UPC · Release
Heifetz
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The UPC for “The Heifetz Collection, Volume 19: 51 Miniatures 1944-1946” by Heifetz is 090266175024. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: RCA Victor Gold Seal. This release contains 51 tracks, each with its own ISRC. Tracks include DEF054530117, DEF054530118, DEF054530109.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42) | Jascha Heifetz, Emanuel Bay | — | |
| 2 | Nocturne in E-flat, op. 55 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 3 | Vogel als Prophet (no. 7, Waldszenen, op. 82) | — | ||
| 4 | Dance no. 4 | — | ||
| 5 | March (from The Love for Three Oranges) | Jascha Heifetz, Emanuel Bay | — | |
| 6 | Clair de lune (no. 3, Suite bergamasque) | — | ||
| 7 | Golliwog's Cakewalk (no. 6, Children's Corner) | — | ||
| 8 | Ao pé da fogueira (Preludio XV) | — | ||
| 9 | Waves at Play | — | ||
| 10 | The Swan (from Carnival of the Animals) | Jascha Heifetz, Emanuel Bay | — | |
| 11 | Huella, op. 49 (Canción argentina) | Jascha Heifetz, Emanuel Bay | — | |
| 12 | Beau soir | — | ||
| 13 | Hills (no. 4, Pictures, op. 30) | — | ||
| 14 | Hungarian Dance no. 7 | — | ||
| 15 | Moto perpetuo | — | ||
| 16 | Viennese (Impression no. 12) | — | ||
| 17 | Humoreske in G-flat, op. 101 no. 7 (arr. in G) | — | ||
| 18 | Pièce en forme d'un habanera | — | ||
| 19 | Masque (no. 5, Romeo & Juliet piano suite, o. 75) | — | ||
| 20 | Prelude in C-sharp minor, op. 34 no. 10 | — | ||
| 21 | Prelude in D-flat, op. 34 no. 15 | — | ||
| 22 | Mélodie (from Orphée et Euridice) | — | ||
| 23 | Hymn to the Sun (from Le coq d'or) | — | ||
| 24 | Figaro (Paraphrase on Largo al factotum from Il barbiere di Siviglia) | — | ||
| 2-1 | Preludes: I. Allegro ben ritmato e deciso | — | ||
| 2-2 | Preludes: II. Andante con moto e poco rubato | — | ||
| 2-3 | Preludes: III. Allegro ben ritmato e deciso | — | ||
| 2-4 | Old Folks at Home | Jascha Heifetz, Milton Kaye | — | |
| 2-5 | From the Canebrake, op. 5 no. 1 | — | ||
| 2-6 | Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus | Jascha Heifetz, Emanuel Bay | — | |
| 2-7 | Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair | Jascha Heifetz, Emanuel Bay | — | |
| 2-8 | Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes | Jascha Heifetz, Emanuel Bay | — | |
| 2-9 | Hexapoda (5 Studies in Jitteroptera): Jim Jives | — | ||
| 2-10 | Hexapoda (5 Studies in Jitteroptera): ... Til Dawn Sunday | — | ||
| 2-11 | Jeannie With the Light Brown Hair | Jascha Heifetz, Milton Kaye | T-909.701.482-9 | |
| 2-12 | Porgy and Bess: Summertime | — | ||
| 2-13 | Porgy and Bess: A Woman Is a Sometime Thing | — | ||
| 2-14 | Porgy and Bess: My Man's Gone Now | — | ||
| 2-15 | Porgy and Bess: It Ain't Necessarily So | — | ||
| 2-16 | Porgy and Bess: Bess, You Is My Woman | — | ||
| 2-17 | Porgy and Bess: Tempo di Blues (There's a Bog Dat's Leavin' Soon for New York) | — | ||
| 2-18 | A la valse | — | ||
| 2-19 | Jamaican Rumba | — | ||
| 2-20 | Florida Night Song (no. 2, An Outlandish Suite) | — | ||
| 2-21 | Deep River | — | ||
| 2-22 | Levee Dance, op. 27 no. 2 (based on Go Down, Moses) | — | ||
| 2-23 | Gweedore Brae | — | ||
| 2-24 | Moderato assai (Mack the Knife) (from Die Dreigroschenoper) | — | ||
| 2-25 | White Christmas | Jascha Heifetz, Salvador Camarata | T-004.026.559-5 | |
| 2-26 | Lullaby (from Jocelyn) | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — | |
| 2-27 | Where My Caravan Has Rested | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
090266175024 is a Universal Product Code (UPC) assigned to The Heifetz Collection, Volume 19: 51 Miniatures 1944-1946 by Heifetz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Heifetz Collection, Volume 19: 51 Miniatures 1944-1946” by Heifetz is 090266175024. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: RCA Victor Gold Seal. This release contains 51 tracks, each with its own ISRC. Tracks include DEF054530117, DEF054530118, DEF054530109.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42) | Jascha Heifetz, Emanuel Bay | — | |
| 2 | Nocturne in E-flat, op. 55 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 3 | Vogel als Prophet (no. 7, Waldszenen, op. 82) | — | ||
| 4 | Dance no. 4 | — | ||
| 5 | March (from The Love for Three Oranges) | Jascha Heifetz, Emanuel Bay | — | |
| 6 | Clair de lune (no. 3, Suite bergamasque) | — | ||
| 7 | Golliwog's Cakewalk (no. 6, Children's Corner) | — | ||
| 8 | Ao pé da fogueira (Preludio XV) | — | ||
| 9 | Waves at Play | — | ||
| 10 | The Swan (from Carnival of the Animals) | Jascha Heifetz, Emanuel Bay | — | |
| 11 | Huella, op. 49 (Canción argentina) | Jascha Heifetz, Emanuel Bay | — | |
| 12 | Beau soir | — | ||
| 13 | Hills (no. 4, Pictures, op. 30) | — | ||
| 14 | Hungarian Dance no. 7 | — | ||
| 15 | Moto perpetuo | — | ||
| 16 | Viennese (Impression no. 12) | — | ||
| 17 | Humoreske in G-flat, op. 101 no. 7 (arr. in G) | — | ||
| 18 | Pièce en forme d'un habanera | — | ||
| 19 | Masque (no. 5, Romeo & Juliet piano suite, o. 75) | — | ||
| 20 | Prelude in C-sharp minor, op. 34 no. 10 | — | ||
| 21 | Prelude in D-flat, op. 34 no. 15 | — | ||
| 22 | Mélodie (from Orphée et Euridice) | — | ||
| 23 | Hymn to the Sun (from Le coq d'or) | — | ||
| 24 | Figaro (Paraphrase on Largo al factotum from Il barbiere di Siviglia) | — | ||
| 2-1 | Preludes: I. Allegro ben ritmato e deciso | — | ||
| 2-2 | Preludes: II. Andante con moto e poco rubato | — | ||
| 2-3 | Preludes: III. Allegro ben ritmato e deciso | — | ||
| 2-4 | Old Folks at Home | Jascha Heifetz, Milton Kaye | — | |
| 2-5 | From the Canebrake, op. 5 no. 1 | — | ||
| 2-6 | Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus | Jascha Heifetz, Emanuel Bay | — | |
| 2-7 | Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair | Jascha Heifetz, Emanuel Bay | — | |
| 2-8 | Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes | Jascha Heifetz, Emanuel Bay | — | |
| 2-9 | Hexapoda (5 Studies in Jitteroptera): Jim Jives | — | ||
| 2-10 | Hexapoda (5 Studies in Jitteroptera): ... Til Dawn Sunday | — | ||
| 2-11 | Jeannie With the Light Brown Hair | Jascha Heifetz, Milton Kaye | T-909.701.482-9 | |
| 2-12 | Porgy and Bess: Summertime | — | ||
| 2-13 | Porgy and Bess: A Woman Is a Sometime Thing | — | ||
| 2-14 | Porgy and Bess: My Man's Gone Now | — | ||
| 2-15 | Porgy and Bess: It Ain't Necessarily So | — | ||
| 2-16 | Porgy and Bess: Bess, You Is My Woman | — | ||
| 2-17 | Porgy and Bess: Tempo di Blues (There's a Bog Dat's Leavin' Soon for New York) | — | ||
| 2-18 | A la valse | — | ||
| 2-19 | Jamaican Rumba | — | ||
| 2-20 | Florida Night Song (no. 2, An Outlandish Suite) | — | ||
| 2-21 | Deep River | — | ||
| 2-22 | Levee Dance, op. 27 no. 2 (based on Go Down, Moses) | — | ||
| 2-23 | Gweedore Brae | — | ||
| 2-24 | Moderato assai (Mack the Knife) (from Die Dreigroschenoper) | — | ||
| 2-25 | White Christmas | Jascha Heifetz, Salvador Camarata | T-004.026.559-5 | |
| 2-26 | Lullaby (from Jocelyn) | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — | |
| 2-27 | Where My Caravan Has Rested | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — |
