UPC · Release
Henry Purcell, Alfred Deller, The Deller Consort
Last verified:
The UPC for “The Complete Vanguard Recordings, Volume 2: Music of Henry Purcell” by Henry Purcell, Alfred Deller, The Deller Consort is 0851950001940. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 160 tracks, each with its own ISRC. Tracks include ATBV72505616, ATBV72505625, ATBV72505626.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasia upon a ground in D minor for 3 violins and continuo, Z. 731 | — | ||
| 2 | Oedipus (1692), Z. 583: Song. "Music for a while" | — | ||
| 3 | Song, Z. 382 "I love and I must" | — | ||
| 4 | The Comical History of Don Quixote, Z. 578: Part I: "Let the dreadful engines" | — | ||
| 5 | The Faerie Queen, Z. 629: Epithalamium. "Thrice happy lovers" | — | ||
| 7 | The Blessed Virgin's Expostulation, Z. 186 "Tell me, some pitying angel" | — | ||
| 8 | Song, Z. 400 "Not all my torments" | — | ||
| 9 | Upon a Quiet Conscience, Z. 184 "Close thine eyes" | — | ||
| 10 | King Arthur, Z. 628: Venus's Song. "Fairest isle, all isles excelling" | — | ||
| 11 | Pausanias, Z. 585: "Sweeter than roses" | — | ||
| 12 | Song, Z. 421 "The fatal hour comes apace" | — | ||
| 13 | Ode on Queen Mary's birthday (1693), Z. 321: "Crown the altar" | — | ||
| 14 | The Indian Queen, Z. 630: "I attempt from love's sickness to fly" | — | ||
| 15 | Bonduca, Z. 574: Bonduca's Song. "Oh! lead me to some peaceful gloom" | — | ||
| 16 | Dioclesian, Z. 627: "What shall I do to show all much I love her?" | — | ||
| 17 | The Comical History of Don Quixote, Z. 578: Part III: "From rosy bow'rs" | — | ||
| 2-1 | Secrecie's Song | — | ||
| 2-2 | The Fairy Queen, Z. 629: Mystery's Song | — | ||
| 2-3 | Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 2-4 | Welcome to All the Pleasures, Z 339: Here the Deities Approve | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 2-5 | The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 2-6 | The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | T-308.724.078-2 | |
| 2-7 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Allegro | — | ||
| 2-8 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Adagio | — | ||
| 2-9 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Canzona Allegro | — | ||
| 2-10 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Grave | — | ||
| 2-11 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Allegro | — | ||
| 2-12 | Musick's Hand-Made, Part II: Music Lessons 1-12: I. Song Tune in C, Z. T694 | — | ||
| 2-13 | Musick's Hand-Made, Part II: Music Lessons 1-12: II. Con Spirito, Z. 647 | — | ||
| 2-14 | Musick's Hand-Made, Part II: Music Lessons 1-12: III. March in C, Z. 648 | — | ||
| 2-15 | Musick's Hand-Made, Part II: Music Lessons 1-12: IV. New Minuet in D Minor, Z. T689 | — | ||
| 2-16 | Musick's Hand-Made, Part II: Music Lessons 1-12: V. Minuet in a Minor, Z. 649 | — | ||
| 2-17 | Musick's Hand-Made, Part II: Music Lessons 1-12: VI. Minuet in a Minor, Z. 650 | — | ||
| 2-18 | Musick's Hand-Made, Part II: Music Lessons 1-12: VII. A New Scotch Tune in G, Z. 655 | — | ||
| 2-19 | Musick's Hand-Made, Part II: Music Lessons 1-12: VIII. A New Ground in E Minor, Z. T682 | — | ||
| 2-20 | Musick's Hand-Made, Part II: Music Lessons 1-12: IX. A New Irish Tune, Z. 646 | — | ||
| 2-21 | Musick's Hand-Made, Part II: Music Lessons 1-12: X. Rigadoon in C, Z. 653 | — | ||
| 2-22 | Musick's Hand-Made, Part II: Music Lessons 1-12: Xi. Sefauchi's Farewell, in D Minor, Z. 656 | — | ||
| 2-23 | Musick's Hand-Made, Part II: Music Lessons 1-12: Xii. Minuet in D Minor, Z. T688 | — | ||
| 2-24 | Sonata in G Minor for Violin and Continuo, Z. 780: Adagio-Moderato | — | ||
| 2-25 | Sonata in G Minor for Violin and Continuo, Z. 780: Adagio Con Espressione | — | ||
| 2-26 | Sonata in G Minor for Violin and Continuo, Z. 780: Vivace | — | ||
| 2-27 | Suite in D for Harpsichord, Z. 667: Prelude | — | ||
| 2-28 | Suite in D for Harpsichord, Z. 667: Almand | — | ||
| 2-29 | Suite in D for Harpsichord, Z. 667: Hornpipe | — | ||
| 3-1 | Dido and Aeneas, Z. 626: Overture | — | ||
| 3-2 | Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus) | — | ||
| 3-3 | Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) | — | ||
| 3-4 | Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing..." (Belinda, Dido) | — | ||
| 3-5 | Dido and Aeneas, Z. 626: Act I. "When monarchs unite, how happy their state" (Chorus) | — | ||
| 3-6 | Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) | — | ||
| 3-7 | Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman, Chorus) | — | ||
| 3-8 | Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido) | — | ||
| 3-9 | Dido and Aeneas, Z. 626: Act I. "Cupid only throws the dart" (Cupid) | — | ||
| 3-10 | Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas) | — | ||
| 3-11 | Dido and Aeneas, Z. 626: Act I. "Pursue thy conquest, Love" (Belinda) | — | ||
| 3-12 | Dido and Aeneas, Z. 626: Act I. "To the hills and the vales" (Chorus) | — | ||
| 3-13 | Dido and Aeneas, Z. 626: Act I. The Triumphing Dance | — | ||
| 3-14 | Dido and Aeneas, Z. 626: Act II. Prelude for the Witches | — | ||
| 3-15 | Dido and Aeneas, Z. 626: Act II. "Wayward sisters, you that fright" (Sorceress, First Witch) | — | ||
| 3-16 | Dido and Aeneas, Z. 626: Act II. "Harm's our delight and mischief all our skill" (Chorus) | — | ||
| 3-17 | Dido and Aeneas, Z. 626: Act II. "The Queen of Carthage, whom we hate" (Sorceress) | — | ||
| 3-18 | Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus) | — | ||
| 3-19 | Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) | — | ||
| 3-20 | Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus) | — | ||
| 3-21 | Dido and Aeneas, Z. 626: Act II. "But ere we this perform" (Witches) | — | ||
| 3-22 | Dido and Aeneas, Z. 626: Act II. "In our deep vaulted cell" (Chorus) | — | ||
| 3-23 | Dido and Aeneas, Z. 626: Act II. Echo Dance of the Furies | — | ||
| 3-24 | Dido and Aeneas, Z. 626: Act II. Ritornello | — | ||
| 3-25 | Dido and Aeneas, Z. 626: Act II. "Thanks to these lonesome vales" (Belinda, Chorus) | — | ||
| 3-26 | Dido and Aeneas, Z. 626: Act II. "Oft she visits this lov'd mountain" (Second Woman) | — | ||
| 3-27 | Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas, Dido) | — | ||
| 3-28 | Dido and Aeneas, Z. 626: Act II. "Haste, haste to town" (Belinda, Chorus) | — | ||
| 3-29 | Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Aeneas) | — | ||
| 3-30 | Dido and Aeneas, Z. 626: Act III. Prelude for the sailors | — | ||
| 3-31 | Dido and Aeneas, Z. 626: Act III. "Come away, fellow sailors" (First Sailor, Chorus) | — | ||
| 3-32 | Dido and Aeneas, Z. 626: Act III. The Sailors' Dance | — | ||
| 3-33 | Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress, Witches) | — | ||
| 3-34 | Dido and Aeneas, Z. 626: Act III. "Our next motion" (Sorceress) | — | ||
| 3-35 | Dido and Aeneas, Z. 626: Act III. "Destruction's our delight" (Chorus) | — | ||
| 3-36 | Dido and Aeneas, Z. 626: Act III. "The Witches' Dance" (Jack of the Lanthorn Dance) | — | ||
| 3-37 | Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas) | — | ||
| 3-38 | Dido and Aeneas, Z. 626: Act III. "Great minds against themselves conspire" (Chorus) | — | ||
| 3-39 | Dido and Aeneas, Z. 626: Act III. "Thy hand, Belinda" (Dido) | — | ||
| 3-40 | Dido and Aeneas, Z. 626: Act III. "When I am laid in earth" (Dido) | — | ||
| 3-41 | Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus) | — | ||
| 4-1 | Rejoice in the Lord Alway, Z49: Anthem | — | ||
| 4-2 | My Beloved Spake, Z28: Ouverture (Sinfonia): I. Slow | — | ||
| 4-3 | My Beloved Spake, Z28: My Beloved Spake | — | ||
| 4-4 | My Beloved Spake, Z28: For, Lo, the Winter Is Past | — | ||
| 4-5 | My Beloved Spake, Z28: The Time of the Singing | — | ||
| 4-6 | My Beloved Spake, Z28: And the Voice of the Turtle | — | ||
| 4-7 | My Beloved Spake, Z28: The Fig Tree | — | ||
| 4-8 | My Beloved Spake, Z28: Arise | — | ||
| 4-9 | My Beloved Spake, Z28: My Beloved Is Mine | — | ||
| 4-10 | Ode on St. Cecilia's Day, 1683: Welcome to All the Pleasures, Z339: Ouverture (Sinfonia): I. Maestoso / II. Vivace | — | ||
| 4-11 | Ode on St. Cecilia's Day, 1683: Welcome to All the Pleasures | — | ||
| 4-12 | Ode on St. Cecilia's Day, 1683: Here the Deities Approve (Counter-Tenor) | — | ||
| 4-13 | Ode on St. Cecilia's Day, 1683: While Joys Celestial (Trio) | — | ||
| 4-14 | Ode on St. Cecilia's Day, 1683: Then Lift Up Your Voices (Bass, Chorus) | — | ||
| 4-15 | Ode on St. Cecilia's Day, 1683: Adagio (Harpsichord) | — | ||
| 4-16 | Ode on St. Cecilia's Day, 1683: Beauty Thou Scene of Love (Tenor) | — | ||
| 4-17 | Ode on St. Cecilia's Day, 1683: In a Consort of Voices (Tenor, Chorus) | — | ||
| 4-18 | Ode on the Death of Mr. Henry Purcell: Mark How the Lark and Linnet Sing | — | ||
| 4-19 | Ode on the Death of Mr. Henry Purcell: But in the Close of the Night | — | ||
| 4-20 | Ode on the Death of Mr. Henry Purcell: So Ceas'd the Rival Crew | — | ||
| 4-21 | Ode on the Death of Mr. Henry Purcell: We Beg Not Hell | — | ||
| 4-22 | Ode on the Death of Mr. Henry Purcell: The Pow'r of Harmony Too Well They Knew | — | ||
| 4-23 | Ode on the Death of Mr. Henry Purcell: The Heav'Nly Choir | — | ||
| 4-24 | Ode on the Death of Mr. Henry Purcell: Ye Brethren of the Lyre | — | ||
| 5-1 | The Masque in Dioclesian (First Part): I. Solo (Soprano) & Chorus: Call the Nymphs and the Fauns From Woods | — | ||
| 5-2 | The Masque in Dioclesian (First Part): II. Air (Soprano): Let the Graces and Pleasures Repair | — | ||
| 5-3 | The Masque in Dioclesian (First Part): III. Duet (Basses): Come, Come Away, No Delay | — | ||
| 5-4 | The Masque in Dioclesian (First Part): IV. Chorus: Behold, o Mighty'St of Gods | — | ||
| 5-5 | The Masque in Dioclesian (First Part): V. Paspe (Passepied) | — | ||
| 5-6 | The Masque in Dioclesian (First Part): VI. Duet (Sopranos): Oh the Sweet Delights of Love | — | ||
| 5-7 | The Masque in Dioclesian (First Part): VII. Air (Soprano) & Chorus: Let Monarchs Fight for Power and Fame | — | ||
| 5-8 | The Masque in Dioclesian (First Part): VIII. Duet (Tenor and Baritone): Make Room for the Great God | — | ||
| 5-9 | The Masque in Dioclesian (First Part): IX. Solo (Bacchus) Trio & Chorus: I'm Here With My Jolly Crew | — | ||
| 5-10 | The Masque in Dioclesian (First Part): X. Dance of Bacchanals | — | ||
| 5-11 | The Masque in Dioclesian (First Part): Xi. Air (Soprano): Still I'm Wishing, Stil Desiring | — | ||
| 5-12 | The Masque in Dioclesian (First Part): Ritornello - XII: Can Drusilla Give No More? | — | ||
| 5-13 | The Masque in Dioclesian (Conclusion): XIII. Canaries | — | ||
| 5-14 | The Masque in Dioclesian (Conclusion): XIV. Dialogue (Soprano and Baritone): Tell Me Why, My Charming Fair | — | ||
| 5-15 | The Masque in Dioclesian (Conclusion): XV Dance | — | ||
| 5-16 | The Masque in Dioclesian (Conclusion): XVI. Air (Tenor) & Chorus: All Our Days and Our Nights | — | ||
| 5-17 | The Masque in Dioclesian (Conclusion): XVII. Dance | — | ||
| 5-18 | The Masque in Dioclesian (Conclusion): XVIII. Trio & Chorus: Triumph Victorious Love | — | ||
| 5-19 | The Masque in Dioclesian (instrumental Music): First Music | — | ||
| 5-20 | The Masque in Dioclesian (instrumental Music): First Act Tune or Hornpipe | — | ||
| 5-21 | The Masque in Dioclesian (instrumental Music) [Unknown] | — | ||
| 5-22 | The Masque in Dioclesian (instrumental Music): Dance of the Furies | — | ||
| 5-23 | The Masque in Dioclesian (instrumental Music): Second Act Tune | — | ||
| 5-24 | The Masque in Dioclesian (instrumental Music) [Unknown] | — | ||
| 5-25 | The Masque in Dioclesian (instrumental Music): The Chair Dance | — | ||
| 5-26 | The Masque in Dioclesian (instrumental Music): Third Act Tune | — | ||
| 5-27 | The Masque in Dioclesian (instrumental Music): Butterfly Dance | — | ||
| 5-28 | The Masque in Dioclesian (instrumental Music): Country Dance | — | ||
| 6-1 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Overture: Symphony | — | ||
| 6-2 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Soli and Chorus: Hail! Bright Cecilia | — | ||
| 6-3 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: Hark, Each Tree | — | ||
| 6-4 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: 'Tis Nature Voice | — | ||
| 6-5 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Chorus: Soul of the World | — | ||
| 6-6 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Soprano Solo: Thou Tun'St This World | — | ||
| 6-7 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Trio: With That Sublime Celestial Lay | — | ||
| 6-8 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Bass Solo: Wond'Rous Machine | — | ||
| 6-9 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: The Airy Violin | — | ||
| 6-10 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: In Vain the Am'Rous Flute | — | ||
| 6-11 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: The Fife and All the Harmony of War | — | ||
| 6-12 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: Let These Among Themselves Contest | — | ||
| 6-13 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Great Chorus: Hail! Bright Cecilia | — | ||
| 6-14 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": Ouverture (Sinfonia): I. Largo / II. Allegro / III. Adagio | — | ||
| 6-15 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Come, Come, Ye Sons of Art" (Counter-Tenor, Chorus) | — | ||
| 6-16 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Sound the Trumpet Till Around" (Counter-Tenors) | — | ||
| 6-17 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Come, Come, Ye Sons of Art" (Chorus) | — | ||
| 6-18 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Strike the Viol" (Counter-Tenor) | — | ||
| 6-19 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "The Day That Such a Blessing Gave" (Bass, Chorus) | — | ||
| 6-20 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Bid the Virtues" (Soprano, Oboe) | — | ||
| 6-21 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "These Are the Sacred Charms That Shield" (Bass) | — | ||
| 6-22 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "See Nature, Rejoicing" (Soprano, Bass, Chorus) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| Welcome to All the Pleasures, Z 339: Here the Deities Approve | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
0851950001940 is a Universal Product Code (UPC) assigned to The Complete Vanguard Recordings, Volume 2: Music of Henry Purcell by Henry Purcell, Alfred Deller, The Deller Consort. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 160 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Vanguard Recordings, Volume 2: Music of Henry Purcell” by Henry Purcell, Alfred Deller, The Deller Consort is 0851950001940. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 160 tracks, each with its own ISRC. Tracks include ATBV72505616, ATBV72505625, ATBV72505626.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasia upon a ground in D minor for 3 violins and continuo, Z. 731 | — | ||
| 2 | Oedipus (1692), Z. 583: Song. "Music for a while" | — | ||
| 3 | Song, Z. 382 "I love and I must" | — | ||
| 4 | The Comical History of Don Quixote, Z. 578: Part I: "Let the dreadful engines" | — | ||
| 5 | The Faerie Queen, Z. 629: Epithalamium. "Thrice happy lovers" | — | ||
| 7 | The Blessed Virgin's Expostulation, Z. 186 "Tell me, some pitying angel" | — | ||
| 8 | Song, Z. 400 "Not all my torments" | — | ||
| 9 | Upon a Quiet Conscience, Z. 184 "Close thine eyes" | — | ||
| 10 | King Arthur, Z. 628: Venus's Song. "Fairest isle, all isles excelling" | — | ||
| 11 | Pausanias, Z. 585: "Sweeter than roses" | — | ||
| 12 | Song, Z. 421 "The fatal hour comes apace" | — | ||
| 13 | Ode on Queen Mary's birthday (1693), Z. 321: "Crown the altar" | — | ||
| 14 | The Indian Queen, Z. 630: "I attempt from love's sickness to fly" | — | ||
| 15 | Bonduca, Z. 574: Bonduca's Song. "Oh! lead me to some peaceful gloom" | — | ||
| 16 | Dioclesian, Z. 627: "What shall I do to show all much I love her?" | — | ||
| 17 | The Comical History of Don Quixote, Z. 578: Part III: "From rosy bow'rs" | — | ||
| 2-1 | Secrecie's Song | — | ||
| 2-2 | The Fairy Queen, Z. 629: Mystery's Song | — | ||
| 2-3 | Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 2-4 | Welcome to All the Pleasures, Z 339: Here the Deities Approve | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 2-5 | The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — | |
| 2-6 | The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | T-308.724.078-2 | |
| 2-7 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Allegro | — | ||
| 2-8 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Adagio | — | ||
| 2-9 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Canzona Allegro | — | ||
| 2-10 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Grave | — | ||
| 2-11 | Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Allegro | — | ||
| 2-12 | Musick's Hand-Made, Part II: Music Lessons 1-12: I. Song Tune in C, Z. T694 | — | ||
| 2-13 | Musick's Hand-Made, Part II: Music Lessons 1-12: II. Con Spirito, Z. 647 | — | ||
| 2-14 | Musick's Hand-Made, Part II: Music Lessons 1-12: III. March in C, Z. 648 | — | ||
| 2-15 | Musick's Hand-Made, Part II: Music Lessons 1-12: IV. New Minuet in D Minor, Z. T689 | — | ||
| 2-16 | Musick's Hand-Made, Part II: Music Lessons 1-12: V. Minuet in a Minor, Z. 649 | — | ||
| 2-17 | Musick's Hand-Made, Part II: Music Lessons 1-12: VI. Minuet in a Minor, Z. 650 | — | ||
| 2-18 | Musick's Hand-Made, Part II: Music Lessons 1-12: VII. A New Scotch Tune in G, Z. 655 | — | ||
| 2-19 | Musick's Hand-Made, Part II: Music Lessons 1-12: VIII. A New Ground in E Minor, Z. T682 | — | ||
| 2-20 | Musick's Hand-Made, Part II: Music Lessons 1-12: IX. A New Irish Tune, Z. 646 | — | ||
| 2-21 | Musick's Hand-Made, Part II: Music Lessons 1-12: X. Rigadoon in C, Z. 653 | — | ||
| 2-22 | Musick's Hand-Made, Part II: Music Lessons 1-12: Xi. Sefauchi's Farewell, in D Minor, Z. 656 | — | ||
| 2-23 | Musick's Hand-Made, Part II: Music Lessons 1-12: Xii. Minuet in D Minor, Z. T688 | — | ||
| 2-24 | Sonata in G Minor for Violin and Continuo, Z. 780: Adagio-Moderato | — | ||
| 2-25 | Sonata in G Minor for Violin and Continuo, Z. 780: Adagio Con Espressione | — | ||
| 2-26 | Sonata in G Minor for Violin and Continuo, Z. 780: Vivace | — | ||
| 2-27 | Suite in D for Harpsichord, Z. 667: Prelude | — | ||
| 2-28 | Suite in D for Harpsichord, Z. 667: Almand | — | ||
| 2-29 | Suite in D for Harpsichord, Z. 667: Hornpipe | — | ||
| 3-1 | Dido and Aeneas, Z. 626: Overture | — | ||
| 3-2 | Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus) | — | ||
| 3-3 | Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) | — | ||
| 3-4 | Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing..." (Belinda, Dido) | — | ||
| 3-5 | Dido and Aeneas, Z. 626: Act I. "When monarchs unite, how happy their state" (Chorus) | — | ||
| 3-6 | Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) | — | ||
| 3-7 | Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman, Chorus) | — | ||
| 3-8 | Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido) | — | ||
| 3-9 | Dido and Aeneas, Z. 626: Act I. "Cupid only throws the dart" (Cupid) | — | ||
| 3-10 | Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas) | — | ||
| 3-11 | Dido and Aeneas, Z. 626: Act I. "Pursue thy conquest, Love" (Belinda) | — | ||
| 3-12 | Dido and Aeneas, Z. 626: Act I. "To the hills and the vales" (Chorus) | — | ||
| 3-13 | Dido and Aeneas, Z. 626: Act I. The Triumphing Dance | — | ||
| 3-14 | Dido and Aeneas, Z. 626: Act II. Prelude for the Witches | — | ||
| 3-15 | Dido and Aeneas, Z. 626: Act II. "Wayward sisters, you that fright" (Sorceress, First Witch) | — | ||
| 3-16 | Dido and Aeneas, Z. 626: Act II. "Harm's our delight and mischief all our skill" (Chorus) | — | ||
| 3-17 | Dido and Aeneas, Z. 626: Act II. "The Queen of Carthage, whom we hate" (Sorceress) | — | ||
| 3-18 | Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus) | — | ||
| 3-19 | Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) | — | ||
| 3-20 | Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus) | — | ||
| 3-21 | Dido and Aeneas, Z. 626: Act II. "But ere we this perform" (Witches) | — | ||
| 3-22 | Dido and Aeneas, Z. 626: Act II. "In our deep vaulted cell" (Chorus) | — | ||
| 3-23 | Dido and Aeneas, Z. 626: Act II. Echo Dance of the Furies | — | ||
| 3-24 | Dido and Aeneas, Z. 626: Act II. Ritornello | — | ||
| 3-25 | Dido and Aeneas, Z. 626: Act II. "Thanks to these lonesome vales" (Belinda, Chorus) | — | ||
| 3-26 | Dido and Aeneas, Z. 626: Act II. "Oft she visits this lov'd mountain" (Second Woman) | — | ||
| 3-27 | Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas, Dido) | — | ||
| 3-28 | Dido and Aeneas, Z. 626: Act II. "Haste, haste to town" (Belinda, Chorus) | — | ||
| 3-29 | Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Aeneas) | — | ||
| 3-30 | Dido and Aeneas, Z. 626: Act III. Prelude for the sailors | — | ||
| 3-31 | Dido and Aeneas, Z. 626: Act III. "Come away, fellow sailors" (First Sailor, Chorus) | — | ||
| 3-32 | Dido and Aeneas, Z. 626: Act III. The Sailors' Dance | — | ||
| 3-33 | Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress, Witches) | — | ||
| 3-34 | Dido and Aeneas, Z. 626: Act III. "Our next motion" (Sorceress) | — | ||
| 3-35 | Dido and Aeneas, Z. 626: Act III. "Destruction's our delight" (Chorus) | — | ||
| 3-36 | Dido and Aeneas, Z. 626: Act III. "The Witches' Dance" (Jack of the Lanthorn Dance) | — | ||
| 3-37 | Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas) | — | ||
| 3-38 | Dido and Aeneas, Z. 626: Act III. "Great minds against themselves conspire" (Chorus) | — | ||
| 3-39 | Dido and Aeneas, Z. 626: Act III. "Thy hand, Belinda" (Dido) | — | ||
| 3-40 | Dido and Aeneas, Z. 626: Act III. "When I am laid in earth" (Dido) | — | ||
| 3-41 | Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus) | — | ||
| 4-1 | Rejoice in the Lord Alway, Z49: Anthem | — | ||
| 4-2 | My Beloved Spake, Z28: Ouverture (Sinfonia): I. Slow | — | ||
| 4-3 | My Beloved Spake, Z28: My Beloved Spake | — | ||
| 4-4 | My Beloved Spake, Z28: For, Lo, the Winter Is Past | — | ||
| 4-5 | My Beloved Spake, Z28: The Time of the Singing | — | ||
| 4-6 | My Beloved Spake, Z28: And the Voice of the Turtle | — | ||
| 4-7 | My Beloved Spake, Z28: The Fig Tree | — | ||
| 4-8 | My Beloved Spake, Z28: Arise | — | ||
| 4-9 | My Beloved Spake, Z28: My Beloved Is Mine | — | ||
| 4-10 | Ode on St. Cecilia's Day, 1683: Welcome to All the Pleasures, Z339: Ouverture (Sinfonia): I. Maestoso / II. Vivace | — | ||
| 4-11 | Ode on St. Cecilia's Day, 1683: Welcome to All the Pleasures | — | ||
| 4-12 | Ode on St. Cecilia's Day, 1683: Here the Deities Approve (Counter-Tenor) | — | ||
| 4-13 | Ode on St. Cecilia's Day, 1683: While Joys Celestial (Trio) | — | ||
| 4-14 | Ode on St. Cecilia's Day, 1683: Then Lift Up Your Voices (Bass, Chorus) | — | ||
| 4-15 | Ode on St. Cecilia's Day, 1683: Adagio (Harpsichord) | — | ||
| 4-16 | Ode on St. Cecilia's Day, 1683: Beauty Thou Scene of Love (Tenor) | — | ||
| 4-17 | Ode on St. Cecilia's Day, 1683: In a Consort of Voices (Tenor, Chorus) | — | ||
| 4-18 | Ode on the Death of Mr. Henry Purcell: Mark How the Lark and Linnet Sing | — | ||
| 4-19 | Ode on the Death of Mr. Henry Purcell: But in the Close of the Night | — | ||
| 4-20 | Ode on the Death of Mr. Henry Purcell: So Ceas'd the Rival Crew | — | ||
| 4-21 | Ode on the Death of Mr. Henry Purcell: We Beg Not Hell | — | ||
| 4-22 | Ode on the Death of Mr. Henry Purcell: The Pow'r of Harmony Too Well They Knew | — | ||
| 4-23 | Ode on the Death of Mr. Henry Purcell: The Heav'Nly Choir | — | ||
| 4-24 | Ode on the Death of Mr. Henry Purcell: Ye Brethren of the Lyre | — | ||
| 5-1 | The Masque in Dioclesian (First Part): I. Solo (Soprano) & Chorus: Call the Nymphs and the Fauns From Woods | — | ||
| 5-2 | The Masque in Dioclesian (First Part): II. Air (Soprano): Let the Graces and Pleasures Repair | — | ||
| 5-3 | The Masque in Dioclesian (First Part): III. Duet (Basses): Come, Come Away, No Delay | — | ||
| 5-4 | The Masque in Dioclesian (First Part): IV. Chorus: Behold, o Mighty'St of Gods | — | ||
| 5-5 | The Masque in Dioclesian (First Part): V. Paspe (Passepied) | — | ||
| 5-6 | The Masque in Dioclesian (First Part): VI. Duet (Sopranos): Oh the Sweet Delights of Love | — | ||
| 5-7 | The Masque in Dioclesian (First Part): VII. Air (Soprano) & Chorus: Let Monarchs Fight for Power and Fame | — | ||
| 5-8 | The Masque in Dioclesian (First Part): VIII. Duet (Tenor and Baritone): Make Room for the Great God | — | ||
| 5-9 | The Masque in Dioclesian (First Part): IX. Solo (Bacchus) Trio & Chorus: I'm Here With My Jolly Crew | — | ||
| 5-10 | The Masque in Dioclesian (First Part): X. Dance of Bacchanals | — | ||
| 5-11 | The Masque in Dioclesian (First Part): Xi. Air (Soprano): Still I'm Wishing, Stil Desiring | — | ||
| 5-12 | The Masque in Dioclesian (First Part): Ritornello - XII: Can Drusilla Give No More? | — | ||
| 5-13 | The Masque in Dioclesian (Conclusion): XIII. Canaries | — | ||
| 5-14 | The Masque in Dioclesian (Conclusion): XIV. Dialogue (Soprano and Baritone): Tell Me Why, My Charming Fair | — | ||
| 5-15 | The Masque in Dioclesian (Conclusion): XV Dance | — | ||
| 5-16 | The Masque in Dioclesian (Conclusion): XVI. Air (Tenor) & Chorus: All Our Days and Our Nights | — | ||
| 5-17 | The Masque in Dioclesian (Conclusion): XVII. Dance | — | ||
| 5-18 | The Masque in Dioclesian (Conclusion): XVIII. Trio & Chorus: Triumph Victorious Love | — | ||
| 5-19 | The Masque in Dioclesian (instrumental Music): First Music | — | ||
| 5-20 | The Masque in Dioclesian (instrumental Music): First Act Tune or Hornpipe | — | ||
| 5-21 | The Masque in Dioclesian (instrumental Music) [Unknown] | — | ||
| 5-22 | The Masque in Dioclesian (instrumental Music): Dance of the Furies | — | ||
| 5-23 | The Masque in Dioclesian (instrumental Music): Second Act Tune | — | ||
| 5-24 | The Masque in Dioclesian (instrumental Music) [Unknown] | — | ||
| 5-25 | The Masque in Dioclesian (instrumental Music): The Chair Dance | — | ||
| 5-26 | The Masque in Dioclesian (instrumental Music): Third Act Tune | — | ||
| 5-27 | The Masque in Dioclesian (instrumental Music): Butterfly Dance | — | ||
| 5-28 | The Masque in Dioclesian (instrumental Music): Country Dance | — | ||
| 6-1 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Overture: Symphony | — | ||
| 6-2 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Soli and Chorus: Hail! Bright Cecilia | — | ||
| 6-3 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: Hark, Each Tree | — | ||
| 6-4 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: 'Tis Nature Voice | — | ||
| 6-5 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Chorus: Soul of the World | — | ||
| 6-6 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Soprano Solo: Thou Tun'St This World | — | ||
| 6-7 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Trio: With That Sublime Celestial Lay | — | ||
| 6-8 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Bass Solo: Wond'Rous Machine | — | ||
| 6-9 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: The Airy Violin | — | ||
| 6-10 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: In Vain the Am'Rous Flute | — | ||
| 6-11 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: The Fife and All the Harmony of War | — | ||
| 6-12 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: Let These Among Themselves Contest | — | ||
| 6-13 | Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Great Chorus: Hail! Bright Cecilia | — | ||
| 6-14 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": Ouverture (Sinfonia): I. Largo / II. Allegro / III. Adagio | — | ||
| 6-15 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Come, Come, Ye Sons of Art" (Counter-Tenor, Chorus) | — | ||
| 6-16 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Sound the Trumpet Till Around" (Counter-Tenors) | — | ||
| 6-17 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Come, Come, Ye Sons of Art" (Chorus) | — | ||
| 6-18 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Strike the Viol" (Counter-Tenor) | — | ||
| 6-19 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "The Day That Such a Blessing Gave" (Bass, Chorus) | — | ||
| 6-20 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "Bid the Virtues" (Soprano, Oboe) | — | ||
| 6-21 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "These Are the Sacred Charms That Shield" (Bass) | — | ||
| 6-22 | Ode for the Birthday of Mary II, 1694, Z. 323 "Come, Ye Sons of Art": "See Nature, Rejoicing" (Soprano, Bass, Chorus) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| Welcome to All the Pleasures, Z 339: Here the Deities Approve | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight" | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
| The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) | Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt | — |
