UPC · Release
The Most Relaxing Classical Music in the World ...Ever!
Various Artists
094633035027
15 tracksReleased 2005-01-01Virgin
Last verified:
094633035027 is the Universal Product Code (UPC barcode) for the release “The Most Relaxing Classical Music in the World ...Ever!” by Various Artists, released 2005-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include GBAYC8300192, DEA349000917, GBAYC0103447.
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UPCThe Most Relaxing Classical Music in the World ...Ever!
ISRC14 recordings
ISWC20 works
IPI15 songwriters
Track List (15)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 3 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 4 | Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 5 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 6 | Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | — | |
| 7 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 8 | The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | T-073093054-7 | |
| 9 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 10 | Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | T9001209376 | |
| 11 | 'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon) | Julia Thornton | — | |
| 12 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T3125425669 | |
| 13 | Voca Me | — | ||
| 14 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 15 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — |
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
—
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Concerto for 2 Mandolins in G Major, RV 532 II. Andante
Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi
—
Fantasia on a Theme by Thomas Tallis (opening)
London Philharmonic Orchestra, Sir Adrian Boult
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Memories of the Alhambra (Recuerdos de la Alhambra)
Christopher Parkening
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
The City of Prague Philharmonic Orchestra, Nic Raine
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
—
Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE
'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon)
Julia Thornton
—
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Voca Me
—
London Symphony Orchestra, Sir Adrian Boult
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Additional database matches (69)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T0502420101 |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T3056256710 |
| Serse, HWV 40: Atto I. “Ombra mai fu” (Serse) | Gérard Lesne, Il Seminario Musicale | T3080213038 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 |
| Balcony Scene | The London Session Orchestra, Craig Armstrong | T-914.983.545-0 |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — |
| Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317671333-6 |
| Pie Jesu (Requiem) | Jane Gilchrist | T-010.065.879-4 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T0614093650 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T9023004651 |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T0050011976 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | T3213022830 |
| Gnossiennes: I. (Lent) | Anne Queffélec | T-003010023-2 |
| Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — |
| Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041489061-1 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070248886-5 |
| Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T9066386901 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Pie Jesu | Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | T0100658794 |
| Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901222501-3 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 |
| Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308381369-4 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T8024454103 |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902858745-3 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-927972087-5 |
| The Planets: Venus, the Bringer of Peace (conclusion) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | — |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-802445410-3 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 |
| Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T9093402187 |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 |
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Gérard Lesne, Il Seminario Musicale
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
The London Session Orchestra, Craig Armstrong
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Jane Gilchrist
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
Academy of St Martin in the Fields, Sir Neville Marriner
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Orchestre national de France, Seiji Ozawa
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Philharmonia Orchestra, Riccardo Muti
Anne Queffélec, London Symphony Orchestra
Anne Queffélec
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
—
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
The Philadelphia Orchestra, Wolfgang Sawallisch
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
—
Shearman Orchestra, David Abel
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
—
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
The Planets: Venus, the Bringer of Peace (conclusion)
London Philharmonic Orchestra, Sir Adrian Boult
—
Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt)
Stephen Hough, Hallé Orchestra, Bryden Thomson
—
Stephen Hough, Hallé Orchestra, Bryden Thomson
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Manuel Barrueco, Steve Morse
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Philharmonia Orchestra, Riccardo Muti
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055129945000000005517529800000000551804170000000055192274000000005928437900000000595129170000000063086703000000006309059300000000631038680000000063111622
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What is UPC 094633035027?
094633035027 is a Universal Product Code (UPC) assigned to The Most Relaxing Classical Music in the World ...Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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