UPC · Album
The Best of Broadside 1962-1988
Various Artists
Last verified:
093074013021 is the Universal Product Code (UPC barcode) for the release “The Best of Broadside 1962-1988” by Various Artists, released 2000-01-01 on Smithsonian Folkways. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 89 tracks, each with its own ISRC. Tracks include US34Z0811004, USA371286840, USPR36400090.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Victor Jara | Arlo Guthrie | US34Z0811004 |
| John Brown | Blind Boy Grunt | USA371286840 |
| Mississippi Goddam | Nina Simone | USPR36400090 |
| Mississippi Goddam | Nina Simone | USPR39400785 |
| Links on the Chain | The Broadside Singers, Phil Ochs | USSF10013001 |
| Blowin' in the Wind | The New World Singers | USSF10013002 |
| Paths of Victory | The Broadside Singers | USSF10013003 |
| The Ballad of Ira Hayes | Peter La Farge | USSF10013004 |
| Ain't That News? | The Broadside Singers, Tom Paxton | USSF10013005 |
| The Times I've Had | The Broadside Singers | USSF10013006 |
| Go Limp | Matt McGinn | USSF10013007 |
| Ding Dong Dollar | The Glasgow Song Guild | USSF10013008 |
| Mack the Bomb | Pete Seeger | USSF10013009 |
| The Civil Defense Sign | Mark Spoelstra | USSF10013010 |
| Let Me Die in My Footsteps | Happy Traum | USSF10013011 |
| What Have They Done to the Rain? | Malvina Reynolds | USSF10013013 |
| Ballad of William Worthy | Phil Ochs | USSF10013014 |
| Train for Auschwitz | Tom Paxton | USSF10013015 |
| Hard Rain's A-Gonna Fall | Pete Seeger | USSF10013016 |
| Christine | The Broadside Singers, Tom Paxton | USSF10013017 |
| As Long as the Grass Will Grow | Peter La Farge | USSF10013018 |
| John Brown | Blind Boy Grunt | USSF10013019 |
| Take Me for a Walk | Bonnie Dobson | USSF10013020 |
| The Willing Conscript | Pete Seeger | USSF10013021 |
| Plains of Nebrasky-O | Eric Andersen, Phil Ochs | USSF10013023 |
| Benny Kid Paret | Gil Turner | USSF10013024 |
| What Did You Learn in School Today? | Tom Paxton | USSF10013025 |
| Changin' Hands | The Broadside Singers, Phil Ochs | USSF10013026 |
| Welcome, Welcome Emigranté | The Broadside Singers, Buffy Sainte-Marie | USSF10013027 |
| Shady Acres | Janis Ian | USSF10013028 |
| Lord, Hold Back the Waters | Will McLean | USSF10013029 |
| Ballad of Donald White | Bob Dylan | USSF10013030 |
| Song for Patty | Sammy Walker | USSF10013031 |
| A Very Close Friend of Mine | Richard Black | USSF10013032 |
| Long Time Troubled Road | Eric Andersen | USSF10013033 |
| Hard Rain's A-Gonna Fall | Pete Seeger | USSF10013034 |
| Baby I've Been Thinking | Janis Ian | USSF10013039 |
| Mrs. Clara Sullivan’s Letter | Pete Seeger | USSF10013048 |
| My Father’s Mansion’s Many Rooms | Pete Seeger | USSF10013054 |
| Pinkville Helicopter | Thom Parrott | USSF10013055 |
| Hell No, I Ain't Gonna Go | Matthew Jones, Elaine Laron | USSF10013056 |
| We Seek No Wider War | Phil Ochs | USSF10013057 |
| Waist Deep in the Big Muddy | Pete Seeger | USSF10013058 |
| Vietnam | Paul Kaplan | USSF10013059 |
| Hole in the Ground | Thom Parrott | USSF10013060 |
| To Be a Killer | Wes Houston | USSF10013061 |
| New York J-D Blues | Pete Seeger | USSF10013062 |
| Little Boxes | Malvina Reynolds | USSF10013063 |
| Not Enough to Live on but a Little Too Much to Die | Mike Millius | USSF10013064 |
| The Faucets Are Dripping | Malvina Reynolds | USSF10013065 |
| Bizzness Ain't Dead | The New World Singers | USSF10013066 |
| The Old Arm Chair | Gale Huntington | USSF10013067 |
| Legal - Illegal | Ewan MacColl, Peggy Seeger | USSF10013068 |
| Brown Water and Blood | Jeff Ampolsk | USSF10013069 |
| The Aberfan Coal Tip Tragedy | Thom Parrott | USSF10013070 |
| Lafayette | Lucinda Williams | USSF10013071 |
| The Ballad of Earl Durand | Charlie Brown | USSF10013072 |
| Plastic Jesus | Ernie Marrs and the Marrs Family | USSF10013073 |
| Burn, Baby, Burn | Rev. F.D. Kirkpatrick, Jim Collier | USSF10013074 |
| The Cities Are Burning | Rev. F.D. Kirkpatrick, Jim Collier | USSF10013075 |
| Nothing but His Blood | Rev. F.D. Kirkpatrick | USSF10013076 |
| You're Just a Laughing Fool | Rev. F.D. Kirkpatrick, Jim Collier | USSF10013077 |
| Time Is Running Out | Wendy Smith | USSF10013078 |
| But If I Ask Them | Sis Cunningham | USSF10013079 |
| Ragamuffin Minstrel Boy | Sammy Walker | USSF10013080 |
| Changes | Phil Ochs | USSF10013081 |
| Bound for Glory | Sammy Walker, Phil Ochs | USSF10013082 |
| Inez | Bev Grant, The Human Condition | USSF10013085 |
| Gonna Be an Engineer | Peggy Seeger | USSF10013086 |
| Don't Talk to Strangers | Chris Gaylord | USSF10013087 |
| Catcher in the Rye | Sammy Walker | USSF10013088 |
| The Time Will Come | Elaine White | USSF10013089 |
| John Brown | Blind Boy Grunt | USSF16330103 |
| Ballad of William Worthy | Phil Ochs | USSF16330105 |
| Go Limp | Matt McGinn | USSF16330112 |
| Lafayette | Lucinda Williams | USSF19000301 |
| Gonna Be an Engineer | Peggy Seeger | USSF19204816 |
| Lafayette | Lucinda Williams | USSF19606205 |
| Little Boxes | Malvina Reynolds | USSM11709185 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
Verified on
What is UPC 093074013021?
093074013021 is a Universal Product Code (UPC) assigned to The Best of Broadside 1962-1988 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 89 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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