato – 50 CD Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 750 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0825646441815 is the Universal Product Code (UPC barcode) for the release “Erato – 50 CD Collection” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 750 tracks, each with its own ISRC. Tracks include FRZ200900063, FRZ200900064, FRZ200900065.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in B-Flat: Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Trumpet Concerto in B-flat major: II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Concerto in B-Flat: Andante | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Concerto in B-Flat: Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Trumpet Concerto in D major: I. Allegro moderato | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Trumpet Concerto in D major: II. Andante | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Trumpet Concerto in D major: III. Allegro grazioso | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): I. Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): III. Sarabande. Largo | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Trumpet Concerto in D major, TWV 51:D7: I. Adagio | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | T-921.189.587-3 | |
| 13 | Trumpet Concerto in D major, TWV 51:D7: II. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14 | Trumpet Concerto in D major, TWV 51:D7: III. Grave | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15 | Trumpet Concerto in D major, TWV 51:D7: IV. Allegro | Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16 | Trumpet Concerto in D major: I. Allegro | — | ||
| 17 | Trumpet Concerto in D major: II. Adagio | — | ||
| 18 | Trumpet Concerto in D major: III. Allegro | — | ||
| 19 | Trumpet Concerto in B flat major: I. Allegro | — | ||
| 20 | Trumpet Concerto in B flat major: II. Largo | — | ||
| 21 | Trumpet Concerto in B flat major: III. Allegro | — | ||
| 22 | Trumpet Sonata in D major: I. Moderato | — | ||
| 23 | Trumpet Sonata in D major: II. Largo | — | ||
| 24 | Trumpet Sonata in D major: III. Vivace | — | ||
| 2-1 | Orchestral Suite No. 3 in D major, BWV 1068: I. Ouverture. Vite | — | ||
| 2-2 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Amsterdam Baroque Orchestra, Ton Koopman | T-914.248.874-2 | |
| 2-3 | Orchestral Suite No. 3 in D major, BWV 1068: III. Gavotte I & II | — | ||
| 2-4 | Orchestral Suite No. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 2-5 | Orchestral Suite No. 3 in D major, BWV 1068: V. Gigue | — | ||
| 2-6 | Orchestral Suite No. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 2-7 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | — | ||
| 2-8 | Orchestral Suite No. 1 in C major, BWV 1066: III. Gavotte I & II | — | ||
| 2-9 | Orchestral Suite No. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 2-10 | Orchestral Suite No. 1 in C major, BWV 1066: V. Menuett I & II | — | ||
| 2-11 | Orchestral Suite No. 1 in C major, BWV 1066: VI. Bourrée I & II | — | ||
| 2-12 | Orchestral Suite No. 1 in C major, BWV 1066: VII. Passepied I & II | — | ||
| 2-13 | Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture. Lentement | — | ||
| 2-14 | Orchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 2-15 | Orchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 2-16 | Orchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrée I & II | — | ||
| 2-17 | Orchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 2-18 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Double | — | ||
| 2-19 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Menuett | — | ||
| 2-20 | Orchestral Suite No. 2 in B minor, BWV 1067: VIII. Badinerie | — | ||
| 2-21 | Orchestral Suite No. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 2-22 | Orchestral Suite No. 4 in D major, BWV 1069: II. Bourrée I & II | — | ||
| 2-23 | Orchestral Suite No. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 2-24 | Orchestral Suite No. 4 in D major, BWV 1069: IV. Menuett I & II | — | ||
| 2-25 | Orchestral Suite No. 4 in D major, BWV 1069: V. Réjouissance | — | ||
| 3-1 | Toccata and Fugue in D minor | Marie-Claire Alain | — | |
| 3-2 | Toccata and Fugue in D minor, BWV 565: II. Fugue | — | ||
| 3-3 | Toccata and Fugue in C major, BWV 564: I. Toccata | — | ||
| 3-4 | Toccata and Fugue in C major, BWV 564: II. Adagio | — | ||
| 3-5 | Toccata and Fugue in C major, BWV 564: III. Fugue | — | ||
| 3-6 | Orgelbüchlein: X. "In dulci Jubilo", BWV 608 | — | ||
| 3-7 | Orgelbüchlein: XII. "Jesu, meine Freude", BWV 610 | — | ||
| 3-8 | Orgelbüchlein: XVII. "In dir ist Freude", BWV 615 | — | ||
| 3-9 | Orgelbüchlein: XXXXIII. "Ich ruf zu dir, Herr Jesu Christ", BWV 639 | — | ||
| 3-10 | Concerto in A minor, BWV 593: I. Allegro | — | ||
| 3-11 | Concerto in A minor, BWV 593: II. Adagio | — | ||
| 3-12 | Concerto in A minor, BWV 593: III. Allegro | — | ||
| 3-13 | Toccata and Fugue in D minor, BWV 538 "Dorian": I. Toccata | — | ||
| 3-14 | Toccata and Fugue in D minor, BWV 538 "Dorian": II. Fugue | — | ||
| 3-15 | Toccata and Fugue in C major, BWV 566: I. Toccata | — | ||
| 3-16 | Toccata and Fugue in C major, BWV 566: II. Fugue | — | ||
| 3-17 | Chorale "Nun komm, der Heiden Heiland", BWV 659 | — | ||
| 4-1 | Benvenuto Cellini, op. 23 : Overture | — | ||
| 4-2 | Le Carnaval romain, op. 9 | — | ||
| 4-3 | Les Francs‐juges, op. 3 : Overture | — | ||
| 4-4 | Le Corsaire, op. 21 | — | ||
| 4-5 | Les Troyens : Part 4 : Chasse royale et orage | — | ||
| 4-6 | Les Troyens : Part 4 : Ballet | — | ||
| 4-7 | Les Troyens : Part 3 : Marche troyenne | — | ||
| 5-1 | Carmen : Ouverture | Orchestre national de France, Lorin Maazel | T-900.143.514-9 | |
| 5-2 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » | Julia Migenes, Chœur de Radio France, Orchestre national de France, Lorin Maazel | T-305.625.648-1 | |
| 5-3 | Carmen : Acte I. Duo « Parle‐moi de ma mère ! » | Plácido Domingo, Faith Esham, Orchestre national de France, Lorin Maazel | — | |
| 5-4 | Carmen: Premier Acte. No. 9 Séquedille et duo: "Près des remparts de Séville" (Carmen, Don José) | — | ||
| 5-5 | Carmen: Deuxième Acte. No. 11 Chanson bohème: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercedes) | — | ||
| 5-6 | Carmen: Deuxième Acte. No. 13 Couplets: "Votre toast je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Morales, Zuniga, Chorus) | — | ||
| 5-7 | Carmen, Deuxième Acte. "La fleur que tu m'avais jetée" (Don José) | — | ||
| 5-8 | Carmen: Troisième Acte. Air: "Je dis que rien ne m'épouvante" (Micaëla) | — | ||
| 5-9 | Carmen: Quatrième Acte. Marche et chœur: "Les voici, Voici la quadrille des toreros" (Chorus, Escamillo, Carmen, Frasquita, Mercedes) | — | ||
| 5-10 | Carmen: Quatrième Acte. Duo et chœur final: "C'est toi? - C'est moi!" (Don José, Carmen, Chorus) 9:28 | — | ||
| 6-1 | Le Visage Nuptial: Conduite | BBC Symphony Orchestra, Pierre Boulez | — | |
| 6-2 | Le Visage Nuptial: Gravité (L'emmuré) | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 6-3 | Le Visage Nuptial: Le Visage nuptial | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 6-4 | Le Visage Nuptial: Evadne | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 6-5 | Le Visage Nuptial: Post-Scriptum | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 6-6 | Le Soleil des eaux: Complainte du lizard amoureaux | BBC Singers, Phyllis Bryn-Julson, BBC Symphony Orchestra, Pierre Boulez | T-800.171.064-2 | |
| 6-7 | Le Soleil des eaux: La Sorgue (Chanson pour Yvonne) | BBC Singers, Phyllis Bryn-Julson, BBC Symphony Orchestra, Pierre Boulez | T-800.171.064-2 | |
| 6-8 | Figures, Doubles, Prismes, 2ème version 1968 | BBC Symphony Orchestra, Pierre Boulez | — | |
| 7-1 | Trio for piano, violin & horn in E flat major, op. 40: I. Andante | — | ||
| 7-2 | Trio for piano, violin & horn in E flat major, op. 40: II. Scherzo | — | ||
| 7-3 | Trio for piano, violin & horn in E flat major, op. 40: III. Adagio mesto | — | ||
| 7-4 | Trio for piano, violin & horn in E flat major, op. 40: IV. Finale. Allegro con brio | — | ||
| 7-5 | Trio for piano, clarinet & cello in A minor, op. 114: I. Allegro | — | ||
| 7-6 | Trio for piano, clarinet & cello in A minor, op. 114: II. Adagio | — | ||
| 7-7 | Trio for piano, clarinet & cello in A minor, op. 114: III. Andante grazioso | — | ||
| 7-8 | Trio for piano, clarinet & cello in A minor, op. 114: IV. Allegro | — | ||
| 8-1 | Requiem: I. Introït | André Campra | — | |
| 8-2 | Requiem: II. Kyrie | André Campra | — | |
| 8-3 | Requiem: III. Graduel | André Campra | — | |
| 8-4 | Requiem: IV. Offertoire | André Campra | — | |
| 8-5 | Requiem: V. Sanctus | André Campra | — | |
| 8-6 | Requiem: VI. Agnus Dei | André Campra | — | |
| 8-7 | Requiem: VII. Post‐communion | André Campra | — | |
| 9-1 | Chants d'Auvergne: Bailèro (Series 1) | — | ||
| 9-2 | Chants d'Auvergne: Trois Bourrées: I. L'Aïo dè Rotso (Series 1) | — | ||
| 9-3 | Chants d'Auvergne: Trois Bourrées: Interlude 1 (Series 1) | — | ||
| 9-4 | Chants d'Auvergne: Trois Bourrées: II. Ound' onorèn gorda? (Series 1) | — | ||
| 9-5 | Chants d'Auvergne: Trois Bourrées: Interlude 2 (Series 1) | — | ||
| 9-6 | Chants d'Auvergne: Trois Bourrées: III. Obal din lou Limouzi (Series 1) | — | ||
| 9-7 | Chants d'Auvergne: L'Antouèno (Series 2) | — | ||
| 9-8 | Chants d'Auvergne: La Pastrouletta è lou Chibalié (Series 2) | — | ||
| 9-9 | Chants d'Auvergne: Deux Bourrées: I. N'aï pas iéu de mîo (Series 2) | — | ||
| 9-10 | Chants d'Auvergne: Deux Bourrées: Interlude (Series 2) | — | ||
| 9-11 | Chants d'Auvergne: Deux Bourrées: II. Lo calhé (Series 2) | — | ||
| 9-12 | Chants d'Auvergne: Malurous qu'o uno fenno (Series 3) | — | ||
| 9-13 | Chants d'Auvergne: Per l'èfon (Series 4) | — | ||
| 9-14 | Chants d'Auvergne: Quand z'eyro petitoune (Series 5) | — | ||
| 9-15 | Chants d'Auvergne: Là-haut, sur le rocher (Series 5) | — | ||
| 9-16 | Chants d'Auvergne: Hé! Beyla-z-y dau fé (Series 5) | — | ||
| 9-17 | Chants d'Auvergne: Lou diziou bé (Series 5) | — | ||
| 9-18 | Chants d'Auvergne: La Pastoura als camps (Series 1) | — | ||
| 9-19 | Chansons bourguignonnes du Pays de Beaune: Quand j'ai sôti de mon villaige | — | ||
| 9-20 | Chansons bourguignonnes du Pays de Beaune: Il était une fille, une fille d'honneur | — | ||
| 9-21 | Chansons bourguignonnes du Pays de Beaune: Le Pommier d'Août | — | ||
| 9-22 | Chansons bourguignonnes du Pays de Beaune: Noël | — | ||
| 9-23 | Chansons bourguignonnes du Pays de Beaune: Complainte de Notre Dame | — | ||
| 9-24 | Chansons bourguignonnes du Pays de Beaune: Aidieu, bargeire! | — | ||
| 10-1 | Médée, H491: Prologue: Overture | — | ||
| 10-2 | Médée, H491: Prologue: Passepied (Chorus) | — | ||
| 10-3 | Médée, H491: Acte I, Scène 6: "Que d'épais bataillons" (Chorus) | — | ||
| 10-4 | Médée, H491: Acte I, Scène 6: Rondeau des Corinthiens | — | ||
| 10-5 | Médée, H491: Acte I, Scène 6: "Quel bonheur suit la tendresse" (Corinthien, Argien) | — | ||
| 10-6 | Médée, H491: Acte I, Scène 6: "Que d'épais bataillons" (reprise) (Chorus) | — | ||
| 10-7 | Médée, H491: Acte I, Scène 6: Entr'acte | — | ||
| 10-8 | Médée, H491: Acte III, Scène 5-7: "Noires filles du Stix" (Médée) | — | ||
| 10-9 | Médée, H491: Acte III, Scène 5-7: "L'Enfer obéit à ta voix" (Chorus, Médée) | — | ||
| 10-10 | Médée, H491: Acte III, Scène 5-7: "Je voy le don fatal qu'exige ma rivale" (Médée, Chorus) | — | ||
| 10-11 | Médée, H491: Acte III, Scène 5-7: Premier Air pour les Démons | — | ||
| 10-12 | Médée, H491: Acte III, Scène 5-7: "Dieu du Cocyte et des Royaumes sombres" (Médée, Chorus) | — | ||
| 10-13 | Médée, H491: Acte III, Scène 5-7: Seconde entrée des Démons (Chorus, Médée) | — | ||
| 10-14 | In Nativitatem Domini Canticum, H416: Nuit | — | ||
| 10-15 | In Nativitatem Domini Canticum, H416: Réveil des bergers | — | ||
| 10-16 | In Nativitatem Domini Canticum, H416: Chorus pastorum. "Cœli aperti sunt" (Chorus) | — | ||
| 10-17 | In Nativitatem Domini Canticum, H416: Récit de l'Ange. "Nolite timere pastores" (L'Ange) | — | ||
| 10-18 | In Nativitatem Domini Canticum, H416: Chœur des anges. "Gloria in altissimis Deo" (Chorus) | — | ||
| 10-19 | Dido and Aeneas, Z626: Act I: Overture | — | ||
| 10-20 | Dido and Aeneas: Act I. "Shake the cloud from off your brow" (Belinda, chorus) | Sophie Marin-Degor, Les Arts Florissants, William Christie | — | |
| 10-21 | Dido and Aeneas: Act I. "Ah Belinda, I am press'd with torment" (Dido) | Véronique Gens, Les Arts Florissants, William Christie | — | |
| 10-22 | Dido and Aeneas: Act I. "Grief increases by concealing" (Belinda, Dido) - "When monarchs unite, how happy their state" (Chorus) | Véronique Gens, Sophie Marin-Degor, Les Arts Florissants, William Christie | — | |
| 10-23 | Dido and Aeneas: Act I. The Triumphing Dance | Les Arts Florissants, William Christie | — | |
| 10-24 | Dido and Aeneas: Act III, Scene I. "Come away" (Sailor, chorus) - The Sailor's Dance | Jean-Paul Fouchécourt, Les Arts Florissants, William Christie | — | |
| 10-25 | Dido and Aeneas: Act III, Scene I. The Witches' Dance | Les Arts Florissants, William Christie | — | |
| 10-26 | Dido and Aeneas: Act III, Scene II. "When I am laid in earth" (Dido) | Véronique Gens, Les Arts Florissants, William Christie | T-306.483.217-9 | |
| 11-1 | 9 leçons de ténèbres: Première leçon de ténèbres du Mercredi Saint, H120 | — | ||
| 11-2 | 9 leçons de ténèbres: Première leçon de ténèbres du Jeudi Saint, H121 | — | ||
| 11-3 | 9 leçons de ténèbres: Première leçon de ténèbres du Vendredi Saint, H121bis | — | ||
| 11-4 | 9 leçons de ténèbres: Troisième leçon de ténèbres du Mercredi Saint, H123 | — | ||
| 11-5 | 9 leçons de ténèbres: Troisième leçon de ténèbres du Jeudi Saint, H124 | — | ||
| 12-1 | String Quartet in C minor, op. 35: I. Grave | — | ||
| 12-2 | String Quartet in C minor, op. 35: II. Très calme | — | ||
| 12-3 | String Quartet in C minor, op. 35: III. Gaiement et pas trop vite | — | ||
| 12-4 | String Quartet in D major, op. 45: I. Allegro | Quatuor Via Nova | — | |
| 12-5 | String Quartet in D major, op. 45: II. Adagio | Quatuor Via Nova | — | |
| 12-6 | String Quartet in D major, op. 45: III. Allegro vivo | Quatuor Via Nova | — | |
| 12-7 | String Quartet in D major, op. 45: IV. Allegro moderato | Quatuor Via Nova | — | |
| 13-1 | 12 Études, op. 10: No. 1 in C major | — | ||
| 13-2 | 12 Études, op. 10: No. 2 in A minor | — | ||
| 13-3 | 12 Études, op. 10: No. 3 in E major | — | ||
| 13-4 | 12 Études, op. 10: No. 4 in C sharp minor | — | ||
| 13-5 | 12 Études, op. 10: No. 5 in G flat major | — | ||
| 13-6 | 12 Études, op. 10: No. 6 in E flat minor | — | ||
| 13-7 | 12 Études, op. 10: No. 7 in C major | — | ||
| 13-8 | 12 Études, op. 10: No. 8 in F major | — | ||
| 13-9 | 12 Études, op. 10: No. 9 in F minor | — | ||
| 13-10 | 12 Études, op. 10: No. 10 in A flat major | — | ||
| 13-11 | 12 Études, op. 10: No. 11 in E flat major | — | ||
| 13-12 | 12 Études, op. 10: No. 12 in C minor | — | ||
| 13-13 | 12 Études, op. 25: No. 1 in A flat major | — | ||
| 13-14 | 12 Études, op. 25: No. 2 in F minor | — | ||
| 13-15 | 12 Études, op. 25: No. 3 in F major | — | ||
| 13-16 | 12 Études, op. 25: No. 4 in A minor | — | ||
| 13-17 | 12 Études, op. 25: No. 5 in E minor | — | ||
| 13-18 | 12 Études, op. 25: No. 6 in G sharp minor | — | ||
| 13-19 | 12 Études, op. 25: No. 7 in C sharp minor | — | ||
| 13-20 | 12 Études, op. 25: No. 8 in D flat major | — | ||
| 13-21 | 12 Études, op. 25: No. 9 in G flat major | — | ||
| 13-22 | 12 Études, op. 25: No. 10 in B minor | — | ||
| 13-23 | 12 Études, op. 25: No. 11 in A minor | — | ||
| 13-24 | 12 Études, op. 25: No. 12 in C minor | — | ||
| 13-25 | 3 Nouvelles Études, op. posth.: No. 1 in F minor | — | ||
| 13-26 | 3 Nouvelles Études, op. posth.: No. 2 in A flat major | — | ||
| 13-27 | 3 Nouvelles Études, op. posth.: No. 3 in D Flat major | — | ||
| 14-1 | Second livre de pièces de clavecin, Ordre 11: V. Les fastes de la grande et ancienne Mxnxstrxndxsx [Ménestrandise] | Olivier Baumont | — | |
| 14-2 | Second livre de pièces de clavecin, Ordre 6: V. Les baricades mistérieuses | Olivier Baumont | — | |
| 14-3 | Second livre de pièces de clavecin, Ordre 12: VI. La fileuse | Olivier Baumont | — | |
| 14-4 | Troisième livre de pièces de clavecin, Ordre 18: VI. Le tic-toc-choc, ou Les maillotins | Olivier Baumont | — | |
| 14-5 | Troisième livre de pièces de clavecin, Ordre 15: II. Le dodo, ou L'amour au berceau | Olivier Baumont | — | |
| 14-6 | Troisième livre de pièces de clavecin, Ordre 13: IV. Les folies françoises, ou Les dominos | Olivier Baumont | — | |
| 14-7 | Quatrième livre de pièces de clavecin, Ordre 20: III. Les chérubins, ou L'aimable Lazure | Olivier Baumont | — | |
| 14-8 | Quatrième livre de pièces de clavecin, Ordre 25: V. Les ombres errantes | Olivier Baumont | — | |
| 14-9 | Quatrième livre de pièces de clavecin, Ordre 22: VI. Les tours de passe-passe | Olivier Baumont | — | |
| 14-10 | Premier livre de pièces de clavecin, Ordre 3: IX. L'Espagnolète | Olivier Baumont | — | |
| 14-11 | Premier livre de pièces de clavecin, Ordre 2: XV. La Garnier | Olivier Baumont | — | |
| 14-12 | Premier livre de pièces de clavecin, Ordre 4: IV. Le réveil-matin | Olivier Baumont | — | |
| 14-13 | L'art de toucher le clavecin: VIII. Prelude In E minor | Olivier Baumont | — | |
| 14-14 | Quatrième livre de pièces de clavecin, Ordre 21: III. La Couperin | Olivier Baumont | — | |
| 14-15 | Allemande La Couperin | — | ||
| 14-16 | La Couprin | — | ||
| 14-17 | La Couperin | — | ||
| 15-1 | The Sorcerer’s Apprentice | Nouvel Orchestre Philharmonique, Armin Jordan | T-003.005.584-5 | |
| 15-2 | La Péri: Fanfare | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 15-3 | La Péri: La Péri | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 15-4 | Symphony in C major: I. Allegro non troppo vivace, ma con fuoco | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 15-5 | Symphony in C major: II. Andante espressivo e sostenuto | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 15-6 | Symphony in C major: III. Allegro spirituoso | L’Orchestre de la Suisse Romande, Armin Jordan | — | |
| 16-1 | Requiem, op. 48: I. Introït & Kyrie | — | ||
| 16-2 | Requiem, op. 48: II. Offertorium | — | ||
| 16-3 | Requiem, op. 48: III. Sanctus | — | ||
| 16-4 | Requiem, op. 48: IV. Pie Jesu | — | ||
| 16-5 | Requiem, op. 48: V. Agnus Dei | — | ||
| 16-6 | Requiem, op. 48: VI. Libera me | — | ||
| 16-7 | Requiem, op. 48: VII. In paradisum | — | ||
| 16-8 | Requiem, op. 9: I. Introït | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-9 | Requiem, op. 9: II. Kyrie | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-10 | Requiem, op. 9: III. Domine Jesu Christe | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-11 | Requiem, op. 9: IV. Sanctus | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-12 | Requiem, op. 9: V. Pie Jesu | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-13 | Requiem, op. 9: VI. Agnus Dei | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-14 | Requiem, op. 9: VII. Lux aeterna | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-15 | Requiem, op. 9: VIII. Libera me | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 16-16 | Requiem, op. 9: IX. In Paradisum | Hélène Bouvier, Xavier Depraz, Chorale Stéphane Caillat, Chorale Philippe Caillard, Marie-Madeleine Duruflé, Orchestre Lamoureux, Maurice Duruflé | — | |
| 17-1 | Fantaisie in C major, op. 16: I. Poco lento | — | ||
| 17-2 | Fantaisie in C major, op. 16: II. Allegro cantando | — | ||
| 17-3 | Fantaisie in C major, op. 16: III. Quasi lento | — | ||
| 17-4 | Fantaisie in C major, op. 16: IV. Adagio | — | ||
| 17-5 | Grande pièce symphonique, op. 17: I. Andantino serioso | — | ||
| 17-6 | Grande pièce symphonique, op. 17: II. Andante | — | ||
| 17-7 | Grande pièce symphonique, op. 17: III. Allegro | — | ||
| 17-8 | Grande pièce symphonique, op. 17: IV. Andante | — | ||
| 17-9 | Grande pièce symphonique, op. 17: V. Allegro non troppo e maestoso | — | ||
| 17-10 | Grande pièce symphonique, op. 17: VI. Beaucoup plus largement que précédemment | — | ||
| 17-11 | Prélude, Fugue et Variation, op. 18: I. Andantino | — | ||
| 17-12 | Prélude, Fugue et Variation, op. 18: II. Lent - Allegretto ma non troppo | — | ||
| 17-13 | Prélude, Fugue et Variation, op. 18: III. Variation. Andantino | — | ||
| 17-14 | Prière | — | ||
| 17-15 | Fantaisie in A major | — | ||
| 18-1 | Piano Concerto in F major: I. Allegro | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-070.025.723-3 | |
| 18-2 | Piano Concerto in F major: II. Adagio - Andante con moto | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | — | |
| 18-3 | Piano Concerto in F major: III. Allegro agitato | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | — | |
| 18-4 | Piano Concerto in G major: I. Allegramente | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-304.253.616-9 | |
| 18-5 | Piano Concerto in G major: II. Allegro assai | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-003.007.887-5 | |
| 18-6 | Piano Concerto in G major: III. Presto | Hélène Grimaud, Baltimore Symphony Orchestra, David Zinman | T-304.253.616-9 | |
| 19-1 | Iphigénie en Aulide: Ouverture | — | ||
| 19-2 | Iphigénie en Aulide: Acte un: "Brillant auteur de la lumière" (Agamemnon) | — | ||
| 19-3 | Iphigénie en Aulide: Acte un: "C'est trop faire de résistance" (Chorus, Agamemnon, Calchas) | — | ||
| 19-4 | Iphigénie en Aulide: Acte un: "D'une sainte terreur" (Calchas) "Tu veux que par ma main tremblante" (Agamemnon, Calchas) | — | ||
| 19-5 | Iphigénie en Aulide: Acte un: "Nommez-nous la victime" (Grecs) | — | ||
| 19-6 | Iphigénie en Aulide: Acte un: "Au faîte des grandeurs" (Calchas) | — | ||
| 19-7 | Iphigénie en Aulide: Acte un: "Que d'attraits!" (Grecs) | — | ||
| 19-8 | Iphigénie en Aulide: Acte un: "Armez-vous d'un noble courage" (Clytemnestre) | — | ||
| 19-9 | Iphigénie en Aulide: Acte un: "Hélas! mon cœur sensible!" (Iphigénie) | — | ||
| 19-10 | Iphigénie en Aulide: Acte un: "Cruelle, non jamais" (Achille) | — | ||
| 19-11 | Iphigénie en Aulide: Acte un: "Ne doutez jamais de ma flamme" (Achille, Iphigénie) | — | ||
| 19-12 | Iphigénie en Aulide: Acte deux: "Rassurez-vous, belle Princesse" (Iphigénie, femmes de sa suite) | — | ||
| 19-13 | Iphigénie en Aulide: Acte deux: "Par la crainte et par l'espérance" (Iphigénie) | — | ||
| 19-14 | Iphigénie en Aulide: Acte deux: "Chantez, célébrez votre reine" (Achille, chœur) | — | ||
| 19-15 | Iphigénie en Aulide: Acte deux: "Achille est couronné" (Une Grecque) | — | ||
| 19-16 | Iphigénie en Aulide: Acte deux: "Ami sensible, ennemi redoutable" (chœur) | — | ||
| 19-17 | Iphigénie en Aulide: Acte deux: Air gai | — | ||
| 19-18 | Iphigénie en Aulide: Acte deux: Air pour les esclaves | — | ||
| 19-19 | Iphigénie en Aulide: Acte deux: "Jamais à tes autels" (Iphigénie, Clytemnestre, Achille, Patrocle, chœur) | — | ||
| 19-20 | Iphigénie en Aulide: Acte deux: "Par un père cruel" (Clytemnestre) | — | ||
| 19-21 | Iphigénie en Aulide: Acte deux: "C'est mon père, Seigneur" (Iphigénie, Clytemnestre, Achille) | — | ||
| 19-22 | Iphigénie en Aulide: Acte deux: "De votre audace téméraire" (Agamemnon, Achille) | — | ||
| 19-23 | Iphigénie en Aulide: Acte deux: "Ô toi, l'objet le plus aimable" (Agamemnon) | — | ||
| 19-24 | Iphigénie en Aulide: Acte trois: "Il faut, de mon destin" (Iphigénie) | — | ||
| 19-25 | Iphigénie en Aulide: Acte trois: "Adieu, conservez dans votre âme" (Iphigénie) | — | ||
| 19-26 | Iphigénie en Aulide: Acte trois: "Calchas, d'un trait mortel percé" (Achille) | — | ||
| 19-27 | Iphigénie en Aulide: Acte trois: "Adieu, vivez pour Oreste" (Iphigénie) | — | ||
| 19-28 | Iphigénie en Aulide: Acte trois: "Dieux puissants que j'atteste" "Ma fille, je la vois" (Clytemnestre) | — | ||
| 19-29 | Iphigénie en Aulide: Acte trois: "Jupiter, lance la foudre" (Clytemnestre) | — | ||
| 19-30 | Iphigénie en Aulide: Acte trois: "Mon cœur ne saurait contenir" (Iphigénie, Clytemnestre, Achille, Agamemnon) | — | ||
| 19-31 | Iphigénie en Aulide: Acte trois: "Jusqu-aux voûtes éthérées" (Grecs) | — | ||
| 20-1 | Organ Concerto in B flat major, op. 7 no. 6 HWV 311: I. Pomposo | — | ||
| 20-2 | Organ Concerto in B flat major, op. 7 no. 6 HWV 311: II. Adagio (Ad libitum) | — | ||
| 20-3 | Organ Concerto in B flat major, op. 7 no. 6 HWV 311: III. A tempo ordinario | — | ||
| 20-4 | Organ Concerto in F major, op. 4 no. 4 HWV 292: I. Allegro | — | ||
| 20-5 | Organ Concerto in F major, op. 4 no. 4 HWV 292: II. Andante | — | ||
| 20-6 | Organ Concerto in F major, op. 4 no. 4 HWV 292: III. Adagio (Ad libitum) | — | ||
| 20-7 | Organ Concerto in F major, op. 4 no. 4 HWV 292: IV. Allegro | — | ||
| 20-8 | Organ Concerto in B flat major, op. 4 no. 6 HWV 294: I. Andante - Allegro | — | ||
| 20-9 | Organ Concerto in B flat major, op. 4 no. 6 HWV 294: II. Larghetto | — | ||
| 20-10 | Organ Concerto in B flat major, op. 4 no. 6 HWV 294: III. Allegro moderato | — | ||
| 20-11 | Organ Concerto in G minor, op. 4 no. 3 HWV 291: I. Adagio | — | ||
| 20-12 | Organ Concerto in G minor, op. 4 no. 3 HWV 291: II. Allegro | — | ||
| 20-13 | Organ Concerto in G minor, op. 4 no. 3 HWV 291: III. Adagio | — | ||
| 20-14 | Organ Concerto in G minor, op. 4 no. 3 HWV 291: IV. Gavotte. Allegro | — | ||
| 20-15 | Organ Concerto in B flat major, op. 4 no. 2 HWV 290: I. A tempo ordinario | — | ||
| 20-16 | Organ Concerto in B flat major, op. 4 no. 2 HWV 290: II. Allegro | — | ||
| 20-17 | Organ Concerto in B flat major, op. 4 no. 2 HWV 290: III. Adagio | — | ||
| 20-18 | Organ Concerto in B flat major, op. 4 no. 2 HWV 290: IV. Allegro ma non troppo | — | ||
| 20-19 | Organ Concerto in G minor, op. 4 no. 1 HWV 289: I. Larghetto | — | ||
| 20-20 | Organ Concerto in G minor, op. 4 no. 1 HWV 289: II. Allegro | — | ||
| 20-21 | Organ Concerto in G minor, op. 4 no. 1 HWV 289: III. Adagio | — | ||
| 20-22 | Organ Concerto in G minor, op. 4 no. 1 HWV 289: IV. Andante | — | ||
| 20-23 | Organ Concerto in F major, op. 4 no. 5 HWV 293: I. Larghetto | — | ||
| 20-24 | Organ Concerto in F major, op. 4 no. 5 HWV 293: II. Allegro | — | ||
| 20-25 | Organ Concerto in F major, op. 4 no. 5 HWV 293: III. Alla siciliana | — | ||
| 20-26 | Organ Concerto in F major, op. 4 no. 5 HWV 293: IV. Presto | — | ||
| 21-1 | Concerto for trumpet and orchestra: I. Allegro | — | ||
| 21-2 | Concerto for trumpet and orchestra: II. Nocturne: Andantino | — | ||
| 21-3 | Concerto for trumpet and orchestra: III. Final: Allegro | — | ||
| 21-4 | Cello Concerto: I. Andante – | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-5 | Cello Concerto: II. Lento – | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-6 | Cello Concerto: III. Allegro marcato | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-7 | Cello Concerto no. 1, op. 136: I. Nonchalant | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-8 | Cello Concerto no. 1, op. 136: II. Grave | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-9 | Cello Concerto no. 1, op. 136: III. Joyeux | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — | |
| 21-10 | Concerto for ondes Martenot and orchestra: I. Allegro moderato | — | ||
| 21-11 | Concerto for ondes Martenot and orchestra: II. Allegro vivace | — | ||
| 21-12 | Concerto for ondes Martenot and orchestra: III. Largo cantabile | — | ||
| 22-1 | Missa choralis, S10: I. Kyrie | — | ||
| 22-2 | Missa choralis, S10: II. Gloria | — | ||
| 22-3 | Missa choralis, S10: III. Credo | — | ||
| 22-4 | Missa choralis, S10: IV. Sanctus | — | ||
| 22-5 | Missa choralis, S10: V. Benedictus | — | ||
| 22-6 | Missa choralis, S10: VI. Agnus Dei | — | ||
| 22-7 | Via crucis, les 14 stations de la croix, S53: Andante maestoso | — | ||
| 22-8 | Via crucis, les 14 stations de la croix, S53: Statio I. "Jesus wird zum Tode verdammt" | — | ||
| 22-9 | Via crucis, les 14 stations de la croix, S53: Statio II. "Jesus trägt sein Kreuz" | — | ||
| 22-10 | Via crucis, les 14 stations de la croix, S53: Statio III. "Jesus fällt zum ersten Mal" | — | ||
| 22-11 | Via crucis, les 14 stations de la croix, S53: Statio IV. "Jesus begegnet seiner heiligen Mutter" | — | ||
| 22-12 | Via crucis, les 14 stations de la croix, S53: Statio V. "Simon von Kyrene hilft Jesus das Kreuz tragen" | — | ||
| 22-13 | Via crucis, les 14 stations de la croix, S53: Statio VI. "Sancta Veronica" | — | ||
| 22-14 | Via crucis, les 14 stations de la croix, S53: Statio VII. "Jesus fällt zum zweiten Mal" | — | ||
| 22-15 | Via crucis, les 14 stations de la croix, S53: Statio VIII. "Die Frauen von Jerusalem" | — | ||
| 22-16 | Via crucis, les 14 stations de la croix, S53: Statio IX. "Jesus fällt zum dritten Mal" | — | ||
| 22-17 | Via crucis, les 14 stations de la croix, S53: Statio X. "Jesus wird entkleidet" | — | ||
| 22-18 | Via crucis, les 14 stations de la croix, S53: Statio XI. "Jesus wird ans Kreuz geschlagen" | — | ||
| 22-19 | Via crucis, les 14 stations de la croix, S53: Statio XII. "Jesus stribt am Kreuze" | — | ||
| 22-20 | Via crucis, les 14 stations de la croix, S53: Statio XIII. "Jesus wird vom Kreuz genommen" | — | ||
| 22-21 | Via crucis, les 14 stations de la croix, S53: Statio XIV. "Jesus wird ins Grab gelegt" | — | ||
| 23-1 | Te Deum: I. Symphonie - Te Deum | — | ||
| 23-2 | Te Deum: II. Patrem immensae majestatis | — | ||
| 23-3 | Te Deum: III. Symphonie - Te ergo quae sumus | — | ||
| 23-4 | Te Deum: IV. Symphonie - Dignare Domine | — | ||
| 23-5 | Dies irae: I. Dies irae | — | ||
| 23-6 | Dies irae: II. Tuba mirum | — | ||
| 23-7 | Dies irae: III. Mors stupebit | — | ||
| 23-8 | Dies irae: IV. Liber scriptus | — | ||
| 23-9 | Dies irae: V. Quid sum, miser, tunc dicturus | — | ||
| 23-10 | Dies irae: VI. Rex tremendae | — | ||
| 23-11 | Dies irae: VII. Quaerens me sedisti lassus | — | ||
| 23-12 | Dies irae: VIII. Juste judex ultionis | — | ||
| 23-13 | Dies irae: IX. Ingemisco tanquam reus | — | ||
| 23-14 | Dies irae: X. Confutatis maledictis | — | ||
| 23-15 | Dies irae: XI. Oro supplex et acclinis | — | ||
| 23-16 | Dies irae: XII. Lacrymosa dies illa | — | ||
| 23-17 | Dies irae: XIII. Pie Jesu Domine | — | ||
| 24-1 | Couleurs de la cité céleste | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-702.379.390-2 | |
| 24-2 | Et exspecto resurrectionem mortuorum: I. "Des profondeurs de l'abîme, je crie vers toi, Seigneur : Seigneur, écoute ma voix !" (Psaume CXXX, 1, 2) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-3 | Et exspecto resurrectionem mortuorum: II. "Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire" (Épître de saint Paul aux Romains, VI, 9) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-4 | Et exspecto resurrectionem mortuorum: III. "L'heure vient où les morts entendront la voix du fils de Dieu" (Évangile selon saint Jean, V, 25) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-5 | Et exspecto resurrectionem mortuorum: IV. "Ils ressusciteront, glorieux, avec un nom nouveau" (1re Épître de saint Paul aux Corinthiens, XV, 43; Apocalypse II, 17; Livre de Job, XXXVIII, 7) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-6 | Et exspecto resurrectionem mortuorum: V. "Et j'entendis la voix d'une foule immense ..." (Apocalypse, XIX, 6) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 24-7 | L'Ascension: I. Majesté du Christ demandant sa gloire à son Père | — | ||
| 24-8 | L'Ascension: II. Alléluias sereins d'une âme qui désire le ciel | — | ||
| 24-9 | L'Ascension: III. Alléluia sur la trompette, alléluia sur la cymbale | — | ||
| 24-10 | L'Ascension: IV. Prière du Christ montant vers son Père | — | ||
| 25-1 | Méditations sur le mystère de la Sainte Trinité: Méditation I | — | ||
| 25-2 | Méditations sur le mystère de la Sainte Trinité: Méditation II | — | ||
| 25-3 | Méditations sur le mystère de la Sainte Trinité: Méditation III | — | ||
| 25-4 | Méditations sur le mystère de la Sainte Trinité: Méditation IV | — | ||
| 25-5 | Méditations sur le mystère de la Sainte Trinité: Méditation V | — | ||
| 25-6 | Méditations sur le mystère de la Sainte Trinité: Méditation VI | — | ||
| 25-7 | Méditations sur le mystère de la Sainte Trinité: Méditation VII | — | ||
| 25-8 | Méditations sur le mystère de la Sainte Trinité: Méditation VIII | — | ||
| 25-9 | Méditations sur le mystère de la Sainte Trinité: Méditation IX | — | ||
| 26-1 | Symphony no. 4 op. 281: I. L'Insurrection | — | ||
| 26-2 | Symphony no. 4 op. 281: II. Aux morts de la République | — | ||
| 26-3 | Symphony no. 4 op. 281: III. Les joies paisibles de la Liberté retrouvée | — | ||
| 26-4 | Symphony no. 4 op. 281: IV. Commémoration 1948 | — | ||
| 26-5 | Symphony no. 8 in D major, op. 362 "Rhodanienne": I. Avec mystère et violence | — | ||
| 26-6 | Symphony no. 8 in D major, op. 362 "Rhodanienne": II. Avec sérénité et nonchalance | — | ||
| 26-7 | Symphony no. 8 in D major, op. 362 "Rhodanienne": III. Avec emportement | — | ||
| 26-8 | Symphony no. 8 in D major, op. 362 "Rhodanienne": IV. Rapide et majestueux | — | ||
| 26-9 | Piano Concerto no. 4 op. 295: I. Animé | — | ||
| 26-10 | Piano Concerto no. 4 op. 295: II. Très lent | — | ||
| 26-11 | Piano Concerto no. 4 op. 295: III. Joyeux | — | ||
| 26-12 | Ballade for Piano and Orchestre op. 61 | — | ||
| 27-1 | Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" | William Christie, Les Arts Florissants | — | |
| 27-2 | Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum" | William Christie, Les Arts Florissants | — | |
| 27-3 | Vespro della Beata Vergine, SV 206: VIII. Concerto "Pulchra es" | William Christie, Les Arts Florissants | — | |
| 27-4 | Vespro della Beata Vergine, SV 206: Antiphona "Iam hiems transit, imber abiit" / VI. Psalmus IV "Nisi Dominus"aume 126) | William Christie, Les Arts Florissants | — | |
| 27-5 | Vespro della Beata Vergine, SV 206: XIII. Concerto "Duo Seraphim" | William Christie, Les Arts Florissants | — | |
| 27-6 | Madrigali a cinque voci, Libro VIII: "Alme luci beate" | — | ||
| 27-7 | Madrigali a cinque voci, Libro VIII: "Io vi lascio, mie scorte" | — | ||
| 27-8 | Madrigali a cinque voci, Libro V: "Sospir che del bel patto" | — | ||
| 27-9 | Madrigali a cinque voci, Libro I: "Crud' Amarilli" | — | ||
| 27-10 | La Pierre Philosophale, H. 501: I. Chœur des Quatre Eléments | Les Arts Florissants, William Christie | — | |
| 27-11 | La Pierre Philosophale, H. 501: II. Menuet pour la petite gnomide | Patricia Petibon, Les Arts Florissants, William Christie | — | |
| 27-12 | La Pierre Philosophale, H. 501: III. Chanson du Sylphe | Les Arts Florissants, William Christie | — | |
| 27-13 | La Pierre Philosophale, H. 501: IV. Duo pour le feu et l'eau | Les Arts Florissants, William Christie | — | |
| 27-14 | La Pierre Philosophale, H. 501: V. Chœur des Quatre Eléments | Les Arts Florissants, William Christie | — | |
| 27-15 | Air "Ah! qu'ils sont courts les beaux jours", H. 442 | Sophie Daneman, Les Arts Florissants, William Christie | — | |
| 27-16 | Air "Charmantes fleurs, naissez", H. 449b | Adèle Eikenes, Sophie Daneman, Les Arts Florissants, William Christie | — | |
| 27-17 | Air "Quoi! rien ne peut vous arrêter?", H. 462 | Patricia Petibon, Les Arts Florissants, William Christie | — | |
| 27-18 | Chaconne "Sans frayeur dans ce bois", H. 467 | Sophie Daneman, Les Arts Florissants, William Christie | — | |
| 27-19 | Il Sant'Alessio: Prologo: Sinfonia | — | ||
| 27-20 | Il Sant'Alessio: Prologo: "Chiaro giorno lieta sorte" (Chorus, Roma) | — | ||
| 27-21 | Il Sant'Alessio: Prologo: "Né fur solo i miei Figli" (Roma) | — | ||
| 27-22 | Il Sant'Alessio: Prologo: "Già fastosa Guerriera" (Chorus) | — | ||
| 27-23 | Il Sant'Alessio: Atto II, Scena VII: "O Morte gradita" (Sant'Alessio) | — | ||
| 27-24 | La descente d'Orphée aux Enfers H488: Overture to Act 1 | — | ||
| 27-25 | La descente d'Orphée aux Enfers H488: Acte I "Inventons mille jeux divers" (Daphnée, Chorus) - Entrée des nymphes - "Ruisseau qui dans ce beau séjour" (Énone, Aréthuze) | — | ||
| 27-26 | La descente d'Orphée aux Enfers H488: Acte I "Compagnes fidèles" (Euridice, Énone, Aréthuze) | — | ||
| 27-27 | La descente d'Orphée aux Enfers H488: Acte I "Soutiens-moi, chère Énone" (Euridice) - "Qu'ai-je entendu, que vois-je?" (Orphée, chorus) | — | ||
| 27-28 | La descente d'Orphée aux Enfers H488: Acte I "Ah! Bergers, c'en est fait" (Orphée, chorus) | — | ||
| 27-29 | La descente d'Orphée aux Enfers H488: Acte I Entrée de nymphes et de bergers désespérés - "Lâche amant" (Orphée) | — | ||
| 28-1 | Selva morale e spirituale: Laudate Dominum omnes gentes, Primo (a 5 voci concerto con 2 violini e B.C.) | — | ||
| 28-2 | Selva morale e spirituale: Confitebor Secondo (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso) | — | ||
| 28-3 | Selva morale e spirituale: Magnificat Secondo (a 4 voci in genere da Capella) | — | ||
| 28-4 | Selva morale e spirituale: Dixit Dominus Secondo (a 8 voci, coro, soli e orchestra) | — | ||
| 28-5 | Selva morale e spirituale: O ciechi ciechi (coro e orchestra) | — | ||
| 28-6 | Selva morale e spirituale: Voi ch'ascoltate (soli e orchestra) | — | ||
| 28-7 | Selva morale e spirituale: È questa vita un lampo (coro a 5 voci) | — | ||
| 28-8 | Selva morale e spirituale: Et iterum (2 tenori e baritono) | — | ||
| 28-9 | Selva morale e spirituale: Deus tuorum militum (3 voci e 2 violini) | — | ||
| 28-10 | Selva morale e spirituale: Laudate Dominum (voce sola) | — | ||
| 28-11 | Selva morale e spirituale: Magnificat primo (a 8 voci, coro, soli e orchestra) | — | ||
| 29-1 | Concerto pour flûte et harpe en do majeur: Allegro | Lily Laskine, Jean-Pierre Rampal, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | — | |
| 29-2 | Concerto pour flûte et harpe en do majeur: Andantino | Lily Laskine, Jean-Pierre Rampal, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | T-911.534.020-0 | |
| 29-3 | Concerto pour flûte et harpe en do majeur: Rondo allegro | Lily Laskine, Jean-Pierre Rampal, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | T-911.534.020-0 | |
| 29-4 | Concerto for Clarinet in A major, K. 622: I. Allegro | Jacques Lancelot, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | — | |
| 29-5 | Concerto for Clarinet in A major, K. 622: II. Adagio | Jacques Lancelot, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | — | |
| 29-6 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | Jacques Lancelot, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | — | |
| 30-1 | Le nozze di Figaro: Sinfonia | — | ||
| 30-2 | Le nozze di Figaro: Atto primo, Scena II. N.3 Cavatina "Se vuol ballare, signor Contino" (Figaro) | — | ||
| 30-3 | Le nozze di Figaro: Atto primo, Scena V. N.6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | — | ||
| 30-4 | Le nozze di Figaro: Atto primo, Scena VII. N.8 Coro "Giovani lieti, fiori spargete" (Chorus) | — | ||
| 30-5 | Le nozze di Figaro: Atto primo, Scena VII. N.10 Aria "Non più andrai farfallone amoroso" (Figaro) | — | ||
| 30-6 | Le nozze di Figaro, Atto secondo, Scena I. N.11 Cavatina "Porgi amor qualche ristoro" (La Contessa) | — | ||
| 30-7 | Le nozze di Figaro, Atto secondo, Scena II. N.12 Arietta "Voi, che sapete che cosa è amor" (Cherubino) | — | ||
| 30-8 | Le nozze di Figaro: Atto secondo, Scena II. N.13 Aria "Venite, inginocchiatevi" (Susanna) | — | ||
| 30-9 | Le nozze di Figaro: Atto secondo, Scena IV. N.15 Duettino "Aprite, presto aprite" (Susanna, Cherubino) - Recitativo "Oh guarda il demonietto!" (Susanna) | — | ||
| 30-10 | Le nozze di Figaro: Atto secondo, Scena XI. N.16 Finale "Voi, signor, che giusto siete" (La Contessa, Il Conte, Susanne, Figaro, Marcellina, Bartolo, Basilio) | — | ||
| 30-11 | Le nozze di Figaro: Atto terzo, Scena IV. N.18 Aria "Vedrò mentre io sospiro" (Il Conte) | — | ||
| 30-12 | Le nozze di Figaro: Atto terzo, Scena V. N.19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) | — | ||
| 30-13 | Le nozze di Figaro: Atto terzo, Scena VIII. N.20 Aria "Dove sono i bei momenti" (La Contessa) | — | ||
| 30-14 | Le nozze di Figaro: Atto terzo, Scena IX. N.21 Duettino "Che soave zeffiretto" (La Contessa, Susanna) - Recitativo "Piegato è il foglio" (Susanna, La Contessa) | — | ||
| 30-15 | Le nozze di Figaro: Atto quarto, Scena I. N.24 Cavatina "L'ho perduta, me meschina" (Barbarina) | — | ||
| 30-16 | Le nozze di Figaro: Atto quarto, Scena VII. N.26 Aria "In quelgl'anni, in cui val poco" (Basilio) | — | ||
| 30-17 | Le nozze di Figaro: Atto quarto, Scena VIII. N.27 Aria "Aprite un po' quegl'occhi" (Figaro) | — | ||
| 30-18 | Le nozze di Figaro: Atto quarto, Scena XI-XV. N.29 Finale "Pian pianin le andrò più presso" (Susanna, La Contessa, Barbarina, Cherubino, Marcellina, Basilio, Il Conte, Antonio, Figaro) | — | ||
| 31-1 | Requiem, KV 626 (Süßmayr version): Introitus | Anna Maria Panzarella, Les Arts Florissants, William Christie | — | |
| 31-2 | Requiem, KV 626 (Süßmayr version): Kyrie | Les Arts Florissants, William Christie | T-070.093.418-4 | |
| 31-3 | Requiem, KV 626 (Süßmayr version): Dies Irae | Les Arts Florissants, William Christie | — | |
| 31-4 | Requiem, KV 626 (Süßmayr version): Tuba mirum | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | — | |
| 31-5 | Requiem, KV 626 (Süßmayr version): Rex tremendae | Les Arts Florissants, William Christie | — | |
| 31-6 | Requiem, KV 626 (Süßmayr version): Recordare | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | — | |
| 31-7 | Requiem, KV 626 (Süßmayr version): Confutatis | Les Arts Florissants, William Christie | — | |
| 31-8 | Requiem, KV 626 (Süßmayr version): Lacrimosa | Monica Huggett, Les Arts Florissants, William Christie | — | |
| 31-9 | Requiem, KV 626 (Süßmayr version): Domine Jesu | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | — | |
| 31-10 | Requiem, KV 626 (Süßmayr version): Hostias | Les Arts Florissants, William Christie | — | |
| 31-11 | Requiem, KV 626 (Süßmayr version): Sanctus | Les Arts Florissants, William Christie | — | |
| 31-12 | Requiem, KV 626 (Süßmayr version): Benedictus | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | — | |
| 31-13 | Requiem, KV 626 (Süßmayr version): Agnus Dei | Les Arts Florissants, William Christie | — | |
| 31-14 | Requiem, KV 626 (Süßmayr version): Lux aeterna | Anna Maria Panzarella, Les Arts Florissants, William Christie | T-910.952.061-8 | |
| 31-15 | Ave verum corpus , KV 618 | Monica Huggett, Les Arts Florissants, William Christie | T-309.828.989-1 | |
| 32-1 | Concerto in G minor for organ, string orchestra and timpani | — | ||
| 32-2 | Prélude et fugue sur le nom d'Alain, op. 7: I. Prélude. Allegro | — | ||
| 32-3 | Prélude et fugue sur le nom d'Alain, op. 7: II. Fugue. Andante | — | ||
| 32-4 | Sarabande for organ, string quintet and timpani | — | ||
| 32-5 | 3 Dances for Orchestra, op. 6: I. Divertissement. Andante - Vivace | — | ||
| 32-6 | 3 Dances for Orchestra, op. 6: II. Danse lente. Lento | — | ||
| 32-7 | 3 Dances for Orchestra, op. 6: III. Tambourin. Allegro, ma non troppo | — | ||
| 33-1 | Symphony no. 7 in C-sharp minor, op. 131: I. Moderato | — | ||
| 33-2 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | — | ||
| 33-3 | Symphony no. 7 in C-sharp minor, op. 131: III. Andante espressivo | — | ||
| 33-4 | Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace | — | ||
| 33-5 | Symphony no. 5 in B-flat major, op. 100: I. Andante | — | ||
| 33-6 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | — | ||
| 33-7 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | — | ||
| 33-8 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | — | ||
| 34-1 | King Arthur: Overture | Les Arts Florissants | — | |
| 34-2 | King Arthur: Air | Les Arts Florissants | — | |
| 34-3 | King Arthur: Act I. "Woden, first to thee" | Les Arts Florissants, Mark Padmore, Luthea Salom | — | |
| 34-4 | King Arthur: Act I. "Come if you dare" - First Act Tune | Les Arts Florissants, Iain Paton | — | |
| 34-5 | King Arthur: Act II. "Hither, this way, this way bend" | Claron McFadden, Les Arts Florissants | — | |
| 34-6 | King Arthur: Act II. "How blest are shepherds" | Iain Paton, Les Arts Florissants | — | |
| 34-7 | King Arthur: Act II. "Shepherd, shepherd, leave decoying" | Véronique Gens, Sandrine Piau, Les Arts Florissants | — | |
| 34-8 | King Arthur: Act II. "Come, shepherds, lead up a lively measure" - Hornpipe | Les Arts Florissants | T-902.314.028-5 | |
| 34-9 | King Arthur: Act III. Prelude | Les Arts Florissants | — | |
| 34-10 | King Arthur: Act III. "What ho! thou genius of this isle" | Susannah Waters, Les Arts Florissants | — | |
| 34-11 | King Arthur: Act III. Prelude while the Cold Genius rises - "What power art thou" | Petteri Salomaa, Les Arts Florissants | — | |
| 34-12 | King Arthur: Act III. "Thou doting fool" | Susannah Waters, Les Arts Florissants | — | |
| 34-13 | King Arthur: Act III. "Great Love, I know thee now" | Petteri Salomaa, Les Arts Florissants | — | |
| 34-14 | King Arthur: Act III. "No part of my dominion" | Susannah Waters, Les Arts Florissants | — | |
| 34-15 | King Arthur: Act III. Prelude | Les Arts Florissants | — | |
| 34-16 | King Arthur: Act III. "See, see, we assemble" - Dance | Les Arts Florissants | T-070.038.248-4 | |
| 34-17 | King Arthur: Act III. "'Tis I that have warm'd ye" - "'Tis Love that has warm'd us" | Les Arts Florissants, Susannah Waters | — | |
| 34-18 | King Arthur: Act III. "Sound a parley" - "'Tis Love that has warm'd us" | Les Arts Florissants, Petteri Salomaa, Susannah Waters | — | |
| 34-19 | King Arthur: Act III. Third Act Tune (Hornpipe) | Les Arts Florissants | — | |
| 34-20 | King Arthur: Act IV. "Two daughters of this aged stream are we" | Claron McFadden, Sandrine Piau, Les Arts Florissants | — | |
| 34-21 | King Arthur: Act IV. Passacaglia - "How happy the lover" - Ritornello - "For love every creature" - "In vain are our graces" | Les Arts Florissants, Jonathan Best, Richard Duguay, Véronique Gens, Mhairi Lawson, Violaine Lucas, David Le Monnier, Mark Padmore, Valérie Picard, Anne Pichard, Jean-Marie Puissant, Carys Lloyd Roberts, Sheena Wolstencroft | — | |
| 34-22 | King Arthur: Act V. Trumpet Tune | Les Arts Florissants | — | |
| 34-23 | King Arthur: Act V. "Ye blust'ring brethren of the skies" | Petteri Salomaa, Les Arts Florissants | — | |
| 34-24 | King Arthur: Act V. Symphony | Les Arts Florissants | — | |
| 34-25 | King Arthur: Act V. "Fairest Isle" | Véronique Gens, Les Arts Florissants | — | |
| 34-26 | King Arthur: Act V. "Fairest Isle" | Véronique Gens, Les Arts Florissants | — | |
| 34-27 | King Arthur: Act V. "Our natives not alone appear" | Les Arts Florissants | — | |
| 34-28 | King Arthur: Act V. Chaconne | Les Arts Florissants | — | |
| 35-1 | La Guirlande: Scène 1. Ritournelle | — | ||
| 35-2 | La Guirlande: Scène 1. "Peut-on être à la fois si tendre et si volage?" (Myrtil) | — | ||
| 35-3 | La Guirlande: Scène 1. "Ranimez-vous" (Myrtil) | — | ||
| 35-4 | La Guirlande: Scène 1. "Toi qui vis mon erreur" (Myrtil) | — | ||
| 35-5 | La Guirlande: Scène 1. Annonce "Mais j'entends les bergers que ta fête rassemble" (Myrtil) | — | ||
| 35-6 | La Guirlande: Scène 2. Air gracieux | — | ||
| 35-7 | La Guirlande: Scène 2. "Hâtons-nous" (chœur) | — | ||
| 35-8 | La Guirlande: Scène 2. Menuets | — | ||
| 35-9 | La Guirlande: Scène 3. "Zélide, nos plaisirs n'ont rien qui vous amuse?" (Hylas, Zélide) | — | ||
| 35-10 | La Guirlande: Scène 3. "Tout languit dans nos bois" (Zélide) | — | ||
| 35-11 | La Guirlande: Scène 4. "Que vois-je?" (Myrtil) | — | ||
| 35-12 | La Guirlande: Scène 5. "Je vous revois, belle Zélide" (Myrtil, Zélide) | — | ||
| 35-13 | La Guirlande: Scène 5. Annonce "Nos bergers de l'Amour vont célébrer la fête" (Myrtil) | — | ||
| 35-14 | La Guirlande: Scène 5. "Triomphe, triomphe, Amour" (Zélide, Myrtil) | — | ||
| 35-15 | La Guirlande: Scène 6. "Aimons, aimons" (chœur) | — | ||
| 35-16 | La Guirlande: Scène 6. Bergers qui vont offrir leurs guirlandes à l'Amour | — | ||
| 35-17 | La Guirlande: Scène 6. "Sons brillants" (chœur) | — | ||
| 35-18 | La Guirlande: Scène 6. "La flûte est des soupirs le plus tendre interprète" (Myrtil, chœur) | — | ||
| 35-19 | La Guirlande: Scène 6. Air gracieux en rondeau | — | ||
| 35-20 | La Guirlande: Scène 6. Entrée des Pâtres | — | ||
| 35-21 | La Guirlande: Scène 6. Musette | — | ||
| 35-22 | La Guirlande: Scène 6. Gavotte (Rigaudon gai) | — | ||
| 35-23 | La Guirlande: Scène 6. "Quand du Dieu des bois" (Zélide) | — | ||
| 35-24 | La Guirlande: Scène 6. Pantomine noble | — | ||
| 35-25 | La Guirlande: Scène 6. Air gracieux, tambourins | — | ||
| 35-26 | La Guirlande: Scène 6. "Vole, Amour" (Zélide, Myrtil, chœur) | — | ||
| 35-27 | La Guirlande: Scène 6. Contredanse | — | ||
| 36-1 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | — | ||
| 36-2 | Scheherazade, op. 35: II. The Story of the Kalander Prince | — | ||
| 36-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | — | ||
| 36-4 | Scheherazade, op. 35: IV. Festival in Baghdad - The sea - Shipwreck | — | ||
| 36-5 | Tsar Saltan Suite, op. 57: I. The Tsar's Farewell and Departure. Allegro - Allegretto alla Marcia | — | ||
| 36-6 | Tsar Saltan Suite, op. 57: II. The Tsarina in a Barrel at Sea. Allegro - Maestoso | — | ||
| 36-7 | Tsar Saltan Suite, op. 57: III. The Three Wonders. Allegro - Moderato | — | ||
| 37-1 | Bacchus et Ariane op. 43, Première Suite d'orchestre | — | ||
| 37-2 | Bacchus et Ariane op. 43, Deuxième Suite d'orchestre | — | ||
| 37-3 | Le Festin de l'araignée, op. 17 | — | ||
| 38-1 | Sonata in G major, op. 78, D894: Molto moderato e cantabile | — | ||
| 38-2 | Sonata in G major, op. 78, D894: Andante | — | ||
| 38-3 | Sonata in G major, op. 78, D894: Menuetto - Allegro moderato | — | ||
| 38-4 | Sonata in G major, op. 78, D894: Allegretto | — | ||
| 38-5 | Fantasy in F minor, op. 103, D940: Allegro molto moderato | — | ||
| 38-6 | Fantasy in F minor, op. 103, D940: Largo | — | ||
| 38-7 | Fantasy in F minor, op. 103, D940: Allegro vivace | — | ||
| 39-1 | Symphony no. 15 in A major, op. 141: I. Allegretto | — | ||
| 39-2 | Symphony no. 15 in A major, op. 141: II. Adagio | — | ||
| 39-3 | Symphony no. 15 in A major, op. 141: III. Allegretto | — | ||
| 39-4 | Symphony no. 15 in A major, op. 141: IV. Adagio | — | ||
| 40-1 | Violin Concerto in D major, op. 35: I. Allegro Moderato | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-3 | Violin Concerto in D major, op. 35: III. Finale: Allegro Vivacissimo | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-4 | Violin Concerto in D minor, op. 47: I. Allegro Moderato | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-5 | Violin Concerto in D minor, op. 47: II. Adagio Di Molto | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 40-6 | Violin Concerto in D minor, op. 47: III. Allegro | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 41-1 | San Giovanni Battista: Parte prima. Sinfonia | — | ||
| 41-2 | San Giovanni Battista: Parte prima. "Amiche selve, addio" (San Giovanni Battista) | — | ||
| 41-3 | San Giovanni Battista: Parte prima. "Selve beate, addio!" (San Giovanni Battista, Coro di discipoli) | — | ||
| 41-4 | San Giovanni Battista: Parte prima. Aria "Soffin pur rabbiosi fremiti" (San Giovanni Battista) | — | ||
| 41-5 | San Giovanni Battista: Parte prima. Madrigali a cinque "Dove, Battista, dove" (San Giovanni Battista, discipoli) | — | ||
| 41-6 | San Giovanni Battista: Parte prima. "Invitto Erode" (Consigliero) | — | ||
| 41-7 | San Giovanni Battista: Parte prima. "Volin' pure lontano dal sen" (Erodiade la Figlia) | — | ||
| 41-8 | San Giovanni Battista: Parte prima. "Si, si dei tuoi devoti" (Erodiade la Madre) | — | ||
| 41-9 | San Giovanni Battista: Parte prima. "Anco in cielo il biondo Auriga" (Consigliero) | — | ||
| 41-10 | San Giovanni Battista: Parte prima. Aria Concerto grosso "Sorde dive, ch'ai mortali" (Erodiade la Figlia) | — | ||
| 41-11 | San Giovanni Battista: Parte prima. "Non più, cedo, non più" (Erode) | — | ||
| 41-12 | San Giovanni Battista: Parte prima. Trio "Non fia ver che mai si sciolga" (Erodiade la Figlia, Erodiade la Madre, Consigliero) | — | ||
| 41-13 | San Giovanni Battista: Parte prima. "Non piu, ferma non piu" (San Giovanni Battista, Consigliero, Erode, Erodia la Figlia) | — | ||
| 41-14 | San Giovanni Battista: Parte prima. Aria "Tuonerà tra mille turbini" (Erode) | — | ||
| 41-15 | San Giovanni Battista: Parte prima. Madrigale a quattro e Battista "S'uccida il reo!" (Cortigiani, San Giovanni Battista) | — | ||
| 41-16 | San Giovanni Battista: Parte prima. "Proverà se questo scettro" (Erode) | — | ||
| 41-17 | San Giovanni Battista: Parte prima. Duo "Freni, l'orgoglio" (Erode, Erodiade la Figlia) | — | ||
| 41-18 | San Giovanni Battista: Parte prima. Sinfonia | — | ||
| 41-19 | San Giovanni Battista: Parte seconda. Aria "Vaghe Ninfe del Giordano" (Erodiade la Figlia) | — | ||
| 41-20 | San Giovanni Battista: Parte seconda. "Giorno si lieto in vero" (Consigliero) | — | ||
| 41-21 | San Giovanni Battista: Parte seconda. Aria "Anco il sol fuor dell'usato" (Consigliero) | — | ||
| 41-22 | San Giovanni Battista: Parte seconda. "O di quest'occhi miei" (Erode, Erodiade la Figlia, San Giovanni Battista) | — | ||
| 41-23 | San Giovanni Battista: Parte seconda. "Io, per me, non cangerei" (San Giovanni Battista) | — | ||
| 41-24 | San Giovanni Battista: Parte seconda. "Figlia, se un gran tesoro" (Erodiade la Madre) | — | ||
| 41-25 | San Giovanni Battista: Parte seconda. "Regnator glorioso" (Erodiade la Figlia, Erode) | — | ||
| 41-26 | San Giovanni Battista: Parte seconda. "Nel seren de tuoi contenti" (Erode, Erodiade la Figlia) | — | ||
| 41-27 | San Giovanni Battista: Parte seconda. "Deh, che più tardi" (Erodiade la Figlia) | — | ||
| 41-28 | San Giovanni Battista: Parte seconda. "Queste lagrime e sospiri" (Erodiade la Figlia) | — | ||
| 41-29 | San Giovanni Battista: Parte seconda. "In questa degli affetti" (Erode) | — | ||
| 41-30 | San Giovanni Battista: Parte seconda. "Provi pur le miei vendetti" (Erode) | — | ||
| 41-31 | San Giovanni Battista: Parte seconda. "Il castigo d'un empio" (Erode) | — | ||
| 41-32 | San Giovanni Battista: Parte seconda. "Quando mai fia che morte" (San Giovanni Battista) | — | ||
| 41-33 | San Giovanni Battista: Parte seconda. "Morirai" (Erodiade la Figlia, San Giovanni Battista) | — | ||
| 41-34 | San Giovanni Battista: Parte seconda. "Su coronatemi" (Erodiade la Figlia) | — | ||
| 41-35 | San Giovanni Battista: Parte seconda. "Chi nel comun gioire" (Erode) | — | ||
| 41-36 | San Giovanni Battista: Parte seconda. "Che gioirre" (Erode, Erodiade la Figlia) | — | ||
| 42-1 | Pulcinella: I. Ouverture | — | ||
| 42-2 | Pulcinella: II. Serenata - Scherzino | — | ||
| 42-3 | Pulcinella: III. Tarantella | — | ||
| 42-4 | Pulcinella: IV. Gavotta con due variazioni | — | ||
| 42-5 | Le Chant du Rossignol: I. Marche chinoise | — | ||
| 42-6 | Le Chant du Rossignol: II. Chant du Rossignol | — | ||
| 42-7 | Le Chant du Rossignol: III. Jeu du Rossignol mécanique | — | ||
| 43-1 | Violin Sonata in A major, op. 1 no. 1: I. Grave | — | ||
| 43-2 | Violin Sonata in A major, op. 1 no. 1: II. Allegro | — | ||
| 43-3 | Violin Sonata in A major, op. 1 no. 1: III. Adagio | — | ||
| 43-4 | Violin Sonata in A major, op. 1 no. 1: IV. Presto | — | ||
| 43-5 | Violin Sonata in G minor, op. 1 no. 10: I. Affetuoso | — | ||
| 43-6 | Violin Sonata in G minor, op. 1 no. 10: II. Presto | — | ||
| 43-7 | Violin Sonata in G minor, op. 1 no. 10: III. Allegro | — | ||
| 43-8 | Violin Sonata in F major, op. 1 no. 12: I. Adagio | — | ||
| 43-9 | Violin Sonata in F major, op. 1 no. 12: II. Allegro | — | ||
| 43-10 | Violin Sonata in F major, op. 1 no. 12: III. Allegro | — | ||
| 43-11 | Violin Sonata in C major, op. 2 no. 6: I. Largo - Andante | — | ||
| 43-12 | Violin Sonata in C major, op. 2 no. 6: II. Allegro | — | ||
| 43-13 | Violin Sonata in C major, op. 2 no. 6: III. Presto assai | — | ||
| 43-14 | Violin Sonata in G minor, "Devil's Trill": I. Larghetto | — | ||
| 43-15 | Violin Sonata in G minor, "Devil's Trill": II. Tempo giusto della scuola tartinista | — | ||
| 43-16 | Violin Sonata in G minor, "Devil's Trill": III. Andante - Allegro assai | — | ||
| 44-1 | Francesca da Rimini op. 32 | — | ||
| 44-2 | Dawn over the Moscow River (Prelude to Act One of Khovanshchina) | — | ||
| 44-3 | Russlan & Ludmilla: Overture to Act 1 | — | ||
| 44-4 | Suite from Raymonda: I. Tableau | — | ||
| 44-5 | Suite from Raymonda: II. Tableau | — | ||
| 44-6 | Suite from Raymonda: III. Grande Valse | — | ||
| 44-7 | Suite from Raymonda: IV. Pizzicato | — | ||
| 44-8 | Suite from Raymonda: V. Valse - Reprise | — | ||
| 44-9 | Suite from Raymonda: VI. Prélude - La Romanesca | — | ||
| 44-10 | Suite from Raymonda: VII. Prélude et Variation | — | ||
| 44-11 | Suite from Raymonda: VIII. Entr'acte | — | ||
| 44-12 | Suite from Raymonda: IX. Entr'acte | — | ||
| 44-13 | Suite from Raymonda: X. Grand pas espagnol | — | ||
| 45-1 | Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": I. Allegro | — | ||
| 45-2 | Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": II. Largo | — | ||
| 45-3 | Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": III. Presto | — | ||
| 45-4 | Concerto in G minor, op. 10 no. 2, RV 439 "La Notte": I. Allegro | — | ||
| 45-5 | Concerto in G minor, op. 10 no. 2, RV 439 "La Notte": II. Fantasmi. Presto - Largo - Presto | — | ||
| 45-6 | Concerto in G minor, op. 10 no. 2, RV 439 "La Notte": III. Il Sonno. Largo | — | ||
| 45-7 | Concerto in G minor, op. 10 no. 2, RV 439 "La Notte": IV. Allegro | — | ||
| 45-8 | Concerto in D major, op. 10 no. 3, RV 428 "Il Gardellino": I. Allegro | — | ||
| 45-9 | Concerto in D major, op. 10 no. 3, RV 428 "Il Gardellino": II. Cantabile | — | ||
| 45-10 | Concerto for Flute, Strings and Basso Continuo in D major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro | Jean-Pierre Rampal, I Solisti Veneti, Claudio Scimone | — | |
| 45-11 | Concerto in G major, op. 10 no. 4, RV 435: I. Allegro | — | ||
| 45-12 | Concerto in G major, op. 10 no. 4, RV 435: II. Largo | — | ||
| 45-13 | Concerto in G major, op. 10 no. 4, RV 435: III. Allegro | — | ||
| 45-14 | Concerto in F major, op. 10 no. 5, RV 434: I. Allegro ma non tanto | — | ||
| 45-15 | Concerto in F major, op. 10 no. 5, RV 434: II. Largo cantabile | — | ||
| 45-16 | Concerto in F major, op. 10 no. 5, RV 434: III. Allegro | — | ||
| 45-17 | Concerto in G major, op. 10 no. 6, RV 437: I. Allegro | — | ||
| 45-18 | Concerto in G major, op. 10 no. 6, RV 437: II. Largo | — | ||
| 45-19 | Concerto in G major, op. 10 no. 6, RV 437: III. Allegro | — | ||
| 45-20 | Concerto in D major, RV 427: I. Allegro | — | ||
| 45-21 | Concerto in D major, RV 427: II. Largo | — | ||
| 45-22 | Concerto in D major, RV 427: III. Allegro | — | ||
| 45-23 | Concerto in G major, RV 414: I. Allegro molto | — | ||
| 45-24 | Concerto in G major, RV 414: II. Largo | — | ||
| 45-25 | Concerto in G major, RV 414: III. Allegro | — | ||
| 46-1 | Agnus Dei, op. 11 | Choir of New College Oxford, Edward Higginbottom | — | |
| 46-2 | Cantique de Jean Racine op. 11 | — | ||
| 46-3 | Missa Papae Marcelli: I. Kyrie | — | ||
| 46-4 | Ave verum corpus, K. 618 | — | ||
| 46-5 | Cantata "Herz und Mund und Tat und Leben" BWV 147: X. "Jesu bleibet meine Freude" | — | ||
| 46-6 | Vespers, op. 37: VI. Ave Maria | — | ||
| 46-7 | Enigma Variations, op. 36: Lux aeterna | Choir of New College Oxford, Edward Higginbottom | — | |
| 46-8 | Totus Tuus op. 60 | — | ||
| 46-9 | Hear My Prayer | Choir of New College Oxford, Edward Higginbottom | — | |
| 46-10 | The Lamb | — | ||
| 46-11 | Requiem in D minor, op. 48: VII. In Paradisum | — | ||
| 46-12 | Miserere mei, Deus | — | ||
| 47-1 | Italian Concerto in F major, BWV 971: I. Allegro | — | ||
| 47-2 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 47-3 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 47-4 | Duet in E minor, BWV 802 | — | ||
| 47-5 | Sonata K. 9, D minor | — | ||
| 47-6 | Sonata K. 27, B minor | — | ||
| 47-7 | Sonata K. 33, D major | — | ||
| 47-8 | Sonata K. 87, B minor | — | ||
| 47-9 | Sonata K. 141, D minor | — | ||
| 47-10 | Sonata K. 208, A major | — | ||
| 47-11 | Sonata K. 380, E major | — | ||
| 47-12 | Harpsichord Suite no. 7 in G minor, HWV 432: Passacaille | — | ||
| 47-13 | Harpsichord Suite no. 5 in E major, HWV 430: I. Air con variazioni | — | ||
| 47-14 | Harpsichord Suite no. 5 in E major, HWV 430: II. Variation 1 | — | ||
| 47-15 | Harpsichord Suite no. 5 in E major, HWV 430: III. Variation 2 | — | ||
| 47-16 | Harpsichord Suite no. 5 in E major, HWV 430: IV. Variation 3 | — | ||
| 47-17 | Harpsichord Suite no. 5 in E major, HWV 430: V. Variation 4 | — | ||
| 47-18 | Harpsichord Suite no. 5 in E major, HWV 430: VI. Variation 5 | — | ||
| 47-19 | Sonata no.3 in D minor, HWV 428: Allemande | — | ||
| 47-20 | Sonate no. 84 en ré majeur | — | ||
| 47-21 | Fandango en ré mineur | — | ||
| 48-1 | Il Barbiere di Siviglia, Act 1 Scene 5: “Una voce poco fa” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-2 | La Sonnambula: Act II. "Oh! se una volta sola revederlo io potessi" - "Ah non credea mirarti" (Amina) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-3 | Lakmé : Acte II, Scene 10. "Où va la jeune indoue" (Bell Song) (Lakmé) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-4 | Rigoletto, Act 1 Scene 13: “Gualtier Maldè...caro nome” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | T-913.242.186-4 | |
| 48-5 | Le Pardon de Ploermel, Act 2 Scene 10: “Ombres légères” | Sumi Jo, Anne Maugue, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-6 | Lucia di Lammermoor: Act III, Scene 1. "Il dolce suono mi colpì di sua voce!" (Mad Scene) (Lucie) | Sumi Jo, Anne Maugue, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-7 | Ariadne auf Naxos: Act I. "Noch glaub' ich dem einen ganz mich gehörend" - "Als ein Gott kam jeder gegangen" (Zerbinetta) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 48-8 | Candide, Act 1 Scene 12: “Glitter and Be Gay” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | T-070.064.357-7 | |
| 48-9 | Die Zauberflöte: Act II. "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night) | Sumi Jo, Ensemble Orchestral de Paris, Armin Jordan | — | |
| 48-10 | Boribat | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 49-1 | Toi c'est moi (1934): "C'est ça la vie" (Viviane) | — | ||
| 49-2 | L'Amour masqué (1923): "J'ai deux amants" (Elle) | — | ||
| 49-3 | Yes (1928): "Yes" (Totte) | — | ||
| 49-4 | Les Aventures du roi Pausole (1930): "Si vous saviez" (Diane) | — | ||
| 49-5 | Ô mon bel inconnu (1933): "Ô mon bel inconnu" (Marie-Anne, Antoinette, Félicie) | — | ||
| 49-6 | Fortunio (1907): "Je ne vois rien ... lorsque je n'étais qu'une enfant" (Jacqueline) | — | ||
| 49-7 | Coups de roulis (1928): "Les hommes sont biens tous les mêmes" (Béatrice) | — | ||
| 49-8 | Brummell (1931): "Air de la Lettre" (Lady Eversharp) | — | ||
| 49-9 | Passionnément (1926): "L'amour est un oiseau rebelle" (Julia) | — | ||
| 49-10 | Les P'tites Michu (1897): "Vois-tu, je m'en veux" (Blanche-Marie) | — | ||
| 49-11 | Mozart (1925): "Etre adoré" (Mozart) | — | ||
| 49-12 | La Petite Fonctionnaire (1921): "Je regrette mon Pressigny" (Suzanne) | — | ||
| 49-13 | Les Dragons de l'Impératrice (1905): "Amour, amour, quel est donc ton pouvoir" (Lucrèce) | — | ||
| 49-14 | L'Amour masqué (1923): "Mon rêve" (Elle) | — | ||
| 49-15 | O mon bel inconnu (1933): "C'est très vilain d'être infidèle" (Antoinette) | — | ||
| 49-16 | Ciboulette: "C'est pas Paris, c'est sa banlieue" (Ciboulette) | — | ||
| 49-17 | Toi c'est moi (1934): "Vagabonde" (Viviane) | — | ||
| 50-1 | Tristan et Iseult: Prologue/Opening music: Anon. | — | ||
| 50-2 | Tristan et Iseult: Prologue/Opening music: Le lai du chévrefeuille | — | ||
| 50-3 | Tristan et Iseult: Tristan in Dublin: Lai mortel | — | ||
| 50-4 | Tristan et Iseult: Tristan in Dublin: Les un pin verdoyant | — | ||
| 50-5 | Tristan et Iseult: La traverseé d'Irlande en Cornouaille/le philtre d'amour: Gottes namen waren mir | — | ||
| 50-6 | Tristan et Iseult: La traverseé d'Irlande en Cornouaille/le philtre d'amour: La u jou fui dedan la mer ("Le lai du boire") | — | ||
| 50-7 | Tristan et Iseult: La traverseé d'Irlande en Cornouaille/le philtre d'amour: Estat ai en greu cossirer | — | ||
| 50-8 | Tristan et Iseult: Brangane: Dô wir zwô vuoren | — | ||
| 50-9 | Tristan et Iseult: Brangane: Bache bene venies | — | ||
| 50-10 | Tristan et Iseult: Un Rendez-vous nocturne: Reis Glorios | — | ||
| 50-11 | Tristan et Iseult: Les amants surpris: Interlude | — | ||
| 50-12 | Tristan et Iseult: Les amants surpris: Se rage et derverie | — | ||
| 50-13 | Tristan et Iseult: L'épreuve d'Iseult: Jesu Crist | — | ||
| 50-14 | Tristan et Iseult: L'épreuve d'Iseult: Pange melos lacrimosum - D'une fausse ypochrisie/Lux Magna - Alleluia. salva nos, Christe salvator - Alle, psallite cum luya | — | ||
| 50-15 | Tristan et Iseult: L'exil: Gaite de la Tor | — | ||
| 50-16 | Tristan et Iseult: L'exil: Se rage et derverie | — | ||
| 50-17 | Tristan et Iseult: Tristan et Blanchemains: Lonc tans a que | — | ||
| 50-18 | Tristan et Iseult: Tristan et Blanchemains: Ysolt, bele amie | — | ||
| 50-19 | Tristan et Iseult: Tristan et Blanchemains: A vous, Tristan, amis verai | — | ||
| 50-20 | Tristan et Iseult: Tristan et Blanchemains: Le lai du chevrefeuille | — | ||
| 50-21 | Tristan et Iseult: La mort de Tristan: Senz aïe m'estut murir | — | ||
| 50-22 | Tristan et Iseult: La mort de Tristan: Ja fis canchonetes et lais | — | ||
| 50-23 | Tristan et Iseult: La mort d'Iseult: Li solaus Lluist | — | ||
| 50-24 | Tristan et Iseult: La mort d'Iseult: Epilogue | — |
