UPC · Release
Best of Broadway: 40 Musical Highlights
Various Artists
0848033080039
40 tracks
Last verified:
0848033080039 is the Universal Product Code (UPC barcode) for the release “Best of Broadway: 40 Musical Highlights” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBHVK0700119, GBDGA1105093, GBDGA0301763.
Format
084GS1 prefix
8033Company prefix
08003Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBest of Broadway: 40 Musical Highlights
ISRC40 recordings
ISWC61 works
IPI2 songwriters
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Dreamed a Dream | Issy van Randwyck, The National Symphony Orchestra, Martin Yates | T-070.266.850-5 | |
| 2 | Defying Gravity | Aimie Atkinson, The National Symphony Orchestra, Craig Barna | T-071.871.953-9 | |
| 3 | Cats: Memory | Jacinta Whyte, National Symphony Orchestra, Martin Yates | T-010976460-4 | |
| 4 | Starlight Express (From "Starlight Express") | James Graeme, National Symphony Orchestra, Martin Yates | T9016430721 | |
| 5 | Any Dream Will Do | Andrew Newey, National Symphony Orchestra Ensemble, John Owen Edwards | T-010.822.926-0 | |
| 6 | Don’t Cry for Me Argentina (from Evita) | Gail Bartell, Orlando Pops Orchestra, Andrew Lane | T-010.464.976-4 | |
| 7 | Beauty and the Beast | Orlando Pops Orchestra | T0701789925 | |
| 8 | Summertime (from “Porgy and Bess”) | Meshell Dillon | T9091321663 | |
| 9 | Can You Feel the Love Tonight? | Arvid Larsen, The National Symphony Orchestra, Martin Yates | T-011.478.222-7 | |
| 10 | One Day More (Les Miserables) | The West End Company, The National Symphony Orchestra, Martin Yates | T9009024606 | |
| 11 | Music of the Night (From "Phantom of the Opera") | James Graeme, National Symphony Orchestra, Martin Yates | T3008817429 | |
| 12 | Love Changes Everything (From "Aspects of Love") | Company of Aspects of Love, National Symphony Orchestra, John Owen Edwards | T0102037671 | |
| 13 | Singin' in the Rain (From "Singin' in the Rain") | Paul Robinson, The National Symphony Orchestra, Craig Barna | T0701356775 | |
| 14 | Cabaret | Liza Pulman, The National Symphony Orchestra, John Owen Edwards | T-070.880.975-9 | |
| 15 | Consider Yourself (From "Oliver!") | 101 Strings Orchestra | — | |
| 16 | Supercalifragilisticexpialidocious (From "Mary Poppins") | The Sound Stage Chorus | — | |
| 17 | Begin the Beguine | Doug LaBrecque | T-070.010.811-7 | |
| 18 | Tonight (From "West Side Story") | Lawrence Leonard | T-070001097-4 | |
| 19 | Empty Chairs At Empty Tables (From "Les Miserables") | Andrew Newey, The National Symphony Orchestra, Martin Yates | — | |
| 20 | Chim Chim Cher-ee (From "Mary Poppins") | The Sound Stage Chorus | — | |
| 21 | The Circle of Life | Andrew Halliday, Carmen Cusack | T-070.248.860-5 | |
| 22 | Macavity (From "Cats") | Carmen Cusack, National Symphony Orchestra, Martin Yates | T0104760566 | |
| 23 | On My Own (From "Les Miserables") | Kim Criswell, The National Symphony Orchestra, Martin Yates | T0701620816 | |
| 24 | Sunset Boulevard (From "Sunset Boulevard") | Andrew Newey, National Symphony Orchestra, Martin Yates | T-010106193-1 | |
| 25 | I Know Him So Well | Sally Ann Triplett, Katrina Murphy, The National Symphony Orchestra, Martin Yates | T0113632259 | |
| 26 | I Love Paris | Clare Burt, The National Symphony Orchestra, Martin Yates | T-037.658.919-3 | |
| 27 | Wouldn't It Be Loverly? (From "My Fair Lady") | London Promenade Orchestra, Eric Hammerstein | — | |
| 28 | Gigi (From "Gigi") | Graham Bickley, The National Symphony Orchestra, Martin Yates | T-037.659.067-8 | |
| 29 | Peggy Sue (From "Buddy") | Dominic Curtis | T0701652869 | |
| 30 | Some Enchanted Evening (South Pacific) | William Michals, National Symphony Orchestra, John Owen Edwards | T-900.303.260-8 | |
| 31 | Hopelessly Devoted to You | Julia Möller, National Symphony Orchestra Ensemble, Martin Yates | T-070.240.375-5 | |
| 32 | If Ever I Would Leave You | Paul Baker | T-072.250.482-6 | |
| 33 | Over the Rainbow | Robert Irons, The National Symphony Orchestra, Gareth Valentine | T-070.159.949-6 | |
| 34 | A Whole New World (From "Aladdin") | Orlando Pops Orchestra, Andrew Lane | T0710887867 | |
| 35 | Climb Every Mountain | Muriel Dickinson | T-070.025.197-3 | |
| 36 | One Song Glory (From "Rent") | Koit Toome, The National Symphony Orchestra, Martin Yates | T0701634925 | |
| 37 | Why God, Why? (From "Miss Saigon") | Graham Bickley, The National Symphony Orchestra, Martin Yates | T9307448642 | |
| 38 | All I Care About Is Love (From "Chicago") | Graham Bickley, The National Symphony Orchestra, Craig Barna | T0701868101 | |
| 39 | Good Morning Starshine | Issy van Randwyck, National Symphony Orchestra Ensemble, Stephen Brooker | T-900.754.906-6 | |
| 40 | You’ll Never Walk Alone | Muriel Dickenson | T-010.519.159-0 |
James Graeme, National Symphony Orchestra, Martin Yates
Andrew Newey, National Symphony Orchestra Ensemble, John Owen Edwards
Gail Bartell, Orlando Pops Orchestra, Andrew Lane
Arvid Larsen, The National Symphony Orchestra, Martin Yates
The West End Company, The National Symphony Orchestra, Martin Yates
James Graeme, National Symphony Orchestra, Martin Yates
Company of Aspects of Love, National Symphony Orchestra, John Owen Edwards
Paul Robinson, The National Symphony Orchestra, Craig Barna
Consider Yourself (From "Oliver!")
101 Strings Orchestra
—
Supercalifragilisticexpialidocious (From "Mary Poppins")
The Sound Stage Chorus
—
Empty Chairs At Empty Tables (From "Les Miserables")
Andrew Newey, The National Symphony Orchestra, Martin Yates
—
Chim Chim Cher-ee (From "Mary Poppins")
The Sound Stage Chorus
—
Kim Criswell, The National Symphony Orchestra, Martin Yates
Andrew Newey, National Symphony Orchestra, Martin Yates
Sally Ann Triplett, Katrina Murphy, The National Symphony Orchestra, Martin Yates
Wouldn't It Be Loverly? (From "My Fair Lady")
London Promenade Orchestra, Eric Hammerstein
—
William Michals, National Symphony Orchestra, John Owen Edwards
Julia Möller, National Symphony Orchestra Ensemble, Martin Yates
Graham Bickley, The National Symphony Orchestra, Martin Yates
Graham Bickley, The National Symphony Orchestra, Craig Barna
Issy van Randwyck, National Symphony Orchestra Ensemble, Stephen Brooker
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.464.976-4T-010.519.159-0T-010.822.926-0T-010.976.460-4T-010464976-4T-010822926-0T-010976460-4T-011.478.222-7T-011363225-9T-011478222-7
+51 more
T-037.658.919-3T-037.659.067-8T-037658919-3T-037659067-8T-070.010.811-7T-070.025.197-3T-070.159.949-6T-070.240.375-5T-070.248.860-5T-070.266.850-5T-070.880.975-9T-070064082-9T-070159949-6T-070240375-5T-070248859-2T-070266850-5T-070880975-9T-071.871.953-9T-071211965-7T-071871953-9T-072.250.482-6T-072106546-8T-900.303.260-8T-900.754.906-6T-900302123-6T-900302128-1T-900302134-9T-900302135-0T-900303260-8T-900303261-9T-900319038-3T-900754906-6T-900902459-3T-916809754-9T0101061931T0102037671T0104760566T0113632259T0700010974T0701356775T0701620816T0701634925T0701652869T0701789925T0701868101T0710887867T3008817429T9009024606T9016430721T9091321663T9307448642
Songwriters/Publishers (IPI)
Identifier Graph
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What is UPC 0848033080039?
0848033080039 is a Universal Product Code (UPC) assigned to Best of Broadway: 40 Musical Highlights by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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