UPC · Release
Michel Berger, Luc Plamondon
Last verified:
090317134628 is the Universal Product Code (UPC barcode) for the release “Starmania” by Michel Berger, Luc Plamondon, released 1990-01-01 on Apache (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include FRF958800010, FRF958800020, FRF958800030.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Monopolis | — | ||
| 3 | Il se passe quelque chose à Monopolis | Roger-Roger | T-901.136.851-7 | |
| 4 | Quand on arrive en ville | Norman Groulx, Wenta | T-901.136.716-1 | |
| 5 | Scène 1 | — | ||
| 6 | Travesti | Sadia | T-901.136.722-9 | |
| 7 | Scène 2 | — | ||
| 8 | La Complainte de la serveuse automate | — | ||
| 9 | Scène 3 | — | ||
| 10 | Starmania | — | ||
| 11 | Scène 4 | — | ||
| 12 | Interview de Zéro Janvier | — | ||
| 13 | Le Blues du businessman | Richard Groulx | T-901.136.726-3 | |
| 14 | Scène 5 | — | ||
| 15 | Un garçon pas comme les autres | — | ||
| 16 | Un enfant de la pollution | Ziggy | T-901.136.847-1 | |
| 17 | La Chanson de Ziggy | — | ||
| 18 | Scène 6 | — | ||
| 19 | Interview de Johnny Rockfort | — | ||
| 20 | Banlieue Nord | Norman Groulx | T-901.136.721-8 | |
| 21 | Urgent d’attendre | France Gall | T-003.053.864-7 | |
| 22 | Scène 7 | — | ||
| 23 | Discours électoral | — | ||
| 24 | Scène 8 | — | ||
| 25 | Petite Musique terrestre | — | ||
| 26 | Monopolis | Norman Groulx, Martine St-Clair | T-901.136.727-4 | |
| 2-1 | Scène 9 | — | ||
| 2-2 | Les Adieux d'un sex symbol | Sabrina Lory | T-901.136.737-6 | |
| 2-3 | Lettre de Zéro Janvier à Stella Spotlight | — | ||
| 2-4 | Scène 10 | — | ||
| 2-5 | Trio de la jalousie | — | ||
| 2-6 | Besoin d'amour | Cristal | T-901.136.787-6 | |
| 2-7 | Jingle de Stella Spotlight | — | ||
| 2-8 | Interview de Zéro Janvier | — | ||
| 2-9 | Scène de ménage | — | ||
| 2-10 | Ego trip | — | ||
| 2-11 | Scène 11 | — | ||
| 2-12 | Quand on n'a plus rien à perdre | Cristal, Johnny Rockfort | T-901.136.730-9 | |
| 2-13 | Duo d’adieu | — | ||
| 2-14 | Les Uns contre les autres | — | ||
| 2-15 | Disc Jockey’s Song | — | ||
| 2-16 | Scène 12 | — | ||
| 2-17 | Ce soir on danse au Naziland | Sadia | T-901.136.733-2 | |
| 2-18 | La Dénonciation | — | ||
| 2-19 | Mort de Cristal | — | ||
| 2-20 | S.O.S. d’un Terrien en détresse | Norman Groulx | T-901.136.806-2 | |
| 2-21 | Arrestation de Johnny Rockfort | — | ||
| 2-22 | Victoire électorale de Zéro Janvier | — | ||
| 2-23 | Le Rêve de Stella Spotlight | — | ||
| 2-24 | Trio final | — | ||
| 2-25 | Le monde est stone | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
090317134628 is a Universal Product Code (UPC) assigned to Starmania by Michel Berger, Luc Plamondon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
090317134628 is the Universal Product Code (UPC barcode) for the release “Starmania” by Michel Berger, Luc Plamondon, released 1990-01-01 on Apache (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include FRF958800010, FRF958800020, FRF958800030.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Monopolis | — | ||
| 3 | Il se passe quelque chose à Monopolis | Roger-Roger | T-901.136.851-7 | |
| 4 | Quand on arrive en ville | Norman Groulx, Wenta | T-901.136.716-1 | |
| 5 | Scène 1 | — | ||
| 6 | Travesti | Sadia | T-901.136.722-9 | |
| 7 | Scène 2 | — | ||
| 8 | La Complainte de la serveuse automate | — | ||
| 9 | Scène 3 | — | ||
| 10 | Starmania | — | ||
| 11 | Scène 4 | — | ||
| 12 | Interview de Zéro Janvier | — | ||
| 13 | Le Blues du businessman | Richard Groulx | T-901.136.726-3 | |
| 14 | Scène 5 | — | ||
| 15 | Un garçon pas comme les autres | — | ||
| 16 | Un enfant de la pollution | Ziggy | T-901.136.847-1 | |
| 17 | La Chanson de Ziggy | — | ||
| 18 | Scène 6 | — | ||
| 19 | Interview de Johnny Rockfort | — | ||
| 20 | Banlieue Nord | Norman Groulx | T-901.136.721-8 | |
| 21 | Urgent d’attendre | France Gall | T-003.053.864-7 | |
| 22 | Scène 7 | — | ||
| 23 | Discours électoral | — | ||
| 24 | Scène 8 | — | ||
| 25 | Petite Musique terrestre | — | ||
| 26 | Monopolis | Norman Groulx, Martine St-Clair | T-901.136.727-4 | |
| 2-1 | Scène 9 | — | ||
| 2-2 | Les Adieux d'un sex symbol | Sabrina Lory | T-901.136.737-6 | |
| 2-3 | Lettre de Zéro Janvier à Stella Spotlight | — | ||
| 2-4 | Scène 10 | — | ||
| 2-5 | Trio de la jalousie | — | ||
| 2-6 | Besoin d'amour | Cristal | T-901.136.787-6 | |
| 2-7 | Jingle de Stella Spotlight | — | ||
| 2-8 | Interview de Zéro Janvier | — | ||
| 2-9 | Scène de ménage | — | ||
| 2-10 | Ego trip | — | ||
| 2-11 | Scène 11 | — | ||
| 2-12 | Quand on n'a plus rien à perdre | Cristal, Johnny Rockfort | T-901.136.730-9 | |
| 2-13 | Duo d’adieu | — | ||
| 2-14 | Les Uns contre les autres | — | ||
| 2-15 | Disc Jockey’s Song | — | ||
| 2-16 | Scène 12 | — | ||
| 2-17 | Ce soir on danse au Naziland | Sadia | T-901.136.733-2 | |
| 2-18 | La Dénonciation | — | ||
| 2-19 | Mort de Cristal | — | ||
| 2-20 | S.O.S. d’un Terrien en détresse | Norman Groulx | T-901.136.806-2 | |
| 2-21 | Arrestation de Johnny Rockfort | — | ||
| 2-22 | Victoire électorale de Zéro Janvier | — | ||
| 2-23 | Le Rêve de Stella Spotlight | — | ||
| 2-24 | Trio final | — | ||
| 2-25 | Le monde est stone | — |
