UPC · Release
Life on the Murder Scene
My Chemical Romance
Last verified:
093624947622 is the Universal Product Code (UPC barcode) for the release “Life on the Murder Scene” by My Chemical Romance, released 2006-01-01 on Reprise Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include USRE10600478, USRE10600479, USRE10600480.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (38)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Thank You for the Venom | My Chemical Romance | T-072.074.506-1 | |
| 2 | Cemetery Drive | My Chemical Romance | T-072.074.509-4 | |
| 3 | Give ’Em Hell, Kid | My Chemical Romance | T-072.074.499-9 | |
| 4 | Headfirst for Halos | My Chemical Romance | — | |
| 5 | Helena | My Chemical Romance | T-072.074.498-8 | |
| 6 | You Know What They Do to Guys Like Us in Prison | My Chemical Romance | T-072.074.501-6 | |
| 7 | The Ghost of You | My Chemical Romance | T-072.074.503-8 | |
| 8 | I’m Not Okay (I Promise) | My Chemical Romance | T-072.074.502-7 | |
| 9 | I Never Told You What I Do for a Living (demo) | My Chemical Romance | T-072.074.510-7 | |
| 10 | Bury Me in Black (demo) | My Chemical Romance | — | |
| 11 | Desert Song | My Chemical Romance | — | |
| 2-1 | Video Diary | — | ||
| 3-1 | I’m Not Okay (I Promise) (live at The Starland Ballroom) | — | ||
| 3-2 | Cemetery Drive (live at The Starland Ballroom) | — | ||
| 3-3 | Our Lady of Sorrows (live at The Starland Ballroom) | — | ||
| 3-4 | Honey This Mirror Isn’t Big Enough for the Two of Us (live at The Starland Ballroom) | — | ||
| 3-5 | You Know What They Do to Guys Like Us in Prison (live from MTV2 2$Bill) | — | ||
| 3-6 | Head First for Halos (live at The Starland Ballroom) | — | ||
| 3-7 | The Ghost of You (live from MTV2 2$Bill) | — | ||
| 3-8 | Thank You for the Venom (live at The Starland Ballroom) | — | ||
| 3-9 | Give ’Em Hell, Kid (live from MTV2 2$Bill) | — | ||
| 3-10 | Vampires Will Never Hurt You (live at The Starland Ballroom) | — | ||
| 3-11 | Helena (live at The Starland Ballroom) | — | ||
| 3-12 | I’m Not Okay (I Promise) (from MTV Discover and Download) | — | ||
| 3-13 | I’m Not Okay (I Promise) (from Late Night with Conan O’Brien) | — | ||
| 3-14 | Helena (live at AOL Sessions) | — | ||
| 3-15 | I’m Not Okay (I Promise) (live at AOL Sessions) | — | ||
| 3-16 | The Ghost of You (live at AOL Sessions) | — | ||
| 3-17 | You Know What They Do to Guys Like Us in Prison (live at AOL Sessions) | — | ||
| 3-18 | I’m Not Okay (I Promise) (live at Launch) | — | ||
| 3-19 | Helena (live at Launch) | — | ||
| 3-20 | I’m Not Okay (I Promise) | — | ||
| 3-21 | I’m Not Okay (I Promise) | — | ||
| 3-22 | Making the Video “I’m Not Okay (I Promise)” | — | ||
| 3-23 | Helena | — | ||
| 3-24 | Making the Video “Helena” | — | ||
| 3-25 | The Ghost of You | — | ||
| 3-26 | Making the Video “The Ghost of You” | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 093624947622?
093624947622 is a Universal Product Code (UPC) assigned to Life on the Murder Scene by My Chemical Romance. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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