UPC · Release
The Complete Riverside Recordings
Thelonious Monk
090204092079
151 tracksReleased 1986-01-01
Last verified:
090204092079 is the Universal Product Code (UPC barcode) for the release “The Complete Riverside Recordings” by Thelonious Monk, released 1986-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 151 tracks, each with its own ISRC. Tracks include USFI85500201, USFI85500202, USFI85500203.
Format
0Number system
90204Manufacturer
09207Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Complete Riverside Recordings
ISRC87 recordings
ISWC30 works
IPI11 songwriters
Track List (151)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | Thelonious Monk | T-071.064.010-0 | |
| 2 | Sophisticated Lady | Thelonious Monk | T-071.070.417-8 | |
| 3 | I Got It Bad (and That Ain’t Good) | Thelonious Monk | T-070.902.941-3 | |
| 4 | Black and Tan Fantasy | Thelonious Monk | — | |
| 5 | Mood Indigo | Thelonious Monk | T-901.136.164-1 | |
| 6 | I Let a Song Go Out of My Heart | Thelonious Monk | T-071.063.774-3 | |
| 7 | Solitude | Thelonious Monk | T-071.070.380-2 | |
| 8 | Caravan | Thelonious Monk | T-072.208.071-8 | |
| 9 | Liza, All the Clouds’ll Roll Away | — | ||
| 10 | Memories of You | — | ||
| 11 | Honeysuckle Rose | — | ||
| 12 | Darn That Dream | — | ||
| 13 | Tea for Two | — | ||
| 2-1 | You Are Too Beautiful | — | ||
| 2-2 | Just You, Just Me | — | ||
| 2-3 | Ba-lue Bolivar Ba-lues-are | — | ||
| 2-4 | Pannonica (opening) | Thelonious Monk | T-700.052.358-2 | |
| 2-5 | Pannonica | Thelonious Monk | T-700.052.358-2 | |
| 2-6 | Brilliant Corners | Thelonious Monk | T-700.003.842-8 | |
| 2-7 | Bemsha Swing | — | ||
| 2-8 | I Surrender, Dear | Thelonious Monk | T-071.063.844-0 | |
| 3-1 | I Don't Stand a Ghost of a Chance With You (take 5) | — | ||
| 3-2 | I Don't Stand a Ghost of a Chance With You (take 7) | — | ||
| 3-3 | I Should Care (take 1) | — | ||
| 3-4 | I Should Care (take 2) | — | ||
| 3-5 | I Should Care (take 3) | Thelonious Monk | T-070.904.338-8 | |
| 3-6 | ’Round Midnight (in progress) | Thelonious Monk | T-070.002.363-7 | |
| 3-7 | ’Round Midnight | Thelonious Monk | T-070.002.363-7 | |
| 3-8 | April in Paris | Thelonious Monk | T-070.882.094-3 | |
| 3-9 | I’m Getting Sentimental Over You | Thelonious Monk | T-071.063.924-9 | |
| 3-10 | Monk’s Mood (false start) | — | ||
| 3-11 | Monk’s Mood | Thelonious Monk | T-070.242.256-7 | |
| 4-1 | Functional (alternate take) | Thelonious Monk | T-070.255.961-2 | |
| 4-2 | Functional | Thelonious Monk | T-070.255.961-2 | |
| 4-3 | All Alone | Thelonious Monk | T-070.000.612-7 | |
| 4-4 | Crepuscule With Nellie (take 1) | Thelonious Monk Septet | T-700.007.565-2 | |
| 4-5 | Crepuscule With Nellie (breakdown) | — | ||
| 4-6 | Blues for Tomorrow | East Coast All-Stars | — | |
| 4-7 | Off Minor (take 4) | Thelonious Monk, John Coltrane | T-010.169.130-8 | |
| 4-8 | Off Minor (take 5) | Thelonious Monk, John Coltrane | T-010.169.130-8 | |
| 4-9 | Abide With Me | Thelonious Monk Septet | T-205.092.474-5 | |
| 4-10 | Crepuscule With Nellie (takes 4 and 5) | Thelonious Monk | T-700.007.565-2 | |
| 4-11 | Crepuscule With Nellie (take 6) | Thelonious Monk | T-700.007.565-2 | |
| 5-1 | Epistrophy (fragment) | Thelonious Monk | T-070.049.520-0 | |
| 5-2 | Epistrophy | Thelonious Monk Septet | T-070.049.520-0 | |
| 5-3 | THE COMPLETE 1957 RIVERSIDE RECORDINGS | THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE | T-700.078.455-6 | |
| 5-4 | Well, You Needn’t | Thelonious Monk Septet | T-700.078.455-6 | |
| 5-5 | Ruby, My Dear | Thelonious Monk Septet, Coleman Hawkins | T-070.243.287-8 | |
| 5-6 | RUBY MY DEAR | THELONIOUS MONK QUARTET | T-070.243.287-8 | |
| 5-7 | Nutty | Thelonious Monk, John Coltrane | T-700.049.419-1 | |
| 5-8 | Trinkle, Tinkle | Thelonious Monk, John Coltrane | T-070.247.478-9 | |
| 5-9 | Straight, No Chaser (alternate take 1) | — | ||
| 5-10 | Straight, No Chaser (take 3) | — | ||
| 5-11 | Rhythm-a-ning | — | ||
| 6-1 | I Mean You (alternate take 1) | — | ||
| 6-2 | I Mean You (alternate take 2) | — | ||
| 6-3 | I Mean You (take 4) | — | ||
| 6-4 | ’Round Midnight | — | ||
| 6-5 | Decidedly (stereo take 4) | — | ||
| 6-6 | Decidedly (monaural take 5) | — | ||
| 6-7 | Sweet and Lovely | — | ||
| 6-8 | Coming on the Hudson | — | ||
| 6-9 | In Orbit | — | ||
| 6-10 | One Foot in the Gutter | — | ||
| 7-1 | Trust in Me | — | ||
| 7-2 | Let’s Cool One | Thelonious Monk Quartet | T-700.036.671-4 | |
| 7-3 | Pea Eye | — | ||
| 7-4 | Argentia | — | ||
| 7-5 | Moonlight Fiesta | — | ||
| 7-6 | Buck's Business | — | ||
| 7-7 | Flugelin’ the Blues | — | ||
| 7-8 | Very Near Blue | — | ||
| 7-9 | Evidence | Thelonious Monk Quartet | T-700.012.837-2 | |
| 7-10 | Blues Five Spot | Thelonious Monk Quartet, Johnny Griffin | T-700.003.038-8 | |
| 7-11 | IN WALKED BUD / EPISTROPHY (LIVE AT THE FIVE SPOT / JULY 9, 1958) [FEAT. JOHNNY GRIFFIN] | THELONIOUS MONK QUARTET | T-070.049.520-0 | |
| 8-1 | [unidentified solo piano] | Thelonious Monk | T-904.705.481-9 | |
| 8-2 | ’Round Midnight | Thelonious Monk Quartet | T-070.002.363-7 | |
| 8-3 | Bye-Ya / Epistrophy (theme) | — | ||
| 8-4 | Light Blue | Thelonious Monk Quartet, Johnny Griffin | T-700.037.461-0 | |
| 8-5 | Coming on the Hudson | Thelonious Monk Quartet, Johnny Griffin | T-700.006.756-3 | |
| 8-6 | Rhythm‐a‐ning | Thelonious Monk Quartet, Johnny Griffin | T-700.057.764-2 | |
| 8-7 | Just a Gigolo | Thelonious Monk Quartet | T-070.088.858-9 | |
| 8-8 | BLUE MONK (LIVE AT THE FIVE SPOT / AUGUST 7, 1958) | THELONIOUS MONK, THELONIOUS MONK QUARTET | T-700.002.943-8 | |
| 8-9 | Evidence | Thelonious Monk Quartet, Johnny Griffin | T-700.012.837-2 | |
| 8-10 | EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958 | THELONIOUS MONK QUARTET | T-070.049.520-0 | |
| 9-1 | Nutty | Thelonious Monk Quartet | T-700.049.419-1 | |
| 9-2 | Blues Five Spot | Thelonious Monk Quartet | T-700.003.038-8 | |
| 9-3 | Let’s Cool One | Thelonious Monk Quartet | T-700.036.671-4 | |
| 9-4 | In Walked Bud | Thelonious Monk Quartet | T-070.241.179-7 | |
| 9-5 | Misterioso | Thelonious Monk Quartet | T-700.044.720-3 | |
| 9-6 | Epistrophy (theme #2) | — | ||
| 9-8 | Blue Monk | — | ||
| 10-1 | Rhythm-a-ning | The Thelonious Monk Orchestra | T-700.057.764-2 | |
| 10-2 | Monk’s Mood | — | ||
| 10-3 | Friday the 13th | — | ||
| 10-4 | Little Rootie Tootie | — | ||
| 10-5 | Off Minor | — | ||
| 10-6 | Thelonious | — | ||
| 10-7 | Crepuscule With Nellie | — | ||
| 10-8 | Little Rootie Tootie (encore) | — | ||
| 11-1 | Played Twice (take 1, 2nd alternate) | — | ||
| 11-2 | Played Twice (alternate take 2) | — | ||
| 11-3 | Played Twice (take 3) | Thelonious Monk Quintet | T-700.054.153-9 | |
| 11-4 | Straight, No Chaser | Thelonious Monk Quintet | T-700.067.566-3 | |
| 11-5 | Ask Me Now | Thelonious Monk Quintet | T-700.000.924-7 | |
| 11-6 | I Mean You | Thelonious Monk Quintet | T-071.146.323-8 | |
| 11-7 | Jackie‐ing | Thelonious Monk Quintet | T-700.031.735-3 | |
| 11-8 | Round Lights | Thelonious Monk | T-700.059.291-8 | |
| 11-9 | Pannonica | Thelonious Monk | T-700.052.358-2 | |
| 11-10 | Blue Monk | Thelonious Monk | T-700.002.943-8 | |
| 12-1 | Ruby, My Dear | Thelonious Monk | T-070.243.287-8 | |
| 12-2 | There's Danger in Your Eyes, Cherie (alternate take 1) | — | ||
| 12-3 | There’s Danger in Your Eyes, Cherie (take 2) | Thelonious Monk | T-070.179.386-3 | |
| 12-4 | Everything Happens to Me | Thelonious Monk | T-070.049.834-5 | |
| 12-5 | Reflections | Thelonious Monk | T-700.057.164-4 | |
| 12-6 | Remember | Thelonious Monk | T-070.126.365-1 | |
| 12-7 | Bluehawk | Thelonious Monk | T-700.002.910-9 | |
| 12-8 | You Took the Words Right Out of My Heart | Thelonious Monk | T-070.211.042-6 | |
| 12-9 | San Francisco Holiday | — | ||
| 12-10 | Just You, Just Me | — | ||
| 12-11 | ’Round Midnight | — | ||
| 12-12 | San Francisco Holiday (alternate take 2) | — | ||
| 13-1 | I’m Getting Sentimental Over You | Thelonious Monk | T-071.063.924-9 | |
| 13-2 | Evidence | — | ||
| 13-3 | Epistrophy (theme) | Thelonious Monk | T-070.049.520-0 | |
| 13-4 | EPISTROPHY | THELONIOUS MONK | T-070.049.520-0 | |
| 13-5 | Four in One (take 1) | — | ||
| 13-6 | Let’s Call This | Thelonious Monk | T-700.036.665-6 | |
| 13-7 | ’Round Midnight | Thelonious Monk | T-070.002.363-7 | |
| 13-8 | San Francisco Holiday (Worry Later) (take 3) | Thelonious Monk | T-700.060.203-1 | |
| 13-9 | Four in One (take 2) | Thelonious Monk | T-700.014.954-4 | |
| 13-10 | Epistrophy (theme) | — | ||
| 14-1 | Well, You Needn’t | Thelonious Monk Septet | T-700.078.455-6 | |
| 14-2 | Crepuscule With Nellie | — | ||
| 14-3 | Jackie-ing | — | ||
| 14-4 | Body and Soul | — | ||
| 14-5 | Off Minor | — | ||
| 14-6 | April in Paris | — | ||
| 14-7 | I Mean You | — | ||
| 14-8 | Rhythm-a-ning | — | ||
| 14-9 | Just a Gigolo | Thelonious Monk Quartet | T-070.088.858-9 | |
| 15-1 | Hackensack | — | ||
| 15-2 | Epistrophy | Thelonious Monk Septet, Thelonious Monk | T-070.049.520-0 | |
| 15-3 | I’m Getting Sentimental Over You | — | ||
| 15-4 | Jackie-ing | Thelonious Monk | T-700.031.735-3 | |
| 15-5 | Body and Soul | Thelonious Monk | T-070.012.014-4 | |
| 15-6 | Straight, No Chaser | Thelonious Monk | T-700.067.566-3 | |
| 15-7 | Crepuscule With Nellie | Thelonious Monk | T-700.007.565-2 | |
| 15-8 | Bemsha Swing | Thelonious Monk | T-924.101.469-7 | |
| 15-9 | San Francisco Holiday | Thelonious Monk | T-700.060.203-1 | |
| 15-10 | Rhythm‐a‐ning | Thelonious Monk | T-700.057.764-2 |
Black and Tan Fantasy
Thelonious Monk
—
Liza, All the Clouds’ll Roll Away
—
Memories of You
—
Honeysuckle Rose
—
Darn That Dream
—
Tea for Two
—
You Are Too Beautiful
—
Just You, Just Me
—
Ba-lue Bolivar Ba-lues-are
—
Bemsha Swing
—
I Don't Stand a Ghost of a Chance With You (take 5)
—
I Don't Stand a Ghost of a Chance With You (take 7)
—
I Should Care (take 1)
—
I Should Care (take 2)
—
Monk’s Mood (false start)
—
Crepuscule With Nellie (breakdown)
—
Blues for Tomorrow
East Coast All-Stars
—
THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE
Straight, No Chaser (alternate take 1)
—
Straight, No Chaser (take 3)
—
Rhythm-a-ning
—
I Mean You (alternate take 1)
—
I Mean You (alternate take 2)
—
I Mean You (take 4)
—
’Round Midnight
—
Decidedly (stereo take 4)
—
Decidedly (monaural take 5)
—
Sweet and Lovely
—
Coming on the Hudson
—
In Orbit
—
One Foot in the Gutter
—
Trust in Me
—
Pea Eye
—
Argentia
—
Moonlight Fiesta
—
Buck's Business
—
Flugelin’ the Blues
—
Very Near Blue
—
THELONIOUS MONK QUARTET
Bye-Ya / Epistrophy (theme)
—
THELONIOUS MONK, THELONIOUS MONK QUARTET
Epistrophy (theme #2)
—
Blue Monk
—
Monk’s Mood
—
Friday the 13th
—
Little Rootie Tootie
—
Off Minor
—
Thelonious
—
Crepuscule With Nellie
—
Little Rootie Tootie (encore)
—
Played Twice (take 1, 2nd alternate)
—
Played Twice (alternate take 2)
—
There's Danger in Your Eyes, Cherie (alternate take 1)
—
San Francisco Holiday
—
Just You, Just Me
—
’Round Midnight
—
San Francisco Holiday (alternate take 2)
—
Evidence
—
Four in One (take 1)
—
Epistrophy (theme)
—
Crepuscule With Nellie
—
Jackie-ing
—
Body and Soul
—
Off Minor
—
April in Paris
—
I Mean You
—
Rhythm-a-ning
—
Hackensack
—
I’m Getting Sentimental Over You
—
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| In Walked Bud | Thelonious Monk Quartet | T-070.241.179-7 |
| Epistrophy | Thelonious Monk | T-070.049.520-0 |
| WELL YOU NEEDN’T | THELONIOUS MONK | T-700.078.455-6 |
| WELL, YOU NEEDN'T (FEAT. GIGI GRYCE, ART BLAKEY, COLEMAN HAWKINS & JOHN COLTRANE) | THELONIOUS MONK SEPTET | T-700.078.455-6 |
| Blues for Tomorrow | East Coast All-Stars | — |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE | T-070.049.520-0 |
| THE COMPLETE 1957 RIVERSIDE RECORDINGS | THELONIOUS MONK,JOHN COLTRANE,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,GIGI GRYCE,COLEMAN HAWKINS | T-070.242.608-1 |
| MONK'S MOOD | THELONIOUS MONK | T-070.242.256-7 |
Thelonious Monk Quartet
Thelonious Monk
THELONIOUS MONK
THELONIOUS MONK SEPTET
Blues for Tomorrow
East Coast All-Stars
—
THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE
THELONIOUS MONK,JOHN COLTRANE,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,GIGI GRYCE,COLEMAN HAWKINS
THELONIOUS MONK
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.169.130-8T-010.162.797-7T-010.169.130-8T-070.000.612-7T-070.002.363-7T-070.012.014-4T-070.049.520-0T-070.049.834-5T-070.088.858-9T-070.126.365-1
+20 more
T-070.179.386-3T-070.211.042-6T-070.241.179-7T-070.242.256-7T-070.242.608-1T-070.243.287-8T-070.247.478-9T-070.255.961-2T-070.882.094-3T-070.902.941-3T-070.904.338-8T-070.000.612-7T-070.002.363-7T-070.012.014-4T-070.038.420-8T-070.049.520-0T-070.049.834-5T-070.074.170-3T-070.088.858-9T-070.089.165-1
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 090204092079?
090204092079 is a Universal Product Code (UPC) assigned to The Complete Riverside Recordings by Thelonious Monk. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 151 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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