UPC · Release
Various Artists
Last verified:
093074700327 is the Universal Product Code (UPC barcode) for the release “Every Tone a Testimony: An African American Aural History” by Various Artists, released 2001-01-01 on Smithsonian Folkways. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include USSF19001104, USCH39200007.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Struggle | — | ||
| 2 | Field Call | — | ||
| 3 | Complaint Call | — | ||
| 4 | Intro and Kneebone Band | — | ||
| 5 | Brother Terrapin, Slow Train to Arkansas | — | ||
| 6 | Jack and Mary and Three Dogs | — | ||
| 7 | Buck Dance | — | ||
| 8 | I'm Goin up North | — | ||
| 9 | Pharaoh's Host Got Lost | — | ||
| 10 | Lucy Terry: Bars Fight | — | ||
| 11 | Phillis Wheatley: Earl of Dartmouth | — | ||
| 12 | I Wonder Where My Brother Gone | — | ||
| 13 | Harriet Tubman: Narrative | — | ||
| 14 | Sojourner Truth: Speech at Akron Convention | — | ||
| 15 | Frederick Douglass: Singing Slaves | — | ||
| 16 | Steal Away to Jesus | — | ||
| 17 | Frederick Douglass: What to the Slave is the Fourth of July? | — | ||
| 18 | Sarah Parker Remond: Why Slavery Is Still Rampant | — | ||
| 19 | Free at Last | — | ||
| 20 | Paul Laurence Dunbar: When Malindy Sings | — | ||
| 21 | There's a Great Camp Meeting | — | ||
| 22 | Atlanta Exposition Address | — | ||
| 23 | John Henry | Sonny Terry & Brownie McGhee | — | |
| 24 | Fenton Johnson: Banjo Player | — | ||
| 25 | Boatman Dance | — | ||
| 26 | Shine | — | ||
| 27 | Chopping in the New Ground | — | ||
| 28 | Ida B Wells-Barnett: Lynching, Our National Crime | — | ||
| 29 | A Recorded Autobiography | — | ||
| 30 | James Weldon Johnson: Listen Lord, a Prayer | — | ||
| 31 | My Heart Is Fixed | — | ||
| 32 | The Titanic | — | ||
| 33 | Heritage | — | ||
| 34 | Jungle Drums | — | ||
| 2-1 | No More Auction Block | — | ||
| 2-2 | The Negro Speaks of Rivers | — | ||
| 2-3 | If We Must Die | — | ||
| 2-4 | Ma Rainey | — | ||
| 2-5 | Backwater Blues | — | ||
| 2-6 | Married Man Blues | — | ||
| 2-7 | For My People | — | ||
| 2-8 | The Children of the Poor, Sonnet 2 | — | ||
| 2-9 | Body and Soul | — | ||
| 2-10 | How He Delivered Me | — | ||
| 2-11 | Long Distance Call | — | ||
| 2-12 | Cry to Me | — | ||
| 2-13 | Ain't Gonna Let Nobody Turn Me Around | — | ||
| 2-14 | Birmingham 1963: Keep Moving | — | ||
| 2-15 | Black Panther Party Platform | — | ||
| 2-16 | Interview (excerpt) | — | ||
| 2-17 | Together to the Tune of Coltrane's "Equinox" | — | ||
| 2-18 | Nikki-Rosa | — | ||
| 2-19 | Liberation/poem | — | ||
| 2-20 | Dope | — | ||
| 2-21 | The Village of Brooklyn, Illinois 62059 | — | ||
| 2-22 | For the Poets | — | ||
| 2-23 | Shotgun Joe | — | ||
| 2-24 | St. Louis Woman | — | ||
| 2-25 | People Everyday | Arrested Development | T-070.233.932-9 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
093074700327 is a Universal Product Code (UPC) assigned to Every Tone a Testimony: An African American Aural History by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
093074700327 is the Universal Product Code (UPC barcode) for the release “Every Tone a Testimony: An African American Aural History” by Various Artists, released 2001-01-01 on Smithsonian Folkways. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include USSF19001104, USCH39200007.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Struggle | — | ||
| 2 | Field Call | — | ||
| 3 | Complaint Call | — | ||
| 4 | Intro and Kneebone Band | — | ||
| 5 | Brother Terrapin, Slow Train to Arkansas | — | ||
| 6 | Jack and Mary and Three Dogs | — | ||
| 7 | Buck Dance | — | ||
| 8 | I'm Goin up North | — | ||
| 9 | Pharaoh's Host Got Lost | — | ||
| 10 | Lucy Terry: Bars Fight | — | ||
| 11 | Phillis Wheatley: Earl of Dartmouth | — | ||
| 12 | I Wonder Where My Brother Gone | — | ||
| 13 | Harriet Tubman: Narrative | — | ||
| 14 | Sojourner Truth: Speech at Akron Convention | — | ||
| 15 | Frederick Douglass: Singing Slaves | — | ||
| 16 | Steal Away to Jesus | — | ||
| 17 | Frederick Douglass: What to the Slave is the Fourth of July? | — | ||
| 18 | Sarah Parker Remond: Why Slavery Is Still Rampant | — | ||
| 19 | Free at Last | — | ||
| 20 | Paul Laurence Dunbar: When Malindy Sings | — | ||
| 21 | There's a Great Camp Meeting | — | ||
| 22 | Atlanta Exposition Address | — | ||
| 23 | John Henry | Sonny Terry & Brownie McGhee | — | |
| 24 | Fenton Johnson: Banjo Player | — | ||
| 25 | Boatman Dance | — | ||
| 26 | Shine | — | ||
| 27 | Chopping in the New Ground | — | ||
| 28 | Ida B Wells-Barnett: Lynching, Our National Crime | — | ||
| 29 | A Recorded Autobiography | — | ||
| 30 | James Weldon Johnson: Listen Lord, a Prayer | — | ||
| 31 | My Heart Is Fixed | — | ||
| 32 | The Titanic | — | ||
| 33 | Heritage | — | ||
| 34 | Jungle Drums | — | ||
| 2-1 | No More Auction Block | — | ||
| 2-2 | The Negro Speaks of Rivers | — | ||
| 2-3 | If We Must Die | — | ||
| 2-4 | Ma Rainey | — | ||
| 2-5 | Backwater Blues | — | ||
| 2-6 | Married Man Blues | — | ||
| 2-7 | For My People | — | ||
| 2-8 | The Children of the Poor, Sonnet 2 | — | ||
| 2-9 | Body and Soul | — | ||
| 2-10 | How He Delivered Me | — | ||
| 2-11 | Long Distance Call | — | ||
| 2-12 | Cry to Me | — | ||
| 2-13 | Ain't Gonna Let Nobody Turn Me Around | — | ||
| 2-14 | Birmingham 1963: Keep Moving | — | ||
| 2-15 | Black Panther Party Platform | — | ||
| 2-16 | Interview (excerpt) | — | ||
| 2-17 | Together to the Tune of Coltrane's "Equinox" | — | ||
| 2-18 | Nikki-Rosa | — | ||
| 2-19 | Liberation/poem | — | ||
| 2-20 | Dope | — | ||
| 2-21 | The Village of Brooklyn, Illinois 62059 | — | ||
| 2-22 | For the Poets | — | ||
| 2-23 | Shotgun Joe | — | ||
| 2-24 | St. Louis Woman | — | ||
| 2-25 | People Everyday | Arrested Development | T-070.233.932-9 |
