UPC · Album
Plus
The Cannonball Adderley Quintet
Last verified:
090204701520 is the Universal Product Code (UPC barcode) for the release “Plus” by The Cannonball Adderley Quintet, released 1999-11-09 on Original Jazz Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 6 tracks, each with its own ISRC. Tracks include USFI86100403, USFI86100404, USFI86100405.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (5)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Arriving Soon | The Cannonball Adderley Quintet | USFI86100403 |
| Well, You Needn’t | The Cannonball Adderley Quintet | USFI86100404 |
| New Delhi | The Cannonball Adderley Quintet | USFI86100405 |
| Winetone | The Cannonball Adderley Quintet | USFI86100406 |
| Star Eyes | The Cannonball Adderley Quintet | USFI86100407 |
What other identifiers does this connect to?
Musical Works (ISWC)
People also ask
Verified on
What is UPC 090204701520?
090204701520 is a Universal Product Code (UPC) assigned to Plus by The Cannonball Adderley Quintet. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 6 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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