UPC · Release
Music for Solo Piano (1960-2001)
Gordon Mumma, Daan Vandewalle
Last verified:
093228068624 is the Universal Product Code (UPC barcode) for the release “Music for Solo Piano (1960-2001)” by Gordon Mumma, Daan Vandewalle, released 2008-01-01 on New World Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Poplars | — | ||
| 2 | Tricycle and Fence | — | ||
| 3 | Coulisse Pour Michelle | — | ||
| 4 | Lunar Asparagus, D'Après Max Ernst | — | ||
| 5 | Planted Song 1 | — | ||
| 6 | Planted Song 2 | — | ||
| 7 | Planted Song 3 | — | ||
| 8 | Planted Song 4 | — | ||
| 9 | For Christian Wolff | — | ||
| 10 | Soprapensiero, for Dominic Gill | — | ||
| 11 | For Richard Felciano | — | ||
| 12 | For Younhie Kim | — | ||
| 13 | For Jon Barlow | — | ||
| 14 | For Merril Lynn Taylor | — | ||
| 15 | For David Tudor … Who Went on Ahead of Ahead of Us | — | ||
| 16 | For George Exon | — | ||
| 17 | For David Revill | — | ||
| 18 | Suite for Piano: 76 - 104 / 50 - 64 / 96 - 104 / 52 - 72 | — | ||
| 19 | Scion | — | ||
| 20 | Recitative | — | ||
| 21 | Scion | — | ||
| 22 | Scion | — | ||
| 23 | Grafting & Slipwaltz | — | ||
| 24 | Scion | — | ||
| 25 | Bay | — | ||
| 26 | Connemara | — | ||
| 27 | Dun | — | ||
| 28 | Chestnut Dreams | — | ||
| 29 | Treble Song | — | ||
| 30 | Soft Saloon Song | — | ||
| 31 | Tearing Off: A Piece | — | ||
| 32 | Clavichord at 18 | — | ||
| 33 | Un Bocado de Tango (De Los Desaparecidos) | — | ||
| 34 | Octal Waltz | — | ||
| 2-1 | For Merce Cunningham | — | ||
| 2-2 | Octet, for David Behrman | — | ||
| 2-3 | For Lou Harrison | — | ||
| 2-4 | For William Colvig | — | ||
| 2-5 | For C. T. Mumma | — | ||
| 2-6 | Perspective 1 | — | ||
| 2-7 | Perspective 2 | — | ||
| 2-8 | Perspective 3 | — | ||
| 2-9 | For Jackson Mac Low | — | ||
| 2-10 | For Alexis at 22 | — | ||
| 2-11 | For Agnes Martin | — | ||
| 2-12 | For James Klosty | — | ||
| 2-13 | For Jonathan at 12 | — | ||
| 2-14 | Erdös Number …, for Erdös | — | ||
| 2-15 | For Christopher at 15 (Time Flies Like Two Arrows) | — | ||
| 2-16 | For Carolyn Brown | — | ||
| 2-17 | For Bun-Ching Lam | — | ||
| 2-18 | For Anatole Leikin | — | ||
| 2-19 | For Charles Shere | — | ||
| 2-20 | For H. Wiley Hitchcock | — | ||
| 2-21 | For Julia Wilson Jones | — | ||
| 2-22 | For Homer Keller | — | ||
| 2-23 | For David Bernstein | — | ||
| 2-24 | (No Dedication) | — | ||
| 2-25 | (No Dedication) | — | ||
| 2-26 | 1 of a Threesome | — | ||
| 2-27 | 2 of a Threesome | — | ||
| 2-28 | 3 of a Threesome | — | ||
| 2-29 | À Luigi Dallapiccola | — | ||
| 2-30 | À Durand Begault | — | ||
| 2-31 | À Diane Carlson | — | ||
| 2-32 | À Graciela Paraskevaídis | — | ||
| 2-33 | À Padre Mujica | — | ||
| 2-34 | À Jacques Bekaert | — | ||
| 2-35 | À Pauline Oliveros | — | ||
| 2-36 | À Eduardo Bértola | — | ||
| 2-37 | À Linda Burman-Hall | — | ||
| 2-38 | À Coriún Aharonián | — | ||
| 2-39 | À Robert Ashley | — | ||
| 2-40 | Decimal Passacaglia, À Carolyn Cook | — | ||
| 2-41 | Large Size Mograph 1962 | — |
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What is UPC 093228068624?
093228068624 is a Universal Product Code (UPC) assigned to Music for Solo Piano (1960-2001) by Gordon Mumma, Daan Vandewalle. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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