UPC · Release
Falstaff
Giuseppe Verdi, Rolando Panerai, Marilyn Horne, Sharon Sweet, Alan Titus, Frank Lopardo, Symphonie Orchester des Bayerischen Rundfunks, Sir Colin Davis
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090266070527 is the Universal Product Code (UPC barcode) for the release “Falstaff” by Giuseppe Verdi, Rolando Panerai, Marilyn Horne, Sharon Sweet, Alan Titus, Frank Lopardo, Symphonie Orchester des Bayerischen Rundfunks, Sir Colin Davis, released 1992-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (54)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Falstaff: Atto I, scena 1. “Falstaff!“ | — | ||
| 2 | Falstaff: Atto I, scena 1. “Ssss! Sei polli: Sei scellini” | — | ||
| 3 | Falstaff: Atto I, scena 1. “So che se andiam, la notte” | — | ||
| 4 | Falstaff: Atto I, scena 1. “Ma e tempo d'assottigliar l'ingegno” | — | ||
| 5 | Falstaff: Atto I, scena 1. “L'onore! Ladri!” | — | ||
| 6 | Falstaff: Atto I, scena 1. “Ma, per tornare a voi” | — | ||
| 7 | Falstaff: Atto I, scena 2. “Alice – Meg – Nannetta” | — | ||
| 8 | Falstaff: Atto I, scena 2. “Fulgida Alice! Amor t'offro … ” | — | ||
| 9 | Falstaff: Atto I, scena 2. “Quell'otre! Quel tino!” | — | ||
| 10 | Falstaff: Atto I, scena 2. “È un ribaldo, un furbo, un ladro” | — | ||
| 11 | Falstaff: Atto I, scena 2. “Pst, pst, Nannetta” | — | ||
| 12 | Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” | — | ||
| 13 | Falstaff: Atto I, scena 2. “Torno all'assalto” | — | ||
| 14 | Falstaff: Atto I, scena 2. “Udrai quanto egli sfoggia” | — | ||
| 15 | Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” | — | ||
| 16 | Falstaff: Atto I, scena 2. “Qui più non si vagoli” | — | ||
| 17 | Falstaff: Atto II, scena 1. “Siam pentiti e contriti” | — | ||
| 18 | Falstaff: Atto II, scena 1. “Alice e mia! Va, vecchio John” | — | ||
| 19 | Falstaff: Atto II, scena 1. “Padron, di la c'è un certo mastro Fontana” | — | ||
| 20 | Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” | — | ||
| 21 | Falstaff: Atto II, scena 1. “C'e a Windsor una dama” | — | ||
| 22 | Falstaff: Atto II, scena 1. “Il diavolo se lo porti all'inferno” | — | ||
| 23 | Falstaff: Atto II, scena 1. “È sogno? O realta?” | — | ||
| 24 | Falstaff: Atto II, scena 1. “Eccomi qua” | — | ||
| 2-1 | Falstaff: Atto II, scena 2. “Presenteremo un bill, per una tassa” | — | ||
| 2-2 | Falstaff: Atto II, scena 2. “Giunta all' albergo della giarrettiera” | — | ||
| 2-3 | Falstaff: Atto II, scena 2. “È già tutto preparato” | — | ||
| 2-4 | Falstaff: Atto II, scena 2. “Gaie comari di Windsor!” | — | ||
| 2-5 | Falstaff: Atto II, scena 2. “Alfin t'ho colto …” | — | ||
| 2-6 | Falstaff: Atto II, scena 2. “Quand'ero paggio” | — | ||
| 2-7 | Falstaff: Atto II, scena 2. “Mia signora!” | — | ||
| 2-8 | Falstaff: Atto II, scena 2. “Egli scavalca le siepi del giardino” | — | ||
| 2-9 | Falstaff: Atto II, scena 2. “Vien qua“ | — | ||
| 2-10 | Falstaff: Atto II, scena 2. “Al ladro!” | — | ||
| 2-11 | Falstaff: Atto II, scena 2. “Se t'agguanto!” | — | ||
| 2-12 | Falstaff: Atto II, scena 2. “Ned! Will! Tom! Isaac! Su! Presto!” | — | ||
| 2-13 | Falstaff: Atto III, scena 1. “Ehi! Taverniere!” | — | ||
| 2-14 | Falstaff: Atto III, scena 1. “Reverenza” | — | ||
| 2-15 | Falstaff: Atto III, scena 1. (Legge.) | — | ||
| 2-16 | Falstaff: Atto III, scena 1. “Quando il rintocco della mezzanotte” | — | ||
| 2-17 | Falstaff: Atto III, scena 1. “Provvedi le lanterne” | — | ||
| 2-18 | Falstaff: Atto III, scena 2. “Dal labbro il canto” | — | ||
| 2-19 | Falstaff: Atto III, scena 2. “Nossignore!” | — | ||
| 2-20 | Falstaff: Atto III, scena 2. “Una, due, tre, quattro” | — | ||
| 2-21 | Falstaff: Atto III, scena 2. “Odo un soave passo!” | — | ||
| 2-22 | Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi!” | — | ||
| 2-23 | Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” | — | ||
| 2-24 | Falstaff: Atto III, scena 2. “Alto la! - Chi va la?” | — | ||
| 2-25 | Falstaff: Atto III, scena 2. “Ruzzola, ruzzola” | — | ||
| 2-26 | Falstaff: Atto III, scena 2. “Naso vermiglio” | — | ||
| 2-27 | Falstaff: Atto III, scena 2. “Cavaliero - reverenza!” | — | ||
| 2-28 | Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” | — | ||
| 2-29 | Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah!” | — | ||
| 2-30 | Falstaff: Atto III, scena 2. “Tutto nel mondo e burla” | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 090266070527?
090266070527 is a Universal Product Code (UPC) assigned to Falstaff by Giuseppe Verdi, Rolando Panerai, Marilyn Horne, Sharon Sweet, Alan Titus, Frank Lopardo, Symphonie Orchester des Bayerischen Rundfunks, Sir Colin Davis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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