UPC · Release
Incidental Music
Serge Prokofiev, RIAS Kammerchor, Rundfunk‐Sinfonieorchester Berlin and 1 more
0845221070018
47 tracksReleased 2009-02-16
Last verified:
0845221070018 is the Universal Product Code (UPC barcode) for the release “Incidental Music” by Serge Prokofiev, RIAS Kammerchor, Rundfunk‐Sinfonieorchester Berlin, Michail Jurowski, released 2009-02-16. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC.
Format
084GS1 prefix
5221Company prefix
07001Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (47)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hamlet, incidental music, op.77: No. 1. The Ghost of Hamlet's Father | — | ||
| 2 | Hamlet, incidental music, op.77: No. 2. Claudius's March | — | ||
| 3 | Hamlet, incidental music, op.77: No. 3. Fanfares - No. 4. Pantomime | — | ||
| 4 | Hamlet, incidental music, op.77: No. 5. Ophelia's first song | — | ||
| 5 | Hamlet, incidental music, op.77: No. 6. Ophelia's second song | — | ||
| 6 | Hamlet, incidental music, op.77: No. 7. Ophelia's third song | — | ||
| 7 | Hamlet, incidental music, op.77: No. 8. Ophelia's fourth song | — | ||
| 8 | Hamlet, incidental music, op.77: No. 9. The Gravedigger's song | — | ||
| 9 | Hamlet, incidental music, op.77: No. 10. Fortinbras's Final March | — | ||
| 10 | Boris Godunov , op.70bis: No. 1. Erstes Lied von Missail und Warlaam - No. 2. Zweites Lied von Missail und Warlaam | — | ||
| 11 | Boris Godunov , op.70bis: No. 3. Lied des einsamen Wanderers | — | ||
| 12 | Boris Godunov , op.70bis: No. 4. Zweistimmiges Lied - No. 5. Stuck fur eine tiefe Stimme - No. 6. Der beruhmte Monolog von Boris Godunov | — | ||
| 13 | Boris Godunov , op.70bis: No. 7. Chor der betrunkenen Bojaren | — | ||
| 14 | Boris Godunov , op.70bis: No. 8. Lied der Xenia | — | ||
| 15 | Boris Godunov , op.70bis: No. 9. Reverie | — | ||
| 16 | Boris Godunov , op.70bis: No. 10. Polonaise | — | ||
| 17 | Boris Godunov , op.70bis: No. 11. Mazurka - No. 12. Scherzando | — | ||
| 18 | Boris Godunov , op.70bis: No. 13. Amoroso | — | ||
| 19 | Boris Godunov , op.70bis: No. 14. Der usurpator am springbrunnen - No. 15. Der usurpator im garten | — | ||
| 20 | Boris Godunov , op.70bis: No. 16. Ziffer 2 - No. 17. Anweisung vor beginn der Nummer die Anweisung - No. 18. Anweisung vor Beginn der Nummer - No. 19. Hat vier Teil | — | ||
| 21 | Boris Godunov , op.70bis: No. 20. Lied eines schwachsinnigen - No. 21. Lied der Blinden Bettler | — | ||
| 22 | Boris Godunov , op.70bis: No. 22. Volk - No. 23. Volk - No. 24. Volk | — | ||
| 2-1 | Eugene Onegin, incidental music, op.71: Scene 1: Lensky at Larin's grave | — | ||
| 2-2 | Eugene Onegin, incidental music, op.71: Scene 2: Onegin and Lensky at Lensky's country house | — | ||
| 2-3 | Eugene Onegin, incidental music, op.71: Scene 3: At the sister's home - Scene 7: Tatyanas's letter | — | ||
| 2-4 | Eugene Onegin, incidental music, op.71: Scene 8: Onegin receives Tatyana's letter - Scene 10: Lensky and Onegin together in Lensky's house | — | ||
| 2-5 | Eugene Onegin, incidental music, op.71: Scene 12: Larin's ball | — | ||
| 2-6 | Eugene Onegin, incidental music, op.71: Scene 11: Tatyana's dream | — | ||
| 2-7 | Eugene Onegin, incidental music, op.71: Scene 13: Duel | — | ||
| 2-8 | Eugene Onegin, incidental music, op.71: Scene 14: Tatyana visits Onegin's house | — | ||
| 2-9 | Eugene Onegin, incidental music, op.71: Scene 15: Intermezzo | — | ||
| 2-10 | Eugene Onegin, incidental music, op.71: Scene 15: Tatyanas meet Onegin in Petersburg | — | ||
| 2-11 | Eugene Onegin, incidental music, op.71: Scene 16: Onegin's letter to Tatyana | — | ||
| 2-12 | Eugene Onegin, incidental music, op.71: Scene 16: Closing choir of the students | — | ||
| 3-1 | Yevipetskiye nochi (Egyptian Nights): Act I: Introduktion - Panik - Jagdhorner - Casar vor der Sphinx - Jagdhorner - Casar und Kleopatra - Ankunft der romischen Soldaten | — | ||
| 3-2 | Yevipetskiye nochi (Egyptian Nights): Act I: Kleopatra und Antonius | — | ||
| 3-3 | Yevipetskiye nochi (Egyptian Nights): Act I: Junge Sklavinnen spielen - Festmahl | — | ||
| 3-4 | Yevipetskiye nochi (Egyptian Nights): Act I: Die romische Schlacht | — | ||
| 3-5 | Yevipetskiye nochi (Egyptian Nights): Act I: Melodram: Puschkins, Agyptische Nachte | — | ||
| 3-6 | Yevipetskiye nochi (Egyptian Nights): Act I: Trinklied | — | ||
| 3-7 | Yevipetskiye nochi (Egyptian Nights): Act I: Finale | — | ||
| 3-8 | Yevipetskiye nochi (Egyptian Nights): Act II: Zwischenspiel: Das kriegerische Rom | — | ||
| 3-9 | Yevipetskiye nochi (Egyptian Nights): Act II: Gesang des Eunuchen | — | ||
| 3-10 | Yevipetskiye nochi (Egyptian Nights): Act II: Triumphmusik - Friedensvertrag - Trinklied - Finale | — | ||
| 3-11 | Yevipetskiye nochi (Egyptian Nights): Act III: Die Schlacht: Fanfaren - Signale der Heere - Kampfe auf See und an Land | — | ||
| 3-12 | Yevipetskiye nochi (Egyptian Nights): Act III: Antonius ist geschlagen - Kleopatras Tanz - Erwachen - Trauer | — | ||
| 3-13 | Yevipetskiye nochi (Egyptian Nights): Act III: Trauer und Antonius' Tod - Finale | — |
Hamlet, incidental music, op.77: No. 1. The Ghost of Hamlet's Father
—
Hamlet, incidental music, op.77: No. 2. Claudius's March
—
Hamlet, incidental music, op.77: No. 3. Fanfares - No. 4. Pantomime
—
Hamlet, incidental music, op.77: No. 5. Ophelia's first song
—
Hamlet, incidental music, op.77: No. 6. Ophelia's second song
—
Hamlet, incidental music, op.77: No. 7. Ophelia's third song
—
Hamlet, incidental music, op.77: No. 8. Ophelia's fourth song
—
Hamlet, incidental music, op.77: No. 9. The Gravedigger's song
—
Hamlet, incidental music, op.77: No. 10. Fortinbras's Final March
—
Boris Godunov , op.70bis: No. 1. Erstes Lied von Missail und Warlaam - No. 2. Zweites Lied von Missail und Warlaam
—
Boris Godunov , op.70bis: No. 3. Lied des einsamen Wanderers
—
Boris Godunov , op.70bis: No. 4. Zweistimmiges Lied - No. 5. Stuck fur eine tiefe Stimme - No. 6. Der beruhmte Monolog von Boris Godunov
—
Boris Godunov , op.70bis: No. 7. Chor der betrunkenen Bojaren
—
Boris Godunov , op.70bis: No. 8. Lied der Xenia
—
Boris Godunov , op.70bis: No. 9. Reverie
—
Boris Godunov , op.70bis: No. 10. Polonaise
—
Boris Godunov , op.70bis: No. 11. Mazurka - No. 12. Scherzando
—
Boris Godunov , op.70bis: No. 13. Amoroso
—
Boris Godunov , op.70bis: No. 14. Der usurpator am springbrunnen - No. 15. Der usurpator im garten
—
Boris Godunov , op.70bis: No. 16. Ziffer 2 - No. 17. Anweisung vor beginn der Nummer die Anweisung - No. 18. Anweisung vor Beginn der Nummer - No. 19. Hat vier Teil
—
Boris Godunov , op.70bis: No. 20. Lied eines schwachsinnigen - No. 21. Lied der Blinden Bettler
—
Boris Godunov , op.70bis: No. 22. Volk - No. 23. Volk - No. 24. Volk
—
Eugene Onegin, incidental music, op.71: Scene 1: Lensky at Larin's grave
—
Eugene Onegin, incidental music, op.71: Scene 2: Onegin and Lensky at Lensky's country house
—
Eugene Onegin, incidental music, op.71: Scene 3: At the sister's home - Scene 7: Tatyanas's letter
—
Eugene Onegin, incidental music, op.71: Scene 8: Onegin receives Tatyana's letter - Scene 10: Lensky and Onegin together in Lensky's house
—
Eugene Onegin, incidental music, op.71: Scene 12: Larin's ball
—
Eugene Onegin, incidental music, op.71: Scene 11: Tatyana's dream
—
Eugene Onegin, incidental music, op.71: Scene 13: Duel
—
Eugene Onegin, incidental music, op.71: Scene 14: Tatyana visits Onegin's house
—
Eugene Onegin, incidental music, op.71: Scene 15: Intermezzo
—
Eugene Onegin, incidental music, op.71: Scene 15: Tatyanas meet Onegin in Petersburg
—
Eugene Onegin, incidental music, op.71: Scene 16: Onegin's letter to Tatyana
—
Eugene Onegin, incidental music, op.71: Scene 16: Closing choir of the students
—
Yevipetskiye nochi (Egyptian Nights): Act I: Introduktion - Panik - Jagdhorner - Casar vor der Sphinx - Jagdhorner - Casar und Kleopatra - Ankunft der romischen Soldaten
—
Yevipetskiye nochi (Egyptian Nights): Act I: Kleopatra und Antonius
—
Yevipetskiye nochi (Egyptian Nights): Act I: Junge Sklavinnen spielen - Festmahl
—
Yevipetskiye nochi (Egyptian Nights): Act I: Die romische Schlacht
—
Yevipetskiye nochi (Egyptian Nights): Act I: Melodram: Puschkins, Agyptische Nachte
—
Yevipetskiye nochi (Egyptian Nights): Act I: Trinklied
—
Yevipetskiye nochi (Egyptian Nights): Act I: Finale
—
Yevipetskiye nochi (Egyptian Nights): Act II: Zwischenspiel: Das kriegerische Rom
—
Yevipetskiye nochi (Egyptian Nights): Act II: Gesang des Eunuchen
—
Yevipetskiye nochi (Egyptian Nights): Act II: Triumphmusik - Friedensvertrag - Trinklied - Finale
—
Yevipetskiye nochi (Egyptian Nights): Act III: Die Schlacht: Fanfaren - Signale der Heere - Kampfe auf See und an Land
—
Yevipetskiye nochi (Egyptian Nights): Act III: Antonius ist geschlagen - Kleopatras Tanz - Erwachen - Trauer
—
Yevipetskiye nochi (Egyptian Nights): Act III: Trauer und Antonius' Tod - Finale
—
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What is UPC 0845221070018?
0845221070018 is a Universal Product Code (UPC) assigned to Incidental Music by Serge Prokofiev, RIAS Kammerchor, Rundfunk‐Sinfonieorchester Berlin, Michail Jurowski. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 47 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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