UPC · Release
The Duke Ellington Centennial Edition: The Complete RCA Victor Recordings (1927–1973)
Duke Ellington
090266338627
461 tracksReleased 1999-01-01RCA Victor
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090266338627 is the Universal Product Code (UPC barcode) for the release “The Duke Ellington Centennial Edition: The Complete RCA Victor Recordings (1927–1973)” by Duke Ellington, released 1999-01-01 on RCA Victor. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 461 tracks, each with its own ISRC. Tracks include USBB19900019, USBB19900027, USBB19900040.
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0Number system
90266Manufacturer
33862Product
7Check digit
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Credit Chain
UPCThe Duke Ellington Centennial Edition: The Complete RCA Victor Recordings (1927–1973)
ISRC81 recordings
ISWC91 works
IPI4 songwriters
Track List (461)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | If You Can’t Hold the Man You Love | — | ||
| 2 | Washington Wabble (take 1) | — | ||
| 3 | Washington Wabble (take 2) | — | ||
| 4 | Black and Tan Fantasy | Duke Ellington and His Orchestra | — | |
| 5 | Washington Wabble | — | ||
| 6 | Creole Love Call | — | ||
| 7 | Blues I Love to Sing (take 1) | — | ||
| 8 | Blues I Love to Sing (take 2) | — | ||
| 9 | Harlem River Quiver (take 1) | — | ||
| 10 | Harlem River Quiver (take 2) | — | ||
| 11 | Harlem River Quiver (take 3) | — | ||
| 12 | East St. Louis Toodle‐oo | Duke Ellington & His Orchestra | — | |
| 13 | Blue Bubbles (take 1) | — | ||
| 14 | Blue Bubbles (take 2) | — | ||
| 15 | Black Beauty | — | ||
| 16 | Jubilee Stomp | — | ||
| 17 | Got Everything Buy You | — | ||
| 18 | Santa Claus, Bring My Man Back | — | ||
| 19 | I Done Caught You Blues | — | ||
| 20 | The Mooche | — | ||
| 2-1 | I Can’t Give You Anything but Love | — | ||
| 2-2 | No Papa No | — | ||
| 2-3 | No Papa No | — | ||
| 2-4 | I Can’t Give You Anything but Love | — | ||
| 2-5 | Bandanna Babies | Duke Ellington & His Orchestra | — | |
| 2-6 | Diga Diga Doo | Duke Ellington and His Cotton Club Orchestra | T-060.472.588-3 | |
| 2-7 | I Must Have That Man! | Duke Ellington & His Orchestra | T-070.904.138-2 | |
| 2-8 | St. Louis Blues (take 1) | — | ||
| 2-9 | St. Louis Blues (take 2) | — | ||
| 2-10 | St. Louis Blues (take 3) | — | ||
| 2-11 | Flaming Youth (take 1) | Duke Ellington & His Orchestra | — | |
| 2-12 | Flaming Youth (take 2) | Duke Ellington & His Orchestra | — | |
| 2-13 | Saturday Night Function | Duke Ellington and His Cotton Club Orchestra | — | |
| 2-14 | High Life | Duke Ellington & His Orchestra | — | |
| 2-15 | Doin' the Voom Voom (take 1) | Duke Ellington & His Orchestra | — | |
| 2-16 | Doin' the Voom Voom (take 2) | Duke Ellington & His Orchestra | — | |
| 2-17 | Japanese Dream | Duke Ellington & His Orchestra | — | |
| 2-18 | Harlemania | Duke Ellington & His Orchestra | — | |
| 3-1 | The Dicty Glide (take 1) | Duke Ellington & His Orchestra | T-070.038.946-3 | |
| 3-2 | The Dicty Glide (take 2) | Duke Ellington & His Orchestra | — | |
| 3-3 | Hot Feet | — | ||
| 3-4 | Sloppy Joe (take 1) | Duke Ellington & His Orchestra | T-901.136.241-7 | |
| 3-5 | Sloppy Joe (take 2) | Duke Ellington & His Orchestra | T-901.136.241-7 | |
| 3-6 | Stevedore Stomp | — | ||
| 3-7 | A Night at the Cotton Club, Part 1: Cotton Club Stomp / Misty Mornin’ | Duke Ellington & His Orchestra | — | |
| 3-8 | A Night at the Cotton Club, Part 2 / Goin' to Town / Untitled Interlude / Freeze and Melt | Duke Ellington & His Orchestra | — | |
| 3-9 | Cotton Club Stomp | Duke Ellington and His Cotton Club Orchestra | T-071.058.700-0 | |
| 3-10 | Misty Mornin' | Duke Ellington & His Orchestra | — | |
| 3-11 | Arabian Lover | Duke Ellington & His Orchestra | — | |
| 3-12 | Saratoga Swing | Duke Ellington & His Orchestra | T-071.070.218-3 | |
| 3-13 | Mississippi | Duke Ellington & His Orchestra | — | |
| 3-14 | The Duke Steps Out | Duke Ellington & His Orchestra | — | |
| 3-15 | Haunted Nights | — | ||
| 3-16 | Swanee Shuffle | Duke Ellington & His Orchestra | T-070.138.645-9 | |
| 3-17 | Breakfast Dance | Duke Ellington and His Cotton Club Orchestra | — | |
| 3-18 | Jazz Lips | Duke Ellington & His Orchestra | — | |
| 3-19 | March of the Hoodlums | — | ||
| 4-1 | Double Check Stomp | Duke Ellington & His Orchestra | T-071.059.787-7 | |
| 4-2 | My Gal Is Good for Nothing but Love | Duke Ellington & His Orchestra | — | |
| 4-3 | I Was Made to Love You | Duke Ellington & His Orchestra | — | |
| 4-4 | Sweet Dreams of Love (take 1) | Duke Ellington & His Orchestra | T-902.899.316-0 | |
| 4-5 | Sweet Dreams of Love (take 2) | — | ||
| 4-6 | Jungle Nights in Harlem | Duke Ellington & His Orchestra | T-071.065.011-5 | |
| 4-7 | Sweet Jazz o' Mine | Duke Ellington & His Orchestra | — | |
| 4-8 | Sweet Jazz o' Mine (take 2) | Duke Ellington & His Orchestra | — | |
| 4-9 | Shout ’Em Aunt Tillie | — | ||
| 4-10 | Ring Dem Bells (take 2) | — | ||
| 4-11 | Ring Dem Bells (take 3) | — | ||
| 4-12 | Old Man Blues (take 1) | — | ||
| 4-13 | Old Man Blues (take 2) | — | ||
| 4-14 | Old Man Blues (take 3) | — | ||
| 4-15 | Three Little Words | — | ||
| 4-16 | Three Little Words | — | ||
| 4-17 | Ring Dem Bells | — | ||
| 4-18 | Old Man Blues (take 4) | — | ||
| 4-19 | Old Man Blues (take 6) | — | ||
| 4-20 | Hittin’ the Bottle (take 1) | — | ||
| 4-21 | Hittin’ the Bottle (take 2) | — | ||
| 4-22 | That Lindy Hop | — | ||
| 5-1 | You’re Lucky to Me | — | ||
| 5-2 | Memories of You | — | ||
| 5-3 | Nine Little Miles From Ten‐Ten‐Tennessee (take 1) | — | ||
| 5-4 | Nine Little Miles From Ten‐Ten‐Tennessee (take 2) | — | ||
| 5-5 | I’m So in Love With You (take 1) | — | ||
| 5-6 | I’m So in Love With You (take 2) | — | ||
| 5-7 | What Good Am I Without You? | — | ||
| 5-8 | Blue Again | — | ||
| 5-9 | When a Black Man’s Blue | — | ||
| 5-10 | Mood Indigo | — | ||
| 5-11 | What Good Am I Without You? | — | ||
| 5-12 | When a Black Man’s Blue | — | ||
| 5-13 | The River and Me | — | ||
| 5-14 | Keep a Song in Your Soul | — | ||
| 5-15 | Sam and Delilah | — | ||
| 5-16 | Rockin' in Rhythm (take 1) | Duke Ellington & His Orchestra | T-071.069.416-8 | |
| 5-17 | Rockin’ in Rhythm (take 2) | — | ||
| 5-18 | Creole Rhapsody, Part 1 | — | ||
| 5-19 | Creole Rhapsody, Part 2 (take 1) | — | ||
| 5-20 | Creole Rhapsody, Part 2 (take 2) | — | ||
| 6-1 | Limehouse Blues | — | ||
| 6-2 | Echoes of the Jungle | — | ||
| 6-3 | It’s Glory | — | ||
| 6-4 | The Mystery Song | — | ||
| 6-5 | The Mystery Song | — | ||
| 6-6 | Mood Indigo / Hot and Bothered / Creole Love Call | — | ||
| 6-7 | Mood Indigo / Hot and Bothered / Creole Love Call | — | ||
| 6-8 | East St. Louis Toodle‐o / Lot o’ Fingers / Black and Tan Fantasy | — | ||
| 6-9 | Dinah | — | ||
| 6-10 | Bugle Call Rag | — | ||
| 6-11 | Maori | — | ||
| 6-12 | Rude Interlude (take 1) | — | ||
| 6-13 | Rude Interlude (take 2) | — | ||
| 6-14 | Dallas Doings (take 1) | — | ||
| 6-15 | Dallas Doings (take 2) | — | ||
| 7-1 | Dear Old Southland (take 1) | — | ||
| 7-2 | Dear Old Southland (take 2) | — | ||
| 7-3 | Daybreak Express (take 1) | — | ||
| 7-4 | Daybreak Express (take 2) | — | ||
| 7-5 | Delta Serenade (take 1) | — | ||
| 7-6 | Delta Serenade (take 2) | — | ||
| 7-7 | Stompy Jones | — | ||
| 7-8 | Solitude | — | ||
| 7-9 | Blue Feeling | — | ||
| 7-10 | Ebony Rhapsody | — | ||
| 7-11 | Cocktails for Two (take 1) | — | ||
| 7-12 | Cocktails for Two (take 2) | — | ||
| 7-13 | Live and Love Tonight | — | ||
| 7-14 | I Met My Waterloo | — | ||
| 7-15 | Troubled Waters (take 1) | — | ||
| 7-16 | Troubled Waters (take 2) | — | ||
| 7-17 | My Old Flame | — | ||
| 8-1 | You, You Darlin’ | — | ||
| 8-2 | Jack the Bear | Duke Ellington & His Orchestra | T-070.088.135-1 | |
| 8-3 | Ko‐Ko (alternate take) | Duke Ellington & His Orchestra | T-070.092.709-8 | |
| 8-4 | Ko-Ko | Duke Ellington & His Orchestra | T-070.092.709-8 | |
| 8-5 | Morning Glory | Duke Ellington & His Orchestra | — | |
| 8-6 | So Far, So Good | Duke Ellington & His Orchestra | — | |
| 8-7 | Conga Brava | — | ||
| 8-8 | Concerto for Cootie | — | ||
| 8-9 | Me and You | — | ||
| 8-10 | Bojangles (alternate take) | Duke Ellington & His Orchestra | — | |
| 8-11 | Cotton Tail | Duke Ellington and His Famous Orchestra | T-903.287.578-8 | |
| 8-12 | Never No Lament (Don’t Get Around Much Anymore) | Duke Ellington and His Famous Orchestra | T-070.152.211-3 | |
| 8-13 | Blue Goose | — | ||
| 8-14 | Dusk (take 1) | — | ||
| 8-15 | Dusk (take 2) | — | ||
| 8-16 | Bojangles | Duke Ellington & His Orchestra | — | |
| 8-17 | A Portrait of Bert Williams | — | ||
| 8-18 | Blue Goose | — | ||
| 8-19 | Harlem Air Shaft | Duke Ellington & His Orchestra | T-070.072.467-9 | |
| 8-20 | At a Dixie Roadside Diner | — | ||
| 8-21 | All Too Soon | — | ||
| 8-22 | Rumpus in Richmond | — | ||
| 8-23 | My Greatest Mistake | — | ||
| 9-1 | Sepia Panorama (take 1) | — | ||
| 9-2 | Sepia Panorama (take 2) | — | ||
| 9-3 | There Shall Be No Night | — | ||
| 9-4 | In a Mellotone | Duke Ellington | T-070.910.244-2 | |
| 9-5 | Five O’Clock Whistle | Duke Ellington & His Orchestra | T-070.054.751-8 | |
| 9-6 | Warm Valley | — | ||
| 9-7 | Pitter Panther Patter (take 1) | — | ||
| 9-8 | Pitter Panther Patter (take 2) | — | ||
| 9-9 | Body and Soul (take 1) | — | ||
| 9-10 | Body and Soul (take 2) | — | ||
| 9-11 | Body and Soul (take 3) | — | ||
| 9-12 | Sophisticated Lady | — | ||
| 9-13 | Sophisticated Lady | Duke Ellington & His Orchestra | T-071.070.417-8 | |
| 9-14 | Mr. J.B. Blues (take 1) | — | ||
| 9-15 | Mr. J.B. Blues (take 2) | — | ||
| 9-16 | The Flaming Sword (take 1) | — | ||
| 9-17 | The Flaming Sword (take 2) | — | ||
| 9-18 | The Flaming Sword (take 3) | — | ||
| 9-19 | Warm Valley (take 2) | — | ||
| 9-20 | Warm Valley (take 3) | — | ||
| 9-21 | Across the Blues | — | ||
| 9-22 | Across the Blues | — | ||
| 9-23 | Chloe (Song of the Swamp) | Duke Ellington & His Orchestra | T-070.024.804-9 | |
| 10-1 | I Never Felt This Way Before (take 1) | — | ||
| 10-2 | I Never Felt This Way Before (take 2) | — | ||
| 10-3 | Day Dream | Johnny Hodges and His Orchestra | T-070.891.304-5 | |
| 10-4 | Good Queen Bess | — | ||
| 10-5 | Good Queen Bess | — | ||
| 10-6 | That’s the Blues, Old Man | — | ||
| 10-7 | Junior Hop (take 1) | — | ||
| 10-8 | Junior Hop (take 2) | — | ||
| 10-9 | Without a Song (take 1) | — | ||
| 10-10 | Without a Song (take 2) | — | ||
| 10-11 | My Sunday Gal | — | ||
| 10-12 | Mobile Bay (take 1) | — | ||
| 10-13 | Mobile Bay (take 2) | — | ||
| 10-14 | Linger Awhile (take 1) | — | ||
| 10-15 | Linger Awhile (take 2) | — | ||
| 10-16 | Charlie the Chulo (take 2) | — | ||
| 10-17 | Charlie the Chulo | — | ||
| 10-18 | Charlie the Chulo (take 1) | — | ||
| 10-19 | Lament for Javanette | — | ||
| 10-20 | Lament for Javanette (take 1a) | — | ||
| 10-21 | A Lull at Dawn | — | ||
| 10-22 | A Lull at Dawn | — | ||
| 10-23 | A Lull at Dawn (take 1a) | — | ||
| 10-24 | Ready Eddy (take 1) | — | ||
| 11-1 | Ready Eddy | — | ||
| 11-2 | Ready Eddy | — | ||
| 11-3 | Ready Eddy (take 2) | — | ||
| 11-4 | The Sidewalks of New York | Duke Ellington & His Orchestra | T-914.736.016-5 | |
| 11-5 | Flamingo | Duke Ellington and His Famous Orchestra | T-070.892.551-2 | |
| 11-6 | The Girl in My Dreams Tries to Look Like You (take 1) | — | ||
| 11-7 | The Girl in My Dreams Tries to Look Like You (take 2) | — | ||
| 11-8 | Take the “A” Train | Duke Ellington & His Orchestra | T-070.177.920-5 | |
| 11-9 | Jumpin’ Punkins (take 1) | — | ||
| 11-10 | Jumpin’ Punkins (take 2) | — | ||
| 11-11 | John Hardy’s Wife | Duke Ellington & His Orchestra | T-900.988.547-6 | |
| 11-12 | Blue Serge | Duke Ellington & His Orchestra | T-900.994.749-3 | |
| 11-13 | After All | Duke Ellington & His Orchestra | T-070.000.310-6 | |
| 11-14 | Dear Old Southland (take 1) | — | ||
| 11-15 | Dear Old Southland (take 2) | — | ||
| 11-16 | Solitude (take 1) | — | ||
| 11-17 | Solitude (take 2) | — | ||
| 11-18 | Bakiff | — | ||
| 11-19 | Are You Sticking? (take 1) | — | ||
| 11-20 | Are You Sticking? (take 2) | — | ||
| 11-21 | Just A‐Sittin’ and A‐Rockin’ | Duke Ellington & His Orchestra | T-070.088.911-7 | |
| 11-22 | The Giddybug Gallop | — | ||
| 11-23 | Chocolate Shake | — | ||
| 12-1 | I Got It Bad (and That Ain’t Good) (take 1) | — | ||
| 12-2 | I Got It Bad (and That Ain’t Good) (take 2) | — | ||
| 12-3 | Clementine | Duke Ellington & His Orchestra | T-070.025.185-9 | |
| 12-4 | The Brown‐Skin Girl (in the Calico Gown) | — | ||
| 12-5 | Jump for Joy (take 1) | — | ||
| 12-6 | Jump for Joy (take 2) | — | ||
| 12-7 | Moon Over Cuba | Duke Ellington & His Orchestra | — | |
| 12-8 | Some Saturday | Rex Stewart and His Orchestra | T-070.136.541-4 | |
| 12-9 | Subtle Slough | Rex Stewart and His Orchestra | — | |
| 12-10 | Menelik – The Lion of Judah (take 1) | — | ||
| 12-11 | Menelik – The Lion of Judah (take 2) | — | ||
| 12-12 | Poor Bubber | Rex Stewart and His Orchestra | T-070.166.256-7 | |
| 12-13 | Squaty Roo | — | ||
| 12-14 | Passion Flower | — | ||
| 12-15 | Things Ain’t What They Used to Be | — | ||
| 12-16 | Goin’ Out the Back Way | — | ||
| 12-17 | Five O’Clock Drag | Duke Ellington & His Orchestra | — | |
| 12-18 | Rocks in My Bed | Duke Ellington & His Orchestra | T-070.127.014-5 | |
| 12-19 | Bli‐Blip | Duke Ellington & His Orchestra | T-070.011.550-9 | |
| 12-20 | Chelsea Bridge | — | ||
| 12-21 | Brown Suede | — | ||
| 12-22 | Noir Bleu | — | ||
| 12-23 | “C” Blues | — | ||
| 12-24 | June | — | ||
| 13-1 | Raincheck | — | ||
| 13-2 | What Good Would It Do? | — | ||
| 13-3 | I Don’t Know What Kind of Blues I Got (take 1) | — | ||
| 13-4 | I Don’t Know What Kind of Blues I Got (take 2) | — | ||
| 13-5 | Chelsea Bridge | — | ||
| 13-6 | Perdido (take 1) | Duke Ellington & His Orchestra | T-072.279.636-2 | |
| 13-7 | Perdido (take 2) | — | ||
| 13-8 | The “C” Jam Blues | — | ||
| 13-9 | Moon Mist (take 1) | — | ||
| 13-10 | Moon Mist (take 2) | — | ||
| 13-11 | What Am I Here For? | Duke Ellington & His Orchestra | T-070.198.380-3 | |
| 13-12 | I Don’t Mind (take 1) | — | ||
| 13-13 | I Don’t Mind (take 2) | — | ||
| 13-14 | Someone | Duke Ellington & His Orchestra | T-070.136.647-3 | |
| 13-15 | My Little Brown Book | Duke Ellington & His Orchestra | T-070.111.094-2 | |
| 13-16 | Main Stem | — | ||
| 13-17 | Johnny Come Lately | — | ||
| 13-18 | Hayfoot, Strawfoot (take 1) | — | ||
| 13-19 | Hayfoot, Strawfoot (take 2) | — | ||
| 13-20 | Sentimental Lady (take 1) | — | ||
| 13-21 | Sentimental Lady (take 2) | — | ||
| 13-22 | A Slip of the Lip (Can Sink a Ship) | Duke Ellington & His Orchestra | — | |
| 13-23 | Sherman Shuffle | — | ||
| 14-1 | I Ain’t Got Nothin’ but the Blues | — | ||
| 14-2 | I’m Beginning to See the Light (take 1) | — | ||
| 14-3 | I’m Beginning to See the Light (take 2) | — | ||
| 14-4 | Don’t You Know I Care (take 1) | — | ||
| 14-5 | Don’t You Know I Care (take 2) | — | ||
| 14-6 | I Didn’t Know About You | — | ||
| 14-7 | Black, Brown and Beige: Work Song | Duke Ellington & His Orchestra | — | |
| 14-8 | Come Sunday | — | ||
| 14-9 | The Blues | — | ||
| 14-10 | Three Dances | — | ||
| 14-11 | Carnegie Blues | — | ||
| 14-12 | Blue Cellophane | — | ||
| 14-13 | Mood to Be Wooed | — | ||
| 14-14 | (All of a Sudden) My Heart Sings | — | ||
| 14-15 | Kissing Bug | — | ||
| 14-16 | Everything but You | — | ||
| 14-17 | (Otto Make That) Riff Staccato | — | ||
| 14-18 | Prelude to a Kiss | — | ||
| 14-19 | Caravan | — | ||
| 14-20 | Black and Tan Fantasy | Duke Ellington and His Orchestra | — | |
| 14-21 | Mood Indigo | — | ||
| 14-22 | In a Sentimental Mood | — | ||
| 15-1 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | — | ||
| 15-2 | Sophisticated Lady | — | ||
| 15-3 | Tonight I Shall Sleep (With a Smile on My Face) | — | ||
| 15-4 | The Minor Goes Muggin’ | Duke Ellington, Tommy Dorsey and His Orchestra | T-700.044.040-6 | |
| 15-5 | I Let a Song Go Out of My Heart (take 1) | — | ||
| 15-6 | I Let a Song Go Out of My Heart (take 2) | — | ||
| 15-7 | Solitude | — | ||
| 15-8 | Frankie and Johnny | — | ||
| 15-9 | Jumpin’ Room Only | — | ||
| 15-10 | Black Beauty | — | ||
| 15-11 | Every Hour on the Hour | — | ||
| 15-12 | Balcony Serenade | — | ||
| 15-13 | Strange Feeling | — | ||
| 15-14 | Dancers in Love | — | ||
| 15-15 | Coloratura (take 2) | — | ||
| 15-16 | Coloratura (take 1) | — | ||
| 15-17 | Things Ain’t What They Used to Be | — | ||
| 15-18 | Tell Ya What I’m Gonna Do | — | ||
| 15-19 | Come to Baby, Do! | — | ||
| 15-20 | I’m Just a Lucky So‐and‐So | — | ||
| 15-21 | Long, Strong, and Consecutive | — | ||
| 15-22 | The Wonder of You | — | ||
| 15-23 | Tonk | — | ||
| 15-24 | Drawing Room Blues | Duke Ellington & His Orchestra | — | |
| 16-1 | Rockabye River | — | ||
| 16-2 | Suddenly It Jumped | — | ||
| 16-3 | Transblucency | — | ||
| 16-4 | Just Squeeze Me (but Don't Tease Me) | Duke Ellington & His Orchestra | T-900.758.606-3 | |
| 16-5 | Gathering in a Clearing | — | ||
| 16-6 | You Don’t Love Me No More | — | ||
| 16-7 | Pretty Woman | — | ||
| 16-8 | Hey, Baby | — | ||
| 16-9 | (Back Home Again in) Indiana | — | ||
| 16-10 | Blue Is the Night | — | ||
| 16-11 | Lover Man (take 1) | — | ||
| 16-12 | Lover Man (take 2) | — | ||
| 16-13 | Just You, Just Me | — | ||
| 16-14 | Beale Street Blues | — | ||
| 16-15 | Memphis Blues | — | ||
| 16-16 | St. Louis Blues | — | ||
| 16-17 | My Honey’s Lovin’ Arms | — | ||
| 16-18 | (I Don’t Stand) A Ghost of a Chance (With You) | — | ||
| 16-19 | Swamp Fire | — | ||
| 16-20 | Royal Garden Blues | — | ||
| 16-21 | Esquire Swank | — | ||
| 16-22 | Midriff | — | ||
| 17-1 | Long Long Journey | Esquire All-American 1946 Award Winners | T-070.096.866-6 | |
| 17-2 | The One That Got Away | Leonard Feather's Esquire All-Americans | — | |
| 17-3 | Gone With the Wind | — | ||
| 17-4 | Metronome All‐Out | — | ||
| 17-5 | Skin Deep | — | ||
| 17-6 | How Could You Do a Thing Like That to Me? (Sultry Serenade) | — | ||
| 17-7 | Sophisticated Lady | — | ||
| 17-8 | Perdido | — | ||
| 17-9 | Caravan | — | ||
| 17-10 | Harlem Suite | — | ||
| 17-11 | The Hawk Talks | — | ||
| 17-12 | Ellington Medley: Don’t Get Around Much Anymore / In a Sentimental Mood / Mood Indigo / I’m Beginning to See the Light / Prelude to a Kiss / It Don’t Mean a Thing (If It Ain’t Got That Swing) / Solitude / I Let a Song Go Out of My Heart | — | ||
| 17-13 | Jam With Sam | — | ||
| 18-1 | In the Beginning God | — | ||
| 18-2 | Tell Me It’s the Truth | — | ||
| 18-3 | Come Sunday | Duke Ellington and His Orchestra | T-070.025.560-2 | |
| 18-4 | The Lord’s Prayer | — | ||
| 18-5 | Come Sunday | — | ||
| 18-6 | Will You Be There? Ain’t but the One | — | ||
| 18-7 | New World A‐Comin’ | — | ||
| 18-8 | David Danced (Before the Lord with All His Might) | — | ||
| 18-9 | Ninety Nine Percent | — | ||
| 18-10 | My Mother, My Father and Love | — | ||
| 18-11 | New World A‐Comin’ | — | ||
| 18-12 | A Christmas Surprise | — | ||
| 18-13 | A Christmas Surprise | — | ||
| 19-1 | Praise God | — | ||
| 19-2 | Supreme Being | — | ||
| 19-3 | Heaven | — | ||
| 19-4 | Something ’Bout Believing | — | ||
| 19-5 | Almighty God | — | ||
| 19-6 | The Shepard | — | ||
| 19-7 | It’s Freedom | — | ||
| 19-8 | Meditation | — | ||
| 19-9 | The Biggest and Busiest Intersection | — | ||
| 19-10 | T.G.T.T. | — | ||
| 19-11 | Don’t Get Down on Your Knees to Pray Until You Have Forgiven Everyone | — | ||
| 20-1 | Father Forgive | — | ||
| 20-2 | Praise God and Dance | — | ||
| 20-3 | Introduction by Sir Colin Crowe | — | ||
| 20-4 | Introduction by Duke Ellington | — | ||
| 20-5 | The Lord’s Prayer My Love | — | ||
| 20-6 | Is God a Three‐Letter Word for Love? (Part I) | — | ||
| 20-7 | Is God a Three‐Letter Word for Love? (Part II) | — | ||
| 20-8 | The Brotherhood | — | ||
| 20-9 | Hallelujah | — | ||
| 20-10 | Every Man Prays in His Own Language | — | ||
| 20-11 | Ain’t Nobody Nowhere Nothin’ Without God | — | ||
| 20-12 | The Majesty of God | — | ||
| 21-1 | Tourist Point of View | — | ||
| 21-2 | Bluebird of Delhi (Mynah) | — | ||
| 21-3 | Isfahan | — | ||
| 21-4 | Depk | — | ||
| 21-5 | Mount Harissa | — | ||
| 21-6 | Blue Pepper (Far East of the Blues) | — | ||
| 21-7 | Agra | — | ||
| 21-8 | Amad | — | ||
| 21-9 | Ad Lib on Nippon | — | ||
| 21-10 | Tourist Point of View (alternate take) | — | ||
| 21-11 | Bluebird of Delhi (alternate take) | — | ||
| 21-12 | Isfahan (alternate take) | — | ||
| 21-13 | Amad (alternate take) | — | ||
| 22-1 | Take the “A” Train | Duke Ellington & His Orchestra | T-070.177.920-5 | |
| 22-2 | I Got It Bad (and That Ain’t Good) | — | ||
| 22-3 | Perdido | — | ||
| 22-4 | Mood Indigo | — | ||
| 22-5 | Black and Tan Fantasy | — | ||
| 22-6 | The Twitch | — | ||
| 22-7 | Solitude | — | ||
| 22-8 | Do Nothin’ Till You Hear From Me | — | ||
| 22-9 | The Mooche | — | ||
| 22-10 | Sophisticated Lady | Duke Ellington & His Orchestra | T-071.070.417-8 | |
| 22-11 | Creole Love Call | — | ||
| 22-12 | Caravan | — | ||
| 22-13 | Wings & Things | — | ||
| 22-14 | Do Nothin’ Till You Hear From Me | — | ||
| 22-15 | House of Lords | — | ||
| 22-16 | The Second Portrait of the Lion | — | ||
| 22-18 | Caravan | — | ||
| 22-19 | Mood Indigo | — | ||
| 22-20 | Love Scene | — | ||
| 23-1 | The Mooche | — | ||
| 23-2 | I Let a Song Go Out of My Heart | — | ||
| 23-3 | I’m Beginning to See the Light | — | ||
| 23-4 | Do Nothin’ Till You Hear From Me | — | ||
| 23-5 | Sophisticated Lady | — | ||
| 23-6 | Timon of Athens March | — | ||
| 23-7 | Solitude | — | ||
| 23-8 | I Got It Bad (and That Ain’t Good) | — | ||
| 23-9 | Satin Doll | — | ||
| 23-10 | Single Petal of a Rose | — | ||
| 23-11 | Snibor | — | ||
| 23-12 | Boo‐Dah | — | ||
| 23-13 | Blood Count | — | ||
| 23-14 | U.M.M.G. | — | ||
| 23-15 | Charpoy | — | ||
| 23-16 | After All | — | ||
| 23-17 | The Intimacy of the Blues | — | ||
| 23-18 | Raincheck (take 6) | — | ||
| 23-19 | Raincheck (take 4) | — | ||
| 23-20 | Day Dream | — | ||
| 23-21 | Rock Skippin’ at the Blue Note | — | ||
| 24-1 | All Day Long | — | ||
| 24-2 | Lotus Blossom (take 1) | — | ||
| 24-3 | Lotus Blossom | — | ||
| 24-4 | Smada (take 3) | — | ||
| 24-5 | Smada (take 4) | — | ||
| 24-6 | Midriff | — | ||
| 24-7 | My Little Brown Book | — | ||
| 24-8 | Acht O’Clock Rock | — | ||
| 24-9 | The Piano Player | — | ||
| 24-10 | Creole Love Call | — | ||
| 24-11 | Don’t You Know I Care | — | ||
| 24-12 | I Can’t Get Started With You | — | ||
| 24-13 | New York, New York | — | ||
| 24-14 | Pitter Panther Patter | — | ||
| 24-15 | How High the Moon | — | ||
| 24-16 | Basin Street Blues | — | ||
| 24-17 | Tiger Rag | — | ||
| 24-18 | Soso | — | ||
| 24-19 | Meditation | — | ||
| 24-20 | Mecuria, the Lion | — |
If You Can’t Hold the Man You Love
—
Washington Wabble (take 1)
—
Washington Wabble (take 2)
—
Black and Tan Fantasy
Duke Ellington and His Orchestra
—
Washington Wabble
—
Creole Love Call
—
Blues I Love to Sing (take 1)
—
Blues I Love to Sing (take 2)
—
Harlem River Quiver (take 1)
—
Harlem River Quiver (take 2)
—
Harlem River Quiver (take 3)
—
East St. Louis Toodle‐oo
Duke Ellington & His Orchestra
—
Blue Bubbles (take 1)
—
Blue Bubbles (take 2)
—
Black Beauty
—
Jubilee Stomp
—
Got Everything Buy You
—
Santa Claus, Bring My Man Back
—
I Done Caught You Blues
—
The Mooche
—
I Can’t Give You Anything but Love
—
No Papa No
—
No Papa No
—
I Can’t Give You Anything but Love
—
Bandanna Babies
Duke Ellington & His Orchestra
—
St. Louis Blues (take 1)
—
St. Louis Blues (take 2)
—
St. Louis Blues (take 3)
—
Flaming Youth (take 1)
Duke Ellington & His Orchestra
—
Flaming Youth (take 2)
Duke Ellington & His Orchestra
—
Saturday Night Function
Duke Ellington and His Cotton Club Orchestra
—
High Life
Duke Ellington & His Orchestra
—
Doin' the Voom Voom (take 1)
Duke Ellington & His Orchestra
—
Doin' the Voom Voom (take 2)
Duke Ellington & His Orchestra
—
Japanese Dream
Duke Ellington & His Orchestra
—
Harlemania
Duke Ellington & His Orchestra
—
The Dicty Glide (take 2)
Duke Ellington & His Orchestra
—
Hot Feet
—
Stevedore Stomp
—
A Night at the Cotton Club, Part 1: Cotton Club Stomp / Misty Mornin’
Duke Ellington & His Orchestra
—
A Night at the Cotton Club, Part 2 / Goin' to Town / Untitled Interlude / Freeze and Melt
Duke Ellington & His Orchestra
—
Misty Mornin'
Duke Ellington & His Orchestra
—
Arabian Lover
Duke Ellington & His Orchestra
—
Mississippi
Duke Ellington & His Orchestra
—
The Duke Steps Out
Duke Ellington & His Orchestra
—
Haunted Nights
—
Breakfast Dance
Duke Ellington and His Cotton Club Orchestra
—
Jazz Lips
Duke Ellington & His Orchestra
—
March of the Hoodlums
—
My Gal Is Good for Nothing but Love
Duke Ellington & His Orchestra
—
I Was Made to Love You
Duke Ellington & His Orchestra
—
Sweet Dreams of Love (take 2)
—
Sweet Jazz o' Mine
Duke Ellington & His Orchestra
—
Sweet Jazz o' Mine (take 2)
Duke Ellington & His Orchestra
—
Shout ’Em Aunt Tillie
—
Ring Dem Bells (take 2)
—
Ring Dem Bells (take 3)
—
Old Man Blues (take 1)
—
Old Man Blues (take 2)
—
Old Man Blues (take 3)
—
Three Little Words
—
Three Little Words
—
Ring Dem Bells
—
Old Man Blues (take 4)
—
Old Man Blues (take 6)
—
Hittin’ the Bottle (take 1)
—
Hittin’ the Bottle (take 2)
—
That Lindy Hop
—
You’re Lucky to Me
—
Memories of You
—
Nine Little Miles From Ten‐Ten‐Tennessee (take 1)
—
Nine Little Miles From Ten‐Ten‐Tennessee (take 2)
—
I’m So in Love With You (take 1)
—
I’m So in Love With You (take 2)
—
What Good Am I Without You?
—
Blue Again
—
When a Black Man’s Blue
—
Mood Indigo
—
What Good Am I Without You?
—
When a Black Man’s Blue
—
The River and Me
—
Keep a Song in Your Soul
—
Sam and Delilah
—
Rockin’ in Rhythm (take 2)
—
Creole Rhapsody, Part 1
—
Creole Rhapsody, Part 2 (take 1)
—
Creole Rhapsody, Part 2 (take 2)
—
Limehouse Blues
—
Echoes of the Jungle
—
It’s Glory
—
The Mystery Song
—
The Mystery Song
—
Mood Indigo / Hot and Bothered / Creole Love Call
—
Mood Indigo / Hot and Bothered / Creole Love Call
—
East St. Louis Toodle‐o / Lot o’ Fingers / Black and Tan Fantasy
—
Dinah
—
Bugle Call Rag
—
Maori
—
Rude Interlude (take 1)
—
Rude Interlude (take 2)
—
Dallas Doings (take 1)
—
Dallas Doings (take 2)
—
Dear Old Southland (take 1)
—
Dear Old Southland (take 2)
—
Daybreak Express (take 1)
—
Daybreak Express (take 2)
—
Delta Serenade (take 1)
—
Delta Serenade (take 2)
—
Stompy Jones
—
Solitude
—
Blue Feeling
—
Ebony Rhapsody
—
Cocktails for Two (take 1)
—
Cocktails for Two (take 2)
—
Live and Love Tonight
—
I Met My Waterloo
—
Troubled Waters (take 1)
—
Troubled Waters (take 2)
—
My Old Flame
—
You, You Darlin’
—
Morning Glory
Duke Ellington & His Orchestra
—
So Far, So Good
Duke Ellington & His Orchestra
—
Conga Brava
—
Concerto for Cootie
—
Me and You
—
Bojangles (alternate take)
Duke Ellington & His Orchestra
—
Duke Ellington and His Famous Orchestra
Blue Goose
—
Dusk (take 1)
—
Dusk (take 2)
—
Bojangles
Duke Ellington & His Orchestra
—
A Portrait of Bert Williams
—
Blue Goose
—
At a Dixie Roadside Diner
—
All Too Soon
—
Rumpus in Richmond
—
My Greatest Mistake
—
Sepia Panorama (take 1)
—
Sepia Panorama (take 2)
—
There Shall Be No Night
—
Warm Valley
—
Pitter Panther Patter (take 1)
—
Pitter Panther Patter (take 2)
—
Body and Soul (take 1)
—
Body and Soul (take 2)
—
Body and Soul (take 3)
—
Sophisticated Lady
—
Mr. J.B. Blues (take 1)
—
Mr. J.B. Blues (take 2)
—
The Flaming Sword (take 1)
—
The Flaming Sword (take 2)
—
The Flaming Sword (take 3)
—
Warm Valley (take 2)
—
Warm Valley (take 3)
—
Across the Blues
—
Across the Blues
—
I Never Felt This Way Before (take 1)
—
I Never Felt This Way Before (take 2)
—
Good Queen Bess
—
Good Queen Bess
—
That’s the Blues, Old Man
—
Junior Hop (take 1)
—
Junior Hop (take 2)
—
Without a Song (take 1)
—
Without a Song (take 2)
—
My Sunday Gal
—
Mobile Bay (take 1)
—
Mobile Bay (take 2)
—
Linger Awhile (take 1)
—
Linger Awhile (take 2)
—
Charlie the Chulo (take 2)
—
Charlie the Chulo
—
Charlie the Chulo (take 1)
—
Lament for Javanette
—
Lament for Javanette (take 1a)
—
A Lull at Dawn
—
A Lull at Dawn
—
A Lull at Dawn (take 1a)
—
Ready Eddy (take 1)
—
Ready Eddy
—
Ready Eddy
—
Ready Eddy (take 2)
—
The Girl in My Dreams Tries to Look Like You (take 1)
—
The Girl in My Dreams Tries to Look Like You (take 2)
—
Jumpin’ Punkins (take 1)
—
Jumpin’ Punkins (take 2)
—
Dear Old Southland (take 1)
—
Dear Old Southland (take 2)
—
Solitude (take 1)
—
Solitude (take 2)
—
Bakiff
—
Are You Sticking? (take 1)
—
Are You Sticking? (take 2)
—
The Giddybug Gallop
—
Chocolate Shake
—
I Got It Bad (and That Ain’t Good) (take 1)
—
I Got It Bad (and That Ain’t Good) (take 2)
—
The Brown‐Skin Girl (in the Calico Gown)
—
Jump for Joy (take 1)
—
Jump for Joy (take 2)
—
Moon Over Cuba
Duke Ellington & His Orchestra
—
Subtle Slough
Rex Stewart and His Orchestra
—
Menelik – The Lion of Judah (take 1)
—
Menelik – The Lion of Judah (take 2)
—
Squaty Roo
—
Passion Flower
—
Things Ain’t What They Used to Be
—
Goin’ Out the Back Way
—
Five O’Clock Drag
Duke Ellington & His Orchestra
—
Chelsea Bridge
—
Brown Suede
—
Noir Bleu
—
“C” Blues
—
June
—
Raincheck
—
What Good Would It Do?
—
I Don’t Know What Kind of Blues I Got (take 1)
—
I Don’t Know What Kind of Blues I Got (take 2)
—
Chelsea Bridge
—
Perdido (take 2)
—
The “C” Jam Blues
—
Moon Mist (take 1)
—
Moon Mist (take 2)
—
I Don’t Mind (take 1)
—
I Don’t Mind (take 2)
—
Main Stem
—
Johnny Come Lately
—
Hayfoot, Strawfoot (take 1)
—
Hayfoot, Strawfoot (take 2)
—
Sentimental Lady (take 1)
—
Sentimental Lady (take 2)
—
A Slip of the Lip (Can Sink a Ship)
Duke Ellington & His Orchestra
—
Sherman Shuffle
—
I Ain’t Got Nothin’ but the Blues
—
I’m Beginning to See the Light (take 1)
—
I’m Beginning to See the Light (take 2)
—
Don’t You Know I Care (take 1)
—
Don’t You Know I Care (take 2)
—
I Didn’t Know About You
—
Black, Brown and Beige: Work Song
Duke Ellington & His Orchestra
—
Come Sunday
—
The Blues
—
Three Dances
—
Carnegie Blues
—
Blue Cellophane
—
Mood to Be Wooed
—
(All of a Sudden) My Heart Sings
—
Kissing Bug
—
Everything but You
—
(Otto Make That) Riff Staccato
—
Prelude to a Kiss
—
Caravan
—
Black and Tan Fantasy
Duke Ellington and His Orchestra
—
Mood Indigo
—
In a Sentimental Mood
—
It Don’t Mean a Thing (If It Ain’t Got That Swing)
—
Sophisticated Lady
—
Tonight I Shall Sleep (With a Smile on My Face)
—
I Let a Song Go Out of My Heart (take 1)
—
I Let a Song Go Out of My Heart (take 2)
—
Solitude
—
Frankie and Johnny
—
Jumpin’ Room Only
—
Black Beauty
—
Every Hour on the Hour
—
Balcony Serenade
—
Strange Feeling
—
Dancers in Love
—
Coloratura (take 2)
—
Coloratura (take 1)
—
Things Ain’t What They Used to Be
—
Tell Ya What I’m Gonna Do
—
Come to Baby, Do!
—
I’m Just a Lucky So‐and‐So
—
Long, Strong, and Consecutive
—
The Wonder of You
—
Tonk
—
Drawing Room Blues
Duke Ellington & His Orchestra
—
Rockabye River
—
Suddenly It Jumped
—
Transblucency
—
Gathering in a Clearing
—
You Don’t Love Me No More
—
Pretty Woman
—
Hey, Baby
—
(Back Home Again in) Indiana
—
Blue Is the Night
—
Lover Man (take 1)
—
Lover Man (take 2)
—
Just You, Just Me
—
Beale Street Blues
—
Memphis Blues
—
St. Louis Blues
—
My Honey’s Lovin’ Arms
—
(I Don’t Stand) A Ghost of a Chance (With You)
—
Swamp Fire
—
Royal Garden Blues
—
Esquire Swank
—
Midriff
—
The One That Got Away
Leonard Feather's Esquire All-Americans
—
Gone With the Wind
—
Metronome All‐Out
—
Skin Deep
—
How Could You Do a Thing Like That to Me? (Sultry Serenade)
—
Sophisticated Lady
—
Perdido
—
Caravan
—
Harlem Suite
—
The Hawk Talks
—
Ellington Medley: Don’t Get Around Much Anymore / In a Sentimental Mood / Mood Indigo / I’m Beginning to See the Light / Prelude to a Kiss / It Don’t Mean a Thing (If It Ain’t Got That Swing) / Solitude / I Let a Song Go Out of My Heart
—
Jam With Sam
—
In the Beginning God
—
Tell Me It’s the Truth
—
The Lord’s Prayer
—
Come Sunday
—
Will You Be There? Ain’t but the One
—
New World A‐Comin’
—
David Danced (Before the Lord with All His Might)
—
Ninety Nine Percent
—
My Mother, My Father and Love
—
New World A‐Comin’
—
A Christmas Surprise
—
A Christmas Surprise
—
Praise God
—
Supreme Being
—
Heaven
—
Something ’Bout Believing
—
Almighty God
—
The Shepard
—
It’s Freedom
—
Meditation
—
The Biggest and Busiest Intersection
—
T.G.T.T.
—
Don’t Get Down on Your Knees to Pray Until You Have Forgiven Everyone
—
Father Forgive
—
Praise God and Dance
—
Introduction by Sir Colin Crowe
—
Introduction by Duke Ellington
—
The Lord’s Prayer My Love
—
Is God a Three‐Letter Word for Love? (Part I)
—
Is God a Three‐Letter Word for Love? (Part II)
—
The Brotherhood
—
Hallelujah
—
Every Man Prays in His Own Language
—
Ain’t Nobody Nowhere Nothin’ Without God
—
The Majesty of God
—
Tourist Point of View
—
Bluebird of Delhi (Mynah)
—
Isfahan
—
Depk
—
Mount Harissa
—
Blue Pepper (Far East of the Blues)
—
Agra
—
Amad
—
Ad Lib on Nippon
—
Tourist Point of View (alternate take)
—
Bluebird of Delhi (alternate take)
—
Isfahan (alternate take)
—
Amad (alternate take)
—
I Got It Bad (and That Ain’t Good)
—
Perdido
—
Mood Indigo
—
Black and Tan Fantasy
—
The Twitch
—
Solitude
—
Do Nothin’ Till You Hear From Me
—
The Mooche
—
Creole Love Call
—
Caravan
—
Wings & Things
—
Do Nothin’ Till You Hear From Me
—
House of Lords
—
The Second Portrait of the Lion
—
Caravan
—
Mood Indigo
—
Love Scene
—
The Mooche
—
I Let a Song Go Out of My Heart
—
I’m Beginning to See the Light
—
Do Nothin’ Till You Hear From Me
—
Sophisticated Lady
—
Timon of Athens March
—
Solitude
—
I Got It Bad (and That Ain’t Good)
—
Satin Doll
—
Single Petal of a Rose
—
Snibor
—
Boo‐Dah
—
Blood Count
—
U.M.M.G.
—
Charpoy
—
After All
—
The Intimacy of the Blues
—
Raincheck (take 6)
—
Raincheck (take 4)
—
Day Dream
—
Rock Skippin’ at the Blue Note
—
All Day Long
—
Lotus Blossom (take 1)
—
Lotus Blossom
—
Smada (take 3)
—
Smada (take 4)
—
Midriff
—
My Little Brown Book
—
Acht O’Clock Rock
—
The Piano Player
—
Creole Love Call
—
Don’t You Know I Care
—
I Can’t Get Started With You
—
New York, New York
—
Pitter Panther Patter
—
How High the Moon
—
Basin Street Blues
—
Tiger Rag
—
Soso
—
Meditation
—
Mecuria, the Lion
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Take the “A” Train | Duke Ellington & His Orchestra | T-070.177.920-5 |
Duke Ellington & His Orchestra
What other identifiers does this connect to?
Musical Works (ISWC)
T-011.245.032-4T-031.885.275-3T-060.472.588-3T-060.472.588-3T-070.011.550-9T-070.024.804-9T-070.025.185-9T-070.025.560-2T-070.054.751-8T-070.072.467-9
+81 more
T-070.088.135-1T-070.088.911-7T-070.092.709-8T-070.096.866-6T-070.111.094-2T-070.127.014-5T-070.152.211-3T-070.177.920-5T-070.198.380-3T-070.891.304-5T-070.892.551-2T-070.904.138-2T-070.910.244-2T-070.000.835-0T-070.010.186-5T-070.010.455-7T-070.011.550-9T-070.012.014-4T-070.023.587-5T-070.024.569-7T-070.024.804-9T-070.025.185-9T-070.025.340-2T-070.025.560-2T-070.039.215-9T-070.039.705-2T-070.039.798-3T-070.049.832-3T-070.054.751-8T-070.072.467-9T-070.072.733-8T-070.073.824-4T-070.074.353-8T-070.074.560-3T-070.074.622-0T-070.088.135-1T-070.088.677-6T-070.088.734-8T-070.088.911-7T-070.089.165-1T-070.092.709-8T-070.096.025-3T-070.096.866-6T-070.107.826-3T-070.108.975-9T-070.111.094-2T-070.111.260-8T-070.126.740-4T-070.127.014-5T-070.134.018-2T-070.134.197-0T-070.137.843-9T-070.137.960-3T-070.152.211-3T-070.158.596-7T-070.165.086-3T-070.177.920-5T-070.180.019-2T-070.198.380-3T-070.198.502-5T-071.065.011-5T-071.069.416-8T-071.070.417-8T-072.279.636-2T-900.758.606-3T-901.136.241-7T-914.736.016-5T-070.000.310-6T-070.038.946-3T-070.136.541-4T-070.136.647-3T-070.138.645-9T-070.166.256-7T-071.058.700-0T-071.059.787-7T-071.070.218-3T-700.044.040-6T-900.988.547-6T-900.994.749-3T-902.899.316-0T-903.287.578-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 090266338627?
090266338627 is a Universal Product Code (UPC) assigned to The Duke Ellington Centennial Edition: The Complete RCA Victor Recordings (1927–1973) by Duke Ellington. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 461 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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