UPC · Release
Mahler, Kölner Rundfunk-Sinfonieorchester, Gary Bertini
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The UPC for “Symphonies nos. 1-10 / Das Lied von der Erde” by Mahler, Kölner Rundfunk-Sinfonieorchester, Gary Bertini is 094634023825. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: EMI Classics. This release contains 68 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: I. Langsam, Schleppend, wie ein Naturlaut - Im Anfang sehr gemächlich | — | ||
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | — | ||
| 5 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso, mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 2-1 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich | — | ||
| 2-2 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender bewegung | — | ||
| 2-3 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht: sehr feierlich, aber schlicht (Choralmaßig) ('o Röschen Rot!' Des Knaben Wunderhorn) | — | ||
| 2-4 | Symphony no. 2 in C minor "Resurrection": Va. Im Tempo des Scherzo. Wild Herausfahrend | — | ||
| 2-5 | Symphony no. 2 in C minor "Resurrection": Vb. Wieder Sehr Breit | — | ||
| 2-6 | Symphony no. 2 in C minor "Resurrection": Vc. Ritardando ... Maestoso. Sehr zuruckhaltend | — | ||
| 2-7 | Symphony no. 2 in C minor "Resurrection": Vd. Wieder Zuruckhaltend | — | ||
| 2-8 | Symphony no. 2 in C minor "Resurrection": Ve. Langsam. Misterioso ('Auferstehn! Ja, Auferstehn' Klopstock/Mahler) | — | ||
| 2-9 | Symphony no. 2 in C minor "Resurrection": Vf. Etwas Bewegter | — | ||
| 2-10 | Symphony no. 2 in C minor "Resurrection": Vg. Mit Aufschwung, Aber Nicht Eilen | — | ||
| 3-1 | Symphony no. 3 in D minor, Part I: I. Kraftig. Entschieden | — | ||
| 3-2 | Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) | — | ||
| 3-3 | Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) | — | ||
| 3-4 | Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!' Niezsche) | — | ||
| 4-1 | Symphony no. 3 in D minor, Part II, V: Lustig Im Tempo und keck im Ausdruck ('Es sungen drei Engel' Des Knaben Wunderhorn) | — | ||
| 4-2 | Symphony no. 3 in D minor, Part II, VI: Sehr langsam - Ruhevoll - Empfunden | — | ||
| 4-3 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | — | ||
| 4-4 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 4-5 | Symphony no. 4 in G major: III. Ruhevoll | — | ||
| 5-1 | Symphony no. 4 in G major: IV. Sehr behaglich ("Das himmlische Leben" Des Knaben Wunderhorn) | — | ||
| 5-2 | Symphony no. 5 in C-sharp minor, Part I: I. Trauermarsch (Im Gemessenem Schritt. Streng. Wie Ein Kondukt) | — | ||
| 5-3 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 5-4 | Symphony no. 5 in C-sharp minor, Part II: III. Scherzo (Kraftig, nicht zu schnell) | — | ||
| 5-5 | Symphony no. 5 in C-sharp minor, Part II: IV. Adagietto. Sehr Langsam | — | ||
| 5-6 | Symphony no. 5 in C-sharp minor, Part III: V. Rondo - Finale. Allegro | — | ||
| 6-1 | Symphony no. 7 in E minor: I. Langsam - Allegro | — | ||
| 6-2 | Symphony no. 7 in E minor: II. Nachtmusik I | — | ||
| 6-3 | Symphony no. 7 in E minor: III. Scherzo: Schattenhaft | — | ||
| 6-4 | Symphony no. 7 in E minor: IV. Nachtmusik II: Andante amoroso | — | ||
| 6-5 | Symphony no. 7 in E minor: V. Rondo - Finale | — | ||
| 7-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo | — | ||
| 7-2 | Symphony no. 6 in A minor: II. Scherzo: Wuchtig | — | ||
| 7-3 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 8-1 | Symphony no. 6 in A minor: IV. Finale: Sostenuto - Allegro moderato | — | ||
| 8-2 | Symphony no. 9 in D major: I. Andante comodo | — | ||
| 8-3 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb | — | ||
| 9-1 | Symphony no. 9 in D major: III. Rondo Burleske: Allegro assai. Sehr trotzig | — | ||
| 9-2 | Symphony no. 9 in D major: IV. Adagio: Sehr langsam und noch zurückhaltend | — | ||
| 9-3 | Symphony no. 10 in F-sharp minor: I. Adagio | — | ||
| 10-1 | Symphony no. 8 in E-flat major, Part I: Veni, Creator Spiritus | — | ||
| 10-2 | Symphony no. 8 in E-flat major, Part I: Imple superna gratia | — | ||
| 10-3 | Symphony no. 8 in E-flat major, Part I: Infirma nostri corporis | — | ||
| 10-4 | Symphony no. 8 in E-flat major, Part I: Accende lumen sensibus | — | ||
| 10-5 | Symphony no. 8 in E-flat major, Part I: Veni, Creator Spiritus | — | ||
| 10-6 | Symphony no. 8 in E-flat major, Part I: Gloria Patri Domino | — | ||
| 10-7 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Poco adagio: Waldung, sie schwankt heran | — | ||
| 10-8 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Ewiger Wonnebrand | — | ||
| 10-9 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Wie Felsenabgrund mir zu Füßen | — | ||
| 10-10 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Gerettet ist das edle Glied | — | ||
| 10-11 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Uns bleibt ein Erdenrest | — | ||
| 10-12 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Hier ist die Aussicht frei | — | ||
| 10-13 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Höchste Herrscherin der Welt! | — | ||
| 10-14 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Dir, der Unberührbaren | — | ||
| 10-15 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Bei der Liebe, die den Füßen | — | ||
| 10-16 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Neige, Neige, du Ohnegleiche | — | ||
| 10-17 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Blicket auf zum Retterblick | — | ||
| 10-18 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Alles Vergängliche | — | ||
| 11-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (After Li-Tai-Po) | — | ||
| 11-2 | Das Lied von der Erde: II. Der Einsame im Herbst (After Chang-Tsi) | — | ||
| 11-3 | Das Lied von der Erde: III. Von der Jugend (After Li-Tai-Po) | — | ||
| 11-4 | Das Lied von der Erde: IV. Von der Schönheit (After Li-Tai-Po) | — | ||
| 11-5 | Das Lied von der Erde: V. Der Trunkene im Frühling (After Li-Tai-Po) | — | ||
| 11-6 | Das Lied von der Erde: VI. Der Abschied (After Mong-Kao-Jen & Wan-Sei) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
094634023825 is a Universal Product Code (UPC) assigned to Symphonies nos. 1-10 / Das Lied von der Erde by Mahler, Kölner Rundfunk-Sinfonieorchester, Gary Bertini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Symphonies nos. 1-10 / Das Lied von der Erde” by Mahler, Kölner Rundfunk-Sinfonieorchester, Gary Bertini is 094634023825. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: EMI Classics. This release contains 68 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: I. Langsam, Schleppend, wie ein Naturlaut - Im Anfang sehr gemächlich | — | ||
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | — | ||
| 5 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso, mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 2-1 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich | — | ||
| 2-2 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender bewegung | — | ||
| 2-3 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht: sehr feierlich, aber schlicht (Choralmaßig) ('o Röschen Rot!' Des Knaben Wunderhorn) | — | ||
| 2-4 | Symphony no. 2 in C minor "Resurrection": Va. Im Tempo des Scherzo. Wild Herausfahrend | — | ||
| 2-5 | Symphony no. 2 in C minor "Resurrection": Vb. Wieder Sehr Breit | — | ||
| 2-6 | Symphony no. 2 in C minor "Resurrection": Vc. Ritardando ... Maestoso. Sehr zuruckhaltend | — | ||
| 2-7 | Symphony no. 2 in C minor "Resurrection": Vd. Wieder Zuruckhaltend | — | ||
| 2-8 | Symphony no. 2 in C minor "Resurrection": Ve. Langsam. Misterioso ('Auferstehn! Ja, Auferstehn' Klopstock/Mahler) | — | ||
| 2-9 | Symphony no. 2 in C minor "Resurrection": Vf. Etwas Bewegter | — | ||
| 2-10 | Symphony no. 2 in C minor "Resurrection": Vg. Mit Aufschwung, Aber Nicht Eilen | — | ||
| 3-1 | Symphony no. 3 in D minor, Part I: I. Kraftig. Entschieden | — | ||
| 3-2 | Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) | — | ||
| 3-3 | Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) | — | ||
| 3-4 | Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!' Niezsche) | — | ||
| 4-1 | Symphony no. 3 in D minor, Part II, V: Lustig Im Tempo und keck im Ausdruck ('Es sungen drei Engel' Des Knaben Wunderhorn) | — | ||
| 4-2 | Symphony no. 3 in D minor, Part II, VI: Sehr langsam - Ruhevoll - Empfunden | — | ||
| 4-3 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | — | ||
| 4-4 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 4-5 | Symphony no. 4 in G major: III. Ruhevoll | — | ||
| 5-1 | Symphony no. 4 in G major: IV. Sehr behaglich ("Das himmlische Leben" Des Knaben Wunderhorn) | — | ||
| 5-2 | Symphony no. 5 in C-sharp minor, Part I: I. Trauermarsch (Im Gemessenem Schritt. Streng. Wie Ein Kondukt) | — | ||
| 5-3 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 5-4 | Symphony no. 5 in C-sharp minor, Part II: III. Scherzo (Kraftig, nicht zu schnell) | — | ||
| 5-5 | Symphony no. 5 in C-sharp minor, Part II: IV. Adagietto. Sehr Langsam | — | ||
| 5-6 | Symphony no. 5 in C-sharp minor, Part III: V. Rondo - Finale. Allegro | — | ||
| 6-1 | Symphony no. 7 in E minor: I. Langsam - Allegro | — | ||
| 6-2 | Symphony no. 7 in E minor: II. Nachtmusik I | — | ||
| 6-3 | Symphony no. 7 in E minor: III. Scherzo: Schattenhaft | — | ||
| 6-4 | Symphony no. 7 in E minor: IV. Nachtmusik II: Andante amoroso | — | ||
| 6-5 | Symphony no. 7 in E minor: V. Rondo - Finale | — | ||
| 7-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo | — | ||
| 7-2 | Symphony no. 6 in A minor: II. Scherzo: Wuchtig | — | ||
| 7-3 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 8-1 | Symphony no. 6 in A minor: IV. Finale: Sostenuto - Allegro moderato | — | ||
| 8-2 | Symphony no. 9 in D major: I. Andante comodo | — | ||
| 8-3 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb | — | ||
| 9-1 | Symphony no. 9 in D major: III. Rondo Burleske: Allegro assai. Sehr trotzig | — | ||
| 9-2 | Symphony no. 9 in D major: IV. Adagio: Sehr langsam und noch zurückhaltend | — | ||
| 9-3 | Symphony no. 10 in F-sharp minor: I. Adagio | — | ||
| 10-1 | Symphony no. 8 in E-flat major, Part I: Veni, Creator Spiritus | — | ||
| 10-2 | Symphony no. 8 in E-flat major, Part I: Imple superna gratia | — | ||
| 10-3 | Symphony no. 8 in E-flat major, Part I: Infirma nostri corporis | — | ||
| 10-4 | Symphony no. 8 in E-flat major, Part I: Accende lumen sensibus | — | ||
| 10-5 | Symphony no. 8 in E-flat major, Part I: Veni, Creator Spiritus | — | ||
| 10-6 | Symphony no. 8 in E-flat major, Part I: Gloria Patri Domino | — | ||
| 10-7 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Poco adagio: Waldung, sie schwankt heran | — | ||
| 10-8 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Ewiger Wonnebrand | — | ||
| 10-9 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Wie Felsenabgrund mir zu Füßen | — | ||
| 10-10 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Gerettet ist das edle Glied | — | ||
| 10-11 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Uns bleibt ein Erdenrest | — | ||
| 10-12 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Hier ist die Aussicht frei | — | ||
| 10-13 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Höchste Herrscherin der Welt! | — | ||
| 10-14 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Dir, der Unberührbaren | — | ||
| 10-15 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Bei der Liebe, die den Füßen | — | ||
| 10-16 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Neige, Neige, du Ohnegleiche | — | ||
| 10-17 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Blicket auf zum Retterblick | — | ||
| 10-18 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Alles Vergängliche | — | ||
| 11-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (After Li-Tai-Po) | — | ||
| 11-2 | Das Lied von der Erde: II. Der Einsame im Herbst (After Chang-Tsi) | — | ||
| 11-3 | Das Lied von der Erde: III. Von der Jugend (After Li-Tai-Po) | — | ||
| 11-4 | Das Lied von der Erde: IV. Von der Schönheit (After Li-Tai-Po) | — | ||
| 11-5 | Das Lied von der Erde: V. Der Trunkene im Frühling (After Li-Tai-Po) | — | ||
| 11-6 | Das Lied von der Erde: VI. Der Abschied (After Mong-Kao-Jen & Wan-Sei) | — |
