UPC · Release
When The Sun Goes Down: The Secret History Of Rock & Roll
Various Artists
Last verified:
090266400621 is the Universal Product Code (UPC barcode) for the release “When The Sun Goes Down: The Secret History Of Rock & Roll” by Various Artists, released 2002-01-01 on Bluebird (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DEG730118423, USRC11501774, GBAJD0544039.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Catfish Blues | — | ||
| 2 | Baby, Please Don’t Go | Sonny Boy Williamson, Big Joe Williams | T-070.278.618-2 | |
| 3 | Ham An' Eggs | — | ||
| 4 | Mississippi River Blues | — | ||
| 5 | Just A Good Woman Through With The Blues | — | ||
| 6 | Garbage Man Blues | — | ||
| 7 | The Panama Limited | — | ||
| 8 | Cool Drink Of Water Blues | — | ||
| 9 | The Midnight Special | — | ||
| 10 | Worried Man Blues | — | ||
| 11 | Les Blues De Voyage | — | ||
| 12 | K.C. Railroad Blues | — | ||
| 13 | Somebody's Been Stealin' | — | ||
| 14 | Beele Street Blues | — | ||
| 15 | Devil In The Wood Pile | — | ||
| 16 | Walk Right In | Cannon’s Jug Stompers | — | |
| 17 | Ninety-Nine Year Blues | — | ||
| 18 | Got Cut All To Pieces | — | ||
| 19 | Feather Bed | — | ||
| 20 | Can't Put A Bridle On That Mule This Morning | — | ||
| 21 | Davidson County Blues | — | ||
| 22 | Frankie And Johnny | — | ||
| 23 | Dixie Bo-Bo | — | ||
| 24 | Sometime I Feel LIke A Motherless Child | — | ||
| 25 | St.Louis Blues | — | ||
| 2-1 | Pearl Harbor Blues | — | ||
| 2-2 | My Buddy Blues | — | ||
| 2-3 | Worried Life Blues | — | ||
| 2-4 | I'd Rather Drink Muddy Water | — | ||
| 2-5 | Grinder Man Blues | Memphis Slim | — | |
| 2-6 | Walkin' The Boogie | — | ||
| 2-7 | Why Don't You Do Right | — | ||
| 2-8 | Little Boy Blue | — | ||
| 2-9 | Angels In Harlem | — | ||
| 2-10 | Illinois Central | — | ||
| 2-11 | Chicago Is Just That Way | — | ||
| 2-12 | That's All Right | — | ||
| 2-13 | Get The Mop | — | ||
| 2-14 | Look On Yonder Wall | — | ||
| 2-15 | Anytime Is The Right Time | — | ||
| 2-16 | When Things Go Wrong With You (It Hurts Me Too) | Tampa Red | — | |
| 2-17 | Dust My Broom | — | ||
| 2-18 | Soap And Water Blues | — | ||
| 2-19 | Rockin' With Red | — | ||
| 2-20 | Sweet Little Angel | — | ||
| 2-21 | My Baby Left Me | — | ||
| 2-22 | How Blue Can You Get (Downhearted) | — | ||
| 2-23 | Right String, But The Wrong Yo-Yo | — | ||
| 2-24 | Ride And Roll | — | ||
| 2-25 | Get Rich Quick | — | ||
| 3-1 | Thats's Chicago South Side | — | ||
| 3-2 | Peetie Wheatstraw | — | ||
| 3-3 | Devil's Island Gin Blues | — | ||
| 3-4 | Sail On, Little Girl, Sail On | — | ||
| 3-5 | Black Gal, What Makes Your Head So Hard | — | ||
| 3-6 | I Lost My Baby | — | ||
| 3-7 | Keep Your Hands Off Her | — | ||
| 3-8 | When the Sun Goes Down | Leroy Carr | T-926.331.600-3 | |
| 3-9 | Selling My Pork Chops | — | ||
| 3-10 | Every Day I Have The Blues | — | ||
| 3-11 | Sweet Sixteen | — | ||
| 3-12 | Honky Tonk Train Blues | — | ||
| 3-13 | Trouble In Mind | — | ||
| 3-14 | He Roars Like A Lion | — | ||
| 3-15 | Prowling Night Hawk | — | ||
| 3-16 | Good Morning Little School Girl | Sonny Boy Williamson, Big Joe Williams | T-901.130.029-1 | |
| 3-17 | You Got To Fix It | — | ||
| 3-18 | Bucket's Got A Hole In It | — | ||
| 3-19 | Bottle It Up And Go | — | ||
| 3-20 | Key To The Highway | — | ||
| 3-21 | Don't You Lie To Me | — | ||
| 3-22 | What Is That She Got | — | ||
| 3-23 | Going Down Slow | — | ||
| 3-24 | Hobo Blues | — | ||
| 3-25 | He's A Jelly Roll Baker | — | ||
| 4-1 | Telephoning The Blues | — | ||
| 4-2 | Viola Lee Blues | — | ||
| 4-3 | Haven't Got A Dollar To Pay Your House Rent Man | — | ||
| 4-4 | Saturday Blues | — | ||
| 4-5 | When I Woke Up This Morning She Was Gone | — | ||
| 4-6 | Canned Heat Blues | — | ||
| 4-7 | Statesboro Blues | — | ||
| 4-8 | Stealin', Stealin' | — | ||
| 4-9 | Judge Harsh Blues | — | ||
| 4-10 | Rent Man Blues | — | ||
| 4-11 | I Don't Care What You Say | — | ||
| 4-12 | I Hate A Man Like You | — | ||
| 4-13 | "Taint Nobody's Business If I Do-Part I | — | ||
| 4-14 | I'm A Mighty Tight Woman | — | ||
| 4-15 | Blue Yodel #9 | — | ||
| 4-16 | The Girl I Love, She Got Long, Curly Hair | — | ||
| 4-17 | Don't Want No Woman (Have T' Give My Money To) | — | ||
| 4-18 | Cocaine Habit Blues | Memphis Jug Band | — | |
| 4-19 | Married Woman Blues | — | ||
| 4-20 | Red Nightgown Blues | — | ||
| 4-21 | Hardworking Woman | — | ||
| 4-22 | Doubled In A Knot | — | ||
| 4-23 | If You Want Me Baby | — | ||
| 4-24 | The First Time I Met The Blues | — | ||
| 4-25 | Sales Tax | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cocaine Habit Blues | Memphis Jug Band | — |
| Cocaine Habit Blues | Memphis Jug Band | — |
| When Things Go Wrong With You (It Hurts Me Too) | Tampa Red | T-902.113.337-9 |
| Grinder Man Blues | Memphis Slim | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
+33 more
Creative Contributors (ISNI)
+40 more
Credits Graph
People also ask
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What is UPC 090266400621?
090266400621 is a Universal Product Code (UPC) assigned to When The Sun Goes Down: The Secret History Of Rock & Roll by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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