UPC · Album
The Best of Mozart
Mozart
Last verified:
090204562527 is the Universal Product Code (UPC barcode) for the release “The Best of Mozart” by Mozart, released 1997-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include DEA319601978, DEA319601980, DEA319601992.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (23)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Die Zauberflöte KV 620: Dies Bildnis ist bezaubernd schön | Riccardo Cassinelli, Orchester der Staatsoper Stuttgart, Alexander von Pitamic | DEA319601978 |
| Die Hochzeit des Figaro: Ouvertüre KV 492 | London Philharmonic Orchestra, Alfred Scholz | DEA319601980 |
| Rondo alla turca | Margarete Babinsky, Marian Pivka, Svetlana Stanceva, Silvia Čápová | DEA319601992 |
| Sinfonie Nr. 40 g‐moll KV 550: Molto Allegro | Vladimir Petroschoff | DEA319602254 |
| Das Veilchen KV 476 | Ilse Hollweg, Hubert Giesen | DEA319602255 |
| Serenade G‐Dur Nr. 13 KV 525 Eine kleine Nachtmusik: Romanze: Andante | Mozart-Kammerorchester Stuttgart | DEA319602256 |
| Brüder, reicht die Hand zum Bunde! | Stuttgarter Liederkranz | DEA319602257 |
| Klavierkonzert Nr. 21 in C-Dur “Elvira Madigan” KV 467: 2. Satz: Andante | Svetlana Stanceva, Mozart-Festival-Orchestra, Alberto Lizzio | DEA319602258 |
| Requiem KV 626: Introitus: Requiem aeternam | Wiener Sängerknaben, Wiener Konzerthaus-Orchester, Ferdinand Grossmann | DEA319602259 |
| Violinkonzert Nr. 2 D‐Dur KV 211: Rondo: Allegro | Conrad von der Goltz, Camerata Academica, Hanns Reinartz | DEA319602260 |
| Klarinettenkonzert A‐Dur KV 622: Adagio | Mozart-Festival-Orchestra, Alberto Lizzio, Joze Ostranc | DEA319602262 |
| Die Zauberflöte KV 620: Ouvertüre | SW-Studio-Orchester, Francesco Macci | DEA319602263 |
| Konzert für Flöte, Harfe und Orchester C‐Dur KV 299: Rondo: Allegro | Jean Patero, Helga Stock, Württembergisches Kammerorchester, Alberto Lizzio | DEA319602264 |
| Violinkonzert Nr. 2 KV 211: 1. Satz | Conrad von der Goltz, Camerata Academica Würzburg | DEA319602265 |
| Eine kleine Nachtmusik KV 525: 1. Satz | Mozart Kammerorchester Stuttgart | DEA319602274 |
| Bläser Serenade KV 361: Thema con variazioni | Mozart-Blaserorchester Stuttgart | DEA319602275 |
| Titus KV 621 La Clemanza di Tito: Ouvertüre | London Festival Orchestra, Kurt Redel | DEA319602276 |
| Die Entführung aus dem Serail: Overture | London Philharmonic Orchestra, Alfred Scholz | DEA319602277 |
| Violinkonzert Nr. 4 KV 218:Allegro | Eugène Schaeffer, Orchestre de Festival Belgique, Alfred Scholz | DEA319602279 |
| Hornkonzert Nr. 2 KV 417: Allegro maestoso | Kamil Sreter, Mozart Festival Orchestra, Alberto Lizzio | DEA319602280 |
| Klavierkonzert Nr. 9 „Jeunehomme“: Andante KV 271 | Leonard Hookansen, Camerata Labacensis, Kurt Redel | DEA319602281 |
| Eine kleine Nachtmusik KV 525: Rondo: Allegro | Mozart Kammerorchester, Stuttgart | DEA319602282 |
| Andante für Flöte und Orchester C‐Dur KV 315 | Salzburger Mozart-Solisten, Arife Gülsen Tatu, Joseph Schneider | DEA319602960 |
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What is UPC 090204562527?
090204562527 is a Universal Product Code (UPC) assigned to The Best of Mozart by Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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