UPC · Release
De Apres Skihut Rotterdam: Top 100
Various Artists
Last verified:
0886975893621 is the Universal Product Code (UPC barcode) for the release “De Apres Skihut Rotterdam: Top 100” by Various Artists, released 2010-09-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include DEA819500903, NLA950600113, NLA307800001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (97)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Volg de leraar | — | ||
| 2 | Het kleine cafe aan de haven | — | ||
| 3 | We’ve Got It Goin’ On (radio edit) | Backstreet Boys | T-000.031.368-7 | |
| 4 | Hoofd, schouders, knie & teen | — | ||
| 5 | Lik maar aan mijn lolly | — | ||
| 6 | De countrydans | — | ||
| 7 | Het vrolijke koster lied | — | ||
| 8 | Alice, Who the X Is Alice | — | ||
| 9 | Thank God I’m a Country Boy (live) | — | ||
| 10 | Als sterren aan de hemel staan | — | ||
| 11 | De vlieger | — | ||
| 12 | De Alpenexpress | — | ||
| 13 | I Will Survive | — | ||
| 14 | La Cucamarcha | — | ||
| 15 | Het was aan de Costa del Sol | — | ||
| 16 | Transsexueel | Ronald | — | |
| 17 | Hot Hot Hot | — | ||
| 18 | Everybody Get Up | — | ||
| 19 | The Launch | — | ||
| 20 | Hé buschauffeur | — | ||
| 21 | Wrong = Wright | — | ||
| 22 | Luvstruck | — | ||
| 23 | Ich bin wie du | — | ||
| 24 | Even aan m’n moeder vragen | — | ||
| 25 | Hutje op de hei | — | ||
| 2-1 | Zing met me mee | — | ||
| 2-2 | Het feest kan beginnen | — | ||
| 2-3 | You’re the Greatest Lover | Luv’ | T-926.216.574-2 | |
| 2-4 | Het bananenlied | De Boswachters | — | |
| 2-5 | Shout | — | ||
| 2-6 | Oktoberfest Mix: Anton aus Tirol / Gemma Bier trinken / Sag, kannst du mi no an Hunderter borg’n / Never Stop the Alpenpop | DJ Ötzi | T-800.540.706-8 | |
| 2-7 | Een bossie rooie rozen | — | ||
| 2-8 | Het leven is te mooi om waar te zijn | — | ||
| 2-9 | Blauw van de sangria | — | ||
| 2-10 | Hey Baby | — | ||
| 2-11 | Jij bent de zon | — | ||
| 2-12 | Als je nou niet springt | — | ||
| 2-13 | Little Green Bag | George Baker Selection | T-900.803.074-8 | |
| 2-14 | Que Si, Que No | — | ||
| 2-15 | Liberté | — | ||
| 2-16 | Dans je de hele nacht met mij | — | ||
| 2-17 | Stil aan de overkant | — | ||
| 2-18 | Laat de boel maar lekker waaien | — | ||
| 2-19 | Walking on Sunshine | Katrina and the Waves | T-011.345.715-0 | |
| 2-20 | Er staat een paard in de gang | — | ||
| 2-21 | Rainbow in the Sky (radio) | DJ Paul Elstak | T-031.606.046-4 | |
| 2-23 | Wat ben je lelijk van dichtbij | — | ||
| 2-24 | Ik heb een toeter op m’n waterscooter | — | ||
| 2-25 | The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 | |
| 3-1 | ’t Dondert en het bliksemt | — | ||
| 3-2 | Zo vrolijk | — | ||
| 3-3 | Airport | — | ||
| 3-4 | Mr. Vain | Culture Beat | T-800.123.445-4 | |
| 3-5 | Heb je even voor mij | — | ||
| 3-7 | Geef mij je angst | — | ||
| 3-8 | Ik ben zo eenzaam (O sole mio) | — | ||
| 3-9 | Dragostea din tei (original Romanian version) | O-Zone | T-004.481.343-5 | |
| 3-10 | Live at the Arena, Part 2 | — | ||
| 3-11 | Que viva la vida | — | ||
| 3-12 | Liefde in de nacht | — | ||
| 3-13 | Kijk eens in mijn keel | — | ||
| 3-14 | C’est la vie | — | ||
| 3-15 | Stars | — | ||
| 3-16 | Lecker in Die Schnee | — | ||
| 3-17 | De woonboot | — | ||
| 3-18 | Ik krijg een heel apart gevoel van binnen | — | ||
| 3-19 | Strippen, strippen, strippenkaart | — | ||
| 3-20 | Een beetje meer | — | ||
| 3-21 | Uit je bol | — | ||
| 3-22 | Lief klein konijntje | — | ||
| 3-23 | Bier hier | — | ||
| 3-24 | Dedication | — | ||
| 3-25 | Boten Anna | — | ||
| 4-1 | Rood | — | ||
| 4-2 | Un Dos Tres | — | ||
| 4-3 | Ik heb de hele nacht liggen dromen | — | ||
| 4-4 | Yeah Yeah | — | ||
| 4-5 | Disco Volante | — | ||
| 4-6 | Schatje mag ik je foto? | — | ||
| 4-8 | Are U Ready? | — | ||
| 4-9 | Voor een zoen | — | ||
| 4-10 | Jij bent zo | — | ||
| 4-11 | Ik kom eraan (Route du Soleil) | — | ||
| 4-12 | I Like to Move It | Reel 2 Real, The Mad Stuntman | T-070.085.890-7 | |
| 4-13 | Hee Hoo | — | ||
| 4-14 | Handen in de lucht | — | ||
| 4-15 | Fun Fun Fun | — | ||
| 4-16 | Café Del Mar | — | ||
| 4-17 | I’ll Do You Like a Truck | — | ||
| 4-18 | Ella, elle l’a | Kate Ryan | T-003.053.361-9 | |
| 4-19 | (Wanna) Go Again | — | ||
| 4-20 | Infinity 2008 | — | ||
| 4-21 | Ik zit in een cafeetje | — | ||
| 4-22 | Be My Lover | — | ||
| 4-23 | Rap Das Armas | — | ||
| 4-24 | I Know You Want Me (Calle ocho) | — | ||
| 4-25 | Lala Song | — |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Anton aus Tirol (party mix) | DJ Ötzi | T-800.540.706-8 |
| Mr. Vain (original radio edit) | Culture Beat | T-800.123.445-4 |
| Transsexueel | Ronald | — |
| Anton aus Tirol (party mix) | DJ Ötzi | T-800.540.706-8 |
| Anton aus Tirol (party mix) | DJ Ötzi | T-800.540.706-8 |
| Anton aus Tirol (party mix) | DJ Ötzi | T-800.540.706-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
+41 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+25 more
Credits Graph
People also ask
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What is UPC 0886975893621?
0886975893621 is a Universal Product Code (UPC) assigned to De Apres Skihut Rotterdam: Top 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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