UPC · Release
The Greatest Classical Collection
Various Artists
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090204037698 is the Universal Product Code (UPC barcode) for the release “The Greatest Classical Collection” by Various Artists, released 1992-03-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 117 tracks, each with its own ISRC. Tracks include USCMG0402233, SEWDL0502803, USCMG0303179.
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Track List (117)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony no. 1": I. Allegro | — | ||
| 2 | Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony no. 1": II. Andante | — | ||
| 3 | Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony no. 1": III. Presto | — | ||
| 4 | Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2": I. Andante | — | ||
| 5 | Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2": II. Allegro di molto | — | ||
| 6 | Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2": III. Allegro assai | — | ||
| 7 | Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": I. Allegro | — | ||
| 8 | Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": II. Andante | — | ||
| 9 | Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": III. Presto | — | ||
| 10 | Serenade Nr. 13, G‐Dur, K 525, „Eine kleine Nachtmusik“: I. Allegro | Camerata Academica Salzburg, Camerata Accademica Hamburg, Camerata Academica, Ljubljana Symphony Orchestra, Philharmonic Orchestra London, Mainz Chamber Orchestra, Mozart Festival Orchestra, The Northstar Orchestra, Philharmonia Slavonica, Camerata Labacensis, Günter Kehr, Francesco Macci, Alfred Scholz, Alexander von Pitamic | — | |
| 11 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 12 | "Eine kleine Nachtmusik", Serenade no. 13 in G major, K. 525: Menuetto and Trio - Allegretto | Camerata Academica of Salzburg, Camerata Accademica Hamburg, Camerata Labacensis, Camerata Academia Salzburg, Philharmonic Orchestra London, Mainz Chamber Orchestra, Ljubljana Symphony Orchestra, Günter Kehr, Francesco Macci, Alexander von Pitamic, Alfred Scholz | — | |
| 13 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 2-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | — | ||
| 2-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | — | ||
| 2-3 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 2-4 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 2-5 | Symphony no. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto | — | ||
| 2-6 | Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace | — | ||
| 2-7 | 12 Valses Nobles, D. 969: No. 7 | — | ||
| 2-8 | German Dance, op. 33, D. 783 | — | ||
| 3-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 3-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 3-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 3-4 | Polonaise in C-sharp minor, op. 26 no. 1 | — | ||
| 3-5 | Étude in C-sharp minor, op. 25 no. 7: Lento | — | ||
| 3-6 | Étude in A minor, op. 25 no. 11 "Winter Wind": Lento | — | ||
| 3-7 | Waltz no. 1 in E-flat major, op. 18 "Grande valse brillante" | — | ||
| 4-1 | Peer Gynt Suite no. 1, op. 46: I. Morgenstemning | — | ||
| 4-2 | Peer Gynt Suite no. 1, op. 46: II. Åses død | — | ||
| 4-3 | Peer Gynt Suite no. 1, op. 46: III. Anitras dans | — | ||
| 4-4 | Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall | — | ||
| 4-5 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 4-6 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 4-7 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | — | ||
| 4-8 | Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage | — | ||
| 4-9 | Peer Gynt Suite no. 2, op. 55: II. Arabisk dans | — | ||
| 4-10 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) | — | ||
| 4-11 | Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song | London Festival Orchestra, Slowakische Staatsphilharmonie, Sven Bengtson, Libor Pesek | — | |
| 5-1 | Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | — | |
| 5-2 | Carmen Suite no. 1: I. Prélude | — | ||
| 5-3 | Carmen Suite no. 1: II. Aragonaise | — | ||
| 5-4 | Carmen Suite no. 1: III. Intermezzo | — | ||
| 5-5 | Carmen Suite no. 1: IV. Seguedille | — | ||
| 5-6 | Carmen Suite no. 1: V. Les dragons d'Alcala | — | ||
| 5-7 | Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | T-308.092.565-7 | |
| 5-8 | Carmen Suite no. 2: I. Marche des contrebandiers | — | ||
| 5-9 | Carmen suite no. 2 : II. Habanera | Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor | T-928.635.317-1 | |
| 5-10 | Carmen Suite no. 2: III. Nocturne | — | ||
| 5-11 | Carmen Suite no. 2: IV. Chanson du toréador | — | ||
| 5-12 | Carmen Suite no. 2: V. La garde montante | — | ||
| 5-13 | Carmen Suite no. 2: VI. Danse bohème | — | ||
| 5-14 | L'Arlésienne Suite no. 1: I. Prélude, Allegro deciso | — | ||
| 5-15 | L'Arlésienne Suite no. 1: IV. Carillon, Allegro moderato | — | ||
| 6-1 | Wiener Blut, op. 354 | — | ||
| 6-2 | Russischer Marsch, op. 426 | — | ||
| 6-3 | Kaiser-Walzer, op. 437 | — | ||
| 6-4 | Egyptischer Marsch, op. 335 | — | ||
| 6-5 | An der schönen blauen Donau, op. 314 | Vienna Opera Orchestra, Alfred Scholz | T-061.409.365-0 | |
| 6-6 | Champagner Polka, op. 211 | — | ||
| 6-7 | Morgenblätter, op. 279 | — | ||
| 6-8 | Freuet Euch des Lebens, op. 340 | — | ||
| 6-9 | Radetzky March, Op. 228 | Vienna Opera Orchestra, Joseph Francek | T-011.727.534-9 | |
| 7-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal | — | |
| 7-2 | The Four Seasons: The Spring: II. Largo | — | ||
| 7-3 | The Four Seasons: The Spring: III. Allegro pastorale | — | ||
| 7-4 | The Four Seasons, The Summer: I. Allegro non molto | — | ||
| 7-5 | The Four Seasons, The Summer: II. Adagio e piano - Presto e forte | — | ||
| 7-6 | The Four Seasons, The Summer: III. Presto | — | ||
| 7-7 | The Four Seasons: The Autumn: I. Allegro | — | ||
| 7-8 | The Four Seasons: The Autumn: II. Adagio molto | — | ||
| 7-9 | The Four Seasons: The Autumn: III. Allegro | — | ||
| 7-10 | The Four Seasons: The Winter: I. Allegro non molto | — | ||
| 7-11 | The Four Seasons: The Winter: II. Largo | — | ||
| 7-12 | The Four Seasons: The Winter: III. Allegro | — | ||
| 7-13 | Concerto per archi e cembalo G-Dur: I. Allegro | — | ||
| 7-14 | Concerto per archi e cembalo G-Dur: II. Andante | — | ||
| 7-15 | Concerto per archi e cembalo G-Dur: III. Allegro | — | ||
| 7-16 | Sinfonia C-Dur: I. Allegro | — | ||
| 7-17 | Sinfonia C-Dur: II. Andante | — | ||
| 7-18 | Sinfonia C-Dur: III. Allegro | — | ||
| 7-19 | Concerto per violino e archi a-Moll, op. 3/6: I. Allegro moderato | — | ||
| 7-20 | Concerto per violino e archi a-Moll, op. 3/6: II. Largo | — | ||
| 7-21 | Concerto per violino e archi a-Moll, op. 3/6: III. Presto | — | ||
| 8-1 | The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | — | ||
| 8-2 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Berlin Festival Orchestra, London Festival Orchestra, The New Philharmonic Orchestra, Philharmonia Slavonica, Symphonic Festival Orchestra, Tokyo Festival Orchestra, Henry Adolph, Alberto Lizzio, Takao Matsumo | T-304.210.691-8 | |
| 8-3 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | — | ||
| 8-4 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | — | ||
| 8-5 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | — | ||
| 8-6 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | — | ||
| 8-7 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | — | ||
| 8-8 | The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | — | ||
| 8-9 | The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas. | — | ||
| 8-10 | The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action. | — | ||
| 8-11 | The Sleeping Beauty Suite, op. 66a: III. Pas de caractère. | — | ||
| 8-12 | The Sleeping Beauty Suite, op. 66a: IV. Panorama. | — | ||
| 8-13 | The Sleeping Beauty Suite, op. 66a: V. Valse. | — | ||
| 8-14 | Capriccio Italien, op. 45 | — | ||
| 8-15 | The Seasons, op. 37a: II. February "Carnaval" | — | ||
| 8-16 | The Seasons, op. 37a: X. October "Autumn Song" | — | ||
| 9-1 | Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (Allegro) | — | ||
| 9-2 | Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio | — | ||
| 9-3 | Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro | — | ||
| 9-4 | Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo | — | ||
| 9-5 | Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) | — | ||
| 9-6 | Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante | — | ||
| 9-7 | Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai | — | ||
| 9-8 | Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro | — | ||
| 9-9 | Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio | — | ||
| 9-10 | Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro | Oregon Bach Festival Chamber Orchestra, Helmuth Rilling | — | |
| 9-11 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro | — | ||
| 9-12 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso | — | ||
| 9-13 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro | — | ||
| 10-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 10-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | — | ||
| 10-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo | — | ||
| 10-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | — |
| Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | T-003.006.377-4 |
| Radetzky March, Op. 228 | Vienna Opera Orchestra, Joseph Francek | — |
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What is UPC 090204037698?
090204037698 is a Universal Product Code (UPC) assigned to The Greatest Classical Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 117 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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