UPC · Release
Complete Piano Music
Brahms, Martin Jones
083603178826
86 tracks
Last verified:
083603178826 is the Universal Product Code (UPC barcode) for the release “Complete Piano Music” by Brahms, Martin Jones. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 86 tracks, each with its own ISRC.
Format
0Number system
83603Manufacturer
17882Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (86)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata No. 1 in C major, Op. 1: I. Allegro | — | ||
| 2 | Sonata No. 1 in C major, Op. 1: II. Andante | — | ||
| 3 | Sonata No. 1 in C major, Op. 1: III. Scherzo. Allegro molto e con fuoco | — | ||
| 4 | Sonata No. 1 in C major, Op. 1: IV. Finale. Allegro con fuoco | — | ||
| 5 | Scherzo in E flat minor, Op. 4 | — | ||
| 6 | Sonata No. 2 in F sharp minor, Op. 2: I. Allegro non troppo, ma energico | — | ||
| 7 | Sonata No. 2 in F sharp minor, Op. 2: II. Andante con espressione | — | ||
| 8 | Sonata No. 2 in F sharp minor, Op. 2: III. Scherzo & Trio. Allegro - Poco più moderato | — | ||
| 9 | Sonata No. 2 in F sharp minor, Op. 2: IV. Finale. Introduzione: Sostenuto - Allegro non troppo e rubato | — | ||
| 10 | Study for the Left Hand (Impromptu by Schubert, D. 899 No. 2) | — | ||
| 11 | Study No. 1 (Etude after Chopin, Op. 25 No. 2) | — | ||
| 12 | Study No. 2 (Rondo after Weber, Op. 24) | — | ||
| 2-1 | Four Ballades, Op. 10: I. Andante - Allegro - Andante | — | ||
| 2-2 | Four Ballades, Op. 10: II. Andante - Allegro non troppo - Andante | — | ||
| 2-3 | Four Ballades, Op. 10: III. Intermezzo. Allegro | — | ||
| 2-4 | Four Ballades, Op. 10: IV. Andante con moto - Più lento - Tempo I | — | ||
| 2-5 | Variations on a theme of Robert Schumann, Op. 9: I. Theme and Variations I - VI | — | ||
| 2-6 | Variations on a theme of Robert Schumann, Op. 9: II. Variations VII - XVI | — | ||
| 2-7 | Sonata No. 3 in F minor, Op. 5: I. Allegro maestoso | — | ||
| 2-8 | Sonata No. 3 in F minor, Op. 5: II. Andante. Andante espressivo | — | ||
| 2-9 | Sonata No. 3 in F minor, Op. 5: III. Scherzo & Trio. Allegro energico | — | ||
| 2-10 | Sonata No. 3 in F minor, Op. 5: IV. Andante molto | — | ||
| 2-11 | Sonata No. 3 in F minor, Op. 5: V. Finale. Allegro moderato ma rubato | — | ||
| 3-1 | Theme & Variations in D minor (from the second movement of the String Sextet, Op. 18): Andante, ma moderato | — | ||
| 3-2 | Variations on an original Theme, Op. 21 No. 1: I. Theme and Variations I - VII | — | ||
| 3-3 | Variations on an original Theme, Op. 21 No. 1: II. Variations VIII - XI | — | ||
| 3-4 | Variations on a Hungarian Song, Op. 21 No. 2: Theme and Variations I - XIII | — | ||
| 3-5 | Sarabande in A | — | ||
| 3-6 | Gigue in A minor | — | ||
| 3-7 | Sarabande in B minor | — | ||
| 3-8 | Gigue in B minor | — | ||
| 3-9 | Variations and Fugue on a theme of Handel, Op. 24: I. Aria and Variations I - XV | — | ||
| 3-10 | Variations and Fugue on a theme of Handel, Op. 24: II. Variations XVI - XXV | — | ||
| 3-11 | Variations and Fugue on a theme of Handel, Op. 24: III. Fuga | — | ||
| 4-1 | Variations on a theme of Paganini, Op. 35: I. Book I | — | ||
| 4-2 | Variations on a theme of Paganini, Op. 35: II. Book II | — | ||
| 4-3 | 16 Waltzes, Op. 39: I - VIII | — | ||
| 4-4 | 16 Waltzes, Op. 39: IX - XVI | — | ||
| 4-5 | Hungarian Dances: I. Allegro | — | ||
| 4-6 | Hungarian Dances: II. Allegro non assai | — | ||
| 4-7 | Hungarian Dances: III. Allegretto | — | ||
| 4-8 | Hungarian Dances: IV. Poco Sostenuto | — | ||
| 4-9 | Hungarian Dances: V. Allegro | — | ||
| 4-10 | Hungarian Dances: VI. Vivace | — | ||
| 4-11 | Hungarian Dances: VII. Allegretto | — | ||
| 4-12 | Hungarian Dances: VIII. Presto | — | ||
| 4-13 | Hungarian Dances: IX. Allegro | — | ||
| 4-14 | Hungarian Dances: X. Presto | — | ||
| 4-15 | Gavotte by Chr. W. Gluck (arranged for piano) | — | ||
| 5-1 | Eight Klavierstücke, Op. 76: I. Capriccio. Un poco agitato | — | ||
| 5-2 | Eight Klavierstücke, Op. 76: II. Capriccio. Allegretto non troppo | — | ||
| 5-3 | Eight Klavierstücke, Op. 76: III. Intermezzo. Grazioso | — | ||
| 5-4 | Eight Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso | — | ||
| 5-5 | Eight Klavierstücke, Op. 76: V. Capriccio. Agitato, ma non troppo presto | — | ||
| 5-6 | Eight Klavierstücke, Op. 76: VI. Intermezzo. Andante con moto | — | ||
| 5-7 | Eight Klavierstücke, Op. 76: VII. Intermezzo. Moderato semplice | — | ||
| 5-8 | Eight Klavierstücke, Op. 76: VIII. Capriccio. Grazioso ed un poco vivace | — | ||
| 5-9 | Two Rhapsodies, Op. 79: I. Agitato | — | ||
| 5-10 | Two Rhapsodies, Op. 79: II. Molto passionato, ma non troppo allegro | — | ||
| 5-11 | Study No. 5 (Chaconne by J. S. Bach) | — | ||
| 5-12 | Study No. 3 (Presto after J. S. Bach, version 1) | — | ||
| 5-13 | Sarabande and two Gavottes | — | ||
| 5-14 | Kanon | — | ||
| 5-15 | Kanon (inverted) | — | ||
| 5-16 | Study No. 4 (Presto after J. S. Bach, version 2) | — | ||
| 5-17 | Kleine Klavierstücke | — | ||
| 6-1 | Fantasies, Op. 116: I. Capriccio. Presto energico | — | ||
| 6-2 | Fantasies, Op. 116: II. Intermezzo. Andante | — | ||
| 6-3 | Fantasies, Op. 116: III. Capriccio. Allegro passionato | — | ||
| 6-4 | Fantasies, Op. 116: IV. Intermezzo. Adagio | — | ||
| 6-5 | Fantasies, Op. 116: V. Intermezzo. Andante con grazia ed intimissimo sentimento | — | ||
| 6-6 | Fantasies, Op. 116: VI. Intermezzo. Andantino teneramente | — | ||
| 6-7 | Fantasies, Op. 116: VII. Capriccio. Allegro agitato | — | ||
| 6-8 | Klavierstücke, Op. 117: I. Intermezzo. Andante moderato | — | ||
| 6-9 | Klavierstücke, Op. 117: II. Intermezzo. Andante non troppo e con molto espressione | — | ||
| 6-10 | Klavierstücke, Op. 117: III. Intermezzo. Andante con moto | — | ||
| 6-11 | Klavierstücke, Op. 118: I. Intermezzo. Allegro non assai, ma molto appassionata | — | ||
| 6-12 | Klavierstücke, Op. 118: II. Intermezzo. Andante teneramente | — | ||
| 6-13 | Klavierstücke, Op. 118: III. Ballade. Allegro energico | — | ||
| 6-14 | Klavierstücke, Op. 118: IV. Intermezzo. Allegretto un poco agitatio | — | ||
| 6-15 | Klavierstücke, Op. 118: V. Romanze. Andante | — | ||
| 6-16 | Klavierstücke, Op. 118: VI. Intermezzo. Andante, largo e mesto | — | ||
| 6-17 | Klavierstücke, Op. 119: I. Intermezzo. Adagio | — | ||
| 6-18 | Klavierstücke, Op. 119: II. Intermezzo. Andantino un poco agitato | — | ||
| 6-19 | Klavierstücke, Op. 119: III. Intermezzo. Grazioso e giocoso | — | ||
| 6-20 | Klavierstücke, Op. 119: IV. Rhapsodie. Allegro risoluto | — |
Sonata No. 1 in C major, Op. 1: I. Allegro
—
Sonata No. 1 in C major, Op. 1: II. Andante
—
Sonata No. 1 in C major, Op. 1: III. Scherzo. Allegro molto e con fuoco
—
Sonata No. 1 in C major, Op. 1: IV. Finale. Allegro con fuoco
—
Scherzo in E flat minor, Op. 4
—
Sonata No. 2 in F sharp minor, Op. 2: I. Allegro non troppo, ma energico
—
Sonata No. 2 in F sharp minor, Op. 2: II. Andante con espressione
—
Sonata No. 2 in F sharp minor, Op. 2: III. Scherzo & Trio. Allegro - Poco più moderato
—
Sonata No. 2 in F sharp minor, Op. 2: IV. Finale. Introduzione: Sostenuto - Allegro non troppo e rubato
—
Study for the Left Hand (Impromptu by Schubert, D. 899 No. 2)
—
Study No. 1 (Etude after Chopin, Op. 25 No. 2)
—
Study No. 2 (Rondo after Weber, Op. 24)
—
Four Ballades, Op. 10: I. Andante - Allegro - Andante
—
Four Ballades, Op. 10: II. Andante - Allegro non troppo - Andante
—
Four Ballades, Op. 10: III. Intermezzo. Allegro
—
Four Ballades, Op. 10: IV. Andante con moto - Più lento - Tempo I
—
Variations on a theme of Robert Schumann, Op. 9: I. Theme and Variations I - VI
—
Variations on a theme of Robert Schumann, Op. 9: II. Variations VII - XVI
—
Sonata No. 3 in F minor, Op. 5: I. Allegro maestoso
—
Sonata No. 3 in F minor, Op. 5: II. Andante. Andante espressivo
—
Sonata No. 3 in F minor, Op. 5: III. Scherzo & Trio. Allegro energico
—
Sonata No. 3 in F minor, Op. 5: IV. Andante molto
—
Sonata No. 3 in F minor, Op. 5: V. Finale. Allegro moderato ma rubato
—
Theme & Variations in D minor (from the second movement of the String Sextet, Op. 18): Andante, ma moderato
—
Variations on an original Theme, Op. 21 No. 1: I. Theme and Variations I - VII
—
Variations on an original Theme, Op. 21 No. 1: II. Variations VIII - XI
—
Variations on a Hungarian Song, Op. 21 No. 2: Theme and Variations I - XIII
—
Sarabande in A
—
Gigue in A minor
—
Sarabande in B minor
—
Gigue in B minor
—
Variations and Fugue on a theme of Handel, Op. 24: I. Aria and Variations I - XV
—
Variations and Fugue on a theme of Handel, Op. 24: II. Variations XVI - XXV
—
Variations and Fugue on a theme of Handel, Op. 24: III. Fuga
—
Variations on a theme of Paganini, Op. 35: I. Book I
—
Variations on a theme of Paganini, Op. 35: II. Book II
—
16 Waltzes, Op. 39: I - VIII
—
16 Waltzes, Op. 39: IX - XVI
—
Hungarian Dances: I. Allegro
—
Hungarian Dances: II. Allegro non assai
—
Hungarian Dances: III. Allegretto
—
Hungarian Dances: IV. Poco Sostenuto
—
Hungarian Dances: V. Allegro
—
Hungarian Dances: VI. Vivace
—
Hungarian Dances: VII. Allegretto
—
Hungarian Dances: VIII. Presto
—
Hungarian Dances: IX. Allegro
—
Hungarian Dances: X. Presto
—
Gavotte by Chr. W. Gluck (arranged for piano)
—
Eight Klavierstücke, Op. 76: I. Capriccio. Un poco agitato
—
Eight Klavierstücke, Op. 76: II. Capriccio. Allegretto non troppo
—
Eight Klavierstücke, Op. 76: III. Intermezzo. Grazioso
—
Eight Klavierstücke, Op. 76: IV. Intermezzo. Allegretto grazioso
—
Eight Klavierstücke, Op. 76: V. Capriccio. Agitato, ma non troppo presto
—
Eight Klavierstücke, Op. 76: VI. Intermezzo. Andante con moto
—
Eight Klavierstücke, Op. 76: VII. Intermezzo. Moderato semplice
—
Eight Klavierstücke, Op. 76: VIII. Capriccio. Grazioso ed un poco vivace
—
Two Rhapsodies, Op. 79: I. Agitato
—
Two Rhapsodies, Op. 79: II. Molto passionato, ma non troppo allegro
—
Study No. 5 (Chaconne by J. S. Bach)
—
Study No. 3 (Presto after J. S. Bach, version 1)
—
Sarabande and two Gavottes
—
Kanon
—
Kanon (inverted)
—
Study No. 4 (Presto after J. S. Bach, version 2)
—
Kleine Klavierstücke
—
Fantasies, Op. 116: I. Capriccio. Presto energico
—
Fantasies, Op. 116: II. Intermezzo. Andante
—
Fantasies, Op. 116: III. Capriccio. Allegro passionato
—
Fantasies, Op. 116: IV. Intermezzo. Adagio
—
Fantasies, Op. 116: V. Intermezzo. Andante con grazia ed intimissimo sentimento
—
Fantasies, Op. 116: VI. Intermezzo. Andantino teneramente
—
Fantasies, Op. 116: VII. Capriccio. Allegro agitato
—
Klavierstücke, Op. 117: I. Intermezzo. Andante moderato
—
Klavierstücke, Op. 117: II. Intermezzo. Andante non troppo e con molto espressione
—
Klavierstücke, Op. 117: III. Intermezzo. Andante con moto
—
Klavierstücke, Op. 118: I. Intermezzo. Allegro non assai, ma molto appassionata
—
Klavierstücke, Op. 118: II. Intermezzo. Andante teneramente
—
Klavierstücke, Op. 118: III. Ballade. Allegro energico
—
Klavierstücke, Op. 118: IV. Intermezzo. Allegretto un poco agitatio
—
Klavierstücke, Op. 118: V. Romanze. Andante
—
Klavierstücke, Op. 118: VI. Intermezzo. Andante, largo e mesto
—
Klavierstücke, Op. 119: I. Intermezzo. Adagio
—
Klavierstücke, Op. 119: II. Intermezzo. Andantino un poco agitato
—
Klavierstücke, Op. 119: III. Intermezzo. Grazioso e giocoso
—
Klavierstücke, Op. 119: IV. Rhapsodie. Allegro risoluto
—
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 083603178826?
083603178826 is a Universal Product Code (UPC) assigned to Complete Piano Music by Brahms, Martin Jones. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 86 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm