UPC · Release
The Complete RCA Victor Recordings
Louis Armstrong
Last verified:
090266868223 is the Universal Product Code (UPC barcode) for the release “The Complete RCA Victor Recordings” by Louis Armstrong, released 1997-01-01 on BMG Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include DEU240822531, DEU240822533, DEU240822534.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | That’s My Home | Louis Armstrong & His Orchestra | — | |
| 2 | Hobo, You Can’t Ride This Train | Louis Armstrong & His Orchestra | — | |
| 3 | I Hate to Leave You Now | Louis Armstrong & His Orchestra | — | |
| 4 | You’ll Wish You’d Never Been Born | Louis Armstrong & His Orchestra | T-914.652.237-4 | |
| 5 | Medley of Armstrong Hits, Part 1: I’ll Be Glad When You’re Dead, You Rascal You / When It’s Sleepy Time Down South / Nobody’s Sweetheart | — | ||
| 6 | Medley of Armstrong Hits, Part 2: When You're Smiling / St. James Infirmary / Dinah | Louis Armstrong & His Orchestra | T-071.059.730-0 | |
| 7 | I’ve Got the World on a String | Louis Armstrong and His Orchestra | T-070.907.797-3 | |
| 8 | I Gotta Right to Sing the Blues | — | ||
| 9 | Hustlin’ and Bustlin’ for Baby | Louis Armstrong and His Orchestra | T-070.074.926-3 | |
| 10 | Sittin' in the Dark | Louis Armstrong and His Orchestra | T-070.135.755-2 | |
| 11 | High Society | Louis Armstrong and His Orchestra | — | |
| 12 | He’s a Son of the South | Louis Armstrong and His Orchestra | T-010.781.813-2 | |
| 13 | Some Sweet Day | Louis Armstrong and His Orchestra | — | |
| 14 | Basin Street Blues | Louis Armstrong | T-070.010.455-7 | |
| 15 | Honey, Do! | Louis Armstrong and His Orchestra | T-902.865.967-8 | |
| 16 | Snowball | Louis Armstrong and His Orchestra | T-800.126.375-9 | |
| 17 | Mahogany Hall Stomp | Louis Armstrong and His Orchestra | T-901.129.193-3 | |
| 18 | Swing, You Cats | Louis Armstrong and His Orchestra | — | |
| 2-1 | Honey, Don't You Love Me Anymore? | Louis Armstrong and His Orchestra | T-914.498.666-3 | |
| 2-2 | Mississippi Basin | Louis Armstrong and His Orchestra | T-070.109.571-7 | |
| 2-3 | Laughin‘ Louie | Louis Armstrong & His Orchestra | T-071.065.498-0 | |
| 2-4 | Tomorrow Night | Louis Armstrong & His Orchestra | — | |
| 2-5 | Dusky Stevedore | Louis Armstrong and His Orchestra | T-070.040.472-3 | |
| 2-6 | There’s a Cabin in the Pines | Louis Armstrong and His Orchestra | T-070.179.330-7 | |
| 2-7 | Mighty River | Louis Armstrong and His Orchestra | T-070.109.319-7 | |
| 2-8 | Sweet Sue, Just You | Louis Armstrong and His Orchestra | T-070.138.798-5 | |
| 2-9 | I Wonder Who | Louis Armstrong and His Orchestra | — | |
| 2-10 | St. Louis Blues | Louis Armstrong and His Orchestra | T-802.458.253-5 | |
| 2-11 | Don’t Play Me Cheap | Louis Armstrong and His Orchestra | — | |
| 2-12 | That’s My Home | Louis Armstrong & His Orchestra | — | |
| 2-13 | Hobo, You Can't Ride This Train (alt) | — | ||
| 2-14 | I Hate to Leave You Now | Louis Armstrong & His Orchestra | — | |
| 2-15 | You'll Wish You'd Never Been Born (alt) | — | ||
| 2-16 | When You're Smiling (alt) | — | ||
| 2-17 | Mississippi Basin (alt) | — | ||
| 2-18 | Laughin' Louie (alt) | — | ||
| 2-19 | Tomorrow Night (alt) | — | ||
| 2-20 | Blue Yodel No. 9 (Standin’ on the Corner) | Jimmie Rodgers, Louis Armstrong | T-929.878.298-6 | |
| 3-1 | Long, Long Journey | — | ||
| 3-2 | Snafu | — | ||
| 3-3 | Linger in My Arms a Little Longer | — | ||
| 3-4 | Whatta Ya Gonna Do | — | ||
| 3-5 | No Variety Blues | — | ||
| 3-6 | Joseph ’n’ His Brudders | — | ||
| 3-7 | Back o’ Town Blues | Louis Armstrong & His Orchestra | T-070.010.095-3 | |
| 3-8 | I Want a Little Girl | — | ||
| 3-9 | Sugar | — | ||
| 3-10 | Blues for Yesterday | — | ||
| 3-11 | Blues in the South | — | ||
| 3-12 | Endie | — | ||
| 3-13 | The Blues Are Brewin’ | — | ||
| 3-14 | Do You Know What It Means to Miss New Orleans? | — | ||
| 3-15 | Where the Blues Were Born in New Orleans | — | ||
| 3-16 | Mahogany Hall Stomp | — | ||
| 3-17 | I Wonder, I Wonder, I Wonder | — | ||
| 3-18 | I Believe | — | ||
| 3-19 | Why Doubt My Love? | — | ||
| 4-1 | It Takes Time | — | ||
| 4-2 | You Don’t Learn That in School | — | ||
| 4-3 | Ain’t Misbehavin’ (live) | — | ||
| 4-4 | Rockin’ Chair (live) | — | ||
| 4-5 | Back o’ Town Blues (live) | — | ||
| 4-6 | Pennies From Heaven (live) | — | ||
| 4-7 | Save It Pretty Mama (live) | — | ||
| 4-8 | St. James Infirmary (live) | — | ||
| 4-9 | Jack-Armstrong Blues | — | ||
| 4-10 | Rockin’ Chair | — | ||
| 4-11 | Some Day You’ll Be Sorry | — | ||
| 4-12 | Fifty-Fifty Blues | — | ||
| 4-13 | A Song Was Born | — | ||
| 4-14 | Please Stop Playin’ Those Blues, Boy | — | ||
| 4-15 | Before Long | — | ||
| 4-16 | Lovely Weather We’re Having | — | ||
| 4-17 | Rain, Rain | — | ||
| 4-18 | Never Saw a Better Day | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don’t Play Me Cheap | Louis Armstrong and His Orchestra | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 090266868223?
090266868223 is a Universal Product Code (UPC) assigned to The Complete RCA Victor Recordings by Louis Armstrong. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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