UPC · Release
Sir John Eliot Gardiner
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The UPC for “Purcell” by Sir John Eliot Gardiner is 0825646984206. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Erato. This release contains 165 tracks, each with its own ISRC. Tracks include FRZ207600101, FRZ207600105, FRZ207600106.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | King Arthur: Overture | — | ||
| 2 | King Arthur: Air | — | ||
| 3 | King Arthur: Overture | — | ||
| 4 | King Arthur: Act I. “Woden, first to thee” – “The white horse neigh’d aloud” – “To Woden thanks we render” | — | ||
| 5 | King Arthur: Act I. “The lot is cast” | — | ||
| 6 | King Arthur: Act I. “Brave souls” | — | ||
| 7 | King Arthur: Act I. “I call you all to Woden’s hall” | — | ||
| 8 | King Arthur: Act I. Symphony “Come if you dare” | — | ||
| 9 | King Arthur: Act II. “Hither, this way” | — | ||
| 10 | King Arthur: Act II. Ritornello “Let not a moonborn elf” | — | ||
| 11 | King Arthur: Act II. “Hither, this way” | — | ||
| 12 | King Arthur: Act II. Ritornello “Come, follow me” | — | ||
| 13 | King Arthur: Act II. “How blest are shepherds” (Song tune) | — | ||
| 14 | King Arthur: Act II. Symphony “Shepherd, leave decoying” | — | ||
| 15 | King Arthur: Act II. Hornpipe – “Come, shepherds” | — | ||
| 16 | King Arthur: Act II. Second Act Tune: Air | — | ||
| 17 | King Arthur: Act III. Prelude (The Frost Scene) – “What ho! Thou genius of this isle” | — | ||
| 18 | King Arthur: Act III. Prelude while Cold Genius rises “What power art thou” | — | ||
| 19 | King Arthur: Act III. “Thou doting fool” | — | ||
| 20 | King Arthur: Act III. “Great love” | — | ||
| 21 | King Arthur: Act III. “No part of my dominion” | — | ||
| 22 | King Arthur: Act III. Prelude – “See, see, we assemble” | — | ||
| 23 | King Arthur: Act III. Ritornello “Tis I that have warm’d ye” – “Tis love that has warm’d us” | — | ||
| 24 | King Arthur: Act III. Ritornello “Sound a parley” | — | ||
| 25 | King Arthur: Act III. Third Act Tune: Hornpipe | — | ||
| 2-1 | King Arthur: Act IV. “Two daughters of this aged stream” | — | ||
| 2-2 | King Arthur: Act IV. Passacaglia “How happy the lover” – Ritornello “For love ev’ry creature” | — | ||
| 2-3 | King Arthur: Act IV. Fourth Act Tune: Air | — | ||
| 2-4 | King Arthur: Act V. Trumpet tune | — | ||
| 2-5 | King Arthur: Act V. “Ye blust’ring brethren” | — | ||
| 2-6 | King Arthur: Act V. Symphony | — | ||
| 2-7 | King Arthur: Act V. Song tune – “Round thy coast” | — | ||
| 2-8 | King Arthur: Act V. “For folded flocks” | — | ||
| 2-9 | King Arthur: Act V. Ritornello “Your hay it is mow’d” | — | ||
| 2-10 | King Arthur: Act V. Ritornello “Fairest isle” | — | ||
| 2-11 | King Arthur: Act V. “You say ’tis love” | — | ||
| 2-12 | King Arthur: Act V. Trumpet tune (Warlike consort) | — | ||
| 2-13 | King Arthur: Act V. “St George” – “Our natives not alone appear” | — | ||
| 2-14 | King Arthur: Act V. Chaconne | — | ||
| 3-1 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Ouverture | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-2 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Come, ye sons of Art, come away | — | ||
| 3-3 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Sound the trumpet | — | ||
| 3-4 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Come, ye sons of Art, come away | — | ||
| 3-5 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Strike the viol | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-6 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: The day that such a blessing | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-802.372.990-1 | |
| 3-7 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Bid the Virtues | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-8 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: These, are the sacred charms | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-802.372.990-1 | |
| 3-9 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: See Nature, rejoicing | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-10 | Music for the Funeral of Queen Mary, Z.860: March | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-050.158.351-2 | |
| 3-11 | Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 1: Man that is born | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-12 | Music for the Funeral of Queen Mary, Z.860: Canzona | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-011.779.968-4 | |
| 3-13 | Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 2: In the midst of life | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-14 | Music for the Funeral of Queen Mary, Z.860: Canzona | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-910.760.582-3 | |
| 3-15 | Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 3: Thou knowest, Lord, the secrets of our Hearts | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-16 | Music for the Funeral of Queen Mary, Z.860: March | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 4-1 | Hail, bright Cecilia, Z328 Symphony | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-2 | Hail, bright Cecilia, Z328 Hail, bright Cecilia | Paul Elliott, Brian Gordon, Monteverdi Choir, Jennifer Smith, Ashley Stafford, David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-3 | Hail, bright Cecilia, Z328 Hark! Hark! Each tree its silence breaks | Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-4 | Hail, bright Cecilia, Z328 'Tis Nature's voice: thro' all the moving wood of creatures understood | Paul Elliott, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-5 | Hail, bright Cecilia, Z328 Soul of the world! inspir'd by thee the jarring seeds of matter did agree | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-6 | Hail, bright Cecilia, Z328 Thou tun'st this world below, the spheres above | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-7 | Hail, bright Cecilia, Z328 With that sublime celestial lay dare any eahtly songs compare? | Brian Gordon, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-8 | Hail, bright Cecilia, Z328 Wondrous machine! to thee the warbling lute, though us'd to conquest | David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-9 | Hail, bright Cecilia, Z328 The airy violin and lofty viol quit the field | Brian Gordon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-10 | Hail, bright Cecilia, Z328 In vain the am'rous flute and soft guitar jointly labour to inspire | Paul Elliott, Ashley Stafford, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-11 | Hail, bright Cecilia, Z328 The fife and all the harmony of war in vain attempt the passions to alarm | Brian Gordon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-12 | Hail, bright Cecilia, Z328 Let these among themselves contest which can discharge its single duty best | David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-13 | Hail, bright Cecilia, Z328 Hail, bright Cecilia | Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-1 | Timon of Athens, Overture | — | ||
| 5-2 | Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing | — | ||
| 5-3 | Timon of Athens, Love in their little veins inspires their cheerful notes | — | ||
| 5-4 | Timon of Athens, But ah! how much are our delights more dear | — | ||
| 5-5 | Timon of Athens, Hence with your trifling deity! | — | ||
| 5-6 | Timon of Athens, Come all, come all to me, make haste | — | ||
| 5-7 | Timon of Athens, Who can resist such mighty charms? | — | ||
| 5-8 | Timon of Athens, Return, revolting rebels! Where d’ye go? | — | ||
| 5-9 | Timon of Athens, The cares of lovers, their alarms, their sighs, their tears | — | ||
| 5-10 | Timon of Athens, Love quickly is pall’d, tho’ with labour, ’tis gain’d | — | ||
| 5-11 | Timon of Athens, Come, let us agree, there are pleasures divine | — | ||
| 5-12 | Timon of Athens, Curtain Tune | — | ||
| 5-13 | Dioclesian, First Music | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-14 | Dioclesian, Second Music | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-15 | Dioclesian, Overture | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-16 | Dioclesian, Act I, First Act Tune: Hornpipe | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-17 | Dioclesian, Act II, Great Diocles the Boar has kill’d | — | ||
| 5-18 | Dioclesian, Act II, Charon, the peaceful Shade invites – Symphony – Let all mankind the pleasure share | — | ||
| 5-19 | Dioclesian, Act II, Let the soldiers rejoice | — | ||
| 5-20 | Dioclesian, Act II, Ritornello – To Mars let ’em raise – Ritornello | — | ||
| 5-21 | Dioclesian, Act II, A Symphony of flutes in the air – Since the toils and the hazards of war … Let the priests with processions … All sing Diocles’ glory | — | ||
| 5-22 | Dioclesian, Act II, Dance of Furies | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-23 | Dioclesian, Act II, Second Act Tune | — | ||
| 5-24 | Dioclesian, Act III, Chaconne (Two in one upon a Ground) | — | ||
| 6-1 | Dioclesian, Act III, When I first saw the bright Aurelia’s eyes | — | ||
| 6-2 | Dioclesian, Act III, The Chair Dance | — | ||
| 6-3 | Dioclesian, Act III, What shall I do to show how much I love her? | — | ||
| 6-4 | Dioclesian, Act III, Third Act Tune | — | ||
| 6-5 | Dioclesian, Act IV, Butterfly Dance | — | ||
| 6-6 | Dioclesian, Act IV, Trumpet Tune | — | ||
| 6-7 | Dioclesian, Act IV, Sound, Fame, thy brazen trumpet sound! | — | ||
| 6-8 | Dioclesian, Act IV, Fourth Act Tune | — | ||
| 6-9 | Dioclesian, Act V, Country Dance | — | ||
| 6-10 | Dioclesian, Act V, Prelude – Call the Nymphs and the Fawns from the woods | — | ||
| 6-11 | Dioclesian, Act V, Come, come away, no delay | — | ||
| 6-12 | Dioclesian, Act V, Prelude – Behold, O mightiest of Gods | — | ||
| 6-13 | Dioclesian, Act V, Ah! The sweet delights of love! | — | ||
| 6-14 | Dioclesian, Act V, Let monarchs fight for power and for fame | — | ||
| 6-15 | Dioclesian, Act V, Since from my dear Astrea’s sight I was so rudely torn | — | ||
| 6-16 | Dioclesian, Act V, Make room, make room – Dance of Bacchanals | — | ||
| 6-17 | Dioclesian, Act V, Still I’m wishing, still desiring | — | ||
| 6-18 | Dioclesian, Act V, Canaries – Tell me why my charming fair | — | ||
| 6-19 | Dioclesian, Act V, Dance | — | ||
| 6-20 | Dioclesian, Act V, All our days and our nights shall be spent in delights | — | ||
| 6-21 | Dioclesian, Act V, Dance – Triumph, triumph victorious Love | — | ||
| 7-1 | The Indian Queen, First Music – First Air | — | ||
| 7-2 | The Indian Queen, First Music – Second Air | — | ||
| 7-3 | The Indian Queen, Second Music – First Hornpipe | — | ||
| 7-4 | The Indian Queen, Second Music – Second Hornpipe | — | ||
| 7-5 | The Indian Queen, Overture – Adagio | — | ||
| 7-6 | The Indian Queen, Overture – Allegro | — | ||
| 7-7 | The Indian Queen, Trumpet Tune | — | ||
| 7-8 | The Indian Queen, Prologue, Wake, Quivera | — | ||
| 7-9 | The Indian Queen, Prologue, Why should men quarrel here | — | ||
| 7-10 | The Indian Queen, Prologue, By ancient prophecies we have been told | — | ||
| 7-11 | The Indian Queen, Prologue, Trumpet Tune (reprise) | — | ||
| 7-12 | The Indian Queen, Act II, Symphony, Canzona | — | ||
| 7-13 | The Indian Queen, Act II, Symphony, Adagio | — | ||
| 7-14 | The Indian Queen, Act II, Symphony, Allegro | — | ||
| 7-15 | The Indian Queen, Act II, I come to sing great Zempoalla’s story | — | ||
| 7-16 | The Indian Queen, Act II, What flatt’ring noise is this | — | ||
| 7-17 | The Indian Queen, Act II, Scorn’d Envy, here’s nothing that thou canst blast | — | ||
| 7-18 | The Indian Queen, Act II, I fly from the place where flattery reigns | — | ||
| 7-19 | The Indian Queen, Act II, Begone, curst fiends of Hell | — | ||
| 7-20 | The Indian Queen, Prelude – I come to sing great Zempoalla’s story | — | ||
| 7-21 | The Indian Queen, Act III, Air | — | ||
| 7-22 | The Indian Queen, Act III, Minuet | — | ||
| 7-23 | The Indian Queen, Act III, Ye twice ten hundred deities | — | ||
| 7-24 | The Indian Queen, Act III, Symphony for hautboys | — | ||
| 7-25 | The Indian Queen, Act III, Seek not to know what must not be reveal’d | — | ||
| 7-26 | The Indian Queen, Act III, Trumpet Overture | — | ||
| 7-27 | The Indian Queen, Act III, Ah! How happy are we! | — | ||
| 7-28 | The Indian Queen, Act III, We the spirits of the air | — | ||
| 7-29 | The Indian Queen, Act III, I attempt from love’s sickness to fly in vain | — | ||
| 7-30 | The Indian Queen, Act III, We the spirits of the air (reprise) | — | ||
| 7-31 | The Indian Queen, Act III, Third Act Tune | — | ||
| 7-32 | The Indian Queen, Act IV, They tell us that your mighty powers | — | ||
| 7-33 | The Indian Queen, Act V, While thus we bow before your shrine | — | ||
| 8-1 | The Tempest, Overture | — | ||
| 8-2 | The Tempest, Act II, Where does the black fiend Ambition reside? | — | ||
| 8-3 | The Tempest, Act II, Around, around we pace, around this accursed place | — | ||
| 8-4 | The Tempest, Act II, Arise, arise, ye subterranean winds | — | ||
| 8-5 | The Tempest, Act II, Dance of Winds | — | ||
| 8-6 | The Tempest, Act III, Come unto these yellow sands … Hark! Hark! The watchdogs bark | — | ||
| 8-7 | The Tempest, Act III, Full fathom five thy father lies | — | ||
| 8-8 | The Tempest, Act III, Dry those eyes which are o’erflowing | — | ||
| 8-9 | The Tempest, Act III, Kind fortune smiles | — | ||
| 8-10 | The Tempest, Act IV, Dance of Devils | — | ||
| 8-11 | The Tempest, Act IV, The sailors’ dance | — | ||
| 8-12 | The Tempest, Act IV, Dear pretty youth unveil those eyes | — | ||
| 8-13 | The Tempest, Act V, Great Neptune! Now no more let Aeolus enrage the sea | — | ||
| 8-14 | The Tempest, Act V, The Nereids and Tritons shall sing and shall play | — | ||
| 8-15 | The Tempest, Act V, Aeolus, you must apprear, my great commands to hear … While these pass o’er the deep, your stormy winds must cease | — | ||
| 8-16 | The Tempest, Act V, Your awful voice I hear and I obey … Come down, my blusterers, swell no more | — | ||
| 8-17 | The Tempest, Act V, Halcyon days, now wars are ending, you shall find wheree’er you sail | — | ||
| 8-18 | The Tempest, Act V, See, see, the heavens smile | — | ||
| 8-19 | The Tempest, Act V, No stars again shall hurt you from above | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0825646984206 is a Universal Product Code (UPC) assigned to Purcell by Sir John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 165 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Purcell” by Sir John Eliot Gardiner is 0825646984206. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Erato. This release contains 165 tracks, each with its own ISRC. Tracks include FRZ207600101, FRZ207600105, FRZ207600106.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | King Arthur: Overture | — | ||
| 2 | King Arthur: Air | — | ||
| 3 | King Arthur: Overture | — | ||
| 4 | King Arthur: Act I. “Woden, first to thee” – “The white horse neigh’d aloud” – “To Woden thanks we render” | — | ||
| 5 | King Arthur: Act I. “The lot is cast” | — | ||
| 6 | King Arthur: Act I. “Brave souls” | — | ||
| 7 | King Arthur: Act I. “I call you all to Woden’s hall” | — | ||
| 8 | King Arthur: Act I. Symphony “Come if you dare” | — | ||
| 9 | King Arthur: Act II. “Hither, this way” | — | ||
| 10 | King Arthur: Act II. Ritornello “Let not a moonborn elf” | — | ||
| 11 | King Arthur: Act II. “Hither, this way” | — | ||
| 12 | King Arthur: Act II. Ritornello “Come, follow me” | — | ||
| 13 | King Arthur: Act II. “How blest are shepherds” (Song tune) | — | ||
| 14 | King Arthur: Act II. Symphony “Shepherd, leave decoying” | — | ||
| 15 | King Arthur: Act II. Hornpipe – “Come, shepherds” | — | ||
| 16 | King Arthur: Act II. Second Act Tune: Air | — | ||
| 17 | King Arthur: Act III. Prelude (The Frost Scene) – “What ho! Thou genius of this isle” | — | ||
| 18 | King Arthur: Act III. Prelude while Cold Genius rises “What power art thou” | — | ||
| 19 | King Arthur: Act III. “Thou doting fool” | — | ||
| 20 | King Arthur: Act III. “Great love” | — | ||
| 21 | King Arthur: Act III. “No part of my dominion” | — | ||
| 22 | King Arthur: Act III. Prelude – “See, see, we assemble” | — | ||
| 23 | King Arthur: Act III. Ritornello “Tis I that have warm’d ye” – “Tis love that has warm’d us” | — | ||
| 24 | King Arthur: Act III. Ritornello “Sound a parley” | — | ||
| 25 | King Arthur: Act III. Third Act Tune: Hornpipe | — | ||
| 2-1 | King Arthur: Act IV. “Two daughters of this aged stream” | — | ||
| 2-2 | King Arthur: Act IV. Passacaglia “How happy the lover” – Ritornello “For love ev’ry creature” | — | ||
| 2-3 | King Arthur: Act IV. Fourth Act Tune: Air | — | ||
| 2-4 | King Arthur: Act V. Trumpet tune | — | ||
| 2-5 | King Arthur: Act V. “Ye blust’ring brethren” | — | ||
| 2-6 | King Arthur: Act V. Symphony | — | ||
| 2-7 | King Arthur: Act V. Song tune – “Round thy coast” | — | ||
| 2-8 | King Arthur: Act V. “For folded flocks” | — | ||
| 2-9 | King Arthur: Act V. Ritornello “Your hay it is mow’d” | — | ||
| 2-10 | King Arthur: Act V. Ritornello “Fairest isle” | — | ||
| 2-11 | King Arthur: Act V. “You say ’tis love” | — | ||
| 2-12 | King Arthur: Act V. Trumpet tune (Warlike consort) | — | ||
| 2-13 | King Arthur: Act V. “St George” – “Our natives not alone appear” | — | ||
| 2-14 | King Arthur: Act V. Chaconne | — | ||
| 3-1 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Ouverture | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-2 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Come, ye sons of Art, come away | — | ||
| 3-3 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Sound the trumpet | — | ||
| 3-4 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Come, ye sons of Art, come away | — | ||
| 3-5 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Strike the viol | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-6 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: The day that such a blessing | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-802.372.990-1 | |
| 3-7 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Bid the Virtues | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-8 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: These, are the sacred charms | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-802.372.990-1 | |
| 3-9 | Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: See Nature, rejoicing | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-10 | Music for the Funeral of Queen Mary, Z.860: March | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-050.158.351-2 | |
| 3-11 | Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 1: Man that is born | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-12 | Music for the Funeral of Queen Mary, Z.860: Canzona | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-011.779.968-4 | |
| 3-13 | Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 2: In the midst of life | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-14 | Music for the Funeral of Queen Mary, Z.860: Canzona | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | T-910.760.582-3 | |
| 3-15 | Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 3: Thou knowest, Lord, the secrets of our Hearts | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 3-16 | Music for the Funeral of Queen Mary, Z.860: March | Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner | — | |
| 4-1 | Hail, bright Cecilia, Z328 Symphony | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-2 | Hail, bright Cecilia, Z328 Hail, bright Cecilia | Paul Elliott, Brian Gordon, Monteverdi Choir, Jennifer Smith, Ashley Stafford, David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-3 | Hail, bright Cecilia, Z328 Hark! Hark! Each tree its silence breaks | Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-4 | Hail, bright Cecilia, Z328 'Tis Nature's voice: thro' all the moving wood of creatures understood | Paul Elliott, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-5 | Hail, bright Cecilia, Z328 Soul of the world! inspir'd by thee the jarring seeds of matter did agree | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-6 | Hail, bright Cecilia, Z328 Thou tun'st this world below, the spheres above | Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-7 | Hail, bright Cecilia, Z328 With that sublime celestial lay dare any eahtly songs compare? | Brian Gordon, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-8 | Hail, bright Cecilia, Z328 Wondrous machine! to thee the warbling lute, though us'd to conquest | David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-9 | Hail, bright Cecilia, Z328 The airy violin and lofty viol quit the field | Brian Gordon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-10 | Hail, bright Cecilia, Z328 In vain the am'rous flute and soft guitar jointly labour to inspire | Paul Elliott, Ashley Stafford, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-11 | Hail, bright Cecilia, Z328 The fife and all the harmony of war in vain attempt the passions to alarm | Brian Gordon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-12 | Hail, bright Cecilia, Z328 Let these among themselves contest which can discharge its single duty best | David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 4-13 | Hail, bright Cecilia, Z328 Hail, bright Cecilia | Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 5-1 | Timon of Athens, Overture | — | ||
| 5-2 | Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing | — | ||
| 5-3 | Timon of Athens, Love in their little veins inspires their cheerful notes | — | ||
| 5-4 | Timon of Athens, But ah! how much are our delights more dear | — | ||
| 5-5 | Timon of Athens, Hence with your trifling deity! | — | ||
| 5-6 | Timon of Athens, Come all, come all to me, make haste | — | ||
| 5-7 | Timon of Athens, Who can resist such mighty charms? | — | ||
| 5-8 | Timon of Athens, Return, revolting rebels! Where d’ye go? | — | ||
| 5-9 | Timon of Athens, The cares of lovers, their alarms, their sighs, their tears | — | ||
| 5-10 | Timon of Athens, Love quickly is pall’d, tho’ with labour, ’tis gain’d | — | ||
| 5-11 | Timon of Athens, Come, let us agree, there are pleasures divine | — | ||
| 5-12 | Timon of Athens, Curtain Tune | — | ||
| 5-13 | Dioclesian, First Music | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-14 | Dioclesian, Second Music | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-15 | Dioclesian, Overture | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-16 | Dioclesian, Act I, First Act Tune: Hornpipe | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-17 | Dioclesian, Act II, Great Diocles the Boar has kill’d | — | ||
| 5-18 | Dioclesian, Act II, Charon, the peaceful Shade invites – Symphony – Let all mankind the pleasure share | — | ||
| 5-19 | Dioclesian, Act II, Let the soldiers rejoice | — | ||
| 5-20 | Dioclesian, Act II, Ritornello – To Mars let ’em raise – Ritornello | — | ||
| 5-21 | Dioclesian, Act II, A Symphony of flutes in the air – Since the toils and the hazards of war … Let the priests with processions … All sing Diocles’ glory | — | ||
| 5-22 | Dioclesian, Act II, Dance of Furies | English Baroque Soloists, John Eliot Gardiner | — | |
| 5-23 | Dioclesian, Act II, Second Act Tune | — | ||
| 5-24 | Dioclesian, Act III, Chaconne (Two in one upon a Ground) | — | ||
| 6-1 | Dioclesian, Act III, When I first saw the bright Aurelia’s eyes | — | ||
| 6-2 | Dioclesian, Act III, The Chair Dance | — | ||
| 6-3 | Dioclesian, Act III, What shall I do to show how much I love her? | — | ||
| 6-4 | Dioclesian, Act III, Third Act Tune | — | ||
| 6-5 | Dioclesian, Act IV, Butterfly Dance | — | ||
| 6-6 | Dioclesian, Act IV, Trumpet Tune | — | ||
| 6-7 | Dioclesian, Act IV, Sound, Fame, thy brazen trumpet sound! | — | ||
| 6-8 | Dioclesian, Act IV, Fourth Act Tune | — | ||
| 6-9 | Dioclesian, Act V, Country Dance | — | ||
| 6-10 | Dioclesian, Act V, Prelude – Call the Nymphs and the Fawns from the woods | — | ||
| 6-11 | Dioclesian, Act V, Come, come away, no delay | — | ||
| 6-12 | Dioclesian, Act V, Prelude – Behold, O mightiest of Gods | — | ||
| 6-13 | Dioclesian, Act V, Ah! The sweet delights of love! | — | ||
| 6-14 | Dioclesian, Act V, Let monarchs fight for power and for fame | — | ||
| 6-15 | Dioclesian, Act V, Since from my dear Astrea’s sight I was so rudely torn | — | ||
| 6-16 | Dioclesian, Act V, Make room, make room – Dance of Bacchanals | — | ||
| 6-17 | Dioclesian, Act V, Still I’m wishing, still desiring | — | ||
| 6-18 | Dioclesian, Act V, Canaries – Tell me why my charming fair | — | ||
| 6-19 | Dioclesian, Act V, Dance | — | ||
| 6-20 | Dioclesian, Act V, All our days and our nights shall be spent in delights | — | ||
| 6-21 | Dioclesian, Act V, Dance – Triumph, triumph victorious Love | — | ||
| 7-1 | The Indian Queen, First Music – First Air | — | ||
| 7-2 | The Indian Queen, First Music – Second Air | — | ||
| 7-3 | The Indian Queen, Second Music – First Hornpipe | — | ||
| 7-4 | The Indian Queen, Second Music – Second Hornpipe | — | ||
| 7-5 | The Indian Queen, Overture – Adagio | — | ||
| 7-6 | The Indian Queen, Overture – Allegro | — | ||
| 7-7 | The Indian Queen, Trumpet Tune | — | ||
| 7-8 | The Indian Queen, Prologue, Wake, Quivera | — | ||
| 7-9 | The Indian Queen, Prologue, Why should men quarrel here | — | ||
| 7-10 | The Indian Queen, Prologue, By ancient prophecies we have been told | — | ||
| 7-11 | The Indian Queen, Prologue, Trumpet Tune (reprise) | — | ||
| 7-12 | The Indian Queen, Act II, Symphony, Canzona | — | ||
| 7-13 | The Indian Queen, Act II, Symphony, Adagio | — | ||
| 7-14 | The Indian Queen, Act II, Symphony, Allegro | — | ||
| 7-15 | The Indian Queen, Act II, I come to sing great Zempoalla’s story | — | ||
| 7-16 | The Indian Queen, Act II, What flatt’ring noise is this | — | ||
| 7-17 | The Indian Queen, Act II, Scorn’d Envy, here’s nothing that thou canst blast | — | ||
| 7-18 | The Indian Queen, Act II, I fly from the place where flattery reigns | — | ||
| 7-19 | The Indian Queen, Act II, Begone, curst fiends of Hell | — | ||
| 7-20 | The Indian Queen, Prelude – I come to sing great Zempoalla’s story | — | ||
| 7-21 | The Indian Queen, Act III, Air | — | ||
| 7-22 | The Indian Queen, Act III, Minuet | — | ||
| 7-23 | The Indian Queen, Act III, Ye twice ten hundred deities | — | ||
| 7-24 | The Indian Queen, Act III, Symphony for hautboys | — | ||
| 7-25 | The Indian Queen, Act III, Seek not to know what must not be reveal’d | — | ||
| 7-26 | The Indian Queen, Act III, Trumpet Overture | — | ||
| 7-27 | The Indian Queen, Act III, Ah! How happy are we! | — | ||
| 7-28 | The Indian Queen, Act III, We the spirits of the air | — | ||
| 7-29 | The Indian Queen, Act III, I attempt from love’s sickness to fly in vain | — | ||
| 7-30 | The Indian Queen, Act III, We the spirits of the air (reprise) | — | ||
| 7-31 | The Indian Queen, Act III, Third Act Tune | — | ||
| 7-32 | The Indian Queen, Act IV, They tell us that your mighty powers | — | ||
| 7-33 | The Indian Queen, Act V, While thus we bow before your shrine | — | ||
| 8-1 | The Tempest, Overture | — | ||
| 8-2 | The Tempest, Act II, Where does the black fiend Ambition reside? | — | ||
| 8-3 | The Tempest, Act II, Around, around we pace, around this accursed place | — | ||
| 8-4 | The Tempest, Act II, Arise, arise, ye subterranean winds | — | ||
| 8-5 | The Tempest, Act II, Dance of Winds | — | ||
| 8-6 | The Tempest, Act III, Come unto these yellow sands … Hark! Hark! The watchdogs bark | — | ||
| 8-7 | The Tempest, Act III, Full fathom five thy father lies | — | ||
| 8-8 | The Tempest, Act III, Dry those eyes which are o’erflowing | — | ||
| 8-9 | The Tempest, Act III, Kind fortune smiles | — | ||
| 8-10 | The Tempest, Act IV, Dance of Devils | — | ||
| 8-11 | The Tempest, Act IV, The sailors’ dance | — | ||
| 8-12 | The Tempest, Act IV, Dear pretty youth unveil those eyes | — | ||
| 8-13 | The Tempest, Act V, Great Neptune! Now no more let Aeolus enrage the sea | — | ||
| 8-14 | The Tempest, Act V, The Nereids and Tritons shall sing and shall play | — | ||
| 8-15 | The Tempest, Act V, Aeolus, you must apprear, my great commands to hear … While these pass o’er the deep, your stormy winds must cease | — | ||
| 8-16 | The Tempest, Act V, Your awful voice I hear and I obey … Come down, my blusterers, swell no more | — | ||
| 8-17 | The Tempest, Act V, Halcyon days, now wars are ending, you shall find wheree’er you sail | — | ||
| 8-18 | The Tempest, Act V, See, see, the heavens smile | — | ||
| 8-19 | The Tempest, Act V, No stars again shall hurt you from above | — |
